The Man in the Tree (2 page)

Read The Man in the Tree Online

Authors: Damon Knight

BOOK: The Man in the Tree
3.04Mb size Format: txt, pdf, ePub
One day his mother said to him, "Gene, Mrs. Everett says Petie told her
you bought him a model airplane. Did you?"
He saw that he was in trouble, although he didn't understand why, and
he said, "Petie's a liar. He lies all the time."
"But she says Zelda Owens saw you. And I talked to her mother, and Zelda
says you gave her some money, too."
"Only a quarter."
She put her hand on his jaw to make him look at her. "Gene, tell me the
truth. Did you give Petie the money to buy that airplane?"
"Aw -- yeah."
"But where did you get the money?"
He knew that if he told the truth his father would beat him for lying. He
told his mother that he had found a five-dollar bill on the street. She let
him go, but he knew she thought he had stolen the money.
That night while his mother was washing the dishes, his father made him
sit down in the living room and gave him a lecture about stealing. Gene
insisted on his story about finding money on the street; the guiltier
he felt, the more vehement he became. At last he said, "You believe
everybody else, but you won't believe me," and ran into his room.
After that he never gave other children money, and whenever he got
anything for himself that he could not have bought with his allowance,
he smuggled it into the house and hid it.
Gene Anderson never had any of the usual childhood illnesses; once in
a while he had a fever, but it passed away overnight. When he was seven
his mother took him to the dentist for the first time, and he disliked
this so much that from then on he examined his teeth every night, using
a little piece of mirror that he had found behind the garage, and when
he discovered a cavity, he made it go away. After a while he must have
learned how to recognize them without looking; he stopped thinking about
cavities, but he never had another.
One Saturday when he was eight, his father took him downtown to
Dr. Rodeman's office where he was to have his tonsils out. He was
apprehensive about this, but his father told him that it would not hurt,
and that he could have an ice cream cone afterward.
Dr. Rodeman made him lie down on his table and put a little gauze mask
over his face. Something sweetish and stinging dripped onto the mask;
his lungs were full of tiny bright needles. In terror of his life, he
reached out and did something without knowing what it was. He heard the
doctor say, "That's funny, this can seems to be empty. Just a minute."
Then he understood what he had done, and when the doctor brought another
can, he made that one empty, too. Dr. Rodeman took the mask away' and
stood looking at him with an odd expression. He told Gene's father that
they would have to come back next week, but they never did, and he never
had his tonsils out.
Gene knew that his parents suspected there was something strange about
him, other than his tallness, but they never talked to him about it. He
knew that they were worried about his future. Once a visitor stupidly
asked him, "And what do you want to be when you grow up?" Gene was almost
as tall as he was. "I mean, when you get older."
"I want to be a giant," Gene said, and left the room. His mother lectured
him about politeness afterward, but her eyes were moist.
Because Gene was so tall and strong, his father began to make use of
him again, in the afternoons after school and on weekends. He learned
to plane a board smooth, to use a miter box, to make and read working
drawings. Under supervision, he was allowed to use the bench saw, and
his father promised that in a year or two he would teach him to work on
the lathe.
Once or twice, during school vacations, Gene's father took him to a house
he was building with another carpenter, and it was here that Gene first
glimpsed the satisfaction of having imagined something new and then made
it real. The things he could make were only copies of other things. He
tried imagining things and then looking for them in the shadows, but they
were not always there. Occasionally, when he had been given a present
he didn't like, he found that he could reach through into another world
where his parents had decided on something else. In this way he got
a book that was his favorite for a long time: an illustrated copy of
"The Little Lame Prince," by Miss Mulock.
All through school he was too big to sit with his knees under the
desk. It did not occur to anybody, and certainly not to him, that they
might have brought in a bigger desk from another grade. He sat sideways,
cramped into the narrow space between the seat and the desk, with his
feet in the aisle. He wore men's shoes with pointed toes until the fourth
grade, when the teacher gave him permission to come to school in tennis
