The Naming (31 page)

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Authors: Alison Croggon

Tags: #Juvenile Fiction, #Legends; Myths; Fables, #General, #Social Issues, #New Experience

BOOK: The Naming
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The Lady questioned Cadvan about his direction, and why he was in the east of the Great Forest. He told her of their journey and of their intention to go to Norloch, but did not mention the reason for it. Ardina seemed satisfied with his answers. She asked for news of the realm of Annar with a distant curiosity, as if they spoke of something that had nothing to do with her, but was quaint, like travelers' tales of distant regions. "I have heard there is a new fear abroad," she said indifferently. "For news comes even here. But this has as little to do with us, as we with it."

For a long time Maerad sat bored, kicking her ankles against the legs of the chair and wishing she could be dismissed if she was going to be so ignored. At last the Lady turned to her, and said: "Now I wish to speak to Maerad of Pellinor. For I perceive that she is one of my kindred, and I am curious to know from whence she came; for in the Darkness much that I loved was extinguished beyond the hope of the hither realm."

Maerad looked up, jolted out of her boredom, and met Ardina's eye. She was, Maerad realized, perplexingly like the Elidhu: her face had a similar wildness, although the regard she turned on her was gentle and thoughtful. With a shock, Maerad realized that Ardina's eyes were not human. They were the same as the Elidhu's: within the white was a golden iris with a pupil like a cat's eye. Again she felt as if she were plunged into cold water, and a strange shiver went all the way down her spine.

"I am the daughter of Milana of the First Circle of Pellinor," she said, with a kind of defiant pride. "How could we be kin?"

"By the strangest of chance, if chance you call it," said Ardina softly. "Often what you humans call chance is instead the workings of a deeper pattern, which the casual eye cannot easily perceive. In the past I have seen you with my inner dreaming, which does not lie. But in such dreaming it is often hard to know what is seen: whether it is the future, or the past, or something that only may be. In you I know my own blood. But there is more...."

Maerad felt goose bumps rising on her skin, and the grip of a strange dread. What did she mean? She couldn't meet the Queen's strange gaze, and she stared down at her feet, deeply unsettled.

There was a pause and then Ardina stood up, as if thinking better of what she was about to say. "I tire you, importuning you with my questions," she said. "Go then in peace, and rest, and savor the delights of my realm; and when you are rested, we will meet again and talk further. And then you shall know my mind."

Cadvan and Maerad both stood and bowed their heads. It seemed a golden light increased around Ardina, growing brighter and brighter until they were forced to blink; and in that moment the Queen vanished, and the chair stood empty before them, and the beautiful room was suddenly desolate with her absence.

Wordlessly they left the hall. Farndar was waiting for them by the door, and he took them to a house not far from the Nirimor, which he said was theirs to use as they liked, and he left them there. The house was arranged around a central courtyard and surrounded by a wide porch, furnished in the same style as the Nirhel. The floors were polished wood, well covered against the cold with rich rugs, and little braziers of iron warmed each room. A meal and wine were set out on a low table in the main room. There was a walled lawn where Farndar said the horses might stay, for they had no stables. Afterward the horses walked freely through the streets of Rachida, where they were given sweets and carrots by the children, and caused much wonder.

By now it was twilight. Both Cadvan and Maerad felt strangely exhausted after their interview with the Lady Ardina, as if they had sat long in talk and been questioned deeply, although in truth their interview had lasted less than an hour.

"This is the strangest of many strange things that have happened to me," said Cadvan as he poured them some wine. "The Lady Ardina! Now legends come to life and walk the earth!"

"Who is she?" asked Maerad. Cadvan said nothing at first, seeming lost in thought; and then he pulled his lyre out of his pack, and began, almost randomly, to strike a few chords. After a while they modulated into a melody, and his voice rose in song:

"When Arkan deemed an endless cold

And greenwoods rotted bleak and sere,

The moon wept high above the world

To see its beauty dwindling:

To earth fell down a single tear

And there stepped forth a shining girl

Like moonlight that through alabaster

Wells, its pallor kindling.

 

A wild amazement fastened on

The Moonchild's heart, and far she ran,

Through all the vales of Lirion

Her voice like bellnotes echoing:

And from the branches blossoms sprang

In iron groves of leafmeal wan,

And Spring herself woke up and sang,

The gentle Summer beckoning."

"So, long ago, sang the Bard Tulkan, in the tongue of his own country," said Cadvan, laying down his lyre. "It's a difficult measure to render in our speech; I've done my best, but this is only a shadow of the song. It tells of the birth of Ardina, the Moonchild, before the world was changed forever in the Wars of the Elementals, and of her love for Ardhor, who was a mortal king. She rescued him from the trammels of the Ice Witch, who
cursed him when he would not do his bidding and froze him deep in the mountains for many years. The full tale is long and sad." Cadvan poured himself more wine.

