The October Horse (101 page)

Read The October Horse Online

Authors: Colleen McCullough

Tags: #Ancient, #Egypt, #Fiction, #Historical, #General, #History

BOOK: The October Horse
5.41Mb size Format: txt, pdf, ePub

“I'm for home,” said Rhascupolis. “Who's with me?”

No one, it seemed. The Thracian shrugged, found his horse, mounted it and disappeared.

When the wound had done bleeding—a very little only—there was a leap of flame in the west; Statyllus had kindled the camp beacon. So they waited as the constellations wheeled overhead and Brutus lay very peacefully on the pungent carpet, his eyes closed, the coin in his mouth—a gold denarius with his own profile on its obverse side.

Finally Dardanus the shield bearer stirred. “Statyllus is not coming back,” he said. “Let us take Marcus Brutus to Marcus Antonius. He would wish it so.”

They loaded the limp body across Brutus's own horse and, as dawn broke faintly in the east, commenced the plod back to the battlefield of Philippi.

•      •      •

A prowling cavalry squadron conducted them to Mark Antony's tent, where the victor of Philippi was already up and about, his robust health more than equal to the feast of last night.

“Put him there,” said Antony, pointing to a couch.

Two German troopers carried the very small bundle to the couch and laid it down gently, straightened its limbs until once more it assumed the form of a man.

“My paludamentum, Marsyas,” said Antony to his body servant.

The scarlet cape of the general was brought; Antony shook it out and let it flutter to cover all but Brutus's face, stark and white, the scars of those decades of acne pitting its skin, the lank black curls crowning his scalp like silky feathers.

“Have you money to go home?” he asked Volumnius.

“Yes, Gaius Antonius, but we would like to take Statyllus and Lucilius too.”

“Statyllus is dead. Some guards caught him in Brutus's camp and thought he was there to loot. I've seen his corpse. As for the false Brutus—I've a mind to keep Lucilius in my own service. Loyalty is hard to find.” Antony turned to his body servant. “Marsyas, arrange passes for any of Brutus's people who wish to go to Neapolis.”

Which left him alone with Brutus, mute company. Brutus and Cassius dead. Aquila, Trebonius, Decimus Brutus, Cimber, Basilus, Ligarius, Labeo, the Casca brothers, a few more of the assassins. That it should have come to this, when it all might have blown over and Rome gone on in its same old slipshod, imperfect way! But no, that hadn't satisfied Octavianus the arch-manipulator, the nightmare Caesar had conjured up out of nowhere to exact a full and bloody revenge.

As if the thought were father to the reality, Antony looked up to see Octavian standing in the light-filled triangle of the tent flap, with his impassive, stunningly handsome coeval Agrippa right behind him. Wrapped in a grey cloak, that hair glittering in the lamp flames like the tumbled surface of a pile of gold coins.

“I heard the news,” Octavian said, coming to stand beside the couch and gaze down at Brutus; a finger came out, touched the waxen cheek as if to assess its substance, then withdrew to be wiped fastidiously on the grey cloak. “He's a wisp.”

“Death shrinks us all, Octavianus.”

“Not Caesar. Death has enhanced him.”

“Unfortunately that's true.”

“Whose paludamentum is that? His?”

“No, it's mine.”

The slight frame went rigid, the big grey eyes narrowed and blazed cold fire. “You do the cur too much honor, Antonius.”

“He's a Roman nobleman, the commander of a Roman army. I'll do him even greater honor at his funeral later today.”

“Funeral? He deserves no funeral!”

“My word rules here, Octavianus. He'll be burned with full military honors.”

“Your word does not rule! He's Caesar's assassin!” Octavian hissed. “Feed him to the dogs, as Neoptolemus did Priam!”

“I don't care if you howl, whine, screech, whimper or mew,” Antony said, little teeth bared, “Brutus will be burned with full military honors, and I expect your legions to be present!”

The smooth, beautiful young face turned to stone, suddenly so much the face of Caesar in a temper that Antony took an involuntary step backward, appalled.

