The Manor (22 page)

"And thanks for the water. I've never tasted water as good as you have here on the mountain." Sylva nodded and threw a stick of locust on the fire. Anna was putting off talking about it. Nobody liked to remember close calls. And Sylva had learned over the many years of waiting that patience was the only thing a body needed to be good at. She had waited a long time for the October blue moon.

"You about got fetched over."

"Is that what you call it when a ghost murders you?"

"Yeah. Cal it bad luck, too." Sylva stood and fished her hanging kettle from its hook over the fireplace. She poured some of the steaming water into Anna's cup. Then she crossed to the cupboard and took some leaves out of a ceramic jar. She crumbled a few of the leaves into Anna's hot water.

"Smells good. Sort of like mint." Anna breathed in the aroma.

"Yep. Mint with a litle wild cherry root mixed in. Might ease up your headache."

"How did you know?"

"They always give
me
a headache, when I'm speling them off. Them fresh dead, they're easier to see but they're harder to beat back down into the grave."

Anna sipped at the tea and gave Sylva a sideways look. "How come they haven't 'fetched' you yet?" Sylva gave a laugh that was more of a liquid hiccup.

"Got my cat bones and my snakeroot and my lizard powder and a whole cupboard full of other roots and herbs and reptile skins. And here's my special piece of protection."

Sylva rummaged under her shawl to the place near her heart. She held out her palm to show Anna the small, shriveled white thing that Sylva wouldn't have traded for a cape of spun gold.

"Rabbit's foot?" Anna's dark eyebrows made arrow-tips on her forehead.

"Not just any rabbit's foot. This is the left hind foot of a graveyard rabbit, snared on a winter midnight."

"Another one of the old signs, like Ransom told me."

"They mean as much as you want 'em to. It's all about how strong you believe." Anna set her cup on the rough-hewn table. She shiv-ered despite the nearness of the fire. "What a night. I feel a thousand years old."

"Old? I expect you wouldn't believe that I'm a hun-dred and five myself, give or take a few. Then again, you might, but I hardly believe it myself. I keep up with my health and all, but I suspect it's got a little to do with Korban. Like he's stretching my years on out so I don't up and die a natural death before he's done with me."

Anna rested her chin in her hands. The fire reflected in her blue-green eyes.
Them eyes. Lord, she's Rachel's spittin' image.

"What does Korban want?" Anna asked. "I've stud-ied ghosts for a long time, but most of them just seem to be trying to escape from here. This world, I mean."

Sylva stared into the fire along with Anna. The sun was trickling through the east window now, but stil the room was dark, as if night was reluctant to leave.

"Korban wants it al back. Everything that was ever his, and then some."

"Why?"

"Why?" Sylva had thought about it many times over the years, but still didn't know the right answer. "Caling him evil would be too apple-pie easy. Maybe he was evil back when he was alive, but it's way be-yond that now. He liked to own things, shape them up to fit his world. I reckon he still does. Is it evil to want to hold on to everything you ever loved?"

"I'm not sure I've ever been loved."

The words gripped Sylva's heart. Korban fetched Anna back for a reason. No matter what Rachel tried to do. Maybe nobody ever escaped from here, dead or alive.

"Ephram ..." Sylva's voice fell, uncertain. She was sixteen again, awkward but with a flaming heart, as if both she and the world were young and still full of promise. "I loved Ephram. We al did, the women, I mean. He was mighty handsome in his way, but it wasn't just looks. There was something about him, some mag-netism. Nobody could resist him for long.

"I took a job tending the house, like most other women that lived on the mountain then. The men were busy working to clear the land and keep the place up. Nobody realy said anything when people started dying. Somebody's ax-head would fly off and cleave in their skul, a tree would fal on somebody's back, they'd find a body in one of the ponds, the skin puffy and their tongue al swolen blue. It was just accidents, in our minds. 'A run of bad luck,' we'd say to each other, though we al knew better."

Sylva squeezed her fists against her chest. She'd never told anybody this next part. She'd kept that all nice and unbothered and lying in the back of her mind like a lizard in a muddy crevice. But this child had way worse things to go through. Sylva's own suffering was nothing compared to that.

