The Modern Library In Search of Lost Time, Complete and Unabridged : 6-Book Bundle (428 page)

BOOK: The Modern Library In Search of Lost Time, Complete and Unabridged : 6-Book Bundle
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So it was that the Verdurins gave dinner-parties (then, after a time, Mme Verdurin gave them alone, for M. Verdurin died) and M. de Charlus went about his pleasures and hardly ever stopped to reflect that the Germans—immobilised,
it is true, by a bloody barrier perpetually renewed—were only an hour by car from Paris. The Verdurins, one would imagine, did think about this fact, since they had a political salon in which every evening they and their friends discussed the situation not only of the armies but of the fleets. They thought certainly of these hecatombs of regiments annihilated and passengers swallowed by the waves; but there is a law of inverse proportion which multiplies to such an extent anything that concerns our own welfare and divides by such a formidable figure anything that does not concern it, that the death of unknown millions is felt by us as the most insignificant of sensations, hardly even as disagreeable as a draught. Mme Verdurin, who suffered even more from her headaches now that she could no longer get croissants to dip in her breakfast coffee, had eventually obtained a prescription from Cottard permitting her to have them specially made in a certain restaurant of which we have spoken. This had been almost as difficult to wangle with the authorities as the appointment of a general. The first of these special croissants arrived on the morning on which the newspapers reported the sinking of the
Lusitania.
As she dipped it in her coffee and gave a series of little flicks to her newspaper with one hand so as to make it stay open without her having to remove her other hand from the cup, “How horrible!” she said. “This is something more horrible than the most terrible stage tragedy.” But the death of all these drowned people must have been reduced a thousand million times before it impinged upon her, for even as, with her mouth full, she made these distressful observations, the expression which spread over her face, brought there (one must suppose) by the savour of
that so precious remedy against headaches, the croissant, was in fact one of satisfaction and pleasure.

As for M. de Charlus, his case was a little different, but worse even, for he went beyond not passionately desiring the victory of France: he desired rather, without admitting it to himself, that Germany should, if not triumph, at least not be crushed as everybody hoped she would be. And for this attitude of his the reason was, again, that the great collections of individuals called nations themselves behave to some extent like individuals. The logic that governs them is an inner logic, wrought and perpetually re-wrought by passions, like that of men and women at grips with one another in an amorous or domestic quarrel, the quarrel of a son with his father, or of a cook with her mistress, or a wife with her husband. The party who is in the wrong believes nevertheless that he is in the right—this was so in the case of Germany—and the party who is in the right sometimes supports his excellent cause with arguments which appear to him to be irrefutable only because they answer to his own passionate feelings. In these quarrels of individuals, the surest way of being convinced of the excellence of the cause of one party or the other is actually to be that party: a spectator will never to the same extent give his unqualified approval. Now within a nation the individual, if he is truly part of the nation, is simply a cell of the nation-individual. It is ridiculous to talk about the power of propaganda. Had the French been told that they were going to be beaten, no single Frenchman would have given way to despair any more than he would if he had been told that he was going to be killed by the Berthas. The real propaganda is what—if we are genuinely a living member of a
nation—we tell ourselves because we have hope, hope being a symbol of a nation’s instinct of self-preservation. To remain blind to the unjustness of the cause of the individual “Germany,” to recognise at every moment the justness of the cause of the individual “France,” the surest way was not for a German to be without judgment, or for a Frenchman to possess it, it was, both for the one and for the other, to be possessed of patriotism. M. de Charlus, who had rare moral qualities, who was susceptible to pity, generous, capable of affection and devotion, on the other hand for various reasons—among which the fact that his mother had been a Duchess of Bavaria may have played a part—did not have patriotism. He belonged, in consequence, no more to the body France than to the body Germany. Even I myself, had I been devoid of patriotism, had I not felt myself to be one of the cells of the body France, could not, it seems to me, have judged the quarrel in the manner in which I might have judged it in the past. In my adolescence, when I believed word for word what I was told, I should no doubt, hearing the German government protest its good faith, have been tempted to believe that this good faith existed; but I had learned long ago that our thoughts do not always accord with our words; not only had I one day, from the window on the staircase, discovered a Charlus whose existence I did not suspect; more important, in Françoise, and then, alas, in Albertine, I had seen the formation of opinions and projects so contrary to their words that now, even in the role of mere spectator, I should not have allowed any of the pronouncements of the Kaiser or the King of Bulgaria to deceive my instinct. But after all I can only conjecture what I might have done if I had not been an actor in the
drama, if I had not been a part of the actor France in the same way as, in my quarrels with Albertine, my sad gaze and the choking feeling in my throat had been parts of the individual “me” who was passionately interested in my cause; I could not arrive at detachment. That of M. de Charlus was complete. And given that he was nothing more than a spectator, and that, without being genuinely French, he was living in France, there was every reason why he was likely to be pro-German. In the first place, he was very intelligent and in every country fools form the bulk of the population; no doubt, had he lived in Germany, the German fools defending foolishly and with passion an unjust cause would have irritated him; but living as he did in France, the French fools defending foolishly and with passion a just cause irritated him quite as much. The logic of passion, even if it happens to be in the service of the best possible cause, is never irrefutable for the man who is not himself passionate. Inevitably M. de Charlus with his critical intelligence seized on every weak point in the reasoning of the patriots. And then the complacency that an imbecile derives from the excellence of his cause, and the certainty of victory, are particularly irritating phenomena. Inevitably M. de Charlus was irritated by the triumphant optimism of people who did not know Germany and Germany’s strength as he did, who believed every month in a crushing victory for the following month, and at the end of the year were as confident in making fresh predictions as though they had never, with equal confidence, made false ones—which they had, however, forgotten, saying, if they were reminded of them, that it “was not the same thing.” (Yet M. de Charlus, profound as his intelligence was in
some directions, would perhaps have failed to see that in art “This is not the same thing” is what the detractors of Manet return to those who tell them “People said the same thing about Delacroix.”