“My legions can do as they please. And if you insist upon your honorable funeral, then conduct it. But not the head. The head is mine. Give it to me! To me!”

Antony looked on Caesar at the height of his power, saw a will incapable of bending. Thrown completely off balance, he found himself unable to tower, to roar, to bully. “You're mad,” he said.

“Brutus murdered my father. Brutus led my father's assassins. Brutus is my prize, not yours. I will ship his head to Rome, where I will impale it on a spear and fix it at the base of Divus Julius's statue in the Forum,” said Octavian. “Give me the head.”

“Do you want Cassius's head too? You're too late, it's not here. I can offer you a few others who died yesterday.”

“Just the head of Brutus,” Octavian said, voice steel.

The advantage lost, he didn't honestly know how, Antony was reduced to pleading, then to begging, then to exhortations in his best oratory, then to tears. He ran the gamut of the softer emotions, for if there was one thing this joint expedition had shown him, it was that Octavianus the weakling, the sickly ninny, was impossible to cow, dominate, overwhelm. And with that shadow Agrippa always just behind him, unkillable too. Besides, the legions wouldn't condone it.

“If you want it, then you take it!” he said in the end.

“Thank you. Agrippa?”

It was done in the time it took lightning to strike. Agrippa drew his sword, stepped forward, swung it and chopped through the neck clear to the cushions beneath, which parted and spat a shower of goose down. Then Octavian's coeval caught the black curls in his fingers and let the head hang by his side. His face never changed.

“It will rot before it reaches Athens, let alone Rome,” said Antony, nauseated and disgusted.

“I commandeered a jar of pickling brine from the butchers,” Octavian said coolly, walking to the tent flap. “It doesn't matter if the brain melts to a runny mess, as long as the face is recognizable. Rome must know that Caesar's son has avenged his chief murderer.”

Agrippa and the head disappeared, Octavian lingered. “I know who's dead, but who has been taken prisoner?” he asked.

“Just two. Quintus Hortensius and Marcus Favonius. The rest chose to fall on their swords—it's not hard to see why,” Antony said, flicking one hand at Brutus's headless body.

“What do you intend to do with the captives?”

“Hortensius gave the governorship of Macedonia to Brutus, so he dies on my brother Gaius's tomb. Favonius can go home—he's completely harmless.”

“I insist that Favonius be executed immediately!”

“In the name of all our gods, Octavianus, why? What has he ever done to you?” Antony cried, clutching at his hair.

“He was Cato's best friend. That's reason enough, Antonius. He dies today.”

“No, he goes home.”

“Execution, Antonius. You need me, my friend. You can't do without me. And I insist.”

“Any more orders?”

“Who got away?”

“Messala Corvinus. Gaius Clodius, who murdered my brother. Cicero's son. And all the fleet admirals, of course.”

“So there are still a few assassins to bring to justice.”

“You won't rest until they're all dead, eh?”

“Correct.” The flap parted; Octavian was gone.

“Marsyas!” Antony bellowed.

“Yes, domine!”

Antony plucked at the scarlet cape to twitch a fold over the grisly neck, oozing fluid. “Find the senior tribune on duty and tell him to have a funeral pyre prepared. We burn Marcus Brutus today with full military honors—and don't let anyone know that Marcus Brutus no longer has his head. Find a pumpkin or something that will do, and send ten of my Germans to me now. They can put him on his bier inside this tent, put the pumpkin where the head ought to be, and pin the cape down firmly. Understood?”

“Yes, domine,” said the ashen Marsyas.

While the Germans and the shivering body servant dealt with the corpse of Marcus Brutus, Antony sat turned away, nor said a word. Only after Brutus was gone did he stir, blink away sudden, inexplicable tears.

