The Novels of the Jaran (231 page)

“You’re the eldest, I see,” said M. Unbutu. “That puts you in charge.”

She nodded warily. Maybe he did understand.

He rubbed at his chin with his knuckles. “I was going to start by discussing tension and compression, but… on the other hand, maybe we could build some tiered programs so that we could all follow along the same lesson at different levels.”

“If you got a nesh port, I can do some building for you,” Valentin blurted out. “I can build an immersion program, even.”

“Uh—” Ilyana began.

“Slow down.” Chuckling, M. Unbutu sat down on a maroon bench that seemed more grown out of the wall than set there and shook his head.

“What’s a mersion program?” asked Evdokia.

“I got a suitcase of multiblocks in our cabin,” said Portia, piping up brightly.

“Those are little blocks you can stick together any way, into people or buildings or animals or stuff,” added Anton.

“Don’t worry.” M. Unbutu seemed to be stifling a laugh. “I had those when I was a kid. Those would be good for model building, and for the little girls—”

“I am not a
little
girl,” interrupted Portia. “I’m a
big
girl.”

“—for the two younger girls to play with. They shouldn’t be spending all their time sunk in an immersion program, anyway.” He looked at Valentin with interest. “Can you really build an immersion program?”

“Yes.” Valentin’s clipped reply had the effect of making the boy seem more, rather than less, knowledgeable.

Ilyana clenched her hands so tightly that her nails bit into her palms. She didn’t want to betray Valentin’s addiction to M. Unbutu. What would he think of them? But she hadn’t expected this. She hadn’t wanted to bring the younger children along in any case, but she hadn’t had any choice. They were her responsibility.

“I just don’t have experience teaching kids this young,” said M. Unbutu with a sigh. Fear gripped Ilyana’s heart. What if he wasn’t going to agree? It was a lot to ask, not just that he tutor her, but that he put up with the younger kids as well. “Do you have any suggestions?”

“I could—” Valentin began.

Ilyana cut him off. “They could play some games, play with blocks, and maybe do some basic immersion programs. It isn’t like we’ll be on the ship for that long.”

“Yes, but what about when we get to Duke Naroshi’s planet? Has there been any discussion of what kind of tutorial program you kids will be on?”

Ilyana shrugged. Probably Diana had plans for Portia, but Ilyana knew that her parents would expect the children to do their work around the tent and otherwise take care of themselves. She didn’t want to say that aloud.

M. Unbutu sighed. “Well. I may have some old programs buried in my modeler, some elementary mathetics programs, that kind of thing. Valentin, perhaps your first project could be to excavate those for me.”

They had been on the ship for almost a whole day. Ilyana could see how Valentin’s hands practically twitched at the thought of getting onto M. Unbutu’s modeler. Sure, each room had a net screen embedded in the wall, but Valentin hated flat screen work.

“Sure I can!” Valentin said enthusiastically. “But I could do a better job getting it out through a nesh port.”

“Yeah, I’ve got one of those.”

“Valentin,” muttered Ilyana.

“I’ll have to get your parents’ permission first, though.”

Valentin shifted from one foot to the other, impatient. “Sure, M. Unbutu, but you know that we did nesh work all the time at school. It’s part of the mathetics program.”

“Is that true?” M. Unbutu asked Ilyana.

“Yes,” she said reluctantly. She chewed at her lower lip. What was she going to do? Just blurt out that Valentin was nesh-addicted? But he had to do some nesh anyway, to avoid going into withdrawal. Maybe if she could just monitor him closely enough, she could ease him off the addiction; “We do. Valentin even got a recognition for his chamber that he added to the big Memory Palace project.”

Valentin snorted. “That wasn’t that good. That was just our flat, with all of Mother’s crazy walls and stuff.”

“That’s exactly the answer, then,” said M. Unbutu. “I’ve got a partial version of the Memory Palace. We can let the younger kids explore it. There are a number of teaching chambers on different subjects embedded in one of the wings of the palace, and there’s a whole wing on architecture and engineering that I was planning to use with you, Yana. My modeler is
just
capable of holding open several chambers at one time.” He set his modeler on the floor and knelt in front of it, opening it up so that it resembled a flat black plus-sign against the pale marbled floor.