Maerad listened, enraptured; now she thought she understood something of Cadvan's awe. "Are there many songs about her?" she asked.

"Yes, very many," he answered. "It is one of the great tales. Yet Ardina passed out of our knowing an age ago. The world tonight is a different place for me." He shook his head. "To think I have gazed on her living face! But I wonder what she meant, when she spoke of her doom. The Lady Ardina was one of the Elementals, and she alone of all her kind attempted to die as a mortal and to follow her lover through the Gates. The songs say that they walked together past the Meadows of Shade to the Starry Groves that overlook this world, and there at last they could be together as they wished. But it seems the songs are wrong."

Cadvan was silent then for a long time, pensively sipping his wine, and Maerad, content to say nothing, contemplated him curiously. He seemed wrapped in some fair memory that nevertheless filled him with deep melancholy. She could see now what he must have been like as a young Bard, as Dernhil had remembered him, and it stirred within her an obscure feeling that was like pain. At last Cadvan sighed and looked across at Maerad.

"No power, not even love, can overcome the ban against Return, save that binding chosen by the Nameless One," he said, smiling sadly. "Alas! The world is cruel. More wine?"

Maerad proffered her cup. "I wonder what the Lady Ardina was going to say to me," she said.

"I wonder too," said Cadvan. "There are mysteries here beyond my power to understand. And you, Maerad, not the least of them!" He lifted his cup to her and drank.

"Well, I'm a sore puzzlement to myself," she answered ironically. She leaned forward and poured herself another drink. It was a light golden wine, but surprisingly strong, and she felt it going to her head. She wanted suddenly to break this aura of enchantment; Cadvan's odd mood disturbed her. "For all that, it all seems a bit, well, a bit
remote
to me. If she has little to do with us, we have little to do with her. We still have to get out of this forest; we can't stay here, however beautiful it is. How will we find a way out from here?"

"I don't know," said Cadvan, frowning. "I am full of doubts and fears; wise she is, but perilous, this Lady of Rachida, and I fear she will prove as stern as the very mountains. She does not care for the travails of our world. Although," he added, "it occurs to me that perhaps many things that have been long sundered from each other may now have cause to look beyond their borders." He stretched and yawned lazily, and drained his wine. "At least we'll sleep safely tonight, as we haven't since leaving Innail."

Shortly afterward they retired to their chambers, where they found couches heaped high with blankets woven from a soft cloth they did not recognize. The night was mild, so Maerad kept her window open, pulling back the paper screens. She went to sleep laved by scented breezes from the garden, where water from a small channel trickled in a little fall, down into a stone pool. Its gentle voice ran underneath her dreams all night.

For the first time since she could remember, Maerad dreamed of her mother. Not as she had last seen her, twisted with illness, crippled by anguish and despair, her light extinguished; but tall and proud and strong, as she barely remembered her. In the dream she had stood in a high crystal tower playing her lyre, and, as she played, birds of fabulous colors—sapphire, gold, emerald, crimson—flew out of her lyre and circled her in a graceful dance. Maerad ran up to the tower wall, calling for her mother; but there was no door in the tower, although she searched and searched. She came close to the glass and called her—"Mamma, Mamma,"—but her voice was small and pathetic; her mother did not hear her and kept playing, absorbed by the music. Maerad beat her fists on the hard, cold walls until her hands were bruised and bleeding, but still Milana would not turn to look at her, and at last Maerad sank to the ground, exhausted. "How could she abandon me?" she sobbed to herself. "How could she forget?"

She woke to find her cheeks wet and cold with tears. She turned over and looked out of the window into the garden. It was still deep night and the stars blazed in the cold sky, casting shifting shadows on the cool grass, which was gray with dew. The image of her mother burned in her mind, bright and immeasurably far away.
If she was First Bard of Pellinor,
she thought to herself,
why did she not free us? Why couldn't she run away with me, like Cadvan did?
Maerad couldn't remember Milana ever mentioning her father, but suddenly she knew with adamant certainty that his death had destroyed her mother. She wondered what it was like to love someone like that, like her mother had loved her father, like Ardina had loved Ardhor. She never would: it was too dangerous. It had killed Milana. And even Maerad hadn't been enough to save her. Why not? A pain she had never acknowledged opened and flowered in her breast. Why couldn't
she
have saved her mother? Why did Milana die, so miserable, so broken, in a place so far from the bright world that was her right?

Maerad sat up and stared sadly in front of her, hugging the blankets around her shoulders. She no longer felt sleepy. There were so many things happening to her, and she didn't know what to think about any of them. Her mind ran restlessly through the events of the past weeks; all she felt was confused.

