The O'Briens (28 page)

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Authors: Peter Behrens

BOOK: The O'Briens
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Dusty yellow shafts of sunlight dropped down into the pond. The girls came out of the water noisily, and Mike decided to go in. He wasn't eager for a swim but he wanted to escape.

The water felt cold at first after the hot sunshine, but really it was tepid. After swimming a few lengths he folded his body and dove straight down towards the bottom, where it really was cold, the light murky and golden. He could feel the pressure on his head as he touched bottom. It was peaceful. He wished he could stay down there, but his lungs were already hungry for air. He drove himself back to the surface, swam to the shore, and waded out.

Margo and Frankie were lying on their stomachs on their towels. Their legs were golden. Krishnaji looked up at him and smiled slightly. His mother smiled at him.

“I never had asthma after I met your father,” she used to say. “He cured me. He taught me to breathe.” It wasn't really true — she'd had a few asthma attacks over the years. Not many, though. Now he thought he could hear that slight strained rasp behind her breath: the sycamore woods had stirred up her allergies. The pond was calm and he could see a skim of grey pollen dust on the surface.

Instead of lying down in the sun, he began drying himself with his towel. They'd left their clothes back at the cottage. He could feel the two Indian men watching him as if they knew he was going to try something and they were curious to see what it was and whether he would succeed or fail.

“Mother?”

When she looked up from under her hat, he saw dark circles around her eyes. Now they could all hear her troubled breathing, and Frankie and Margo were sitting up on their towels. It was presuming a lot to take charge of things, but someone had to. He would drive them home, over the pass and down to the sea, away from the heat and dust of the narrow valley.

“It's time, then. We'd better go,” he said.

His mother looked at him for a long moment and then nodded.

The truth might be a pathless land, but the way home was clear, and he was determined to get them there.

The other man stayed at the pond but Krishnaji walked back through the woods with them and waited by the car while Mike and the girls went into Arya Vihara to change. When Mike came out, Krishnamurti was standing with his foot on the running board. As Mike approached, Krishnamurti reached out and put his hand on Iseult's forehead as though to see if she had a fever, and in this gesture there was a certain grace Mike had never seen before: gentleness rather than tenderness. The gesture implied distance somehow, removal, rather than closeness or intimacy. Krishnaji was being kind but impersonal — a doctor's hand reaching out, cool and dry, not a lover's, not a husband's.

Mike got behind the wheel and his sisters clambered into the back seat, their wet bathing suits wrapped in towels. As he fired the motor he overheard his mother saying, “Goodbye, goodbye,”
to Krishnamurti.

Mike pumped the clutch and meshed the gears as smoothly as they would go. He didn't look at Krishnamurti but was aware of him stepping back from the car. “Goodbye! Goodbye!”
the girls were calling as Mike shoved in the choke, dabbed the accelerator, and steered them out of there.

~

Margo wanted to summon the doctor for an adrenaline booster but their mother insisted she didn't need anything and said they should all go straight to bed, and it was true that her breathing had started sounding better as soon as they had left the Ojai Valley and came up over the pass, where they could see the ocean glinting and a purple mass of fog offshore.

The next morning was Sunday, cool and white with fog. Mike pulled on his swim trunks and went downstairs before anyone else was awake. He ate an orange in the kitchen. Then he went outside and walked across the lawn to stand at the top of his wall, looking out to sea. The air was clammy but it was just a fog, not the dreaded white marine layer. Fog would burn off in a few minutes, and it was going to be a hot day. He ran down the steps and plunged into the ocean and swam. When he came out, he was surprised to see his mother sitting on top of the wall. She had on one of his father's thick old Irish sweaters over her linen skirt and she wore the little Leica on a strap around her neck.

“What are you doing?” he said.

“What are
you
doing?”

“Swimming.”

“Well, I'm thinking,” she said.

“What are you thinking about?” He picked up his towel and started rubbing himself down.

For weeks she had seemed agitated, not herself, but she didn't seem that anymore. He climbed the cement stairs from the beach and sat down on his wall a few feet from where she was sitting, his legs dangling over.

“Do you know how beautiful you are, Michael?”

“Oh jeez.”