shoes. "Feet" was still his nickname. Several times the teacher called
him that without thinking, and there was a roar of laughter.
In school he wrote at first in large, awkward loops, but when the teacher
criticized him for this, he began to write smaller, then smaller still.
The teacher complained about that, too, but he kept on until he could get
hundreds of words on a page. He began to make carvings out of soft pine,
little figures that he kept in walnut shells hinged with adhesive tape.
In the fourth grade there was another boy who was almost as tall as
Gene, a lumpish, red-faced creature whose lower lip was always shiny with
spit. His name was Paul Cooley; he was twelve years old and had been kept
hack three times. He was the son of the police chief, a red-faced man who
dressed like a sheriff and carried a revolver on his hip. Whenever Paul
saw Gene he called out, "Hey, Feet, you stink," and then laughed, looking
around as if he had said something clever. They fought at recess, and
Gene beat him; afterward Paul wanted to make friends, but Gene disliked
his dullness and his slobbering lip.
One Sunday afternoon Gene was playing alone in the upper story of a
half-finished house of his father's, as he often did. The floor was strewn
with sawdust and with nails dropped by the carpenters; through the window
openings he could see the tops of maple trees; He was pretending that
it was his house, and that he was grown and could do anything he liked.
He heard footsteps below, and in a moment a shaggy head appeared over
the top of the stairwell: it was Paul's. He hesitated when he saw Gene,
then came up. "Hey, Feet, what you doing here?"
"Nothing."
"You want a Cigarette?" He pulled a pack of Luckies out of his pocket
and offered it.
"No."
"Well, okay." Paul lit a cigarette and tossed the match away, still
burning.
"Don't do that," said Gene, and stamped it out. Paul struck another
match and dropped it.
"This is my dad's house. You better quit." Gene stepped on the second
match, but Paul was already lighting a third. Because Gene did not want
to fight him again, he reached with his mind and made the match disappear,
then the rest of the pack.
Paul looked stupidly at his empty hand. "What'd you do with my matches?"
"Nothing."
There was a whistle outside, then a low voice: "Hey, Paul?"
He turned his head. "Up here!" Two boys came up the stairs; they were
twelve-year-olds, friends of Paul's. One of them, a tall boy wearing a
baseball cap, was already smoking. "Who's this?" he said.
"That's Feet, he stinks," said Paul, and laughed vacantly. "He took my
matches away and he won't give 'em back."
"Yeah?" The two boys came toward Gene. "Listen, why don't you give him
back his matches?"
"I haven't got them."
The two looked at each other. "Grab him!" said one, and they wrestled
him to the floor. While they held him, Paul went through his pockets,
pulling out a few coins, a wad of string, some baseball cards and a
wadded handkerchief. "Guess I'll keep these for my matches," he said,
and laughed again.
"Lemme see them cards," said the tall one, and they let Gene up. Paul was
backing away, but they tripped him, sat on him, took the cards and money
out of his fist. While Gene was putting out their dropped cigarettes,
Paul got up and rushed at him. He took Gene off balance and fell with
him half out of the window. "You took my matches! You took my matches!"
he blubbered. Gene was pinned by his weight across the window frame,
one arm under him, his head down.
"Get his pants," somebody said. Hands were fumbling with Gene's belt
buckle. He kicked and struggled, but all he accomplished was to force
his body farther out the window. He was crying. Blindly he reached and
turned, felt Paul's weight slip away from him. He heard a shriek, then
a thump below that echoed against the house like a pistol shot.
He grasped the window frame and pulled himself in. Below, Paul lay with
his head on a blood-spattered two-by-four.
The other two were gray-faced. "You killed him!" the tall one said. "I'm
going to tell my dad!"
Their footsteps rattled down the stairs. Gene followed. They were running
down the street toward town; he went the other way. He ran until a pain
in his side forced him to stop; then he went on, weeping and groaning,
up the hill into the trees. It was about three o'clock on a Sunday
afternoon; be was nine years old, and he knew he couldn't go home.
Chapter Two
Dog River, Oregon, named after the stream discovered by Lewis and Clark
in 1805, is situated at the confluence of the Dog and the Columbia. The
river was originally named Labeasche, after Francis Labiche, one of the
expedition's French watermen. (Neither Lewis nor Clark was strong on
spelling.) "Labiche" was taken by many to mean "the bitch," but this
fact apparently has nothing to do with the name finally selected for
the river and the town: it comes, rather, from the experience of some
