Read The Mammoth Book of Ghost Stories by Women (Mammoth Books) Online
Authors: Marie O'Regan
If I could have left Wet Waste at once I should have done so, for I had a totally unreasonable longing to leave the place; but I found that only one train stopped during the day at the station from which I had come, and that it would not be possible to be in time for it that day.
Accordingly I submitted to the inevitable, and wandered about with Brian for the remainder of the afternoon and until late in the evening, sketching and smoking. The day was oppressively hot, and even after the sun had set across the burned stretches of the Wolds, it seemed to grow very little cooler. Not a breath stirred. In the evening, when I was tired of loitering in the lanes, I went up to my own room, and after contemplating afresh my finished study of the fresco, I suddenly set to work to write the part of my paper bearing upon it. As a rule, I write with difficulty, but that evening words came to me with winged speed, and with them a hovering impression that I must make haste, that I was much pressed for time. I wrote and wrote, until my candles guttered out and left me trying to finish by the moonlight, which, until I endeavoured to write by it, seemed as clear as day.
I had to put away my manuscript and, feeling it was too early to go to bed, for the church clock was just counting out ten, I sat down by the open window and leaned out to try and catch a breath of air. It was a night of exceptional beauty; and as I looked out my nervous haste and hurry of mind were allayed. The moon, a perfect circle, was – if so poetic an expression be permissible – as it were, sailing across a calm sky. Every detail of the little village was as clearly illuminated by its beams as if it were broad day; so, also, was the adjacent church with its primeval yews, while even the Wolds beyond were dimly indicated, as if through tracing paper.
I sat a long time leaning against the window sill. The heat was still intense. I am not, as a rule, easily elated or readily cast down; but as I sat that night in the lonely village on the moors, with Brian’s head against my knee, how, or why, I know not, a great depression gradually came upon me.
My mind went back to the crypt and the countless dead who had been laid there. The sight of the goal to which all human life, and strength, and beauty, travel in the end, had not affected me at the time, but now the very air about me seemed heavy with death.
What was the good, I asked myself, of working and toiling, and grinding down my heart and youth in the mill of long and strenuous effort, seeing that in the grave folly and talent, idleness and labour, lie together, and are alike forgotten? Labour seemed to stretch before me till my heart ached to think of it, to stretch before me even to the end of life, and then came, as the recompense of my labour – the grave. Even if I succeeded – if, after wearing my life threadbare with toil, I succeeded, what remained to me in the end? The grave. A little sooner, while the hands and eyes were still strong to labour, or a little later, when all power and vision had been taken from them; sooner or later only – the
grave
.
I do not apologize for the excessively morbid tenor of these reflections, as I hold that they were caused by the lunar effects which I have endeavoured to transcribe. The moon in its various quarterings has always exerted a marked influence on what I may call the sub-dominant, namely, the poetic side of my nature.
I roused myself at last, when the moon came to look in upon me where I sat, and, leaving the window open, I pulled myself together and went to bed.
I fell asleep almost immediately, but I do not fancy I could have been asleep very long when I was wakened by Brian. He was growling in a low, muffled tone, as he sometimes did in his sleep, when his nose was buried in his rug. I called out to him to shut up; and as he did not do so, turned in bed to find my match box or something to throw at him. The moonlight was still in the room, and as I looked at him I saw him raise his head and evidently wake up. I admonished him, and was just on the point of falling asleep when he began to growl again in a low, savage manner that waked me most effectually. Presently he shook himself and got up, and began prowling about the room. I sat up in bed and called to him, but he paid no attention. Suddenly I saw him stop short in the moonlight; he showed his teeth, and crouched down, his eyes following something in the air. I looked at him in horror. Was he going mad? His eyes were glaring, and his head moved slightly as if he were following the rapid movements of an enemy. Then, with a furious snarl, he suddenly sprang from the ground, and rushed in great leaps across the room towards me, dashing himself against the furniture, his eyes rolling, snatching and tearing wildly in the air with his teeth. I saw he had gone mad. I leaped out of bed and, rushing at him, caught him by the throat. The moon had gone behind a cloud; but in the darkness I felt him turn upon me, felt him rise up, and his teeth close in my throat. I was being strangled. With all the strength of despair, I kept my grip of his neck and, dragging him across the room, tried to crush in his head against the iron rail of my bedstead. It was my only chance. I felt the blood running down my neck. I was suffocating. After one moment of frightful struggle, I beat his head against the bar and heard his skull give way. I felt him give one strong shudder, a groan, and then I fainted away.
When I came to myself I was lying on the floor, surrounded by the people of the house, my reddened hands still clutching Brian’s throat. Someone was holding a candle towards me, and the draught from the window made it flare and waver. I looked at Brian. He was stone dead. The blood from his battered head was trickling slowly over my hands. His great jaw was fixed in something that – in the uncertain light – I could not see.
They turned the light a little.
“Oh, God!” I shrieked. “There! Look! Look!”
“He’s off his head,” said someone, and I fainted again.
I was ill for about a fortnight without regaining consciousness, a waste of time of which even now I cannot think without poignant regret. When I did recover consciousness, I found I was being carefully nursed by the old clergyman and the people of the house. I have often heard the unkindness of the world in general inveighed against, but for my part I can honestly say that I have received many more kindnesses than I have time to repay. Country people especially are remarkably attentive to strangers in illness.
I could not rest until I had seen the doctor who attended me, and had received his assurance that I should be equal to reading my paper on the appointed day. This pressing anxiety removed, I told him of what I had seen before I fainted the second time. He listened attentively, and then assured me, in a manner that was intended to be soothing, that I was suffering from a hallucination, due, no doubt, to the shock of my dog’s sudden madness.