She picked up the camera, cranked film, aimed at him, and started shooting.
Snap, snap, snap
. He was so accustomed to being photographed — they all were — he did not consider asking her to stop.

“Are you getting a Reno divorce?” he said, squinting at the lens.

She lowered the camera and looked straight back at him. The full white light was behind her and he couldn't tell if she was shocked, unsurprised, dismayed, or just tired. Then she raised the little Leica again and he heard the shutter click.

~

Did she summon him or had he come out on his own steam? They never knew.

She certainly never warned them. Maybe it was all his idea. Maybe she had known but wasn't convinced he'd actually make it all the way. Maybe she thought the chances were good he'd disembark somewhere along the route and she'd get a wire or phone call from the assistant manager of some fine hotel in Chicago, Denver, or Salt Lake, news that she would do her best to conceal from the children.

They were asleep when the taxi arrived. Lidia was in the kitchen sipping beer and playing cards with her husband when she heard the car, saw Mr. O'Brien getting out, and raced upstairs to warn Iseult.

Unwilling to wait for the morning local, he had taken a cab all the way from the Los Angeles train station.

Awakened by footsteps and by Lidia's and his mother's voices, Mike came downstairs, saw his father's suitcase in the hall, and found his parents sitting in the dark living room. His father was on the sofa, his mother in an armchair.

“Your father's arrived,” she said calmly. Then she stood up and switched on a table lamp.

What had they been doing there sitting in the dark? Had they been talking at all or just sitting there, looking at each other? His father smelled of sweat and tobacco. His mother was wearing a summer nightgown, nothing else, no wrapper. Her feet were bare. He couldn't tell if she was pleased to see the old man or not. Maybe that meant she wasn't. How thin she had gotten, Mike realized. Her body nothing but wire and tension.

“I just walked that wall of yours, Mike.” His father stood up. His blue suit was rumpled and he needed a shave. He was pale, his eyes their usual clandestine blue. “I'd like to look it over in the morning. You tied in some sleepers, did you?”

“Sure I did.”

“How have you been?”

“All right, I guess.”

“Good.”

They stood looking at each other, and Mike didn't know what to say. While working on his seawall he'd sometimes felt closer to the men he'd hired — Miguel, Guillermo, Ruben — than he had ever felt to his father.

Not knowing what else to do, Mike stepped forward and stuck out his hand. He and his father shook, but Mike knew his father was disappointed because he had been hoping for something more, even if he didn't know what it was.

~

The girls didn't see him until breakfast. By then he had thoroughly inspected the seawall and taken a dip in the ocean. He appeared at the breakfast table showered and shaved and spruce in a seersucker suit, a rose from the garden in his buttonhole, holding a
Los Angeles Times
he'd picked up in the driveway.

After kissing Margo and Frankie on their foreheads he sat down and started eating his grapefruit while examining the
Times.
Mike and his sisters looked at each other across the table. Frankie stifled a giggle.

It isn't just me
, Mike decided.
He really doesn't know how to talk to any of us.

As his father turned the front page, Mike glimpsed the headline.

AUSTRIAN KREDITANSTALT COLLAPSE

FOUR MILLION UNEMPLOYED IN GERMANY

“Well, Daddy, you look awfully snappy in that ice-cream suit,” Margo said.

Without looking up from the newspaper he said, “I'll take that as a compliment.”

~

The next day he bought them a fourteen-foot gaff-rigged catboat, a Sea Mew built at Santa Barbara. Margo named her
Girl Guide
and they started going out sailing nearly every day. Their mother was the only one who knew anything about sailing, which she had done in Maine as a girl. She taught them to tack around the harbour, then the bay, and after a week they began venturing out into the thirty-mile-wide channel separating Santa Barbara and the islands. Their father became a handy sailor very quickly, with a sharp instinct for reading tides and wind, and by taking turns at the helm, Margo and Mike learned to handle the boat and sails efficiently. Frankie was the only one who didn't enjoy sailing. She hated the fog and distrusted the wind, and when land fell out of sight she panicked. She spent most afternoons at the pony club or swimming at the beach club with her pals.

Their father did not say anything about returning to Montreal — maybe he didn't intend to. There was a depression on, after all, and business had pretty much dried up everywhere according to the newspapers. Nothing was being built. Maybe they were staying in California for another winter.

