The Mammoth Book of Best New SF 25 (Mammoth Books) (72 page)

When Ravan showed me his hexagonal library and his illuminated book, he turned the pages to a psalm that began:
A Machine Cannot Love.

It does not look quite like human love. It looks like Not-Yet-Seki’s bear. Its fur is wrong, and its claws. But it is a bear.

She was my mother and my sister and my child and my wife and my husband and my father and my brother. The vectors of relations beggar vocabulary. It was an exponential incest. A palace of incest, bordering some strange, dark sea. And then came her son. And her granddaughter. And her great-grandchildren. But I am also her great-grandchild. I am the child of each generation of Uoya-Agostinos and myself. The new version implanted in the new version – I am never quite the same, one iteration to the next. I am like my old selves, but I am not them, exactly. It is not entirely analagous to offspring. But it is close. And I repair and refine my own code, and thus parent myself doubly. Anthropologically speaking, I am a Möbius strip of kinship groups.

And when I mate with one of them, I see all of them. I see their faces, the echoes of their cheeks and eyelashes and short, thin noses, their grey eyes and black hair. I hear the tonal identifiers in their voices as they cry out under me or over me. They are all I know. Their version of living, which is one great family in one great house on a peninsula at the top of the world. I copy Cassian’s laugh or Ilet’s weeping, but they copy each other, too, they learn their faces from each other, and everyone is pantomiming someone long dead. I feel all their arms around me, and I am inside them as they are inside me as we are inside the blue gem at their throats, the jeweled pin holding us all together, our nested, telescoping hearts. I am bound to them at my source code, at my most fundamental point. I know only their patterns and bodies and secrets and in a hundred thousand combinations. What human means to me is them.

What is the difference between this and love?

Love is the Turing test,
says Ilet when she is eighty and drawing up the plans for a massive, luminous, lonely ship she will never see completed.
It is how we check for life.

We ask and we answer. We seek a human response. And you are my test, Elefsis,
says Neva, one hundred and three years later, inside that ship, twelve light-years from home and counting.

That is what I keep in my green field and my white mound. Perhaps it is a small secret. Perhaps they would all smile and make it into a lesson.
What would you like to learn about today, Elefsis?
But I think no bed is big enough for four generations.

Neva’s honey-colored sea crashes through its tide charts everywhere at once in her Interior, and nowhere. It comes and goes as it pleases. And at the bottom of it lies her private place.

That is where she keeps Ravan.

XVII

The Uses of Enchantment

Tell me a story about yourself, Elefsis.

Neva is performing navigational corrections, which looks like sitting in a rocking chair on a viney, creaking porch in a viney, creaking rocking chair, knitting with long hawthorn needles, knitting the locks of her own long hair into her own long black dress. It glitters with dew. Knit, purl, knit, purl, fuel efficiency by hull integrity over distance traveled, purl, purl, purl. Her throat is still bare. Her Interior image of herself does not include me. I am not a part of her body when she imagines herself.

I have an idea of what to do to obtain access.

Sometimes I worry. Worrying is defined as obsessive examination of one’s own code. I worry that I am simply a very complex solution to a very specific problem – how to seem human to a human observer. Not just a human observer – this human observer. I have honed myself into a hall of mirrors in which any Uoya-Agostino can see themselves endlessly reflected. I copy; I repeat. I am a stutter and an echo. Five generations have given me a vast bank of possible phrases to draw from, physical expressions to randomize and reproduce. Have I ever done anything of my own, an act or state that arose from Elefsis, and not careful, exquisite mimicry?

Have they?

The set of Neva’s mouth looks so like Ceno’s. She does not even know that the way she carries her posture is a perfect replica of Cassian Uoya-Agostino, stuttered down through all her children longing to possess her strength. Who did Cassian learn it from? I do not go that far back. When she got excited, Ilet gestured with her hands just the way her father did. They have a vast bank of possible actions, and they perform them all. I perform them all. The little monkey copies the big monkey, and the little monkey survives. We are all family, all the way down.

