The Max Brand Megapack (361 page)

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Authors: Max Brand,Frederick Faust

Tags: #old west, #outlaw, #gunslinger, #Western, #cowboy

BOOK: The Max Brand Megapack
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“Barry,” he said, “I’m askin’ you for the last time: Will you get your hoss and ride back to Kate Cumberland with me?”

Dan Barry smiled his gentle, apologetic smile.

“I don’t no ways see how I can, Buck.”

“Then,” said Buck through his teeth, “of all the lyin’ hounds in the world you’re the lyin’est and meanest and lowest. Which they ain’t words to tell you what I think of you. Take this instead!”

And the hand which rested on the table darted up and smote Dan Barry on the cheek, a tingling blow. With the same motion which started his hand for the blow, Buck Daniels turned on his heel and stepped a pace or two towards the centre of the room.

There was not a man in the room who had not heard the last words of Buck Daniels, and not a man who had not seen the blow. Everyone of them had seen, or heard accurately described, how the slender stranger beat Jerry Strann to the draw and shot him down in that same place. Such a moan came from them as when many men catch their breath with pain, and with a simultaneous movement those who were in line with Buck Daniels and Barry leaped back against the bar on one side and against the wall on the other. Their eyes, fascinated, held on the face of Barry, and they saw the pale outline which the fingers of Daniels had left on the cheek of the other. But if horror was the first thing they felt, amazement was the next. For Dan Barry sat bolt erect in his chair, staring in an astonishment too great for words. His right hand hung poised and moveless just above the butt of his gun; his whole posture was that of one in the midst of an action, suspended there, frozen to stone. They waited for that poised hand to drop, for the slender fingers to clutch the butt of the gun, for the convulsive jerk that would bring out the gleaming barrel, the explosion, the spurt of smoke, and Buck Daniels lurching forward to his face on the floor.

But that hand did not move; and Buck Daniels? Standing there with his back to the suspended death behind him, he drew out Durham and brown papers, without haste, rolled a cigarette, and reached to a hip pocket.

At that move Dan Barry started. His hand darted down and fastened on his gun, and he leaned forward in his chair with the yellow glimmering light flaring up in his eyes. But the hand of Buck Daniels came out from his hip bearing a match. He raised his leg, scratched the match, there was a blue spurt of flame, and Buck calmly lighted his cigarette and started towards the door, sauntering.

The instant the swinging doors closed Barry started from his chair with a strange cry—none of them had ever heard the like from human lips—for there was grief in it, and above all there was a deadly eagerness. So a hungry man might cry out at the sight of food. Down the length of the barroom he darted and was drawing his gun as he whipped through the doors. A common rush followed him, and those who reached the open first saw Buck Daniels leaning far forward in his saddle and spurring desperately into the gloom of the night. Instantly he was only a twinkling figure in the shadows, and the beat of the hoofs rattled back at them. Dan Barry stood with his gun poised high for a second or more. Then he turned, dropped the gun into the holster, and with the same strange, unearthly cry of eagerness, he raced off in the direction of the barns.

There were some who followed him even then, and this is what they reported to incredulous ears when they returned. Barry ran straight for the left hand corral and wrenched at the gate, which appeared to be secured by a lock and chain. Seeing that it would not give way he ran around to the barn, and came out again carrying a saddle and bridle. These he tossed over the high fence into the corral. Then he picked up a loose scantling and with it pried and wrenched off the top bar of the fence in one section and vaulted into the enclosure.

The black stallion had whinnied once or twice during this time and the great black, shaggy dog had come snarling and whining about the feet of his master. Now the stranger tossed on the saddle and cinched it with amazing speed, sprang onto his mount, and urged it across to the other side of the corral. Up to that moment no one in the little crowd of watchers had suspected the intention of the rider. For the fence, even after the removal of the top bar, was nearly six feet in height. But when Barry took his horse to the far side of the corral and then swung him about facing the derailed section, it was plain that he meant to attempt to jump at that place. Even then, as O’Brien explained later, and many a time, the thing was so impossible that he could not believe his eyes. There was a dreamlike element to the whole event. And like a phantom in a vision he saw the black horse start into a sharp gallop; saw the great dog sail across the fence first; saw the horse and rider shoot into the air against the stars; heard the click of hoofs against the top rail; heard the thud of hoofs on the near side of the fence, and then the horseman flashed about the corner of the barn and in an instant his hoofs were beating a far distant tattoo.