Then again, M. de Charlus was merciful, the idea of a vanquished opponent caused him pain, he was always on the side of the underdog, he refrained from reading the law reports in the newspapers in order not to have to suffer in his own flesh from the anguish of the condemned man and from the impossibility of assassinating the judge, the executioner and the crowd that stood gloating to see “justice done.” He was certain in any case that France could not be defeated now, and he knew on the other hand that the Germans were suffering from famine and would be obliged sooner or later to surrender unconditionally. And this idea too he more particularly disliked owing to the fact that he was living in France. His memories of Germany, after all, were distant, while the French who spoke of the crushing defeat of Germany with a joy which disgusted him, were people whose defects were known to him, their personalities unsympathetic. In such circumstances we pity more readily those whom we do not know, whom we merely imagine, than those who are near us in the vulgarity of daily life, unless—once again—we ourselves altogether are the latter and form but one flesh with them, since patriotism accomplishes the miracle that we are “for” our country as in a quarrel between lovers we are “for” ourself.

So the war for M. de Charlus was an extraordinarily fertile breeding-ground of those hatreds he was prone to which sprang up in him in a moment and had only a very brief existence, during which, however, he would have
abandoned himself to any violent impulse. When he read the newspapers, the air of triumph with which day after day the journalists portrayed Germany as beaten—“the Beast at bay, reduced to impotence”—while the contrary was only too true, their cheerful and savage stupidity, intoxicated him with rage. The newspapers at this moment were written partly by well-known men who found this a means of “serving their country again,” men such as Brichot, Norpois, Morel even, and Legrandin. M. de Charlus longed to meet them, to heap the most bitter sarcasms on their heads. Always particularly well-informed about sexual irregularities, he knew of some in individuals who, believing their own to be unknown, complacently denounced such things in the sovereigns of the “Empires of Prey,” in Wagner, etc. He had a furious desire to find himself face to face with these men, to rub their noses in their own vice before the eyes of the world and leave them, these insulters of a vanquished opponent, dishonoured and gasping for breath.

Finally, M. de Charlus had also more particular reasons for being the pro-German that he was. One was that, himself a man of the world, he had lived much among men of the world, honourable men and men of honour, men who will not shake hands with a scoundrel; he was acquainted with their scruples and also with their hardness, he knew them to be insensible to the tears of a man whom they expel from a club or with whom they refuse to fight a duel, even if this act of “moral hygiene” should bring about the death of the black sheep’s mother. And so in spite of himself, whatever admiration he might feel for England and for the admirable fashion in which she entered the war, nevertheless this impeccable England—incapable
of falsehood but forbidding the entry of wheat and milk into Germany—was in his eyes a little too much the man of honour among nations, the professional second in duels, the arbiter of affairs of honour, whereas his experience told him that men of a different type, men with a blot upon their reputation, scoundrels like some of Dostoievsky’s characters, may in fact be better—though I have never been able to understand why he identified the Germans with such men, since falsehood and deceit are in themselves no evidence of a kind heart, which is something the Germans do not seem to have displayed.

