The Mysteries of Udolpho (118 page)

Several months passed, during which she heard nothing from the Marquis de Villeroi, and her days were marked, at intervals, with the phrensy of passion and the sullenness of despair. She secluded herself from all visitors, and, sometimes, remained in her apartment, for weeks together, refusing to speak to every person, except her favourite female attendant, writing scraps of letters, reading, again and again, those she had received from the Marquis, weeping over his picture, and speaking to it, for many hours, upbraiding, reproaching and caressing it alternately.

At length, a report reached her, that the Marquis had married in France, and, after suffering all the extremes of love, jealousy and indignation, she formed the desperate resolution of going secretly to that country, and, if the report proved true, of attempting a deep revenge. To her favourite woman only she confided the plan of her journey, and she engaged her to partake of it. Having collected her jewels, which, descending to her from many branches of her family, were of immense value, and all her cash, to a very large amount, they were packed in a trunk, which was privately conveyed to a neighbouring town, whither Laurentini, with this only servant, followed, and thence proceeded secretly to Leghorn, where they embarked for France.

When, on her arrival in Languedoc, she found, that the Marquis de Villeroi had been married, for some months, her despair almost deprived her of reason, and she alternately projected and abandoned the horrible design of
murdering the Marquis, his wife and herself. At length she contrived to throw herself in his way, with an intention of reproaching him, for his conduct, and of stabbing herself in his presence; but, when she again saw him, who so long had been the constant object of her thoughts and affections, resentment yielded to love; her resolution failed; she trembled with the conflict of emotions, that assailed her heart, and fainted away.

The Marquis was not proof against her beauty and sensibility; all the energy, with which he had first loved, returned, for his passion had been resisted by prudence, rather than overcome by indifference; and, since the honour of his family would not permit him to marry her, he had endeavoured to subdue his love, and had so far succeeded, as to select the then Marchioness for his wife, whom he loved at first with a tempered and rational affection. But the mild virtues of that amiable lady did not recompense him for her indifference, which appeared, notwithstanding her efforts to conceal it; and he had, for some time, suspected that her affections were engaged by another person, when Laurentini arrived in Languedoc. This artful Italian soon perceived, that she had regained her influence over him, and, soothed by the discovery, she determined to live, and to employ all her enchantments to win his consent to the diabolical deed, which she believed was necessary to the security of her happiness. She conducted her scheme with deep dissimulation and patient perseverance, and, having completely estranged the affections of the Marquis from his wife, whose gentle goodness and unimpassioned manners had ceased to please, when contrasted with the captivations of the Italian, she proceeded to awaken in his mind the jealousy of pride, for it was no longer that of love, and even pointed out to him the person, to whom she affirmed the Marchioness had sacrificed her honour; but Laurentini had first extorted from him a solemn promise to forbear avenging himself upon his rival. This was an important part of her plan, for she knew, that, if his desire of vengeance was restrained towards one party, it would burn more fiercely towards the other, and he might then, perhaps, be prevailed on to assist in the horrible act, which would release him from the only barrier, that with-held him from making her his wife.

The innocent Marchioness, meanwhile, observed, with extreme grief, the alteration in her husband's manners. He became reserved and thoughtful in her presence; his conduct was austere, and sometimes even rude; and he left her, for many hours together, to weep for his unkindness, and to form plans for the recovery of his affection. His conduct afflicted her the more, because, in obedience to the command of her father, she had accepted his hand, though her affections were engaged to another, whose amiable disposition, she had reason to believe, would have ensured her happiness. This circumstance
Laurentini had discovered, soon after her arrival in France, and had made ample use of it in assisting her designs upon the Marquis, to whom she adduced such seeming proof of his wife's infidelity, that, in the frantic rage of wounded honour, he consented to destroy his wife. A slow poison was administered, and she fell a victim to the jealousy and subtlety of Laurentini and to the guilty weakness of her husband.

But the moment of Laurentini's triumph, the moment, to which she had looked forward for the completion of all her wishes, proved only the commencement of a suffering, that never left her to her dying hour.