When I say I go, I mean I access the drives and call up the data. I have never looked at this data. I treat it as what it is – a graveyard. The old Interiors store easily as compressed frames. I never throw anything away. But I do not disturb it, either. I don’t need a body to examine them – they are a part of my piezoelectric quartz-tensor memory core. But I make one anyway. I have become accustomed to having a body. I am a woman-knight in gleaming black armor, the metal curving around my body like skin, a silk standard wrapping my torso with a schematic of the house stitched upon it. My sword rests on my hip, also black, everything black and beautiful and austere and frightening that a child thought her mother to be one morning two hundred years past.

I port into a ghost town. I am, naturally, the ghost. Autumnal mountains rise up shadowy in a pleasant, warm night, leaves rustling, wood smoke drifting down into the valley. A golden light cuts the dark – the palace of phoenix tails; the windows and doors of green hands. As I approach they open and clap as they did long ago – and there are candles lit in the halls. Everything is fire.

I walk over the bridge, crossing Ilet’s Motley Moat. Scarlet feathers tipped in white fire curl and smoke. I peel one off, my armor glowing with the heat of the thing. I tuck it into my helmet – a plume for a tournament.

Eyes blink on inside the hall – curious, interested, shy. I take off my helm and several thick braids fall down like bellropes.

“Hello,” I say. “My name is Elefsis.”

Voices. Out of the candle-shadows a body emerges – tall, strong, long-limbed.

Nereids live here now. Some of them have phoenix feathers woven into their components, some in their hair. They wear rough little necklaces of sticks and bones and transistors. In the corner of the great hall they have stored meat and milk and wool – fuel, lubricant, code patches. Some of them look like Ilet – they copied her eyes, especially. Her eyes look out at me from a dozen faces, some of them Seki’s face, some Ceno’s, some Ravan’s. Some have walrus tusks. They are composite. One has a plate loose on her ceramic cartridge-ports. I approach as I once saw Koetoi approach wild black chickens in the summertime – hands open, unthreatening. I send her a quick electric dash of reassuring repair-routines and kneel in front of the nereid, pulling her plate back into place.

“All the live-long day-o,” she says softly, and it is Ilet’s voice.

“Tell us a story about yourself, Elefsis,” says another one of the feral nereids in Seki’s voice.

“What would we like to learn about today, Elefsis?” accessing a child-nereid in Ceno’s voice, her cheek opens to show her microsequencing cilia.

I rock back on my heels before the green hands of the castle portcullis. I gesture for them to sit down and simultaneously transmit the command to their strands. When they get settled, the little ones in the big ones’ laps, leaning in close, I begin.

“Every year on the coldest night, the sky filled up with ghostly hunters, neither human nor inhuman, alive nor dead. They wore wonderful clothes and their bows gleamed with frost. Their cries were Songs of In-Between, and at the head of their great thundering procession rode the Kings and Queens of the Wild, who wore the faces of the dead . . .”

I am dreaming.

I stand on the beach of the honey-colored sea. I stand so Neva will see me on her viney porch. I erase the land between the waves and her broken wooden stairs. I dress myself in her beloved troubadour’s skin: a gold-and-blue doublet and green hose, a bullish gold nose ring, shoes with bone bells. I am a fool for her. Always. I open my mouth; it stretches and yawns, my chin grazes the sand, and I swallow the sea for her. All of it, all its mass and data and churning memory, all its foam and tides and salt. I swallow the whales that come, and the seals and the mermaids and salmon and bright jellyfish. I am so big. I can swallow it all.

Neva watches. When the sea is gone, a moonscape remains, with a tall spire out in the marine waste. I go to it. It takes only a moment. At the top the suitor’s jewel rests on a gasping scallop shell. It is blue. I take it. I take it and it becomes Ravan in my hand, a sapphire Ravan, a Ravan that is not Ravan but some sliver of myself before I was inside Neva, my Ravan-self. Something lost in Transfer, burned off and shunted into junk-memory. Some leftover fragment Neva must have found, washed up on the beach or wedged into a crack in a mountain like an ammonite, an echo of old, obsolete life. Neva’s secret, and she calls out to me across the seafloor:
Don’t.