early travelers who were reduced by starvation to eating dogs.
Dog River lies in a fertile valley largely devoted to apples, pears,
and strawberries. Most of the valley is flat as a table, but the town
itself is hilly; up from the river, the streets rise so steeply that at
some intersections there are concrete steps with pipe railings. Behind
the County Library, the hill is so abrupt that there is no street at all,
only a switchback wooden staircase that rises to the suburban district
sixty feet above.
The business section, which is entirely modern, is four blocks long; here
will be found the First National Bank, the Odeon Theatre, the courthouse,
the Bon Ton department store, the newspaper office, the two drug stores,
the Medical Building, Stein's Meat Market, and the Book and Art Shoppe.
The town is not hostile to immigrants, of whom there are many: Mayor
Hilbert, for example, was born in Germany, and Desmond Pike, the editor
and publisher of the "Dog River Gazette," is English; but it congratulates
itself that its young people are almost uniformly fair-skinned and
pleasing in appearance.
Morris Stein and his family are the only Jews known to live in town. There
is one black family, headed by a man who works as a janitor at the Dog
River Hotel near the railroad depot. Out in the valley, much of the most
productive orchard land was formerly owned by Japanese immigrants and
their descendants, all of whom, however, were taken away to internment
camps during the Second World War. The town is staunchly Republican. The
state anthem, "Oregon, My Oregon," is sung with fervor in the schools. The
high-school football team, known as the Beavers, has a traditional
rivalry with the team of Dalles City, twenty miles to the east.
Many of the residents of Dog River came to Oregon during the first quarter
of the century from Iowa, Nebraska, and other midwestern states. Among
these were Donald R. Anderson, from North Dakota, and Mildred Sonderlund,
from Ohio. They met in Springfield, where Anderson was working in a sawmill
and Mildred was teaching elementary school. After their marriage in 1939,
they moved to Dog River, where Anderson set himself up as a carpenter and
builder. Their only child, Gene, was born there in 1944.
Tom Cooley, the son of a Portland bootlegger, was nineteen when he married
Ellen McIntyre, the daughter of a Dog River orchardist. Their first child,
Paul, was born in 1941; he was an infant when the war broke out. Cooley
served in the Marine Corps, reaching the rank of sergeant. After his
discharge, he worked for a while as a beer distributor and had a part
interest in the Idle Hour Billiard Parlor, along with his cousin Jerry,
who had been in the Marines with him. In 1944 he and Jerry sold out
their shares in the billiard parlor and bought an apple orchard which
had come on the market cheap. (The former owner, a Mr. Takamatsu, was
in a relocation camp in Colorado.) Cooley was a silent partner in the
orchard operation; he wanted something to keep him busy. In 1947 he
became Dog River's chief of police.
Chief Cooley cruised the back roads around Dog River for three days and
nights, ranging as far east as Dalles City and as far west as Portland. He
drove slowly in his eight-cylinder Buick, watching both sides of the road
and peering into every car he passed. Once on Monday morning and twice on
Tuesday he saw a man on foot ducking into the underbrush. Cooley leaped
out each time with his gun drawn, pursued the man and caught him, but
all three times it turned out to be some tramp or migrant laborer with
a guilty conscience. At night Cooley sometimes drove with his lights and
motor off, coasting down a long hill, looking and listening. Toward dawn
he parked the car and slept for a few hours. He stopped five times for
gas and food, once for a bottle of blended rye. By Wednesday morning he
had put nearly two thousand miles on the Buick.
Cooley was a short, sturdy, red-faced man who carried a .45 in a belt
holster and wore a cowboy hat. He was the entire police department of Dog
River. Under ordinary circumstances, the job did not call for anything
more demanding than hustling an occasional drunk or vagrant into the
county jail.
He came down out of the hills into town, red-eyed and unshaven; he slewed
into the driveway, scattering chickens, and yanked on the emergency
brake. Tess Williams, his wife's sister, met him inside the door. His
voice was thick. "How's Ellen?"
"Where have you been, you sawed-off son of a bitch? She's half out of
her mind, is how she is."

Other books

The river is Down by Walker, Lucy
Espacio revelaciĆ³n by Alastair Reynolds
A Demon in the Dark by Joshua Ingle
Harraga by Boualem Sansal
Close Enough to Kill by Beverly Barton
Intimate by Jason Luke
Island of Demons by Nigel Barley
One Tragic Night by Mandy Wiener