“Did you see the dog after it was dead?” I asked. He said he did. The whole jaw was covered with blood and foam; the teeth certainly seemed convulsively fixed, but the case being evidently one of extraordinarily virulent hydrophobia, owing to the intense heat, he had had the body buried immediately.
My companion stopped speaking as we reached our lodgings, and went upstairs. Then, lighting a candle, he slowly turned down his collar.
“You see I have the marks still,” he said, “but I have no fear of dying of hydrophobia. I am told such peculiar scars could not have been made by the teeth of a dog. If you look closely you see the pressure of the five fingers. That is the reason why I wear high collars.”
Marion Arnott
For one moment, for one awful moment, she thought Gavin was going to say, in that clipped and brooking no argument way he had, “We’re not putting up with any of this nonsense.” But of course he was talking to BBC Scotland, not to her; and the busy BBC man was more than his equal in not brooking argument. Their time slot, he said firmly, would be on 11 November, sandwiched between the dipping of the flags, and the Last Post. Gavin smiled as if satisfied, but grumbled all the way across the glossy polished paving which ran the length of the Cloth Hall.
“They really don’t have much idea, do they, Kate? Patrick’s story should be a feature on its own, not just a mention in the Armistice Day slot. We’ve come all the way to Ieper for his burial. We should read parts of his letters – letters from ninety years ago. Ninety! It’s so short-sighted to keep the ceremony so . . .” he flapped a hand “. . . general and unspecific when they could make it more personal and . . .” flap, flap “. . . specific.”
“The ceremony is supposed to represent everyone,” she said mildly, “and we’re laying a wreath, Gavin. They’re going to film that. And they’ll be at the funeral next day.”
“Yes, but . . .” He broke off. “Well, you have been rather underwhelmed by the whole thing from the start. Surprising considering he was your relative.”
His breath in the cold air formed little puffs of cloud, like smoke signals.
I-AM-REPROACHING-YOU
, the signals read. She responded with a white puff of her own, sighing out
I-DON T-CARE
on a long breath, but derived no satisfaction from it since he didn’t notice. His arm swung up, pointing. “Look! This is where Patrick stood. You remember the photo – Patrick and the mule, halfway between the buttresses? Of course the water jets weren’t there then. Go and stand in front of them. I’ll take your picture.”
She did not want to stand where Patrick had; it did not matter that she would stand before a rebuilt magnificence of creamy stone and fluttering pennants; in her mind’s eye she saw smashed ruins and hillocks of broken stone, sullen grey fading to colourlessness, and Patrick grinning and holding a mule by a rope.
The Famous Kicker
! he had written in flowing copperplate on the back of the photo postcard.
This mule today kicked a Private, then a Corporal, then a Sergeant, then a Second Lieutenant. I always stand well to the front!
Cheer-ho!
Patrick
March, 1917
She blinked away the image and stood half-paralysed by the same creeping unease which had squirmed inside her since their arrival in Ieper. It was like nausea, only warmer. She had felt it on the Ramparts, at the Flanders Museum, and now at the Cloth Hall, and it made her want to run away, to run and run and run. She had told Gavin about the squirmy feeling but he said that at only two months gone, nothing could possibly be moving yet, that she mustn’t get broody. She mustn’t.
“Kate!” He flapped his hand at her.
She steeled herself and crossed to the rectangular pond sunk into the stone. Its honour guard of thin water jets arched high and crystal cold into brilliant blue sky; she stood in front of them, trying to smile, but she could
feel
the gothic façade of the Cloth Hall pressing close behind her, its pointed churchy windows and gilded curlicues much too close and not how they should be. They were not
right
: too whole, too new, too clean. Where was the mist of dust which had thickened the air and lain fine in the creases of Patrick’s tunic? It had hung like a thin sepia veil over the ruins of the great hall in 1917, and again on the day they arrived in Ieper. She had seen it.
“What mist?” Gavin had said when she mentioned it. “The air is clear as a bell.”
Then she had known and understood; now she struggled to stand still for the photo. She wanted to run. She wanted to be sick.
“Say cheese, Kate! Smile a while!”
In a sudden light wind, the tall jets hunched over, shivered, and broke into icy rags and tatters. Bright water sprayed across her face, startling her into laughter. Gavin’s camera whirred happily.
“That’s more like it, Kate. You don’t laugh often enough. Not much at all these days.”
He slipped an arm round her as they walked away. “You have diamond droplets on your eyelashes.” He fished out a handkerchief and dabbed the spray from her eyes. “You’re the prettiest girl in town when you’re smiling and sparkly.” He drew her closer. She was embarrassed by a surge of relief at the return of tenderness. “By the end of next week it will all be over and everything back to normal.”
He was quietly insistent. All-be-over was scheduled for next Friday lunchtime, a quick and unremarkable medical procedure, but he did not trust her acquiescence. He did not want children; neither did she. But still he must constantly be reassured that she was going through with all-be-over; that they would continue with the life they had planned together, their cycle of travelling, meeting up with friends, lounging at their summer house in Eire, buying expensive items for their stately Victorian flat in Glasgow. The flat and its pale deep rugs and polished floors were his major arguments against children: imagine sticky fingers! Roller blades! The danger to the Rennie McIntosh glass! He laughed to prove the joke, but he meant it all, and watched her constantly, looking for changes in her, wordlessly demanding that she be as she had always been.
“You should have a special time next weekend,” he said, to reward her smiles. “What kind of pampering would you like?”
I would like, she thought, to be allowed to be a little affected by about-to-be-over, just a little; and I would like not to be affected by this place. But neither was likely and she could not share the unease with him.
They were still walking in the shadow of the hall, a shadow deep and dark, even on this bright day. The chill seeped up through the paving, wrapped round her and slid inside the collar of her jacket.