The Modern Library In Search of Lost Time, Complete and Unabridged : 6-Book Bundle (176 page)

Taking the opportunity of his back being turned, Mme de Guermantes pointed to him with an ironical, questioning look at her aunt.

“It’s M. Legrandin,” murmured Mme de Villeparisis. “He has a sister called Mme de Cambremer, not that that will mean any more to you than it does to me.”

“What! Oh, but I know her very well!” exclaimed Mme de Guermantes, clapping her hand to her mouth. “Or rather I don’t know her, but for some reason or other Basin, who meets the husband heaven knows where, took it into his head to tell the wretched woman she might call on me. And she did. I can’t tell you what it was like. She told me she had been to London, and gave me a complete catalogue of all the things in the British Museum. And just as you see me now, the moment I leave your house, I’m going to drop a card on the monster. And don’t think it’s as easy as all that, because on the pretext that she’s dying of some disease she’s always at home, no matter whether you arrive at seven at night or nine in the morning, she’s ready for you with a plate of strawberry tarts. No, but seriously, you know, she is a monstrosity,” Mme de Guermantes went on in reply to a questioning glance from her aunt. “She’s an impossible person, she talks about ‘scriveners’ and things like that.” “What does ‘scrivener’ mean?” asked Mme de Villeparisis. “I haven’t the slightest idea!” cried the Duchess in mock indignation. “I don’t want to know. I don’t speak that sort of language.” And seeing that her aunt really did not know what a scrivener was, to give herself the satisfaction of showing that she was a scholar as well as a purist, and to make fun of her aunt after having made fun of Mme de Cambremer: “Why, of course,” she said, with a half-laugh which the last traces of her feigned ill-humour kept in check, “everybody knows what it means; a scrivener is a writer, a person who scribbles. But it’s a horror of a word. It’s enough to make your wisdom teeth drop out. Nothing will ever make me use words like that … And so that’s the brother, is it? I can’t get used to the idea. But after all it’s not inconceivable. She has the same doormat humility and the same mass of information like a circulating library. She’s just as much of a toady as he is, and just as boring. Yes, I’m beginning to see the family likeness now quite plainly.”

“Sit down, we’re just going to take a dish of tea,” said Mme de Villeparisis to her niece. “Help yourself; you don’t want to look at the pictures of your great-grandmothers, you know them as well as I do.”

Presently Mme de Villeparisis sat down again at her desk and went on with her painting. The rest of the party gathered round her, and I took the opportunity to go up to Legrandin and, seeing no harm myself in his presence in Mme de Villeparisis’s drawing-room and never dreaming how much my words would at once hurt him and make him believe that I had deliberately intended to hurt him, say: “Well, Monsieur, I am almost excused for being in a salon when I find you here too.” M. Legrandin concluded from these words (at least this was the opinion which he expressed of me a few days later) that I was a thoroughly spiteful young wretch who delighted only in doing mischief.

“You might at least have the civility to begin by saying how d’ye do to me,” he replied, without offering me his hand and in a coarse and angry voice which I had never suspected him of possessing, a voice which, having no rational connexion with what he ordinarily said, had another more immediate and striking connexion with something he was feeling. For the fact of the matter is that, since we are determined always to keep our feelings to ourselves, we have never given any thought to the manner in which we should express them. And suddenly there is within us a strange and obscene animal making itself heard, whose tones may inspire as much alarm in the person who receives the involuntary, elliptical and almost irresistible communication of one’s defect or vice as would the sudden avowal indirectly and outlandishly proffered by a criminal who can no longer refrain from confessing to a murder of which one had never imagined him to be guilty. I knew, of course, that idealism, even subjective idealism, did not prevent great philosophers from still having hearty appetites or from presenting themselves with untiring perseverance for election to the Academy. But really Legrandin had no need to remind people so often that he belonged to another planet when all his uncontrollable impulses of anger or affability were governed by the desire to occupy a good position on this one.

“Naturally, when people pester me twenty times on end to go somewhere,” he went on in lower tones, “although I am perfectly free to do what I choose, still I can’t behave like an absolute boor.”