"One night, his fire went out. I was scared to death. That was my one main job, the thing that Ephram made a mention of every time I saw him, which wasn't that often. But every time you seen him, by God, you'd re-member it, and you would play it back in your mind, his face, his hands, his voice, until your heart was aching. At least it was that way with me, and I'm pretty sure it was the same with the other womenfolk." Sylva fell silent. Even across the decades, the mo-ment still retained its vividness. She was filled with a warm flood of passion, mixed with that same gut-ripping dread. Her eyes were misty, and she didn't fight it this time, she just let the tears roll down her cheeks.

"Ephram, he was in the room. Except it was like his life was the fire. He just laid there on the bed, gasping, kind of. And I was so scared, child, you wouldn't know how scared I was."

Sylva sniffled. "But then again, maybe you would. I forget you just had your own run-in. And he made me light that fire and say those words I never shoulda said."

Anna touched Sylva's knee. The gesture gave her the strength to finish.

"When I finaly got the fire lit, Ephram come to me. He took me up in his arms, and I looked into those black eyes, and I would have done anything for that man. And he kissed me and then did everything else he wanted. But the thing was, I wanted it as much as he did. After it was over, he sent me out. Didn't say a word, just buttoned up his trousers and jabbed at the fire a litle, like I was a piece of meat he'd just kiled for sport.

"I hardly ever looked at him again, I was so scared. Scared both that he'd want me and that he wouldn't. But a few weeks later, I missed my time of the month. Lordy mercy, I was really scared then. But there was no other signs, so I went on about my business, hoping and praying. Months passed, it got winter and then spring. Along about summer my belly first started to swel, but just the tiniest bit. That's when I knew. And I knew it was wrong, as slow as it was going."

Sylva's heart was thundering now. Al the old anger and wasted love was filling her up, poisoning her again. Anna reached for her hand and squeezed it. That settled Sylva down a litle. She had to do this, for both of them.

"Korban liked to get up on top of the house in the dead of night. Up there on the widow's walk. Folks whispered that he was caling out to the dark things, in-visible creatures that slithered and floated around in the cracks of the night. But by then, I knew what he was really doing.

"He was caling up his fetches. Making them do his bad work. Spelling them. And I crept up them stairs one night. The moon was ful, a blue moon in October, like what's coming tomorrow night. I remember the smell of sassafras in the air, and the dew so thick you could feel it on your skin. The litle trapdoor that led to the roof was open, so I poked my head through and saw him standing along the rail, looking out over the moon-lit nothing." The fire popped and exhaled a long hiss. Sylva closed her eyes and finished the story before Korban got up the strength to stop her.

"I eased my way up onto the widow's walk, and he still had his back to me. When I got my feet steady, I stood up, and Lordy, how the wind was blowing. Like it was the breath of the whole sky let out all at once. I ran toward Ephram, my clothes whipping al out be-hind me in the breeze. He turned just when I reached him." Anna's mouth was open, her cup between her loose fingers. The fire spat, sending a coal toward Anna. Sylva reached out with her shoe and rubbed the ember into the floor.

That was a sign of being marked for death, sure as any. When the ember shoots at you, you 're done for.

"What happened then?" Anna asked, her eyes wide. As if they were sitting on a front porch somewhere swapping made-up ghost stories. As if this weren't real.

"I pushed him over, off the rail. And he
let
me. Didn't raise a hand to stop me. Just smiled as he went over. You never heard such a scream. The kind of scream a rabbit makes when a horned owl digs its claws into the back of its neck. Except way longer and louder.

"But there was a laugh mixed in, too. That's when I knew geting rid of Ephram Korban wasn't going to be so easy." Anna nodded. Sylva could see she was thinking about it, sorting it out, trying to make the pieces fit. It felt good to be telling after all these years. Maybe she could die with an unburdened heart when and if her time ever came.

"What about your baby?" Anna asked.

Sylva stared into the fire. She was tired, crushed by the weight of more than a century of haunts. Keeping tabs on them all these years wasn't easy, especially when they had her outnumbered. She hoped her con-jure bags and her faith and her spels would be enough. There were a lot of poppets in that litle cabin, a passle of dead folks.

