The Masterful Mr. Montague (28 page)

Penelope halted, head tilting as she considered that prospect. Then she nodded and continued down the stairs. “Fingers crossed, but it may well be that because of Walter’s crimes, we might end up freeing many more girls than those he himself sent to hell.”

As matters transpired, it wasn’t going to be Stokes and his men who closed down the brothels. When he, Barnaby, and Montague finally returned to Albemarle Street, Stokes slumped in an armchair, accepted a glass of brandy from Barnaby, and answered Griselda’s eager question. “Not me, love, but my peers in Manchester, Leeds, Birmingham, and Coventry.” He sipped, sighed, then met the ladies’ encouraging gazes with a half smile. “Walter Camberly stumbled on a lucrative non-London market. The brothels in those lesser cities can’t keep enough girls—those that way inclined who have any sense move to London and the better pickings here. We snared nine brothel owners and their madams—the Chief’s in alt. Usually, it’s easy enough to catch the madams, but the owners . . . they are rarely to be found, and are even less easy to charge with any crime.

“This time”—with his glass, Stokes waved—“we have them all singing. And they’re all giving us the same song. Cromer—he was the man you took to be a manservant, but in fact he was more deeply involved in the racket, a full partner—was the connection. Through him, Walter Camberly approached the brothel keepers in those four cities and offered to sell them country girls—fresh, clean, unsullied country girls. Not being complete flats, Cromer and Camberly took the precaution of insisting they had to be paid in cash, and that the brothel owners themselves had to be present to take possession of the goods immediately after the auction.”

Penelope shuddered. “Evil—simply evil.” She looked at Stokes. “But how did Camberly find the girls?”

“It seems,” Barnaby said, “that Walter stumbled onto the value of being innocuous. According to him, ever since he was a boy he would occasionally loiter about the coaching inns simply because he liked watching the coaches and the horses and the travelers—he said he used to imagine running away, the usual adolescent dreams.” Barnaby paused to sip, then went on, “But as he grew older, and looked more mature, on and off over the last years, he would be asked by fresh-faced country maids just off the coaches for directions. Sometimes even recommendations as to where they might find work, or where they might stay.” Barnaby paused, then said, “Eventually, an evil scenario took root and blossomed in his brain.”

“It sounds like his parents keep him on a very tight rein.” Stokes knocked back the last of his brandy. “We haven’t formally interviewed him as yet. I wanted to let him stew through the night.” Stokes looked at Griselda, then Penelope. “What of the girls?”

“Thankfully, we got there in time for these seven. I’ve already sent a note around to Phoebe Deverell’s agency, and I received an immediate reply. The woman in charge—a Mrs. Quiverstone—wrote that she and the agency will be happy to take all seven girls in and keep them under their wing, assess and train them, and make sure they get appropriate positions.” Penelope leaned back in her chair. “So they are saved, safe, and well on the way to getting back their lives.”

“Indeed,” Violet said, “and from what the girls said, they do appreciate that, the horror of the last weeks aside, they might well end up in a better situation than they might have had Walter Camberly not interfered in their lives.” Violet smiled. “They are very resilient, which is all to the good.” She met Montague’s eyes. “They’re already looking forward, not back.”

Penelope heaved a tired, but clearly satisfied, sigh and locked gazes with Barnaby. “Excellent, excellent, and excellent! We”—she waved one hand, indicating the six of them—“have notched up a major success. All that remains is to confirm that Walter Camberly committed the three murders, and it’ll be time to celebrate.”

Stokes looked at Barnaby, then Montague, then stoically said, “There’s just one problem—Walter Camberly continues to insist that he hasn’t murdered anyone.”

Chapter 14

S
tokes formally interrogated Walter Camberly the next morning at Scotland Yard. Barnaby, in his role as consultant, sat to Stokes’s right, while Montague, courtesy of Lady Halstead’s letter of authority, occupied the chair on Stokes’s left.

Walter Camberly sat in a single hard chair on the opposite side of the table. Two large and grim-looking sergeants stood at ease behind him, staring over his head at the opposite wall.

