The Mysteries of Udolpho (87 page)

This enthusiastic soliloquy was interrupted by a rustling noise in the hall; and, while the loneliness of the place made her sensible to fear, she thought she perceived something moving between the pillars. For a moment, she continued silently observing it, till, ashamed of her ridiculous apprehensions, she recollected courage enough to demand who was there. ‘O my young lady, is it you?' said the old housekeeper, who was come to shut the windows, ‘I am glad it is you.' The manner, in which she spoke this, with a faint breath, rather surprised Blanche, who said, ‘You seemed frightened, Dorothée, what is the matter?'

‘No, not frightened, ma'amselle,' replied Dorothée, hesitating and trying to appear composed, ‘but I am old, and – a little matter startles me.' The Lady Blanche smiled at the distinction. ‘I am glad, that my lord the Count is come to live at the chateau, ma'amselle,' continued Dorothée, ‘for it has been many a year deserted, and dreary enough; now, the place will look a little as it used to do, when my poor lady was alive.' Blanche enquired how long it was, since the Marchioness died? ‘Alas! my lady,' replied Dorothée, ‘so long – that I have ceased to count the years! The place, to my mind, has mourned ever since, and I am sure my lord's vassals have! But you have lost yourself, ma'amselle, – shall I shew you to the other side of the chateau?'

Blanche enquired how long this part of the edifice had been built. ‘Soon after my lord's marriage, ma'am,' replied Dorothée. ‘The place was large enough without this addition, for many rooms of the old building were even then never made use of, and my lord had a princely household too; but he thought the antient mansion gloomy, and gloomy enough it is!' Lady Blanche now desired to be shewn to the inhabited part of the chateau; and, as the passages were entirely dark, Dorothe´e conducted her along the edge of the lawn to the opposite side of the edifice, where, a door opening into the great hall, she was met by Mademoiselle Bearn. ‘Where have you been so long?' said she, ‘I had begun to think some wonderful adventure had befallen you, and that the giant of this enchanted castle, or the ghost, which, no doubt, haunts it, had conveyed you through a trap-door into some subterranean vault, whence you was never to return.'

‘No,' replied Blanche, laughingly, ‘you seem to love adventures so well, that I leave them for you to achieve.'

‘Well, I am willing to achieve them, provided I am allowed to describe them.'

‘My dear Mademoiselle Bearn,' said Henri, as he met her at the door of the parlour, ‘no ghost of these days would be so savage as to impose silence on you. Our ghosts are more civilized than to condemn a lady to a purgatory severer even, than their own, be it what it may.'

Mademoiselle Bearn replied only by a laugh; and, the Count now entering the room, supper was served, during which he spoke little, frequently appeared to be abstracted from the company, and more than once remarked, that the place was greatly altered, since he had last seen it. ‘Many years have intervened since that period,' said he; ‘and, though the grand features of the scenery admit of no change, they impress me with sensations very different from those I formerly experienced.'

‘Did these scenes, sir,' said Blanche, ‘ever appear more lovely, than they
do now? To me this seems hardly possible.' The Count, regarding her with a melancholy smile, said, ‘They once were as delightful to me, as they are now to you; the landscape is not changed, but time has changed me; from my mind the illusion, which gave spirit to the colouring of nature, is fading fast! If you live, my dear Blanche, to re-visit this spot, at the distance of many years, you will, perhaps, remember and understand the feelings of your father.'

Lady Blanche, affected by these words, remained silent; she looked forward to the period, which the Count anticipated, and considering, that he, who now spoke, would then probably be no more, her eyes, bent to the ground, were filled with tears. She gave her hand to her father, who, smiling affectionately, rose from his chair, and went to a window to conceal his emotion.

The fatigues of the day made the party separate at an early hour, when Blanche retired through a long oak gallery to her chamber, whose spacious and lofty walls, high antiquated casements, and, what was the effect of these, its gloomy air, did not reconcile her to its remote situation, in this antient building. The furniture, also, was of antient date; the bed was of blue damask, trimmed with tarnished gold lace, and its lofty tester rose in the form of a canopy, whence the curtains descended, like those of such tents as are sometimes represented in old pictures, and, indeed, much resembling those, exhibited on the faded tapestry, with which the chamber was hung. To Blanche, every object here was matter of curiosity; and, taking the light from her woman to examine the tapestry, she perceived, that it represented scenes from the wars of Troy, though the almost colourless worsted now mocked the glowing actions they once had painted. She laughed at the ludicrous absurdity she observed, till, recollecting, that the hands, which had wove it, were, like the poet, whose thoughts of fire they had attempted to express, long since mouldered into dust, a train of melancholy ideas passed over her mind, and she almost wept.