"Sun's coming up," she said. "Ought to be safe enough now. You and me need to go for a walk."
Bloody birds.

Wiliam Roth hoped to catch a red-tailed hawk in flight, or at least something colorful like a blue jay or cardinal. Nature's way was to give color to the male of the species, while the female was designed to blend into the background. If only the human birds would be-have that way, folow the order of things. Cris and that tight litle wonder caled Zainab were as elusive as any of these Appalachian avians. The only winged things about were ravens, black and ugly and watching from the trees as if waiting for a funeral.

Roth looked through his lens at the cusp of sunrise. The southern Appalachian mountains reminded him of Scotland's, rounded and rich. He would take a few rols of scenic stuff, that was always fodder for travel maga-zines and the like. If he wasn't going to have any luck with the ladies, might as well carry the old lunch bucket. He stepped out of the trees where the wooden bridge spanned the great valley of granite and scrub vegeta-tion. Far below ran a silver stream, tumbling between boulders on its way to the ocean. Korban knew how to live, al right. Set up a mansion at the top of the world, have a house full of young serving girls, play artist, and enjoy the high life. Who'd blame the bloke for not wanting to let such pleasures go? If Roth were Korban, he'd certainly become a ghost and hang about.

Roth chuckled. Ghosts and that rot. He'd seen pho-tos that people claimed depicted spirits. Roth could achieve the same trick by fuzzing a negative or playing with the light in the darkroom. Give him an hour and he could crank out a hundred different double-and triple-exposures, and he didn't need a digital file or computer to do it. He could put Elvis on the moon, he could have Ephram Korban drifting over the manor, he could stick Cris Whitfield's head on Marilyn Monroe's nude body.

Now,
that
was a project that might be worth pursu-ing. Or maybe Spence's chippie, whom he'd seen be-fore dawn, walking the halls with a blank look in her eyes. Had a lovely blue bruise on her face, Spence must have played a bit rough in the sack. Maybe Roth could hide in their bathroom, get a firelit shot of the old bastard giving her what for. Blackmail him or sel it to the tabloids, either way a tidy bundle. He walked out onto the bridge, switched to a longer lens, and advanced the film. The air stirred around him, that mountain wind that could cut right through a bloke's bones. But it wasn't just the wind. The ravens had swooped from the forest and lit on the rails of the bridge. Dozens of them. Staring at Roth with those beady black eyes.

Waiting.

"Bloody hel," he said.

"Hel is only in the mind, Mr. Roth."

He turned, and Lilith stood in the middle of the bridge. How in blazes? Where had
she
come from?

"I hope you're not thinking of leaving us."

"Um. I was just getting this vista." He held up the camera. "The views around here are perfectly lovely." He gave her a closer look. That black dress clung to her in a rather dramatic fashion. She was a bit pale, reminded him of those girls from North England, the ones from factory towns where the smog and rain cut down on the sunbathing. Stil, she was young and she had curves. If serving girls were good enough for Korban, why not Sir Wiliam Bloody Bolocks-Swinging Roth?

"Lots of lovely views around," he said. He smiled. Younger girls liked his smile. Or pretended to, which amounted to the same.

"Yes. I used to paint them. Before I went to work for Ephram Korban."

"Work for Korban? He died a long time ago, and you're just a pip."

She gave her own smile, a fleeting, mysterious thing. Coy bird, that one.

"Say," he said, gently stroking his lens. "Mind if I get the most lovely view I've found since I got here?"

"Be our guest, Mr. Roth."

He lifted the camera and aimed it at her, zoomed onto her breasts, focusing on one nipple. Bras weren't part of the uniform, apparently. Likely not panties, ei-ther. This girl was definitely quick to serve. He took a couple of pictures of her face, framed up nice with that hair and eyes as dark as the ravens, skin fresh as rocks in the rain, lips quick and clever with a smile. When he'd devoted enough attention to thor-oughly flater her, he said, "You ever get any time off? I wouldn't mind geting to know you a bit better. Take some pictures in a more secluded environment."