His wrists and ankles shackled, Walter, disheveled and pale, sat with his head bowed, staring at his hands clasped on the table before him.

Tapping a finger on the table, Stokes considered him, then, in a noncommittal, nonjudgmental tone, said, “Care to tell us why you did it?” When Walter glanced up at him, puzzled by the tack, Stokes elaborated, “You’re the only child of affluent, well-to-do parents. Your father’s an up-and-coming politician. You’ve been given everything, have lacked for no comforts. You’ve been sent to good schools, had every opportunity. Courtesy of both your parents’ families, you had the entree into society. You could have been anything you wished, could have made your mark in countless socially acceptable ways, yet instead you chose to throw in your lot with criminals—more, with elements that rank among the most despicable.” Folding his hands, Stokes leaned forward, his eyes locked with Walter’s. “With those dregs of humanity who prey on the most defenseless.”

Stokes studied Walter’s eyes, then softly asked, “So why? Why did you do it?”

Walter held Stokes’s gaze, then drew a shuddering breath. “Because it was the only way to make my parents see me. To get their attention.”

Stokes sat back, his expression reflecting his lack of understanding.

Immediately, Walter leaned forward, almost eagerly explaining, “You don’t know what it’s like—I’m
nothing
to them.” Bitterness drenched the words. Walter studied Stokes, then Barnaby and Montague. “You look in from outside and see what they want you—what they want all society—to see. The perfect family—father, mother, and son. It’s always been that way—it’s always been about my father’s ambition, which, of course, my mother fully shares. They don’t care a fig for me other than that I fill that last position, that I stand by their side like some”—contempt and disgust rising in his voice, he gestured—“shop mannequin. Not a real person, just the representation of one. I’m nothing more than a stage prop to them.”

Slumping back in the chair, Walter sneered, although the expression was clearly not directed at Stokes, Barnaby, Montague, or anyone else in the room. “Let’s see how they deal with this—they won’t be able to simply not notice, will they?”

Stokes inclined his head. “Probably not. So in that way, at least, you’ve got what you wanted.”

Walter blinked, then slowly nodded. “Yes. I have, haven’t I?”

But at what cost?
Montague wondered.

Stokes let a moment elapse, then said, “I’m curious about why you organized the payments as you did—why use your grandmother’s bank account?”

Walter snorted. “I don’t exist other than as an extension of my parents, remember. I don’t have any income other than what my father allows me—and he gives me my allowance in cash every month, so I never have any decent amount, just enough to get by for the month.” Dropping his gaze to his hands, he raised a shoulder. “Why would they give me more? My tailor’s bills, every bill I have, has to go to my father. That way, he—and through him my mother—keeps complete control.
They
decide how I dress, what style of hat, what type of boots. As I said, I’m nothing more than a tailor’s dummy to them. But, of course, most importantly, by not giving me access to any decent amount of money, they limit what I can do socially—I can’t wager, I can’t go carousing with friends, I can’t go and visit anywhere or do anything unless I ask for and receive their explicit approval and extra funds. I can’t belong to any club because they don’t believe it necessary, and it might result in me making undesirable acquaintances.”

Studying his hands, Walter went on, “The only life I had was what they allowed me.” He looked up and met Stokes’s eyes. “So I didn’t have a bank account. I never had the money to need one.” He paused, then added, “And when I did start getting money from the sales at The Laurels, I didn’t want to put it anywhere under my own name, in case it somehow got back to my father. It was clear the money would mount up, and I didn’t dare hide it in my room or anywhere in the house, so . . . I used Grandmama’s account.” He met Stokes’s eyes. “I didn’t think she’d notice. I didn’t think she would ever even look at the amount in there, and as I was only putting money in, and I never took any out, then she would always have her expected amount there. If there was more, even if she noticed, I didn’t think she’d worry—certainly not enough to look into it.”

“How did you find out the details of her account?” Montague asked.