Having given her woman a strict injunction to awaken her, before sun-rise, she dismissed her; and then, to dissipate the gloom, which reflection had cast upon her spirits, opened one of the high casements, and was again cheered by the face of living nature. The shadowy earth, the air, and ocean – all was still. Along the deep serene of the heavens, a few light clouds floated slowly, through whose skirts the stars now seemed to tremble, and now to emerge with purer splendour. Blanche's thoughts arose involuntarily to the Great Author of the sublime objects she contemplated, and she breathed a prayer of finer devotion, than any she had ever uttered beneath the vaulted roof of a cloister. At this casement, she remained till the glooms of midnight were
stretched over the prospect. She then retired to her pillow, and, ‘with gay visions of to-morrow,'
⁵
to those sweet slumbers, which health and happy innocence only know.

‘To-morrow to fresh woods and pastures new.'
⁶

‘What transport to retrace our early plays,

Our easy bliss, when each thing joy supplied,

The woods, the mountains and the warbling maze

Of the wild brooks!'

Thomson [
The Castle of Indolence
]
¹

Blanche's slumbers continued, till long after the hour, which she had so impatiently anticipated, for her woman, fatigued with travelling, did not call her, till breakfast was nearly ready. Her disappointment, however, was instantly forgotten, when, on opening the casement, she saw, on one hand, the wide sea sparkling in the morning rays, with its stealing sails and glancing oars; and, on the other, the fresh woods, the plains far-stretching and the blue mountains, all glowing with the splendour of day.

As she inspired the pure breeze, health spread a deeper blush upon her countenance, and pleasure danced in her eyes.

‘Who could first invent convents!' said she, ‘and who could first persuade people to go into them? and to make religion a pretence, too, where all that should inspire it, is so carefully shut out! God is best pleased with the homage of a grateful heart, and, when we view his glories, we feel most grateful. I never felt so much devotion, during the many dull years I was in the convent, as I have done in the few hours, that I have been here, where I need only look on all around me – to adore God in my inmost heart!'

Saying this, she left the window, bounded along the gallery, and, in the next moment, was in the breakfast room, where the Count was already seated. The cheerfulness of a bright sunshine had dispersed the melancholy glooms of his reflections, a pleasant smile was on his countenance, and he spoke in an enlivening voice to Blanche, whose heart echoed back the tones. Henri and, soon after, the Countess with Mademoiselle Bearn appeared, and the whole party seemed to acknowledge the influence of the scene; even the
Countess was so much re-animated as to receive the civilities of her husband with complacency, and but once forgot her good-humour, which was when she asked whether they had any neighbours, who were likely to make
this
barbarous
spot
more tolerable, and whether the Count believed it possible for her to exist here, without some amusement?

Soon after breakfast the party dispersed; the Count, ordering his steward to attend him in the library, went to survey the condition of his premises, and to visit some of his tenants; Henri hastened with alacrity to the shore to examine a boat, that was to bear them on a little voyage in the evening and to superintend the adjustment of a silk awning; while the Countess, attended by Mademoiselle Bearn, retired to an apartment on the modern side of the chateau, which was fitted up with airy elegance; and, as the windows opened upon balconies, that fronted the sea, she was there saved from a view of the
horrid
Pyren…es. Here, while she reclined on a sofa, and, casting her languid eyes over the ocean, which appeared beyond the wood-tops, indulged in the luxuries of
ennui
, her companion read aloud a sentimental novel, on some fashionable system of philosophy, for the Countess was herself somewhat of a
philosopher
, especially as to
infidelity
, and among a certain circle her opinions were waited for with impatience, and received as doctrines.

