the form of a man's arm holding a sword about ready to descend in a crushing swipe. 9
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The belief in the grotesque stories of the shape of comets, the insistence that their orbits were unpredictable, the emphasis on their emblematic quality, the belief in their capacity to produce natural disasters, seems to comport uncomfortably with the careful observations, the sane comments about the importance of parallax, the preference for Kepler and Hooke over early superstitious savants. And in fact, Increase Mather's "science" contained jarring inconsistencies. Like the best natural philosophy of the seventeenth century, Mather's Kometographia was intended to brighten the glory of God in men's eyes by illuminating His secrets in nature. But Increase sensed the danger that this enterprise of opening God's mind in nature would diminish the awareness of His mysterious power. Hence the crude assertion that explanations from second causes alone constituted atheism. And hence the fact that much of Kometographia departed from scientific concern to explain nature on the level of the mysterious. Natural explanations sufficed for limited purposes, but for genuine understanding, the final resort had to be to piety. 10
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Increase offered Kometographia as an exercise in natural philosophy as well as in piety, though he inevitably blurred the conventional distinctions between the two. A year later he published An Essay for the Recording of Illustrious Providences , which provided additional evidence of his curiosity about nature. Yet this book, too, like his studies of comets, was designed to reinforce a sense of the mystery in life, in this case by emphasizing the power of the demonic as well as the power of the Divine. 11
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The exact beginnings of the book cannot be reconstructed. Such books of God's wonders, of remarkable providences, had appeared for centuries. The possibility of writing a book of this sort apparently first occurred to Increase when, in examining the papers of John Davenport, he discovered a manuscript that had been inspired by Matthew Pool's Synopsis Criticorum , an account of God's providences in such matters as storms, apparitions, floods, and possessions. (Whether Davenport had written the stories, or collected the accounts, is not clear.) Sometime in the year 1681, Increase evidently showed the collection to other Boston ministers, who, following his lead, decided to complete and publish the manuscript. Increase took the project over and
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