The Nightwatchman's Occurrence Book (62 page)

BOOK: The Nightwatchman's Occurrence Book
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‘Christ! Is this what he always writes about?’

‘All the time,’ Henry said. ‘Only lords and ladies. Typing like a madman all day. And Sundays especially you hear that machine going.’

The front door was open and through it now came the voice of Mr Blackwhite. ‘Henry, I have seen everything this morning, and Mrs Lambert has just been to see me. I shall be typing out a letter to the newspapers. I just can’t have naked men running about my street.’ He caught sight of the postman and caught sight of the manuscript in the postman’s hand. His face fell. He raced up the concrete steps into the room and snatched the manuscript away. ‘Albert, I’ve told you before. You must stop this tampering with His Majesty’s mail. It is the sort of thing they chop off your head for.’

‘They send it back, old man,’ Henry said. ‘If you ask me, Blackwhite, I think it’s just a case of prejudice. Open-and-shut case. I sit down quiet-quiet and listen to what Albert read out, and it was really nice. It was really nice.’

Blackwhite softened. ‘You really think so, Henry?’

‘Yes, man, it was really nice. I can’t wait to hear what happen to Lady Theresa Phillips.’

‘No. You are lying, you are lying.’

‘What happened in the end, Mr Blackwhite?’ I slapped at an ant on my leg.

‘You just scratch yourself and keep quiet,’ he said to me. ‘I hate you. I don’t believe you can even read. You think that black people don’t write, eh?’

Albert the postman said, ‘It was a real nice story, Blackwhite. And I prophesy, boy, that one day all those white people who now sending back your books going to be coming here and begging you to write for them.’

‘Let them beg, let them beg. I won’t write for them when they beg. Oh, my God. All that worrying, all that typing. Not going to write a single line more. Not a blasted line.’ He grew wild again. ‘I hate you, Henry, too. I am going to have this place closed, if it’s the last thing I do.’

Henry threw up his hands.

‘To hell with you,’ Blackwhite said. ‘To hell with Lady Theresa Phillips.’ To me he said pointing, ‘You don’t like me.’ And then to Henry: ‘And you don’t like me either. Henry, I don’t know how a man could change like you. At one time it was always Niya Binghi and death to the whites. Now you could just wrap yourself in the Stars and Stripes and parade the streets.’

‘Niya Binghi?’ I asked.

‘Was during the Abyssinian War,’ Henry said, ‘and the old queen did just die. Death to the whites. Twenty million on the march. You know our black people. The great revenge. Twenty million on the march. And always when you look back, is you alone. Nobody behind you. But the Stars and Stripes,’ he added. ‘You know, Blackwhite, I believe you have an idea there. Good idea for Carnival. Me as sort of Uncle Sam. Gentleman, it have such a thing as Stars and Stripes at the base?’

‘Oh, he’s one of those, is he?’ Blackwhite said. ‘One of our American merchantmen?’

‘I believe I can get you a Stars and Stripes,’ I said.

Blackwhite went silent. I could see he was intrigued. His aggressiveness when he spoke wasn’t very convincing. ‘I suppose that you people have the biggest typewriters in the world, as you have the biggest everything else?’

‘It’s too early in the morning for obscene language,’ Henry said.

‘I am not boasting,’ I said. ‘But I am always interested in writing and writers. Tell me, Mr Blackwhite, do you work regularly, or do you wait for inspiration?’

The question pleased him. He said, ‘It is a mixture of both, a mixture of both.’

‘Do you write it out all in longhand, or do you use a typewriter?’

‘On the typewriter. But I am not being bribed, remember. I am not being bribed. But if the naked gentleman is interested in our native customs and local festivals, I am prepared to listen.’ His manner changed. ‘Tell me, man, you have a little pattern book of uniforms? I don’t want to appear in any and every sort of costume at Carnival, you know.’

‘Some of those costumes can be expensive,’ I said.

‘Money, money,’ Blackwhite said. ‘It had to come up. But of course I will pay.’

*

This was how it started; this was how I began to be a purveyor of naval supplies. First to Mr Henry and to Mr Blackwhite and then to the street. I brought uniforms; money changed hands. I brought steel drums; money changed hands. I brought cartons of cigarettes and chewing gum; money changed hands. I brought a couple of Underwood standard typewriters. Money didn’t change hands.