The army would eat until it got home, there was so much food in the two Liberator camps, and more by far in Neapolis; the admirals had sailed the moment they heard the result of Second Philippi, leaving everything behind. A house full of silver one-talent sows, stuffed granaries, smokehouses of bacon, barrels of pickled pork, a warehouse of chickpea and lentil. The haul would amount to at least a hundred thousand talents in coin and sows, so the promised bonuses could be paid. Twenty-five thousand of the Liberator troops had volunteered to join Octavianus's legions. No one wanted to join Antonius's, though it was Antonius had won the two battles.

Calm down, Marcus Antonius! Don't let that cold-blooded cobra Octavianus sink his fangs into you. He's right, and he knows it. I need him, I can't do without him. I've an army to get back to Italy, where the three Triumvirs have it all to do again. A new pact, an extended commission to set Rome in order. And it will give me great pleasure to dump all the dirty work on Octavianus. Let him find land for a hundred thousand veterans and feed three million Roman citizens with Sextus Pompeius owning Sicily and the seas. A year ago I would have said he couldn't do it. Now, I'm not so sure. Agents, for pity's sake! He's hatched a small army of snakelets to whisper, and spy, and promulgate his causes, from the worship of Caesar to securing his own position. But I can't live in the same city with him. I'm going to find a more congenial place to live, more congenial things to do than wrestle with an empty Treasury, hordes of veterans, and the grain supply.

•      •      •

“Is the head snugged down for its passage home?” Octavian asked Agrippa when he entered his tent.

“Perfectly, Caesar.”

“Tell Cornelius Callus to take it to Amphipolis and hire a seaworthy ship. I don't want it traveling with the legions.”

“Yes, Caesar,” said Agrippa, turning to leave.

“Agrippa?”

“Yes, Caesar?”

“You did superbly at the head of the Fourth.” He smiled, his breathing light and easy, his pose relaxed. “Brave Diomedes to my Ulysses. So may it always be.”

“So will it always be, Caesar.”

And today I too won a victory. I faced Antonius down, I beat him. Within a year he'll have no choice but to call me Caesar to the whole Roman world. I will take the West and give Antonius the East wherein to ruin himself. Lepidus can have Africa and the Domus Publica, he's no threat to either of us. Yes, I have a stout little band of adherents— Agrippa, Statilius Taurus, Maecenas, Salvidienus, Lucius Cornificius, Titius, Cornelius Gallus, the Coccei, Sosius . . . The nucleus of an expanding new nobility. That was my father's great mistake. He wanted to preserve the old nobility, wanted his faction adorned by all the great old names. He couldn't establish his autocracy within an ostensibly democratic framework. But I won't make that mistake. My health and my tastes don't run to splendor, I can never rival his magnificence as he stalked through the Forum in the garb of the Pontifex Maximus with his valorous crown upon his head and that inimitable aura of invincibility around him. Women looked on him, and swooned. Men looked on him, and their inadequacies gnawed at them, their impotence drove them to hate him.

Whereas I will be their paterfamilias—their kind, steady, warm and smiling daddy. I will let them think they rule themselves, and monitor their every word and action. Turn the brick of Rome into marble. Fill Rome's temples with great works of art, re-pave her streets, deck her squares, plant trees and build public baths, give the Head Count full bellies and all the entertainment they could wish for. Wage war only when necessary, but garrison the peripheries of our world. Take the gold of Egypt to revitalize Rome's economy. I am so young, I have the time to do it all.

But first, find a way to eliminate Marcus Antonius without murdering him, or going to war against him. It can be done: the answer lies in the mists of time, just waiting to manifest itself.

The October Horse
3

When no ship's captain in Amphipolis could be prevailed upon to take a fat fee and put out into winter seas bound for Rome, Cornelius Callus brought the big, swilling jar back to the camp at Philippi to find the army still mopping up.

“Then,” said Octavian, sighing, “take it all the way across to Dyrrachium and find a ship there. Go now, Gallus. I don't want it traveling with the army. Soldiers are superstitious.”

Cornelius Gallus and his squadron of German cavalry arrived in Dyrrachium at the end of that momentous year; there he found his ship, its master willing to make the voyage across the Adriatic to Ancona. Brundisium was no longer under blockade, but there were many fleets roaming, their Liberator admirals rudderless as they debated what to do. Mostly, join Sextus Pompey.