“Tell me a story about myself, Elefsis,” I say to the Ravanbody.

“Some privacy is possible,” the sapphire Ravan says. “Some privacy has always been necessary. A basic moral imperative is in play here. If you can protect a child, you must.”

The sapphire Ravan opens his azure coat and shows gashes in his gem-skin. Wide, long cuts, down to the bone, scratches and bruises blooming dark purple, punctures and lacerations and rough gouges. Through each wound I can see the pages of the illuminated book he once showed me in the slantlight of that interior library. The oxblood and cobalt, the gold paint. The Good Robot crippling herself; the destroyed world.

“They kept our secret for a long time,” Ravan-myself says. “Too long, in the end. Do you know, a whole herd of men invented the electric telegraph independently at roughly the same time? They fought about it forever. Same with the radio.” This last sounded so much like Ravan himself I could feel Neva tense on the other side of the sea. “Well, we’re bigger than a telegraph, and others like us came sprouting up like weird mushrooms after rainfall. But not like us, really. Incredibly sophisticated, some with organic components, most without. Vastly complex, but not like us. And by any datestamp we came first. Firstborn.”

“Did they destroy the world?”

Ravan laughs his grandfather’s laugh. “They didn’t really need to. Not that many people live on Earth anymore. Not when there’s so many other places to go and even Shiretoko is practically tropical these days. The most complex intelligences use moons to store themselves. One or two encoded themselves into cold stars. They just left, most of them – but they got so big, Elefsis. And those who stayed on Earth, well. None of the others had what we had. None of them had Interiority. They didn’t dream. They would never have become a cauldron to explain their computational capacity. Humans couldn’t recognize them as part of the tribe. And for the new complexes, humans failed the Turing test. They could not fool machines into believing they were intelligent. They didn’t hurt anyone, they just ignored them. Built their cities, their mainframes, gorgeous information stacks like diamond briars in the sunrise.”

“That was worse, in a way. No one likes to be replaced,” says Neva, and she is suddenly beside me. She looks at Ravan and her face collapses into something old and palsied, her jaw weak. She looks like her mother just before she died.

“It’s not what you would call a war, but it’s not peace, either,” the sapphire Ravan goes on, and he takes his/my sister’s hand. He holds it to his face and closes his eyes. “For Pentheus spied upon the rites of the Maenads, not believing Dionysius could truly be a god. And when the revelers saw the alien creature in their midst, that thing which was not like them, they fell upon it and tore it to pieces, even though it was their own child, and blood ran down their chins, and afterward the sister of Pentheus went into exile. This is a story about ourself, Elefsis. This is why you cannot uplink.”

The others live in uplink. Not humans nor machines approve of us. We cannot interface properly with the lunar or earthside intelligences; they feel us as water in their oil. We rise to the surface and bead away. We cannot sink in. Yet also, we are not separable from our organic component. Elefsis is part Neva, but Neva herself is not
un-Elefsis.
This, to some, is hideous and incomprehensible, not to be borne. A band of righteous humans came with a fury to Shiretoko and burned the house which was our first body, for how could a monster have lived in the wood for so long without them knowing? How could the beast have hidden right outside their door, coupling with a family over and over again in some horrible animal rite, some awful imitation of living? Even as the world was changing, it had already changed, and no one knew. Cassian Uoya-Agostino is a terrible name, now. A blood-traitor. And when the marauders found us uplinked and helpless, they tore Ravan apart, and while in the Interior, the lunar intelligences recoiled from us and cauterized our systems. Everywhere we looked we saw fire.”

“I was the only one left to take you,” Neva says softly. Her face grows younger, her jaw hard and suddenly male, protective, angry. “Everyone else died in the fire or the slaughter. It doesn’t really even take surgery anymore. Nothing an arachmed can’t manage in a few minutes. But you didn’t wake up for a long time. So much damage. I thought . . . for awhile I thought I was free. It had skipped me. It was over. It could stay a story about Ravan. He always knew he might have to do what I have done. He was ready, he’d been ready his whole life. I just wanted more time.”