The Ministry of Guidance Invites You to Not Stay: An American Family in Iran (2 page)

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Authors: Hooman Majd

Tags: #Political Science, #International Relations, #General, #Biography & Autobiography, #Personal Memoirs, #Social Science

BOOK: The Ministry of Guidance Invites You to Not Stay: An American Family in Iran
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I hadn’t thought of it, but of course he was right. It’s not that hard to get a birth certificate, a driver’s license, or even a passport in America or Europe. It’s not that hard to open a bank account, rent an apartment, register a child for school, or get a doctor’s appointment if you can afford it or have insurance. I may be Iranian by birth, and I may have traveled there often enough, and I may have friends and relatives and connections there across the political spectrum, but I hadn’t lived there as an adult, and only barely as a child. I was aware, at second hand, of what living in Tehran entails and understood Iranian bureaucracy, but if I ever wanted to live there myself, with a family no less, it was going to be another thing altogether. Doing anything concerning Iran is generally impossible, as a bureaucrat usually explains with a regretful shaking of the head, and the occasional tut-tut. But with passports in hand, I realized, if we ever decided we
did
want to live there, whatever the reason, it would be a simple matter of buying airplane tickets.

My wife, who comes from a small farming town in rural Wisconsin, was as eager to become an Iranian citizen (and secure her son’s dual citizenship) as I was, which was why she had readily converted to Islam. Before we had a child, she had expressed interest in
traveling with me to my country of birth, mainly out of curiosity, I thought, but also because, she told me, she worried that if I ever got into trouble in Iran—and she had read reports of Americans and Iranian Americans who had been arrested there—she wanted to be able to get on the first plane to Tehran as easily as an Iranian could.

We had met years ago, and I would talk to her about Iran, well before I visited the country for the first time in adulthood, and she continually urged me to go there, to not let anything stand in the way of my reconnecting to the land of my birth. “You need to go home!” she once said, after I described my grandfather’s house to her. “You’ll never be happy with your life until you do.” She was right, I realized after I finally set foot in Iran. That was reason enough for me to want to take her there, too—to let her actually see why she was right. When it came to converting to Islam, she also understood well that for Iranians, the appearance of belief is paramount, not belief itself, so she humored the mullah who married us, and he seemingly understood the same, given his relaxed attitude, humor, and the almost dismissive manner in which he converted Karri to submission to Allah.

For years it has been extremely difficult for Americans to travel to Iran as tourists, obtaining a visa being the single biggest obstacle, but Karri, to my surprise, was keen on spending an extended period of time there—well, perhaps a month or two. In a way, it shouldn’t have been surprising, given what I knew about her. She wanted our son to see, feel, smell, and touch where her family had lived since the eighteenth century from an early age. We had taken him to Wisconsin and the family farm as an infant, and her sense of fair play, and her insistence that we all have a sense of our roots, made her want him to experience his father’s birthplace, too. It was her willingness, even eagerness, to travel to Iran, as well as the newly minted Iranian passports that showed up via FedEx not long after I sent in the applications, that persuaded me to look at the idea of actually moving to Iran for a year, more or less, to give me an opportunity to properly reconnect with my history, and to give Karri and our young son a
proper introduction to my culture, but also to chronicle our lives as insider/outsiders in a land so few know very much about.

I imagined my story as one that could illustrate and illuminate the larger culture, not so much in the “gee whiz isn’t this fascinating” way that often prevails among memoirs of expatriates living abroad, or in the politicized form that most writing, even travel writing, on Iran has taken, but more as an account of what is to
be
an Iranian in Iran. Of course, an Iranian who is also fully American, or at least that’s how I, and my friends, imagine me to be. My wife warmed to the idea, even if it meant leaving her family, friends, and work behind, and she understood that the opportunity might never present itself again, especially now that we had a child who would, before we knew it, be in school and have a life that would be difficult to interrupt for any long period of time. Karri, who had over the years spent months alone in India on intensive yoga programs (and had lived alone in Italy, modeling and studying Italian after college), was still adventurous and even fearless, and a year, she reasoned, was not very long in the scheme of things. Our son would, if we went to Iran, be about the same age as I had been when I left it, less than a year old (I had accompanied my diplomatic family on my father’s first posting abroad, to London), and he would spend his first birthday in the country of his father’s birth. That probably mattered mostly to me, certainly not to him and by nature less to my wife, but I was happy that she was as keen on exposing our son to the culture of his father and his father’s father, even if he didn’t quite understand yet, early in his life. That Karri would finally see what she had heard about for so many years, and that I could show her something of my country of birth that might explain me better, was equally, if not more, appealing.