She thought of Silvia, of how deeply she already loved her, of how in that short time at Innail she had been more of a mother to her than anyone.
Except Milana before Pellinor burned,
she loyally added to herself; but the truth was she could scarcely remember Pellinor. And the Elidhu had called her
daughter.
What did that mean? And how could Ardina tell? She looked ordinary, the same as everyone else. What marked her? And what was the flame that killed the Kulag and the Hull? Did it really come from her? Was that why the Hulls were hunting her? A vision of Dernhil suddenly rose vividly before her inner eye, his face alight with enthusiasm, his forefinger on the page of a book.. . . She wondered uneasily what Cadvan and Silvia meant when they spoke so easily of love, of the ways of the heart.
He died because of me,
she thought miserably.
Why? What am I? How am I ever going to know?

She wondered restlessly if they would ever reach Norloch, and if they did, whether it would answer any of her questions. Her feelings about Cadvan were entirely enigmatic. She knew she trusted him as she had trusted no man in her life, except perhaps the father she could barely remember, but she didn't really understand why. Perhaps it was because Silvia had trusted him too; but inside she knew it was more than that. She remembered how he had first stood before her in the cowbyre, years ago it seemed, though it was only a couple of months: how his face then was gray with exhaustion, vulnerable, and, she thought now, sad. Even then it hadn't really occurred to her to doubt him. She thought of his stern, mobile face, how driven he seemed, how isolated; but then he would light up with that vivid, warm smile.... What was she to him? A tool of the Light, a thing of mysterious power . . . not merely that, surely? What was she doing, fleeing through such perils with this man, to Norloch, a place of which she knew nothing? What if he was wrong? Would he then abandon her?

Feeling restless, she wrapped the blanket around her shoulders and got out of bed. She wandered in the darkness to the room where they had eaten, feeling her way slowly along the walls, and then to the front door, which gave silently under her hand. She stepped barefoot out onto the porch. A half moon swung high above her among the stars. A few dark wisps of clouds hurried high above, but she felt no wind. She curled into a cushioned couch that was set there, wrapping the blanket tightly against the chill, and looked up into the sky, greeting the stars as if they were old friends: the swinging belt of Melchar, and the Great Boat, and the single star Ilion, burning like a brilliant crystal low over the horizon. Their wordless beauty eased her anxiety, and she stayed there until, without realizing it, she fell fast asleep; and there Cadvan found her early the next morning, with her hair fallen in cobwebs across her eyes and mouth. If she had been able to see his face, she would have perceived there a tenderness that he had never shown her. He bent over her and gently brushed back the hair from her face. She stirred, mumbling something, and did not wake. He gazed at her for a few more seconds and then he smiled and went indoors, leaving her to wake when the sun rose high enough to strike her face.

Later that morning Farndar, one of the bowmen who had captured them, arrived and told Cadvan he was leaving Rachida again to go south, to the borders of their realm. He spoke with a new respect. "You have the Lady's favor," he said to Cadvan. "Strangers are uncommon here. There have been none in my lifetime."

Maerad stood by trying to follow their conversation. The words of the Speech slipped strangely from her memory; she didn't feel she could learn it, as these people seemed to, in the normal way. Somehow that made her feel even more exiled, as if she were foreign even to herself. At last Farndar turned to her and bowed courteously. She bowed in return, and then he left.

"I wish I could understand these people," she said to Cadvan after he had gone. "Why can't I learn the Speech? They're not all Bards, are they?"

"No," said Cadvan. "I haven't yet met one who is. The Dhyllin were the only race that used the Speech as their own language; these people must be a remnant of those folk. In the mouths of those who are not Bards the Speech hasn't the virtues of Barding. In truth, they speak an odd dialect of it here; but I can still understand them."

"Then why can't I learn it?" Maerad sat down, frowning. "I don't have a problem learning other things. But I forget a word as soon as I hear it. It slips out of my mind."

"No one understands how the Speech springs in the minds of Bards," said Cadvan. "But perhaps it's closed to you, until it arrives of its own accord."

"I don't think I'll ever learn it," said Maerad.

"You will," Cadvan said. "It yet sleeps in you."

"What if you're wrong?"

Cadvan gazed at her dispassionately and then sat down next to her. "I can always be mistaken," he said. "But that is for neither you nor I to worry about. We must do what we can, knowing or guessing what we can; and if it is any comfort, my guesses are not often far off the mark. I believe you are the Foretold, and I have good reasons for thinking so; perhaps the best are those that I cannot explain, which link to an inner Knowing of which I am not completely aware. It does not do to be impatient with any part of the Knowing, and most especially of the Speech, which is one of its chief mysteries."

"You didn't know about the Elementals," Maerad said pugnaciously.