One last trait must be mentioned to complete this account of the pro-Germanism of M. de Charlus: he owed it, and through a most bizarre reaction, to his “Charlusism.” He found the Germans very ugly, perhaps because they were rather too near to his own blood—it was the Moroccans he was mad about and even more the Anglo-Saxons, in whom he saw living statues by Phidias. Now in him pleasure was not unaccompanied by a certain idea of cruelty of which I had not at that time learned the full force: the man whom he loved appeared to him in the guise of a delightful torturer. In taking sides against the Germans he would have seemed to himself to be acting as he did only in his hours of physical pleasure, to be acting, that is, in a manner contrary to his merciful nature, fired with passion for seductive evil and helping to crush virtuous ugliness. This too was his reaction at the time of the murder of Rasputin, an event which, happening as it did at a supper-party
à la
Dostoievsky, caused a general surprise because people found in it so strong a Russian flavour (this impression would have been stronger still had the public not been unaware of aspects of the case
that were perfectly well known to M. de Charlus), because life disappoints us so often that in the end we come to believe that literature bears no relation to it and we are therefore astounded when we see the precious ideas that literature has revealed to us display themselves, without fear of getting spoiled, gratuitously, naturally, in the midst of daily life, when we see, for instance, that a supper-party and a murder taking place in Russia actually have something Russian about them.

The war dragged on indefinitely and those who, already several years earlier, had reported on good authority that negotiations for peace had been begun, even specifying the clauses of the treaty, were at no pains now, when they talked to you, to make excuses for their previous false rumours. They had forgotten them and were ready in all sincerity to propagate others which they would forget just as quickly. It was the period when there were constant Gotha raids; the air was perpetually buzzing with the vibration, vigilant and sonorous, of French aeroplanes. But at intervals the siren rang out like the heart-rending scream of a Valkyrie—the only German music to have been heard since the war—until the moment when the fire-engines announced that the alert was over, while beside them, like an invisible street-urchin, the all-clear at regular intervals commented on the good news and hurled its cry of joy into the air.

M. de Charlus was astonished to see that even men like Brichot who before the war had been militarists and had never ceased to reproach France for her lack of military preparedness, were not content now with reproaching Germany for the excesses of her militarism, but criticised even her admiration of the army. No doubt they expressed
quite different opinions the moment there was any danger of slowing down the war against Germany and continued, for the best reasons, to denounce the pacifists of their own country. But Brichot, for example, having consented, in spite of his bad eyesight, to discuss in some lectures certain works which had appeared in neutral countries, gave high praise to a novel by a Swiss author which has a satirical passage about two children—militarists in embryo—who are struck dumb with symbolic admiration at the sight of a dragoon. There were other reasons why this satire was likely to displease M. de Charlus, who deemed that a dragoon may be a very beautiful thing. But above all he did not understand Brichot’s admiration, if not for the book, which the Baron had not read, at least for its spirit, so different from that which had animated Brichot himself before the war. At that time everything that a military man did was right, even the irregularities of General de Boisdeffre, the disguises and strategies of Colonel du Paty de Clam, the forgery of Colonel Henry. By what extraordinary volte-face (it was in reality merely another aspect of the same very noble passion, the passion of patriotism, which, from being militarist when it was struggling against Dreyfusism, a phenomenon of anti-militarist tendencies, had been obliged itself to become almost anti-militarist now that the struggle was against the hyper-militaristic Germany) had Brichot come to exclaim: “O marvellous and mighty spectacle, fit lure for the youth of an age that is all brutality and knows only the cult of force: a dragoon! Well may one judge what the base soldiery will be of a generation reared in the cult of these manifestations of brutal force.” He approved too of another Swiss novelist, Spitteler, who
“wanting something to oppose to the hideous conception of the sword supreme, symbolically exiled to the depths of the forests the dreamy figure, mocked, calumniated and solitary, whom he calls the Mad Student, his delightful incarnation of the sweetness—unfashionable, alas, and perhaps soon to be forgotten if the grim rule of the ancient god of the militarists is not destroyed—the adorable sweetness of the times of peace.”

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