The Lady Blanche, meanwhile, hastened to indulge, amidst the wild wood-walks around the chateau, her new enthusiasm, where, as she wandered under the shades, her gay spirits gradually yielded to pensive complacency. Now, she moved with solemn steps, beneath the gloom of thickly interwoven branches, where the fresh dew still hung upon every flower, that peeped from among the grass; and now tripped sportively along the path, on which the sun-beams darted and the checquered foliage trembled – where the tender greens of the beech, the acacia and the mountain-ash, mingling with the solemn tints of the cedar, the pine and cypress, exhibited as fine a contrast of colouring, as the majestic oak and oriental plane did of form, to the feathery lightness of the cork tree and the waving grace of the poplar.

Having reached a rustic seat, within a deep recess of the woods, she rested awhile, and, as her eyes caught, through a distant opening, a glimpse of the blue waters of the Mediterranean, with the white sail, gliding on its bosom, or of the broad mountain, glowing beneath the mid-day sun, her mind experienced somewhat of that exquisite delight, which awakens the fancy, and leads to poetry. The hum of bees alone broke the stillness around her, as, with other insects of various hues, they sported gaily in the shade, or sipped sweets from the fresh flowers; and, while Blanche watched a butter-fly, flitting from bud to bud, she indulged herself in imagining the pleasures of its short day, till she had composed the following stanzas.

THE BUTTER-FLY TO HIS LOVE

What bowery dell, with fragrant breath,

Courts thee to stay thy airy flight;

Nor seek again the purple heath,

So oft the scene of gay delight?

Long I've watch'd i' the lily's bell,

Whose whiteness stole the morning's beam;

No fluttering sounds thy coming tell,

No waving wings, at distance, gleam.

But fountain fresh, nor breathing grove,

Nor sunny mead, nor blossom'd tree,

So sweet as lily's cell shall prove,

– The bower of constant love and me.

When April buds begin to blow,

The prim-rose, and the hare-bell blue,

That on the verdant moss bank grow,

With violet cups, that weep in dew;

When wanton gales breathe through the shade,

And shake the blooms, and steal their sweets,

And swell the song of ev'ry glade,

I range the forest's green retreats:

There, through the tangled wood-walks play,

Where no rude urchin paces near,

Where sparely peeps the sultry day,

And light dews freshen all the air.

High on a sun-beam oft I sport

O'er bower and fountain, vale and hill;

Oft ev'ry blushing flow'ret court,

That hangs its head o'er winding rill.

But these I'll leave to be thy guide,

And shew thee, where the jasmine spreads

Her snowy leaf, where may-flow'rs hide

And rose-buds rear their peeping heads.

With me the mountain's summit scale,

And taste the wild-thyme's honied bloom,

Whose fragrance, floating on the gale,

Oft leads me to the cedar's gloom.

Yet, yet, no sound comes in the breeze!

What shade thus dares to tempt thy stay?

Once, me alone thou wish'd to please,

And with me only thou wouldst stray.

But, while thy long delay I mourn,

And chide the sweet shades for their guile,

Thou may'st be true, and they forlorn,

And fairy favours court thy smile.

The tiny queen of fairy-land,

Who knows thy speed, hath sent thee far,

To bring, or ere the night-watch stand,

Rich essence for her shadowy car:

Perchance her acorn-cups to fill

With nectar from the Indian rose,

Or gather, near some haunted rill,

May-dews, that lull to sleep Love's woes:

Or, o'er the mountains, bade thee fly,

To tell her fairy love to speed,

When ev'ning steals upon the sky,

To dance along the twilight mead.

But now I see thee sailing low,

Gay as the brightest flow'rs of spring,

Thy coat of blue and jet I know,

And well thy gold and purple wing.

Borne on the gale, thou com'st to me;

O! welcome, welcome to my home!

In lily's cell we'll live in glee,

Together o'er the mountains roam!

When Lady Blanche returned to the chateau, instead of going to the apartment of the Countess, she amused herself with wandering over that part of the edifice, which she had not yet examined, of which the most antient first attracted her curiosity; for, though what she had seen of the modern was gay and elegant, there was something in the former more interesting to her imagination. Having passed up the great stair-case, and through the oak gallery, she entered upon a long suite of chambers, whose walls were either hung with tapestry, or wainscoted with cedar, the furniture of which looked almost as antient as the rooms themselves; the spacious fire-places, where no mark of social cheer remained, presented an image of cold desolation; and the whole suite had so much the air of neglect and desertion, that it seemed, as if the venerable persons, whose portraits hung upon the walls, had been the last to inhabit them.