Blackwhite said, ‘Frankie, I think art ought to be its own reward.’

It wasn’t though. A new line went up on Blackwhite’s board:

ALSO TYPING LESSONS

‘Also typing lessons, Blackwhite?’

‘Also typing lessons. Black people don’t type?’

This had become his joke. We were in his room. His walls were hung with coloured drawings of the English countryside in spring. There were many of these, but they were not as numerous as the photographs of himself, in black and white, in sepia, in coarse colour. He had an especially large photograph of himself between smaller ones of Churchill and Roosevelt.

‘The trouble, you know, Blackwhite,’ I said, ‘is that you are not black at all.’

‘What do you mean?’

‘You are terribly white.’

‘God, I am not going to be insulted by a beachcomber.’

‘Beachcomber. That’s very good. But you are not only white. You are English. All those lords and ladies, Blackwhite. All that Jane Austen.’

‘What’s wrong with that? Why should I deny myself any aspect of the world?’

‘Rubbish. I was wondering, though, whether you couldn’t start writing about the island. Writing about Selma and Mano and Henry and the others.’

‘But you think they will want to read about these people? These people don’t exist, you know. This is just an interlude for you, Frankie. This is your little Greenwich Village. I know, I can read. Bam bam, bram, bram. Fun. Afterwards you leave us and go back. This place, I tell you, is nowhere. It doesn’t exist. People are just born here. They all want to go away, and for you it is only a holiday. I don’t want to be any part of your Greenwich Village. You beach-comb, you buy sympathy. The big rich man always behind the love, the I-am-just-like-you. I have been listening to you talking to people in Henry’s yard about the States; about the big cinemas with wide screens and refrigerators as big as houses and everybody becoming
film stars and presidents. And you are damn frightened of the whole thing. Always ready for the injection of rum, always looking for the nice and simple natives to pick you up.’

It was so. We turn experience continually into stories to lend drama to dullness, to maintain our self-respect. But we never see ourselves; only occasionally do we get an undistorted reflection. He was right. I was buying sympathy, I was buying fellowship. And I knew, better than he had said, the fraudulence of my position in the street.

He pointed to Churchill on the wall. ‘What do you think would have happened to him if he was born here?’

‘Hold your head that way, Blackwhite. Yes, definitely Churchillian.’

‘Funny. You think we would have been hearing about him today? He would have been working in a bank. He would have been in the civil service. He would have been importing sewing machines and exporting cocoa.’

I studied the photograph.

‘You like this street. You like those boys in the back-yard beating the pans. You like Selma who has nowhere to go, poor little wabeen. Big thing, big love. But she is only a wabeen and you are going back, and neither of you is fooling the other. You like Mr Lambert sitting on the steps drinking his one glass of rum in the morning and tacking up a few ledgers. Because Mr Lambert can only drink one glass of rum in the morning and tack up a few ledgers. You like seeing Mano practising for the walking race that is never going to come off. You look at these things and you say, “How nice, how quaint, this is what life should be.” You don’t see that we here are all mad and we are getting madder all the time, turning life into a Carnival.’

And Carnival came.

It had been permitted that year under stringent police supervision. The men from the yards near Henry’s made up their bands in the uniforms I had provided; and paraded through the streets. Henry was Uncle Sam; Selma was the Empress Theodora; the other girls were slave girls and concubines. There were marines and infantrymen
and airforce pilots on the Pacific atolls; and in a jeep with which I had provided him stood Mr Blackwhite. He stood still, dressed in a fantastically braided uniform. He wore dark glasses, smoked a corncob pipe and his left hand was held aloft in a salute which was like a benediction. He did not dance, he did not sway to the music. He was MacArthur, promising to return.

On the Tuesday evening, when the streets were full of great figures—Napoleon, Julius Caesar, Richard the Lionheart: men parading with concentration—Blackwhite was also abroad, dressed like Shakespeare.

*

Selma and I settled down into a relationship which was only occasionally stormy. I had taken Mr Henry’s advice that first morning and had gone around to the store where she worked. She did not acknowledge me. My rough clothes, which were really Henry’s, attracted a good deal of critical attention and much critical comment on the behaviour of Americans. She acknowledged me later: she was pleased that I had gone to see her in a period as cool and disenchanted as the morning after.

