The Mammoth Book of Best New Science Fiction: 23rd Annual Collection (24 page)

BOOK: The Mammoth Book of Best New Science Fiction: 23rd Annual Collection
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This doll is my orphan doll. She is full of sadness. She is inhabited by the loss of so much. I remember my fear when Hudson was wandering the roads of the desert. I imagine Rachel Mazar, so haunted by the loss of her own child. The curves of the doll’s tiny fists are porcelain pale. The blue veins at her temples are traceries of the palest of bruises.

When I am finished with her, I package her as carefully as I have ever packaged a doll and send her off.

My dildos go up on the website.

The realistic dildo sits in my workshop, upright, tumescent, a beautiful rosy plum color. It sits on a shelf like a prize, glistening in its topcoat as if it were wet. It was surprisingly fun to make, after years and years of doll parts. It sits there both as an object to admire and as an affront. But to be frank, I don’t think it is any more immoral than the dolls. There is something straightforward about a dildo. Something much more clear than a doll made to look like a dead child. Something significantly less entangled.

There are no orders for dildos. I lie awake at night thinking about real estate taxes. My father is dead. My mother lives in subsidized housing for the elderly in Columbus. I haven’t been to see her in years and years, not with the cost of a trip like that. My car wouldn’t make it, and nobody I know can afford to fly anymore. I certainly couldn’t live with her. She would lose her housing if I moved in.

If I lose my house to unpaid taxes, do I live in my car? It seems like the beginning of the long slide. Maybe Sherie and Ed would take the dogs.

I do get a reprieve when the money comes in for the special. Thank God for the Mazars in Chicago. However crazy their motives, they pay promptly and by Internet, which allows me to put money against the equity line for the new tools.

I still can’t sleep at night and instead of putting all of the money against my debt, I put the minimum and I buy a 9 millimeter handgun. Actually, Ed buys it for me. I don’t even know where to get a gun.

Sherie picks me up in the truck and brings me over to the goat farm. Ed has several guns. He has an old gun safe that belonged to his father. When we get to their place, he is in back, putting creosote on new fence posts, but he is happy to come up to the house.

“So you’ve given in,” he says, grinning. “You’ve joined the dark side.”

“I have,” I agree.

“Well, this is a decent defensive weapon,” Ed says. Ed does not fit my preconceived notions of a gun owner. Ed fits my pre-conceived notions of the guy who sells you a cell phone at the local strip mall. His hair is short and graying. He doesn’t look at all like the kind of guy who would either marry Sherie or raise goats. He told me one time that his degree is in anthropology. Which, he said, was a difficult field to get a job in.

“Offer her a cold drink!” Sherie yells from the bathroom. In her pregnant state, Sherie can’t ride twenty minutes in the sprung-shocked truck without having to pee.

He offers me iced tea and then gets the gun, checks to see that it isn’t loaded, and hands it to me. He explains to me that the first thing I should do is check to see if the gun is loaded.

“You just did,” I say.

“Yeah,” he says, “but I might be an idiot. It’s a good thing to do.”

He shows me how to check the gun.

It is not nearly so heavy in my hand as I thought it would be. But truthfully, I have found that the thing you thought would be life changing so rarely is.

Later he takes me around to the side yard and shows me how to load and shoot it. I am not even remotely surprised that it is kind of fun. That is exactly what I expected.

Out of the blue, an email from Rachel Mazar of Chicago.

I am writing you to ask you if you have had any personal or business dealings with my husband, Ellam Mazar. If I do not get a response from you, your next correspondence will be from my attorney.

I don’t quite know what to do. I dither. I make vegetarian chili. Oddly enough, I check my gun which I keep in the bedside drawer. I am not sure what I am going to do about the gun when Sherie has her baby. I have offered to baby sit, and I’ll have to lock it up, I think. But that seems to defeat the purpose of having it.

While I am dithering, my cell rings. It is, of course, Rachel Mazar. “I need you to explain your relationship with my husband, Ellam Mazar,” she says. She sounds educated, with that eradication of regional accent that signifies a decent college.

“My relationship?” I say.

“Your email was on his phone,” she says, frostily.

I wonder if he is dead. The way she says it sounds so final. “I didn’t know your husband,” I say. “He just bought the dolls.”

“Bought what?” she says.

“The dolls,” I say.

“Dolls?” she says.

“Yes,” I say.