As for the watchers, they returned in a dead silence to the barroom and they had hardly entered when Mac Strann stalked through the doors behind them; he went straight to O’Brien.

“Somewhere about,” he said in his thick, deep voice, “they’s a man named Dan Barry. Where is he?”

And O’Brien answered: “Mac, he was sittin’ down there at that table until two minutes ago, but where he is now I ain’t any idea.”

The tall, skeleton form of Haw-Haw Langley materialised behind Mac Strann, and his face was contorted with anger.

“If he was here two minutes ago,” he said, “he ain’t more than two minutes away.”

“Which way?” asked Mac Strann.

“North,” answered a score of voices.

O’Brien stepped up to Mac Strann. He said: “Mac, we know what you got in your mind. We know what you’ve lost, and there ain’t any of us that ain’t sorry for Jerry—and for you. But, Mac, I can give you the best advice you ever heard in your life: Keep off’n the trail of Barry!”

Haw-Haw Langley added at the ear of Mac Strann: “That was Jerry’s advice when he lay dyin’. An’ it’s my advice, too. Mac, Barry ain’t a safe man to foller!”

“Haw-Haw,” answered Mac Strann, “Will you gimme a hand saddlin’ my hoss? I got an appointment, an’ I’m two minutes late already.”

CHAPTER XVIII

DOCTOR BYRNE ANALYSES

In the room which had been assigned to his use Doctor Randall Byrne sat down to an unfinished letter and began to write.

“Dinner has interrupted me, my dear Loughburne. I have dined opposite Miss Cumberland—only the two of us at a great table—with a wide silence around us—and the Chinese cook padding to and fro from the kitchen. Have I told you of that room? No, I believe that I have made no more than casual mention of my environment here, for reasons which are patent. But to-night I wished that you might look in upon the scene. Along the walls hang a rope with which Mr. Cumberland won a roping and tieing contest in his youth—a feat upon which he prides himself highly; at another place hang the six-shooters of a notorious desperado, taken from his dead body; there is the sombrero of a Mexican guerilla chief beside the picture of a prize bull, and an oil painting of Mr. Cumberland at middle age adjoins an immense calendar on which is portrayed the head of a girl in bright colours—a creature with amazing quantities of straw-coloured hair. The table itself is of such size that it is said all the guests at a round-up—a festival of note in these barbaric regions—can be easily seated around it. On one side of this table I sat—and on the other side sat the girl, as far away as if an entire room had separated us.

“Before going down to the meal I had laid aside my glasses, for I have observed that spectacles, though often beneficial to the sight, are not always equally commendable in the opinion of women; and it should assuredly be one’s endeavour to become agreeable to those about us.

“Be it noted at this point, my dear Loughburne, that I have observed peculiar properties in the eyes of Miss Cumberland. Those of all other humans and animals that have fallen under my observance were remarkable only for their use in seeing, whereas the eyes of Miss Cumberland seem peculiarly designed to be
seen
. This quality I attribute to the following properties of the said eyes. First, they are in size well beyond the ordinary. Secondly, they are of a colour restful to behold. It is, indeed, the colour of the deep, blue evening sky into which one may stare for an incalculable distance.

“As I have said, then, I noted a glow in these eyes, though they were so immediately lowered that I could not be sure. I felt, however, an extraordinary warmth beneath my collar, the suffusion of blood passing swiftly towards my forehead. I inquired if she had smiled and for what reason; whereat she immediately assured me that she had not, and smiled while making the assurance.

“I was now possessed of an unusual agitation, augmented by the manner in which Miss Cumberland looked at me out of twinkling but not unkindly eyes. What could have caused this perturbation I leave to your scientific keenness in analysis.

“I discovered an amazing desire to sing, which indecorous impulse I, of course, immediately inhibited and transferred the energy into conversation.

“‘The weather,’ said I. ‘has been uncommonly delightful to-day.’

“I observed that Miss Cumberland greeted this sentence with another smile.

“Presently she remarked: ‘It has seemed a bit windy to me.’

“I recalled that it is polite to agree with ladies and instantly subjoined with the greatest presence of mind: ‘Quite right! A most abominably stormy day!’