Henry’s, as I said, seemed to have its own especial rules. It was a club, a meeting-place, a haven, a place of assignation. It attracted all sorts. Selma belonged to the type of island girl who moved from relationship to relationship, from man to man. She feared marriage because marriage, for a girl of the people, was full of perils and quick degradation. She felt that once she surrendered completely to any one man, she lost her hold on him, and her beauty was useless, a wasted gift.

She said, ‘Sometimes when I am walking I look at these
warrahoons,
and I think that for some little girl somewhere this animal is lord and master.
He. He
doesn’t like cornflakes.
He
doesn’t like rum.
He
this,
he
that.’

Her job in the store and Henry’s protection gave her independence. She did not wish to lose this; she never fell for glamour. She
was full of tales of girls she had known who had broken the code of their group and actually married visitors; and then had led dreadful lives, denied both the freedom they had had and the respectability, the freedom from struggle, which marriage ought to have brought.

So we settled down, after making a little pact.

‘Remember,’ she said, ‘you are free and I am free. I am free to do exactly what I want, and you are free too.’

The pressing had always been mine. It wasn’t an easy pact. I knew that this freedom might at any time embrace either Blackwhite, shy reformer in the background, or the white-robed preacher whom we called Priest. They both continued to make their interest in her plain.

But in the beginning it was not from these men that we found opposition after we had settled down in one of the smaller jalousied houses in the street—and in those days it was possible to buy a house for fifteen hundred dollars. No, it was not from these men that there was opposition, but from Mrs Lambert, Henry’s neighbour, the wife of the man in the khaki suit who sipped the glass of rum in the mornings and spoke in rhyme to express either delight or pain.

Now Mrs Lambert was a surprise. I had seen her in the street for some time without connecting her with Mr Lambert. Mr Lambert was black and Mrs Lambert was white. She was about fifty and she had the manners of the street. It was my own fault, in a way, that I had attracted her hostility. I had put money in the Lamberts’ way and had given them, too late in life, a position to keep up or to lose.

Mr Lambert had been excited by the boom conditions that had begun to prevail in the street. The words were Ma-Ho’s, he who ran the grocery at the corner. Ma-Ho had begun to alter and extend his establishment to include a café where many men from the base and many locals sat on high stools and ate hot dogs and drank Coca-Colas, and where the children from several streets around congregated, waiting to be treated.

‘Offhand,’ Ma-Ho said, for he was fond of talking, ‘I would say, boom.’ And the words ‘offhand’ and ‘boom’ were the only really distinct
ones. He began every sentence with ‘offhand’; what followed was very hard to understand. Yet he was always engaged in conversation with some captive customer.

The walls of his grocery carried pictures of Chiang Kai-shek and Madame Chiang. They also had pictorial calendars, several years out of date, with delicately tinted Chinese beauties languid or coy against a background of ordered rocks and cultivated weeds, picturesque birds and waterfalls which poured like oil: incongruous in the shop with its chipped grimy counter, its open sacks of flour, its khaki-coloured sacks of sugar, its open tins of red, liquid butter. These pictures were like a longing for another world; and indeed, Ma-Ho did not plan to stay on the island. When you asked him, making conversation, especially on those occasions when you were short of change and wanted a little trust from him, ‘You still going back?’ the answer was: ‘Offhand, I say two-four years.’

His children remained distinctive, and separate from the life of the street: a small neat crocodile, each child armed with neat bags and neat pencil boxes, going coolly off to school in the morning and returning just as coolly in the afternoon, as though nothing had touched them during the whole day, or caused them to be sullied. In the morning the back door of his shop opened to let out these children; in the afternoon the back door opened to swallow them in again; and nothing more was heard from them, and nothing more was seen of them.

The boom touched Ma-Ho. It touched Mrs Lambert. Mr Lambert called very formally one evening in his khaki suit and put a proposal to me.

‘I don’t want to see you get into trouble,’ he said. ‘Mrs Lambert and I have been talking things over, and we feel you are running an unnecessary risk in bringing these—what should I say?—these supplies to the needy of our poor island.’

I said, ‘It’s worked quite all right so far. You should see all the stuff we throw away.’

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