“Memory Palace,” he said aloud. He sat back on his heels. “This is another form of architecture that might be interesting to explore. Back when computers were first developed, people built multiuser habitats out of text and explored them.”

“What if you couldn’t read?” asked Ilyana.

“My mother can’t read,” said Anton suddenly.

“Shh!” It was true. That didn’t mean Anton had to tell everyone about it. Of course, Vasil couldn’t read very well either, but he had an excellent memory and a fine sense of navigation, so he had learned to negotiate in a world where visual landmarks were as common as textual ones.

M. Unbutu chose to ignore the remark. “It’s true that in those days people were dependent on the word for many things. Even farther back, before the wholesale diffusion of writing, people were dependent on the oral tradition for the transmission of knowledge. That’s something actors still do. They’re able to memorize at rates the rest of us usually can’t manage, because they’re practiced in the art of aural recognition.”

“I’m hungry,” said Evdokia.

“Evdi! We just ate.” Ilyana turned to M. Unbutu. “She isn’t really. She’s just bored.”

“I’m bored,” said Anton.

“Do you have a nesh port in there?” Valentin asked.

“Here it comes,” said M. Unbutu.

The lounge filled up with a gateway.

It was a pretty good representation considering that it came from a portable modeler. It only shimmered in a few places, although the sharp corners of the lounge caused the edges of the visual representation to fade toward transparency where the walls met.

A plain white arch represented the gateway into the labyrinthine sprawl of the memory palace. Literalists, Portia and Evdi clasped hands and, giggling, crossed under the arch. As they moved, the arch itself stretched out into a barrel vault, becoming a corridor lined with blank marble walls down which the visitor progressed until she reached the courtyard.

There was a moment of reorientation as the three-dimensional picture shifted, blanked out, and reconstructed a new chamber: a spacious courtyard ringed by arches and centered around a circular fountain.

Valentin sighed. “I hate this. It’s so flat. It’s so primitive. It’s jerky.”

It was true that a three-dimensional rendering that simply filled the room around you didn’t have the fluidity of nesh, where an icon of yourself inhabited the seemingly endless web of cybernetic space, but it had its uses.

“We’ll split up here,” said M. Unbutu. “I can maintain three separate chambers. Girls, where do you want to go?”

“Dinosaurs,” said Portia at once.

“Hmm. Menu, is there a Cretaceous room suitable for four-year-olds?” One of the arches turned blue. “That way. Anton, what about you?”

Anton yawned. “I don’t care. I’ll go with them.”

M. Unbutu shifted and let one half of the passenger lounge turn into a prehistoric landscape. Quickly enough, Anton had a Tyrannosaurus Rex and a Triceratops engaged in a duel to the death, while Evdi and Portia busily constructed odd-looking dinosaurs, mixing the head of one with the body of a second and the tail of a third, giggling over the results.

M. Unbutu turned his back on the jungle and regarded Ilyana and Valentin. “Do you mind if we just use discrete holographs? The modeler can maintain three chambers, but I can’t. I keep seeing both sides and overloading. We’ll just blank this side of the room and build models. That’s all I need to talk about tension and compression, anyway.”

“If you have a nesh port, I could excavate for those programs you talked about,” said Valentin.

“It’s back in my cabin. Why don’t you stick with Ilyana and me today? I’ll bring it next time.”

Valentin swallowed. “Yeah.” He wrapped the fingers of one hand in his pale hair and twisted them around and around.

“Now.” Freed of the younger children for the moment, M. Unbutu relaxed. “How does a structure stand up?”

Valentin took his fingers out of his hair and began chewing on his lower lip.

“Through tension and compression,” M. Unbutu continued, clearly taking pleasure in this subject. “Tension is ‘pull.’ Compression is ‘push.’ Let’s look at a column and an arch, which are both examples of structures that are in compression.”

The Tyrannosaurus roared triumphantly on the other side of the room. Ilyana plopped down cross-legged in front of a plain Doric column and an arch bridge that materialized next to the modeler, little holographs complete in detail, if lacking solidity. Content, she listened as M. Unbutu began to discuss the compressive strength of stone. Sitting down beside her, Valentin had put on his polite mask, but he worried at his lower lip until he drew blood.