“At this I was astonished to be greeted by another burst of laughter, even more pronounced than the others.

“‘Doctor Byrne,’ she said, ‘you are absolutely unique.’

“‘It is a point,’ I said earnestly, ‘which I shall immediately set about to change.’

“At this she raised both hands in a gesture of protest, so that I could observe her eyes shining behind the slender, brown fingers—observe, Loughburne, that white skin is falsely considered a thing of beauty in women—and she remarked, still laughing: ‘Indeed, you must not change!’

“I replied with an adroit change of front: ‘Certainly not.’

“For some mysterious reason the girl was again convulsed and broke off her laughter to cry in a voice of music which still tingles through me: ‘Doctor Byrne, you are delightful!’

“I should gladly have heard her say more upon this point, but it being one which I could not gracefully dispute with her, and being unwilling that she should lapse into one of her usual silences, I ventured to change the subject from myself to her.

“‘Miss Cumberland,’ I said, ‘I remark with much pleasure that the anxiety which has recently depressed you seems now in some measure lessened. I presume Mr. Daniels will be successful in his journey, though what the return of Mr. Daniels accompanied by Mr. Barry can accomplish, is, I confess, beyond my computation. Yet you are happier in the prospect of Mr. Barry’s return?’

“I asked this question with a falling heart, though I remain ignorant of the cause to which I can attribute my sudden depression. Still more mysterious was the delight which I felt when the girl shook her head slowly and answered: ‘Even if he comes, it will mean nothing.’

“I said: ‘Then let us intercept him and send him back!’

“She cried out, as if I had hurt her: ‘No, no, no!’ and twisted her fingers together in pain. She added at once: ‘What of poor Dad?’

“‘Your father,’ I confessed, ‘had for the moment slipped my mind.’

“It seemed to me, however, that it was not wholly on her father’s account that she was grieved. She wished Mr. Barry to return, and yet she dreaded his coming. It was most mysterious. However, I had started Miss Cumberland thinking. She stopped eating and began to stare before her. Presently she said: ‘It is strange that we don’t hear from Buck. What can have held him so long?’

“I regretted extremely that I had introduced the topic and cast about in my mind for another, but could not find one. I then expressed regret that I had revived her worries, but received in reply a smile in which there was no life: the very colour had died out from her cheeks. And she sat during the rest of the meal without speaking a word.

“Afterwards I went in with her to see Mr. Cumberland. His condition was not materially changed. The marvel of it grows upon me more and more. It is a freak which defies medical science. There lies a man at the point of dissolution. His body has died of old age, and yet the life principle remains. He does not eat—at least, the nourishment he takes is wholely negligible. But he still has energy. To be sure, he rarely moves about and his body remains practically inert. But we must never forget that the mind is a muscle and calls for continual rebuilding. And the mind of Mr. Cumberland is never inactive. It works ceaselessly. It will not permit him to sleep. For three days, now, as far as I can tell, he has not closed his eyes. It might be assumed that he is in a state of trance, but by a series of careful experiments, I have ascertained that he is constantly thinking in the most vigourous fashion.

“What does it mean? There is in the man a flame-like quality; something is burning in him every instant. But on what does the flame feed? I know that material cannot be created and that energy means dissolution of matter: but why does not the life of Joseph Cumberland dissolve?

“The subject possesses me. I dare not ponder it too steadily or my brain begins to whirl. I make no progress towards any reasonable solution. I only feel that I am living in the presence of an astounding mystery.

“Strange thoughts possess me. What is the fire that burns but does not consume Joe Cumberland? What is the thing in the wandering Dan Barry which Kate Cumberland fears and yet waits for? Why was it that Daniels trembled with dread when he started out to find a man who, by his own profession, he holds to be his best friend?

“You see how the mystery assumes shape? It is before me. It is in my hand. And yet I cannot grasp its elements.

“The story of a man, a horse, and a dog. What is the story?

“To-day I wandered about the great corrals and came to one which was bounded by a fence of extraordinary height. It was a small corral, but all the posts were of great size, and the rails were as large as ordinary posts. I inquired what strange beasts could be kept in such a pen, and the man-of-all-work of whom I asked replied: ‘That’s Satan’s corral.’

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