Mike was surprised Margo didn't raise the subject, since she was usually so outspoken and had a vigorous sense of her own social needs. But mixed up with the question of where they'd spend the coming year was the question of their parents' marriage, or perhaps their divorce. He knew that Margo, desperate as she was return to her friends, especially the Taschereaus, was as wary as he was of raising that subject for discussion.

Every Wednesday evening there were barbecues at the beach club, and on the first Saturday night in July a boy escorted Margo to her first club dance. Iseult still went up to Ojai two or three afternoons a week in the old Lincoln, which had been repaired. Their father had offered to buy her a new Ford coupe but she wouldn't allow him to.

One afternoon, instead of sailing, he drove up to Arya Vihara in the Lincoln with her. When they got back to Butterfly Beach that night, they were sunburnt and tired, but she was holding onto his arm and both of them were smiling. They said they'd stopped on the way home at the Montecito Inn, where the food was excellent and Charlie Chaplin had been sitting at the next table with a bunch of Hollywood people.

The next day Iseult came out sailing with them and Frankie was persuaded to come as well. Their father had the helm as they left the harbour. When they had cleared the breakwater and it was time to tack, Mike saw his mother touch his father's wrist very lightly. Was this a signal that affection was renewed despite all his flaws and mistakes? Or was she just signalling him to loose the jib and come about?

He knew that his parents believed their strongest and deepest emotions ought never be displayed. Showing their feelings was, for them, being false somehow.

The swell was gentle that afternoon, the sea was warm, and the offshore breeze came up after three o'clock. They sailed as a family. With Iseult at the
helm, Margo on the mainsheet, Frankie on the jib, and Mike and their father holding off with boathooks, they even managed to heave to alongside a fishing boat. Between them all they had enough loose change in their pockets to buy crab and striped bass, which they took home in a bucket of ice and grilled for their dinner.

BRITISH COLUMBIA, 1931

Returning

S
he went out
to the garden every evening to cut flowers for the dinner table, and one evening she noticed him sitting on Mike's seawall, his back to her, gazing out to sea. Since he had been in California they had been sleeping in the same bed, but he never reached for her and she didn't know how she would respond if he did. It was difficult to talk to Joe about things that mattered, and she sensed they were both trying to avoid being alone together. She was still in love with Krishnaji.

But something, some need, had led her to the end of the garden to sit with Joe on the seawall, though not quite beside him. A few feet away.

“I am thinking we ought to sell this house, Iseult,” he told her.

He had lost his city pallor by then and was quite dark. A man who'd go to any lengths — he'd always somehow given that impression. The horsepower in his hands, forearms, shoulders, and neck.

The Pacific was its usual easygoing blue, the Channel islands barely visible through a sheen of mist.

“California's awfully far, and as the children get older it'll be harder to persuade them away from their friends. Our life is in the East now. I've been doing some work in Portland, Maine. Maine is much closer to Montreal. There's a house at Kennebunk that would suit us, I think. We can drive there in six hours from Montreal. We'll get a bigger sailboat. What do you say?”

“I don't say anything for now.”

Every morning he had been plunging diabolically into the surf, even when the beach was battened with fog and riptides were streaming.

“You haven't asked but I'll tell you anyway, Iseult. I've not taken a drink since you left. Just to get that on the record.” He patted the cement wall with his palm. “This is a first-class piece of work. The boy knows how to put through a job. After university he can kick me out and run the firm the way it ought to be run.” This was how he expressed his love for them: by organizing them into his plans and rhythms, his own needs. “I want to get away, Iseult. The two of us. I was thinking we might go back up to those mountains. We left some happiness up there, Iseult, did we not?”

She felt something clutch at her throat like a pair of hands, but then it released and she could breathe again. She couldn't speak, afraid of what might come out of her mouth. There was no point reaching into the past trying to find something alive. Picking up the cut flowers, she went back into the house.

But the next day, when he mentioned it again, she agreed to go. Things had to be dealt with one way or another, but not in front of the children. Distance might help her see things more clearly, distract her from the swarm of longings infesting her skull every moment.