Mme de Guermantes had sat down. Her name, accompanied as it was by her title, added to her physical person the duchy which cast its aura round about her and brought the shadowy, sun-splashed coolness of the woods of Guermantes into this drawing-room, to surround the pouf on which she was sitting. I was surprised only that the likeness of those woods was not more discernible on the face of the Duchess, about which there was nothing suggestive of vegetation, and on which the ruddiness of her cheeks—which ought, one felt, to have been emblazoned with the name Guermantes—was at most the effect, and not the reflexion, of long gallops in the open air. Later on, when I had become indifferent to her, I came to know many of the Duchess’s distinctive features, notably (to stick for the moment only to those of which I already at this time felt the charm though without yet being able to identify it) her eyes, which captured as in a picture the blue sky of a French country afternoon, broadly expansive, bathed in light even when no sun shone; and a voice which one would have thought, from its first hoarse sounds, to be almost plebeian, in which there lingered, as over the steps of the church at Combray or the pastry-cook’s in the square, the rich and lazy gold of a country sun. But on this first day I discerned nothing, my ardent attention volatilised at once the little that I might otherwise have been able to take in and from which I might have been able to grasp something of the name Guermantes. In any case, I told myself that it was indeed she who was designated for all the world by the title Duchesse de Guermantes: the inconceivable life which that name signified was indeed contained in this body; it had just introduced that life into the midst of a group of disparate people, in this room which enclosed it on every side and on which it produced so vivid a reaction that I felt I could see, where the extent of that mysterious life ceased, a fringe of effervescence outline its frontiers—in the circumference of the circle traced on the carpet by the balloon of her blue pekin skirt, and in the bright eyes of the Duchess at the point of intersection of the preoccupations, the memories, the incomprehensible, scornful, amused and curious thoughts which filled them from within and the outside images that were reflected on their surface. Perhaps I should have been not quite so deeply stirred had I met her at Mme de Villeparisis’s at an evening party, instead of seeing her thus at one of the Marquise’s “at homes,” at one of those tea-parties which are for women no more than a brief halt in the course of their afternoon’s outing, when, keeping on the hats in which they have been doing their shopping, they waft into a succession of salons the quality of the fresh air outside, and offer a better view of Paris in the late afternoon than do the tall open windows through which one can hear the rumble of victorias: Mme de Guermantes wore a straw hat trimmed with cornflowers, and what they recalled to me was not the sunlight of bygone years among the tilled fields round Combray where I had so often gathered them on the slope adjoining the Tansonville hedge, but the smell and the dust of twilight as they had been an hour ago when Mme de Guermantes had walked through them in the Rue de la Paix. With a smiling, disdainful, absent-minded air, and a pout on her pursed lips, she was tracing circles on the carpet with the point of her sunshade, as with the extreme tip of an antenna of her mysterious life; then, with that indifferent attention which begins by eliminating every point of contact between oneself and what one is considering, her gaze fastened upon each of us in turn, then inspected the settees and chairs, but softened now by that human sympathy which is aroused by the presence, however insignificant, of a thing one knows, a thing that is almost a person: these pieces of furniture were not like us, they belonged vaguely to her world, they were bound up with the life of her aunt; then from a Beauvais chair her gaze was carried back to the person sitting on it, and thereupon resumed the same air of perspicacity and that same disapproval which the respect that Mme de Guermantes felt for her aunt would have prevented her from expressing in words, but which she would have felt had she noticed on the chairs, instead of our presence, that of a spot of grease or a layer of dust.