Like most Americans and Europeans, my wife had an image of Iran (and of Iranians) that was shaped by the headlines, and the headlines have not been kind to Iran or Iranians for over thirty years. Unlike most non-Iranians, however, her life was intertwined with
that of an Iranian; and Persian culture, even Islamic Persian culture, to which she had been exposed through meeting the religious members of my family and which she recognized was quite different from Arab culture, was not completely unfamiliar to her. It is a culture that has been described to Westerners mostly by Iranians, but it is still very much hidden behind veils of modesty, furtiveness, and suspicion. We have an idea of what it is to be French or Italian, or to live in Paris or in Florence, based on a certain familiarity with those cultures and the writings of English-speakers who’ve lived there, but we have little idea of what it is to be Persian or what Iranian society is really like. The idea of trying to discover that, both for myself and for potential readers, began to hold greater and greater appeal.

“You don’t know, you don’t know, how life can be
shameful
.” Those are lyrics from a song, a piece of music in the classical Iranian form, written by playwright Bijan Mofid in the early 1970s and recorded by many different artists over the years. The song, “Dota cheshm-e seeyah daree” (“You Have Two Black Eyes”), can be searched today on Google, in Finglish, the term Iranians use to signify Farsi words written in the Latin alphabet, and an important tool in the days before most computers came with Arabic fonts installed. I often think of the song when I’m thinking of Iran and Iranians, of what defines our behavior and our view of life. (Unlike Western classical music, Iranian classical music coexists—and is equally popular among all age groups—with contemporary pop.) I think of the song because it had struck a chord with Iranians well before the revolution—when I was a teenager, my father would listen to it while drinking his whiskey—and it continues to be relevant to Iranians today.

But life is
shameful
? Yes. The idea that life in this world can be (or even is) shameful resonates with Iranians, a Shia people who, regardless of their piety or lack of it, are culturally programmed to imagine
human behavior as ignoble: as ignoble as the prophet’s successors’ murder of his offspring, and as ignoble as the tyranny that they suffer no matter what leaders rule them. There’s certainly an element of self-loathing to it, although not quite the self-loathing that Western psychology analyzes. The pizza deliveryman in Tehran believes it, as does the pizza restaurant owner, and so does the customer ordering from the comfort of his high-rise apartment, worth millions of dollars (yes, dollars). The Iranian government officials who wanted to know if my son was adopted believe it, as does the mullah who married my wife and me in New York while sheepishly acknowledging the greatness, but not the divinity, of Jesus Christ. Living in Iran, I knew, would mean confronting that concept head-on, something few non-Iranians have done in recent times, and writing about Iranians and Iranian culture, even if only about one’s own experiences, would mean understanding it. In Iran, life isn’t necessarily ugly or difficult, but regardless of one’s standing—whether one is rich or poor, a success or a failure in love—the idea that life is somehow shameful is powerful and one that I wanted to explore.

Iran, the country once known to Westerners as Persia, its name evoking exotic images of
A Thousand and One Nights
and bejeweled kings ruling over adoring masses, fully burst into the American consciousness in 1979 with the Islamic Revolution essentially reversing the image we had, if we had any at all, of the country that American politicians had usually described as our “staunchest ally in the Middle East.” After Israel, of course, which happened to be an ally of Iran then, too, albeit unofficially. Naturally, as long as Iran was America’s “staunchest ally,” ordinary Western folk had little interest in the country beyond the occasional news item related to oil or concerning some intriguing event in the royal family, say a marriage, a divorce, or a coronation. Iran was a curiosity at best, and although there were at one time some forty thousand Americans living there, most were expats in what we now think of as a colonial sense: they lived insulated and isolated from the native population, attended
their own schools and clubs, and undertook tourist jaunts to famous sites while rarely experiencing the culture of the land. Practically no Americans or Europeans moved to Iran simply to experience the Persian life. Although the shah once proclaimed, in his vainglory years, that Tehran would soon become the “Paris of the Middle East,” Tehran of the 1970s was certainly not Paris of the 1920s, and Iran held no attraction for artists and intellectuals looking for inspiration away from home. That was equally true for Iranian artists, most of whom, including one of my uncles who ran away from home to become a painter in Paris, at that time looked for inspiration in the cities of Europe.