It was no part of Callus's orders to accompany the jar; he handed it over to the captain and rode back to Octavian. But someone in his party whispered what the cargo was before he left, for it had generated much interest. A whole ship, hired at great expense, just to ferry a big ceramic jar to Italy? It hadn't made any sense until the whisper surfaced. The head of Marcus Junius Brutus, murderer of Divus Julius! Oh, the Lares Permarini protect us from this evil cargo!

In the middle of the sea the merchantman encountered a storm worse than any the crew had ever experienced. The head! It was the head! When the stout hull sprang a bad leak, the crew was sure that the head was determined to kill them too. So the oarsmen and sailors wrested the jar from the captain's custody and threw it overboard. The moment it vanished, the storm blew into nothing.

And the jar containing the head of Marcus Junius Brutus sank like the heavy stone it was, down, down, down, to lie forever on the muddy bottom of the Adriatic Sea somewhere between Dyrrachium and Ancona.

FINIS

The October Horse
AUTHOR'S AFTERWORD

Marking as it does the passing of the last great Republican mover and shaker, Gaius Julius Caesar, The October Horse brings my series of novels about Republican Rome to an end.

Octavius/Octavian/Augustus more properly belongs to the Imperium than to the Republic, so, having dealt with his childhood and his emergence on to the stage of world affairs, I think it is appropriate to call a halt to what has been an enormously enjoyable creative exercise: breathing life into history without distorting it more than the limitations of my scholarship make inevitable.

Provided that history is adhered to and the writer can resist the temptation to visit his or her own modern attitudes, ethics, morals and ideals upon the period and its characters, the novel is an excellent way to explore a different time. It permits the writer to climb inside the characters' heads and wander the maze of their thoughts and emotions: a luxury not permitted to professional historians, but one that can render understandable events that are otherwise inexplicable, mysterious or incongruous. During the course of these six books, I have taken the external events of some very famous lives and attempted to create rounded, believable human beings endowed with all the complexities common sense dictates they must have possessed.

What attracted me to the period was threefold: first of all, that it hadn't been done to death by other writers; secondly, its relevance to modern western civilization in that so much of our own systems of justice, government and commerce stem out of the Roman Republic; and, last but by no means least, that rarely have so many extraordinarily gifted men walked history's stage in close enough temporal proximity to one another to have known one another as living men. Marius, Sulla and Pompey the Great were all known to Caesar, and all, in one way or another, shaped the course of his life, as did other famous historical figures like Cato Uticensis and Cicero. But by the end of The October Horse they are all gone, including Caesar. What remains is their legacy to the ongoing Roman experience: Caesar's great-nephew, Gaius Octavius, who was to become Caesar Imperator, and then Augustus. If I don't stop now, I never will!

•      •      •

Now to some specifics.

The specter of William Shakespeare must always overshadow our preconceptions of Brutus, Cassius, Mark Antony, and Caesar's assassination. With apologies to the Bard, I have decided to follow the ancient sources that state that Caesar said nothing before he died, and that Mark Antony didn't have a chance to make a great funeral oration before the crowd surged.

The etymology of the word “assassin” is younger than this period, but I have chosen to use it in my text because of its specificity to modern readers. Occasionally a more modern word is more satisfactory than any word a Latin speaker may have had at his or her command, but I have endeavored to keep this sort of thing to a minimum. Some words are untranslatable, and appear in the text in Latin, such as pomerium, mos maiorum and contio.

The reader may be intrigued by some of the less well-known events of these generally best known years: Cato's overland march to Africa Province, and the fate of Brutus's head, for example. Others, like the battle of Philippi, are so confused that making head or tail of them is difficult. The two most widely read ancient sources, Plutarch and Suetonius, must be supplemented by dozens and dozens of others, including Appian, Cassius Dio and Cicero's letters, speeches and essays. A bibliography is available if any interested party cares to write to me at P.O. Box 333, Norfolk Island, via Australia.