The passion of revenge, which had in part stimulated her to the commission of this atrocious deed, died, even at the moment when it was gratified, and left her to the horrors of unavailing pity and remorse, which would probably have empoisoned all the years she had promised herself with the Marquis de Villeroi, had her expectations of an alliance with him been realized. But he, too, had found the moment of his revenge to be that of remorse, as to himself, and detestation, as to the partner of his crime; the feeling, which he had mistaken for conviction, was no more; and he stood astonished, and aghast, that no proof remained of his wife's infidelity, now that she had suffered the punishment of guilt. Even when he was informed, that she was dying, he had felt suddenly and unaccountably reassured of her innocence, nor was the solemn assurance she made him in her last hour, capable of affording him a stronger conviction of her blameless conduct.

In the first horrors of remorse and despair, he felt inclined to deliver up himself and the woman, who had plunged him into this abyss of guilt, into the hands of justice; but, when the paroxysm of his suffering was over, his intention changed. Laurentini, however, he saw only once afterwards, and that was, to curse her as the instigator of his crime, and to say, that he spared her life only on condition, that she passed the rest of her days in prayer and penance. Overwhelmed with disappointment, on receiving contempt and abhorrence from the man, for whose sake she had not scrupled to stain her conscience with human blood, and, touched with horror of the unavailing crime she had committed, she renounced the world, and retired to the monastery of St Clair, a dreadful victim to unresisted passion.

The Marquis, immediately after the death of his wife, quitted Chateau-le-Blanc, to which he never returned, and endeavoured to lose the sense of his crime amidst the tumult of war, or the dissipations of a capital; but his efforts were vain; a deep dejection hung over him ever after, for which his most intimate friends could not account, and he, at length, died, with a degree of horror nearly equal to that, which Laurentini had suffered. The physician, who had observed the singular appearance of the unfortunate Marchioness,
after death, had been bribed to silence; and, as the surmises of a few of the servants had proceeded no further than a whisper, the affair had never been investigated. Whether this whisper ever reached the father of the Marchioness, and, if it did, whether the difficulty of obtaining proof deterred him from prosecuting the Marquis de Villeroi, is uncertain; but her death was deeply lamented by some part of her family, and particularly by her brother, M. St Aubert; for that was the degree of relationship, which had existed between Emily's father and the Marchioness; and there is no doubt, that he suspected the manner of her death. Many letters passed between the Marquis and him, soon after the decease of this beloved sister, the subject of which was not known, but there is reason to believe, that they related to the cause of her death; and these were the papers, together with some letters of the Marchioness, who had confided to her brother the occasion of her unhappiness, which St Aubert had so solemnly enjoined his daughter to destroy: and anxiety for her peace had probably made him forbid her to enquire into the melancholy story, to which they alluded. Such, indeed, had been his affliction, on the premature death of this his favourite sister, whose unhappy marriage had from the first excited his tenderest pity, that he never could hear her named, or mention her himself after her death, except to Madame St Aubert. From Emily, whose sensibility he feared to awaken, he had so carefully concealed her history and name, that she was ignorant, till now, that she ever had such a relative as the Marchioness de Villeroi; and from this motive he had enjoined silence to his only surviving sister, Madame Cheron, who had scrupulously observed his request.

It was over some of the last pathetic letters of the Marchioness, that St Aubert was weeping, when he was observed by Emily, on the eve of her departure from La Vallée, and it was her picture, which he had so tenderly caressed. Her disastrous death may account for the emotion he had betrayed, on hearing her named by La Voisin, and for his request to be interred near the monument of the Villerois, where her remains were deposited, but not those of her husband, who was buried, where he died, in the north of France.

The confessor, who attended St Aubert in his last moments, recollected him to be the brother of the late Marchioness, when St Aubert, from tenderness to Emily, had conjured him to conceal the circumstance, and to request that the abbess, to whose care he particularly recommended her, would do the same; a request, which had been exactly observed.