The modernizing and Francophile shah of Iran (or as some Americans occasionally mistakenly wrote, the “Shaw of Iran,” unintentionally ascribing to him perhaps the one talent, playwright, that he
didn’t
claim) seemed to symbolize Iran, at least until the day he unceremoniously departed Tehran, and throngs of bearded men and chador-clad women flocked to the streets to celebrate his departure, along with whatever dreams he had of a Westernized Iran. When the revolution took hold and Ayatollah Khomeini became Iran’s new de facto “shaw”—unlike the shah, he actually did compose, in his case poetry—Americans moved on: How interesting could Iran be, now that its rulers wore robes and turbans, sat on the floor, and ate dates and yogurt for lunch? As long as the oil flowed, another backward country regressing even further wasn’t going to hold anyone’s attention for very long, and the culture was seemingly irrelevant to Western civilization in the twentieth century.

Indeed, interest in Iran faded until the new Persian royalty and the masses of angry Iranians who worshipped them stormed the U.S. embassy and took American diplomats hostage, in contravention of international law and all notions of international relations, to say nothing of civilized behavior or common decency. Iran was not only no longer the charmingly exotic East we once imagined it to be; it was an implacable enemy forever at odds with not just us but the
community of nations at large. Iran, Khomeini proclaimed, needn’t recognize international law since she hadn’t been consulted on its various aspects. The impudence of the world’s nations! Not only that, his declaration that “America cannot do a damn thing” about its hostages was proven true in the end, much to Americans’ dismay, and the revolutionary government extended that ideal to
anything
America wanted to do vis-à-vis Iran—Khomeini’s slogan is still emblazoned on the walls of the former U.S. embassy in Tehran, more than thirty years later. If the nuclear issue and Iran’s growing influence and power in the region (in Iraq and Afghanistan, for example, or even in Gaza) and beyond (in Africa and South America) are any indicators, Khomeini’s wish is still coming true, much to the chagrin of President Obama—the sixth American president to have to deal with a worrisome Iran.

Thirty-plus years. Years marked by indifference, enmity, accusations, and recriminations, occasional flare-ups, and for the past few, deep disagreements over a nuclear program that appears to be leading inexorably to a nuclear-capable Iran at best and a nuclear-armed Iran at worst. What’s been happening in Iran in our absence? The population has more than tripled, and industry has grown to the point where Iran can be virtually self-sufficient in many ways, including militarily (albeit on a crude and somewhat outdated level), partly because unilateral (U.S.) and multilateral (UN) sanctions have
forced
Iranian industry to adapt in order to survive with little, if any, outside help. Superhighways crisscross the country, dotted with technical schools and universities, and Iranians have the greatest rate of higher education as well as Internet penetration in the region. Iranian artists sell their works at European and Persian Gulf cities’ auctions for millions of dollars, Iranian cinema
is
the nouvelle vague, and Iranian literature is slowly being recognized outside Farsi-speaking countries.
Iranian cuisine is even making inroads in Western countries. “What’s the best Persian rice cooker?” a WASPy American customer asked the clerk at an international food store on Lexington Avenue in New York, not long after my experience with the Iranian Interests Section. I nosily volunteered a brand I own, whereupon he asked me, “Does it make good
tahdig
[crisped rice]?”

We’re certainly much more aware of Iran today than ever before, I’ve discovered. Just about every American and European can identify the country on a map, even if they cannot identify their own neighboring states and countries or principalities, and as awareness has increased, so, for many, has curiosity. Iran’s cultural influence—political and otherwise—seems to be on the rise, certainly in places we worry about, such as Lebanon, Iraq, and Afghanistan; but can Iran, like China and to some degree India, become an influential economic and military power? One whose culture, from food to literature, from art to spiritual values, permeates Western civilization the way Chinese and Indian culture do? Today there are over one million Iranian Americans, and hundreds of thousands of Iranians in Europe and all over the Western world, and their influence (good and bad, admittedly) is already being felt. Iran hawks, both in the United States and Europe, as well as in Israel, certainly believe Iran can become a power to be reckoned with and advocate confronting Iranian ambitions before it’s too late; others claim that Iran’s power and influence, even its nuclear capability, are greatly exaggerated. But if Iran does achieve what it seems to be striving for—a reborn empire of sorts—and if it remains an independent Islamic force allied with “neither West nor East,” as it declares on the walls of its Foreign Ministry, what will that mean?

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