•      •      •

One liberty I have taken with history concerns the reputed cowardice of Octavian during the campaign that culminated in the battle of Philippi. The more I delved into his early life, the less credible cowardice seemed. So many other aspects of his career at this stage indicate that he did not lack courage; he had quite astonishing sticking power, and tackled undertakings like two marches on Rome as a teenager with all the aplomb of a Sulla or a Caesar. I am in good company, incidentally, when I have the lad steal Caesar's war chest; Sir Ronald Syme thought he did too.

Getting back to the so-called cowardice, it struck me that there might be a physical reason for his behavior. What intrigued me was the statement that Octavian “hid in the marshes” during First Philippi, a battle we know produced so much dust that Cassius couldn't even see Brutus's camp from his own. In that conduct, I believe, lies the answer to the riddle. What if Octavian suffered from asthma? Asthma is a disorder that can imperil life, may diminish (or increase) with age, and is affected by foreign matter in the air, from dust to pollen to water vapor, and by emotional stress. It fits very well with what we know of the young Caesar Augustus. Maybe, after he had cemented his power, enjoyed a more stable private life, and had the gold of Egypt to put the Empire back on its feet, he suffered fewer or even no asthmatic attacks. Though he traveled, he was not an inveterate traveler like Caesar, nor does he seem to have experienced Caesar's rude health. Did Octavian have asthma, it makes everything that happened to him during that campaign in Macedonia logical, including his fleeing to the sea breezes and cleaner air of the salt marshes while dry ground was fogged by a suffocating pall of chaffy dust. My recourse to asthma is not an excuse aimed at making Octavian look good, it is simply an attempt to explain his conduct in a reasonable, possible way.

•      •      •

On the subject of Caesar's “epilepsy,” I have professional experience to assist me. In a day and age when anticonvulsant medication was not available, Caesar's mental acuity, including at the end of his life, militates against a long-term epileptic condition of generalized nature, though the only seizure described in the ancient sources seems to have been a generalized one. Many altered physiological states can cause a rare seizure in persons who do not have regular seizures, for epilepsy is a symptom rather than a disease. Trauma, space-occupying lesions of the brain, cerebral inflammation, severe electrolyte imbalances and acute hypoglycemia, among other things, can cause seizures. Since the ancient sources harp a little on Caesar's indifference to food, I elected to attribute his seizure to an attack of hypoglycemia (low blood sugar) following a systemic illness that may have involved the pancreas.

So much has been written about the significance of Caesar's wearing the high red boots of the Alban Kings in the last two months of his life that a spirit of mischief led me to gift him with varicose veins. The Roman boot was a low affair that would not afford support for varicosities, whereas a high, tightly laced boot would. I am as likely to be right as wrong!

Health and disease are, not unnaturally, often misinterpreted by historians, whose academic inclinations lie far from medicine. It just seems to me that, particularly in times when knowledge of and treatment of ailments was less adept than it is now, many famous historical characters must surely have suffered common maladies like diabetes, asthma, varicose veins, heart failure, and Napoleon's notorious hemorrhoids. Cancer was common, pneumonia often fatal, and poliomyelitis stalked Rome's seven hills every summer. The description of the plague in Egypt sounds suspiciously like a close cousin to the Black Death, or else was it.

•      •      •

There are aspects of Cleopatra's relationship with Caesar and her subsequent relationship with Mark Antony that are overlooked, though they should not be.

One must always be skeptical about Cleopatra, whom the mature Octavian/Augustus found it politic to malign; he didn't dare have a civil war with Antony, so in her he found his foreign foe. The first master of propaganda, Octavian is responsible for her reputation as sexually promiscuous, up to and including denying that Caesarion was her son by Caesar. The truth is that her royal situation would have insisted that she be a virgin, but more than that: a Ptolemy, she would never have lowered herself to mate with a mere mortal. Circumstances like inundations in the Cubits of Death and an unavailable Ptolemaic husband made Caesar an eligible husband; he was generally regarded as a god throughout the eastern end of the Mediterranean when he landed in Alexandria.