Walter shrugged. “Easy enough. One evening when we were there for dinner, I slipped away and searched Grandmama’s desk in the sitting room. I found her account details as well as old letters she’d sent to the bank—instructions for withdrawals that had been paid out. I took several of the oldest letters so I’d be able to copy them and get my money out when I wanted it.”

“As you did,” Barnaby said, “when you learned your grandmother had instructed Runcorn to review her affairs.” When Walter nodded, Barnaby clarified, “So you wrote a letter of withdrawal to close the account, removing all the funds in it, not just your money, and then . . . who was the woman who presented the letter and collected the cash?”

“That was an actress I hired—I promised to pay her well, and I gave her the forged letter. I’d practiced copying Grandmama’s hand for months, off and on, so I was sure the letter would pass, and it did. I used the actress because, of course, I didn’t want to be seen, and if the letter had been genuine, then Violet would have been the one most likely to present it.”

“Why take all the money,” Montague asked, “rather than just your own?”

“I wrote the letter after Grandmama died—I’d meant to do it earlier, but with her gone, I knew I had to get my money out right away . . . and as she was gone, I thought I might as well have it all, rather than leaving it for the others.”

“Did you like your grandmother?” Stokes asked.

Walter arched his brows. “She was all right. I never spent much time with her, but she seemed a decent sort.” He shrugged again. “I didn’t know her that well.”

“Which,” Stokes said, his tone growing grim, “presumably made it easier to murder her.”

Walter’s eyes flew wide. “No! I told you.” Wild-eyed, he looked at Barnaby, then Montague. “I
didn’t
kill her. I had nothing to do with that—with
any
of the murders.” He glanced from one to the other, taking in their hard eyes, their grim faces. “Well, why would I? I had money of my own, and that was what I wanted. I didn’t have to kill her to get it!”

A pause ensued, then Stokes looked at Barnaby, then at Montague. Then, slowly, he brought his gaze back to Walter’s face. “Why don’t you tell us exactly what you did?”

With the threat of being blamed for the murders acting as a potent inducement, Walter recounted all the steps he’d taken, all his actions from the moment he’d learned at Lady Halstead’s last, fateful family dinner that her ladyship was intending to get her affairs in order.

“I didn’t kill her. I didn’t kill any of them. I didn’t need to. It never even occurred to me.”

He made a convincing case.

And when he saw them still hesitating over exonerating him, at least with respect to the murders, he sighed, and said, “The money—all of it—is in a tin on the top of the wardrobe in my bedroom in my parents’ house in Belgrave Square.”

Barnaby shot Stokes a glance. Stokes caught it and fractionally tipped his head to Barnaby.

“As for the alibis I gave you . . .” Walter’s lips tightened. “My mother told me what to say, so what I told you before is rubbish. My real alibis are, on the night my grandmother was murdered, I was drinking in the public house on Grosvenor Street, The Royal, not far from my parents’ house. I’m a regular, and I stayed, as I usually do, until they closed at two o’clock.” Walter’s lips twisted. “Also as usual, I was utterly inebriated when I left—I was only just able to walk the short distance to my parents’ home before passing out. I would never have made it to my grandmother’s, much less been able to do . . . well, whatever was done.”

Walter paused as Stokes, lips thin, pulled out his notebook and flipped to a new page. Stokes scribbled, then nodded, and Walter continued, “On the evening the man-of-business was murdered, I was at a small theater off Leicester Square—The Poulson. I went there to talk to and hire the actress. I was at the theater for the six o’clock show and stayed there, or with her, for most of the night. The actress’s name is Lily Cartwright—she can tell you the names of the stage manager and the theater owner, both of whom saw me. On the night the maid was murdered, I met Cromer in a tavern in Tothill Fields to plan last night’s sale.” Walter paused, then glanced at Stokes. “With my grandmother dead, it was clear we wouldn’t be able to use The Laurels anymore, so we needed to find some other place. We were at the tavern until the small hours—the barkeep and girls will remember us. We’d met there before.”