The excellent writer G—— entered the room, having come to pay a call on Mme de Villeparisis which he regarded as a tiresome duty. The Duchess, although delighted to see him again, gave him no sign of welcome, but instinctively he made straight for her, the charm that she possessed, her tact, her simplicity making him look upon her as a woman of intelligence. He was bound, in any case, in common politeness to go and talk to her, for, since he was a pleasant and distinguished man, Mme de Guermantes frequently invited him to lunch even when her husband and herself were alone, or, in the autumn, took advantage of this intimacy to have him to dinner occasionally at Guermantes with royal personages who were curious to meet him. For the Duchess liked to entertain certain eminent men, on condition always that they were bachelors, a condition which, even when married, they invariably fulfilled for her, for since their wives, who were always more or less common, would have been a blot on a salon in which there were never any but the most fashionable beauties of Paris, it was always without them that their husbands were invited; and the Duke, to forestall any hurt feelings, would explain to these involuntary widowers that the Duchess never had women in the house, could not endure feminine company, almost as though this had been under doctor’s orders, and as he might have said that she could not stay in a room in which there were smells, or eat over-salted food, or travel with her back to the engine, or wear stays. It was true that these eminent men used to see at the Guermantes’ the Princesse de Parme, the Princesse de Sagan (whom Françoise, hearing her constantly mentioned, had taken to calling, in the belief that this feminine ending was required by the laws of accidence, “the Sagante”), and plenty more, but their presence was accounted for by the explanation that they were relations, or such very old friends that it was impossible to exclude them. Whether or not they were convinced by the explanations which the Duc de Guermantes had given of the singular malady that made it impossible for the Duchess to associate with other women, the great men duly transmitted them to their wives. Some of these thought that the malady was only an excuse to cloak her jealousy, because the Duchess wished to reign alone over a court of worshippers. Others more simple still thought that perhaps the Duchess had some peculiar habit, or even a scandalous past, so that women did not care to go to her house and that she gave the name of a whim to what was stern necessity. The better among them, hearing their husbands expatiate on the Duchess’s wit, assumed that she must be so far superior to the rest of womankind that she found their society boring since they could not talk intelligently about anything. And it was true that the Duchess was bored by other women, if their princely rank did not give them an exceptional interest. But the excluded wives were mistaken when they imagined that she chose to entertain men only in order to be able to discuss with them literature, science, and philosophy. For she never spoke of these, at least with the great intellectuals. If, by virtue of a family tradition such as makes the daughters of great soldiers preserve a respect for military matters in the midst of their most frivolous distractions, she felt, as the granddaughter of women who had been on terms of friendship with Thiers, Mérimée and Augier, that a place must always be kept in her drawing-room for men of intellect, she had at the same time derived from the manner, at once condescending and familiar, in which those famous men had been received at Guermantes, the foible of looking on men of talent as family friends whose talent does not dazzle one, to whom one does not speak of their work, and who would not be at all interested if one did. Moreover the type of mind illustrated by Mérimée and Meilhac and Halévy, which was also hers, led her, by contrast with the verbal sentimentality of an earlier generation, to a style of conversation that rejects everything to do with fine language and the expression of lofty thoughts, so that she made it a sort of point of good breeding when she was with a poet or a musician to talk only of the food that they were eating or the game of cards to which they would afterwards sit down. This abstention had, on a third person not conversant with her ways, a disturbing effect which amounted to mystification. Mme de Guermantes having asked him if he would like to be invited with this or that famous poet, devoured by curiosity he arrived at the appointed hour. The Duchess would talk to the poet about the weather. They sat down to lunch. “Do you like this way of doing eggs?” she would ask the poet. On hearing his approval, which she shared, for everything in her own house appeared to her exquisite, down to a horrible cider which she imported from Guermantes: “Give Monsieur some more eggs,” she would tell the butler, while the anxious fellow-guest sat waiting for what must surely have been the object of the occasion, since they had arranged to meet, in spite of every sort of difficulty, before the Duchess, the poet and he himself left Paris. But the meal went on, one after another the courses would be cleared away, not without having provided Mme de Guermantes with opportunities for clever witticisms or well-judged anecdotes. Meanwhile the poet went on eating without either the Duke or Duchess showing any sign of remembering that he was a poet. And presently the luncheon came to an end and the party broke up, without a word having been said about poetry which they nevertheless all admired but to which, by a reserve analogous to that of which Swann had given me a foretaste, no one referred. This reserve was simply a matter of good form. But for the fellow-guest, if he thought about the matter, there was something strangely melancholy about it all, and these meals in the Guermantes household were reminiscent of the hours which timid lovers often spend together in talking trivialities until it is time to part, without—whether from shyness, from modesty or from awkwardness—the great secret which they would have been happier to confess ever having succeeded in passing from their hearts to their lips. It must, however, be added that this silence with regard to deeper things which one was always waiting in vain to see broached, if it might pass as characteristic of the Duchess, was by no means absolute with her. Mme de Guermantes had spent her girlhood in a somewhat different environment, equally aristocratic but less brilliant and above all less futile than that in which she now lived, and one of wide culture. It had left beneath her present frivolity a sort of firmer bedrock, invisibly nutritious, to which indeed the Duchess would repair in search (very rarely, though, for she detested pedantry) of some quotation from Victor Hugo or Lamartine which, extremely appropriate, uttered with a look of true feeling from her fine eyes, never failed to surprise and charm her audience. Sometimes, even, unpretentiously, with pertinence and simplicity, she would give some dramatist and Academician a piece of sage advice, would make him modify a situation or alter an ending.