That night, she woke up when she heard the sigh of the door. She and Valentin shared a tiny four-bunk cabin with Evdi and Anton, but the two younger children slept so soundly that an explosion wouldn’t have woken them up. Ilyana cracked open her eyes in time to see the dim lights of the nightshift corridor flash and disappear as the door slid shut again.

She was out of bed instantly. By the time she pulled a skirt on, belting it closed over her nightshirt, and got out into the corridor, Valentin had already disappeared.

She cursed under her breath. Kneeling, she examined the floor, but its sheen was uniform, hiding any trace of Valentin’s passage. The entrance to her parents’ cabin was closed. The distant murmur of voices whispered along the corridor. The air itself seemed charged, scented differently, as if during nightshift the aliens allowed a breath of their atmosphere to infiltrate the human passenger deck. Under the dim lights, the walls of the corridor gave off a light of their own, a pattern manifesting under the surface of the wall, slowly revealing itself. Ilyana stood, then headed to the left.

Whoever had designed the ship had spent more thought on the lounges than the cabins, which were cramped and utilitarian. Just as the inner walls of an etsana’s great tent could be shifted around to create a variety of different chambers, so could the public chambers the humans called lounges be rearranged to create greater or lesser, or more private, chambers. Rather like, Ilyana thought, a physical Memory Palace whose walls could be altered at will.

Owen Zerentous was rehearsing Vasil and Dejhuti in a scene from
Oedipus Rex
; the actors were screened from Ilyana’s view by a white trellis. The trellis spread out from a single trunk in the floor, like the ivory channels of a delta reaching for outlet in the sea. It grew into the ceiling, and Ilyana could not help but wonder if it reappeared on the deck above, or if it was, like ganglia, some kind of nerve outgrowth of the ship. She dismissed this fanciful idea and paused inside the door to see if Valentin was anywhere in the rest of the lounge, which was cubbyholed into a series of cubicles by the arrangement of walls of various height.

Owen said, “Vasil, you’re not in the interactives anymore. This is theater. Use your voice and your body, not just your damned face.”

Another lattice, polished and sharp like obsidian, veiled four shapes sitting around a table. Ilyana crept closer, draping herself along a bench, trying to find an angle that would allow her to see faces through the lattice.

“Let me go home,” said Vasil, and she jerked, startled. Then froze, one hand clutching the curve of the bench. Her heart raced. He was just saying lines from the play.
“ ‘Bear your own fate, and I’ll bear mine. It is better so: trust what I say.’ ”

She breathed again, and discovered that she could make out the party around the table with perfect clarity: Anatoly Sakhalin, David ben Unbutu, the actor Gwyn Jones, and a woman named Wingtuck from the tech crew whom Ilyana didn’t know. Sakhalin sat carelessly, one arm flung over the back of the chair next to him, the other hand resting on his belt. Somehow, the acoustics of the room had clarified as well with her change of position, and she could hear them, interposed with the soft tones of her father’s voice. She could not quite hear Dejhuti, playing Oedipus the king to Vasil’s blind seer, Teiresias.

“The actors and the crew are covered. They have a reason for being here, and since all of them are legitimate and only a handful actually part of the survey, the cover deepens. How do you determine which are seeking information and which are simply doing their job?” That was the woman.

Anatoly stirred. “That is one way Bakhtiian would get intelligence in a region. Not only would he interview every merchant and traveler from that place, but he would send a group of merchants out on selected routes and put spies in with them, but men and women who could also trade.”

“ ‘You are all ignorant. No; I will never tell you what I know. Now it is my misery; then it would be yours.’ ”

“What about you, then, M. Sakhalin? You’re neither fish nor fowl.” This, again from the woman.

“I beg your pardon?”

“ ‘I do not intend to torture myself, or you.’ ”

“A figure of speech.”

“I think what Wing is asking is this,” said Gwyn Jones with a glance toward the woman, who flipped her long black braid over her shoulder so that she could play with its tip. Ilyana did not know Jones well, but she did know that he was the only actor her father actually respected enough to leave alone. “Should we pass you off as part of the Company’s crew?”

After some thought, Anatoly replied, more to the group at large than to Jones specifically. “It seems to me that only a fool would believe that none of the humans wish to discover more information about the khepelli. I do not believe that the khepellis can be fools, to have become as powerful as they are, to have sailed between stars and to control so many different peoples. Think of the logistics! Clearly their women are wise and efficient, to have created such an empire.”