Walter leaned further forward; when Stokes glanced up, Walter met his eyes. “Can’t you see? My grandmother’s death completely disrupted my dealings—my way to get sufficient funds to be shot of my parents’ prison forever. It was all going swimmingly. Yes, I had to move the money out of her account, but I now have sufficient funds to be able to open an account of my own, and through Cromer I’d learned how to do it under another name.” Walter spread his hands. “Why would I kill my grandmother? Let alone the other two?”

Stokes held his gaze for a long moment, then nodded. “You’ll be charged with the offences arising out of your kidnapping and selling of the girls. If your alibis are sound, perhaps you’ll escape the gallows.” Rising, Stokes spoke to the sergeants. “Take him to the cells and tell the duty-sergeant I’ll file the papers later today.”

Barnaby led the way out of the interrogation room; Stokes joined him, and Montague followed.

They didn’t say anything until they were in Stokes’s office, sitting around his desk.

Barnaby met Stokes’s eyes. “He’s not the murderer.”

Stokes grimaced. “No, he’s not.”

Montague was nodding. “But . . . where does that leave us?” He looked at Stokes, then at Barnaby. “What do we do next?”

Stokes blew out a breath. “Next, we make sure he’s told us the truth. I’ll get his alibis checked and search his room—not just to retrieve the money but also to see if he has a key to the side door of the Lowndes Street house.”

“I’d better assist with the latter.” Barnaby met Stokes’s eyes. “We’ll have to inform the Camberlys just what their son has been up to.”

Stokes shook his head. “With families like this . . . it’s as if a rot got in at some point, and then it spreads, not just through one generation but into the next as well.” He noticed Montague’s frowning, somewhat distant expression. “What about you?”

Montague met his gaze, then arched his brows. “Runcorn was murdered. When one considers the matter, killing Runcorn was far more risky for the murderer than his killing of either Lady Halstead or Tilly—and yet Runcorn was indeed murdered, almost certainly by the same man. Yet the only motive I can see for murdering Runcorn is the same motive we’ve had all along—the concealment of something in the accounts.”

Barnaby was nodding. “We thought the mystery payments into Lady Halstead’s bank account was that something, but if, as seems to be the case, it isn’t that—”

“Then there must be something else.” Montague lifted his hat from the corner of Stokes’s desk. “I’m going to go back to my office and think about what else might be hidden in her ladyship’s, or, more likely, the estate’s, accounts—and what the fastest way to uncover it will be.”

A
dair. Inspector.” Standing behind the desk in his study, Wallace Camberly nodded to both men, then waved to two chairs set before the desk. “Please be seated.”

They’d only just settled when the door opened and Cynthia Camberly came in. They all rose again as she shut the door and came to join them.

“Gentlemen.” She eyed them curiously, then glanced at her husband.

Camberly waved her to an armchair to one side of the desk. As she moved to take it, he looked at Stokes. “I hope, gentlemen, that this won’t take long.” As they sat once more, Camberly continued, “As I daresay you know, Parliament is exceedingly busy at this time.”

Cynthia leaned forward. “I take it you have news?”

“As to that”—Stokes made a show of consulting the notebook he’d drawn from his pocket—“with regard to your son, Walter Camberly—”

“Walter’s out of town, visiting friends.” When Stokes glanced up, Cynthia caught his gaze and smiled, although the gesture came nowhere near her eyes. “If there’s been some question about his alibis, I’m sure I can help.”

Stokes held her gaze for an extended moment, then transferred his attention to Camberly. “Mr. Adair and I have come to inform you that, as of last night, your son, Walter Camberly, has been taken into police custody. He is charged with crimes relating to the abduction of at least seven girls, their subsequent imprisonment at the house known as The Laurels, in Noak Hill in Essex, a house owned by the late Lady Halstead, and with the attempted sale of said girls into prostitution, along with several other crimes relating to those activities.” Stokes paused to take in Camberly’s stunned, utterly stupefied expression, then glanced at Cynthia—and saw the same reaction, but also desperate calculation already emerging. Looking back at his notebook, he continued, “Your son has admitted to all the crimes with which he is presently charged.”

Cynthia’s face contorted, but as if she was suppressing some scornful outburst rather than in any form of sympathy or concern.