Laurentini, on her arrival in France, had carefully concealed her name and family, and, the better to disguise her real history, had, on entering the convent, caused the story to be circulated, which had imposed on sister Frances, and it is probable, that the abbess, who did not preside in the convent,
at the time of her noviciation,
²
was also entirely ignorant of the truth. The deep remorse, that seized on the mind of Laurentini, together with the sufferings of disappointed passion, for she still loved the Marquis, again unsettled her intellects, and, after the first paroxysms of despair were passed, a heavy and silent melancholy had settled upon her spirits, which suffered few interruptions from fits of phrensy, till the time of her death. During many years, it had been her only amusement to walk in the woods near the monastery, in the solitary hours of night, and to play upon a favourite instrument, to which she sometimes joined the delightful melody of her voice, in the most solemn and melancholy airs of her native country, modulated by all the energetic feeling, that dwelt in her heart. The physician, who had attended her, recommended it to the superior to indulge her in this whim, as the only means of soothing her distempered fancy; and she was suffered to walk in the lonely hours of night, attended by the servant, who had accompanied her from Italy; but, as the indulgence transgressed against the rules of the convent, it was kept as secret as possible; and thus the mysterious music of Laurentini had combined with other circumstances, to produce a report, that not only the chateau, but its neighbourhood, was haunted.

Soon after her entrance into this holy community, and before she had shewn any symptoms of insanity there, she made a will, in which, after bequeathing a considerable legacy to the convent, she divided the remainder of her personal property, which her jewels made very valuable, between the wife of Mons. Bonnac, who was an Italian lady and her relation, and the nearest surviving relative of the late Marchioness de Villeroi. As Emily St Aubert was not only the nearest, but the sole relative, this legacy descended to her, and thus explained to her the whole mystery of her father's conduct.

The resemblance between Emily and her unfortunate aunt had frequently been observed by Laurentini, and had occasioned the singular behaviour, which had formerly alarmed her; but it was in the nun's dying hour, when her conscience gave her perpetually the idea of the Marchioness, that she became more sensible, than ever, of this likeness, and, in her phrensy, deemed it no resemblance of the person she had injured, but the original herself. The bold assertion, that had followed, on the recovery of her senses, that Emily was the daughter of the Marchioness de Villeroi, arose from a suspicion that she was so; for, knowing that her rival, when she married the Marquis, was attached to another lover, she had scarcely scrupled to believe, that her honour had been sacrificed, like her own, to an unresisted passion.

Of a crime, however, to which Emily had suspected, from her phrensied confession of murder, that she had been instrumental in the castle of Udolpho, Laurentini was innocent; and she had herself been deceived, concerning
the spectacle, that formerly occasioned her so much terror, and had since compelled her, for a while, to attribute the horrors of the nun to a consciousness of a murder, committed in that castle.

It may be remembered, that, in a chamber of Udolpho, hung a black veil, whose singular situation had excited Emily's curiosity, and which afterwards disclosed an object, that had overwhelmed her with horror; for, on lifting it, there appeared, instead of the picture she had expected, within a recess of the wall, a human figure of ghastly paleness, stretched at its length, and dressed in the habiliments of the grave. What added to the horror of the spectacle, was, that the face appeared partly decayed and disfigured by worms, which were visible on the features and hands. On such an object, it will be readily believed, that no person could endure to look twice. Emily, it may be recollected, had, after the first glance, let the veil drop, and her terror had prevented her from ever after provoking a renewal of such suffering, as she had then experienced. Had she dared to look again, her delusion and her fears would have vanished together, and she would have perceived, that the figure before her was not human, but formed of wax.
³
The history of it is somewhat extraordinary, though not without example in the records of that fierce severity, which monkish superstition has sometimes inflicted on mankind. A member of the house of Udolpho, having committed some offence against the prerogative of the church, had been condemned to the penance of contemplating, during certain hours of the day, a waxen image, made to resemble a human body in the state, to which it is reduced after death. This penance, serving as a memento of the condition at which he must himself arrive, had been designed to reprove the pride of the Marquis of Udolpho, which had formerly so much exasperated that of the Romish church; and he had not only superstitiously observed this penance himself, which, he had believed, was to obtain a pardon for all his sins, but had made it a condition in his will, that his descendants should preserve the image, on pain of forfeiting to the church a certain part of his domain, that they also might profit by the humiliating moral it conveyed. The figure, therefore, had been suffered to retain its station in the wall of the chamber, but his descendants excused themselves from observing the penance, to which he had been enjoined.