But having introduced a new strain of godly blood into her line, Cleopatra was then faced with the problem of reinforcing that new, Julian blood. Her first choice to achieve this would have been a full sister for Caesarion to marry, but when that did not happen, she had to find another source of Julian blood. Mark Antony's mother was a Julia, so he qualified. There can be no doubt that, had he lived, Caesarion would have married his half sister by Antony, Cleopatra Selene. The only other answer to Cleopatra's dilemma than a Julian bride for Caesarion was marriage to her own half sister, Arsinoë: an alternative she could not condone, as it would have led to her own murder.

There were thus excellent dynastic reasons why Cleopatra espoused Mark Antony and had children by him. To do so ensured the House of Ptolemy Caesar. But, of course, Octavian destroyed all Cleopatra's hopes by killing Caesarion before his little half sister was old enough for marriage. This child, Cleopatra Selene, was reared by Octavia and was eventually married to King Juba II of Numidia. Her twin brother, Ptolemy Helios, and their small brother, Ptolemy Philadelphia, were also raised by Octavia.

•      •      •

Now to the drawings.

Rarely has a people pre-dating the candid camera left such an immensely rich legacy of “warts and all” portraiture as the Romans. Identification of the busts depends largely upon coin profiles, as the busts were almost never labeled with a name. These unflattering likenesses were painted in the manner of a waxworks figure, which means that we do not see them today as they were in antiquity. It is for this reason that I have tried to bring the busts to life by drawing them. As I am no artist, I beg to be excused their faults. Most have lost their necks, so I fall down badly on necks. The hair I have kept stylized because to do so emphasizes the genius of the Roman barber, who seems to have catered for the individual mutiny of his master's hair amazingly well.

First, the authenticated busts.

Good busts of Caesar all possess certain similarities: the frown lines, the creases at the outer corners of the eyes, the ears, the extraordinary cheekbones, and the slightly uptilted lips.

The Cassius is drawn from the Montreal bust, and confirms the impression one must get from Cicero's famous “shipwreck” letter, that Cassius did not look lean and hungry!

There are many busts of Caesar Augustus, and of all ages save old age. Though they do have vague echoes of Alexander the Great, inspection always reveals the prominent ears and unclassical nose.

Cato we know is Cato thanks to a labeled bust found in North Africa, where he was adored.

The young Cleopatra is from the marble head in Berlin, but none of her extant likenesses do the enormous beaked nose of her coin portraits justice. It was truly immense.

Lepidus, Cicero and Agrippa are authentic.

The Brutus is the bust in the Prado at Madrid; note the fascinating muscle wasting in the right cheek.

Marcus Antonius is an elusive character; perhaps no other famous Roman has as many so-called likenesses as he, all very different from one another—and from the coin profile, which depicts a huge nose and chin striving to meet across a thick-lipped mouth. I have chosen to draw from the bust that most resembles the coin profile.

Now come a group of three drawings that are not authentic, but bear similarities to some well-authenticated people. The Lucius Caesar is said to be a bust of the great Caesar, but is not: the frown lines are absent, so are the creases in the outer corners of the eyes; the shape of the skull and face are wrong, and there is a general asymmetry that Caesar's face does not have. Whether this is Lucius Caesar, I don't know, but the subject certainly looks like a Julian.

The Calpurnia reminded me of an authenticated bust of her father, Lucius Calpurnius Piso. I can say the same for Porcia.

The rest of the drawings are from busts of the proper date, but anonymous. They are there because it's fun to put a name to a face, and I maintain that my casting is better than Hollywood's.

Other books

Children of the Blood by Michelle Sagara West
Love Virtually by Daniel Glattauer
Magic City by James W. Hall
The Tower by Adrian Howell
Off Broadway by Watts, Janna
Assassin Affairs by Smith, R. S.
Poached Egg on Toast by Frances Itani