"No," said Cadvan. "I don't know everything. No one does, and only the foolish seek to." He searched her face and then said gently, "Don't sit so glowering and sad, Maerad. It's hard to be thus picked out, beyond your own choice and will, for a life that makes you separate from others. Even to be a Bard is difficult, if your own people are not Bards; to be the Foretold must be so much the harder. Still, how it opens the strangeness and beauty of the world!"

Maerad said nothing for a while.
I've always been separate,
she thought.
That's not what bothers me.
At last she asked, in a muffled voice: "Was it difficult for you, when you found out you were a Bard?"

Cadvan sighed and looked down. "Yes," he said. "My people were simple folk. As far as they knew, there had been no Barding in my family. It is often so. My father was, in fact, a cobbler in Lirigon. If need be, I could still make a fine pair of boots! I was the youngest child, and it was hard for them to see me leave them for a world of which they had little understanding. And it was hard when I did not grow old as they did. My parents died when I still felt young. My brothers and sisters died long ago. I couldn't cure them of old age."

"But even among Bards, you're a bit separate," said Maerad. "I mean, you seem more at home with innkeepers, somehow, and marketers, than in the Schools."

Cadvan gave her a sharp glance, and then laughed. "It's odd for me, to be observed," he said. "I like to think of myself as the eye that looks but goes unseen. Not true, of course.... Yes, perhaps part of me wishes that I had been allotted an ordinary life, and had been a cobbler, like my father was. My parents were good people. But it wasn't my fate! And I don't regret it, although sometimes it has made me sorrowful."

"Then why ..." began Maerad, but Cadvan cut her off.

"I'll be answering questions all day, at this rate," he said, standing up. "I think we should go out and look at Rachida. We have the freedom of the city, so Farndar tells me, and I am impatient to see this place. We can't run away; we'd be utterly lost in the forest, so we might as well take advantage of our stay."

Maerad had been about to ask him why his Barding had led him to search out the Dark. She remembered the flash of a face that she had seen when he had scried her, and Dernhil's hint of a tragedy long ago, when Cadvan was young, and she could begin to guess.... But on reflection she thought it better she did not ask him. She doubted he would tell her.

After the discomforts and perils of their journey, Rachida was a welcome haven. They spent their days resting and eating, or walking through the town. During the day they noticed that the sky seemed to be veiled by a golden mist, and a strange sense that they walked through a time that was at once present and yet irredeemably distant began to grow on them. Cadvan believed Rachida was gripped by a powerful concealment charm created by Ardina. It was a place of rare beauty; every object, from pots and bowls to children's toys to fabrics, was remarkable for its fineness. The Rachidans ate from fine glazed clay ware, with perhaps a single detail of a flower or a snake or a bird, and dressed in garments subtly dyed and exquisitely cut. Even a meal was presented like a work of art.

The people of Rachida were friendly and generous, and Cadvan and Maerad had no trouble in making friends. They were invited to eat at many houses and were shown many marvelous things: a rowan tree, true to every detail, carved from a single piece of alabaster, and a necklace of many intricately carven links made from a single piece of deer bone, and a robe of silk, dyed all the colors of the sunset spilling on a river, woven from a single thread. The Rachidans delighted in such feats of skill and cunning, but in their delight was no sense of greed. Cadvan and Maerad refused the offers of many precious things, given simply because they admired them, with the plea that they could not carry them home. Even so, more than a few turned up in their house.

If they didn't eat with others, food was brought to their house by a young man called Idris. Unusual for a Rachidan, he was very curious about the world beyond Rachida, which no one he knew had ever seen. Despite their isolation, most people they met had little interest in anything that lay beyond their borders. They called Rachida the Navel of the World, and believed their city held everything they could rightly want. Idris listened intently to Cadvan's tales of far cities, his eyes glowing. But when Cadvan asked him if he desired to travel, he simply shook his head. "I don't want to," he said. "What treasure could I find richer than this?" Maerad and Cadvan both saw his point; but after a couple of days they began to chafe at the delay. They had still not had word from the Lady Ardina.

"I've never been in a place so withdrawn from the world!" Cadvan said, after Idris had left. "I begin to wonder if we will be allowed to leave. Perhaps the price of trespass here is that we must stay; and we cannot."

Maerad counted back and figured it was just over two months since she had first met Cadvan, which made it now late April or early May.
So short a time!
she thought to herself in astonishment. Her time in Gilman's Cot seemed like another life altogether, an evil memory dulled by distance, and even her stay in Innail seemed an age before. And here they were, caught like flies in amber outside time itself. She looked out through the window to the fountain, which plashed softly in the warm air. The room was utterly peaceful, but she felt no answering peace within herself. She didn't belong here.

"I hope not," she said. "It's time we left."

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