He booked a bedroom on the West Coast train to Seattle. On the platform at Los Angeles he offered her a blue velvet box. Opening it, she found a gold brooch set with a pearl, a delicate thing, old-fashioned. She put it on because she knew he'd be hurt if she didn't, and she didn't intend to hurt him unnecessarily.

They shared a double bed on that train, his body heat provoking a mash of feelings in her, mostly anger, resentment. He was trying to annihilate her. Putting on a wrapper, she spent the first night and most of the next in the lounge car in an armchair, reading
The Good Earth
. They took meals in the dining car and she brought the novel to the table. Joe gazed out at the long yellow agricultural valleys of Oregon and Washington, where he owned land
.
Every now and then she looked up from the book and their eyes met. The sight of middle-aged couples with nothing to say to one another had always depressed her horribly, and that was what they had become. Her thoughts, furious and confused, circled Krishnaji like birds fluttering around a perch.

She finished the novel in the Seattle train station. Joe picked up a
Seattle Post-Intelligencer
, and on the way up to Vancouver she read about Japanese soldiers rampaging in Manchuria. Four hours later, as the train slid through the Vancouver yards, she saw strings of boxcars sitting idly on sidings, tramps in every open doorway, legs dangling, and dozens of men and boys with bedrolls and haversacks slung over their shoulders, tramping along shining tracks in silver rain.

The last time they had been in Vancouver was in
1914
, on their way up to the contract. In those days she and Joe O'Brien had shared a seamless will and one set of longings, but it wasn't like that anymore.

After checking into the Hotel Vancouver they ate a late supper in the Timber Club and retired to their room. The Continental Limited was due to leave at nine o'clock the next morning. While Joe undressed she took out her nightgown and drew a bath. When she came out of the bathroom, he was asleep. He wanted her back, that was clear; that was why he'd wanted to take her into the mountains. Joe could not live without her. Krishnamurti certainly could; there was nothing he needed from anyone. She would have liked to be that way herself. Instead she'd ended up wanting him: a humiliating situation.

They had been sitting on the porch glider at Arya Vihara with the two women — his sister-in-law and her mother — bustling in and out of the cottage like riled bees. Iseult was lost both in her marriage and outside it, living but not living. She blamed Joe, the furtive drinking sprees. She had never been able to understand such irresponsibility — where it came from and how it had survived in a character otherwise so conscientious, so determined and fixed.

The children thought Krishnaji was stealing her from them, but in fact he had refused to offer her a different story from the one she was living. “You look at me as though I am a pail of water. I am not a pail of water, madam. If you're thirsty, then go inside the house. Take a glass for yourself, drink.”

~

The next morning the Continental Limited quit Pacific Station and went steaming across the Fraser Delta in slapping rain. Flat cropland looked lush after the tawny valleys of California and Washington. As the train began snaking up the Fraser Canyon, she and Joe sat in the lounge car facing each other. She was reading another newspaper story about the Japanese rampage in China. She could sense Joe watching her.

The endless train ride from California, the violent mountains, all they did not know about each other: the trip was a facsimile of the first days of their marriage — probably what he had been aiming for — only minus the yearning, perhaps, minus the belief.

At Hell's Gate, where the river pinched and the right-of-way clung to the steepest side of the canyon, she stared down into the cauldron of waters hundreds of feet below. She might have put aside her newspaper then and stood up. Walked to the end of the car, stepped out into the vestibule, and quietly pitched herself off the train.

She put down the newspaper, but instead of standing up, she shut her eyes and touched the velvet nap of the seat cushion with her fingertips. She remained very still. She was going to resist the logic of death; her father had not, but she would. Her children would not come of age abandoned, wrecked, disinformed, without a mother. She might be ungrounded, but she would not give herself up.

She could feel steel wheels rumbling, hear couplers squealing and grabbing. In that roughness, in that sensation, a kind of life force. Rude and heedless, rushing on. She opened her eyes and saw that Joe was still watching her.

For the rest of her life, whenever she thought of that passage over Hell's Gate, she felt a renewed sense of wonder and terror. The memory gradually became a source of strength. Near to drowning in confusion and despair, she hadn't succumbed. She had resisted, she had survived.

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