“Like . . . sex dolls?”

“No,” I say. “Dolls. Reborns. Handmade dolls.”

She obviously has no idea what I am talking about, which opens a world of strange possibilities in my mind. The dolls don’t have orifices. Fetish objects? I tell her my website and she looks it up.

“He ordered specials,” I say.

“But these cost a couple of thousand dollars,” she says.

A week’s salary for someone like Ellam Mazar, I suspect. I envision him as a professional, although frankly, for all I know he works in a dry cleaning shop or something.

“I thought they were for you,” I say. “I assumed you had lost a child. Sometimes people who have lost a child order one.”

“We don’t have children,” she says. “We never wanted them.” I can hear how stunned she is in the silence. Then she says, “Oh my God.”

Satanic rituals? Some weird abuse thing?

“That woman said he told her he had lost a child,” she says.

I don’t know what to say so I just wait.

“My husband . . . my soon to be ex-husband,” she says. “He has apparently been having affairs. One of the women contacted me. She told me that he told her we had a child that died and that now we were married in name only.”

I hesitate. I don’t know legally if I am allowed to tell her about transactions I had with her husband. On the other hand, the emails came with both their names on them. “He has bought three,” I say.

“Three?”

“Not all at once. About once a year. But people who want a special send me a picture. He always sends the same picture.”

“Oh,” she says. “That’s Ellam. He’s orderly. He’s used the same shampoo for fifteen years.”

“I thought it was strange,” I say. I can’t bear not to ask. “What do you think he did with them?”

“I think the twisted bastard used them to make women feel sorry for him,” she says through gritted teeth. “I think he got all sentimental about them. He probably has himself half convinced that he really did have a daughter. Or that it’s my fault that we didn’t have children. He never wanted children. Never.”

“I think a lot of my customers like the idea of having a child better than having one,” I say.

“I’m sure,” she says. “Thank you for your time and I’m sorry to have bothered you.”

So banal. So strange and yet so banal. I try to imagine him giving the doll to a woman, telling her that it was the image of his dead child. How did that work?

Orders for dildos begin to trickle in. I get a couple of doll orders and make a payment on the credit line and put away some toward real estate taxes. I may not have to live in my car.

One Evening, I am working in the garden when Abby and Hudson start barking at the back gate.

I get off my knees, aching, but lurch into the house and into the bedroom where I grab the 9mm out of the bedside table. It isn’t loaded, which now seems stupid. I try to think if I should stop and load it. My hands are shaking. It is undoubtedly just someone looking for a meal and a place to recharge. I decide I can’t trust myself to load and besides, the dogs are out there. I go to the back door, gun held stiffly at my side, pointed to the ground.

There are in fact two of them, alike as brothers, Indian looking with a fringe of black hair cut in a straight line above their eyebrows.

“Lady,” one says, “we can work for food?” First one, then the other sees the gun at my side and their faces go empty.

The dogs cavort.

“I will give you something to eat, and then you go,” I say.

“We go,” the one who spoke says.

“Someone robbed me,” I say.

“We no rob you,” he says. His eyes are on the gun. His companion takes a step back, glancing at the gate and then at me as if to gauge if I will shoot him if he bolts.

“I know,” I say. “But someone came here, I gave him food, and he robbed me. You tell people not to come here, okay?”

“Okay,” he says. “We go.”

“Tell people not to come here,” I say. I would give them something to eat, something to take with them. I hate this. They are two young men in a foreign country, hungry, looking for work. I could easily be sleeping in my car. I could be homeless. I could be wishing for someone to be nice to me.

But I am not. I’m just afraid.

“Hudson! Abby!” I yell, harsh, and the two men flinch. “Get in the house.”

The dogs slink in behind me, not sure what they’ve done wrong.

“If you want some food, I will give you something,” I say. “Tell people not to come here.”

I don’t think they understand me. Instead they back slowly away a handful of steps and then turn and walk quickly out the gate, closing it behind them.

I sit down where I am standing, knees shaking.

The moon is up in the blue early Evening sky. Over my fence I can see scrub and desert, a fierce land where mountains breach like the petrified spines of apocalyptic animals. The kind of landscape that seems right for crazed gangs of mutants charging around in cobbled together vehicles. Tribal remnants of America, their faces painted, their hair braided, wearing jewelry made from shiny CDs and cigarette lighters scrounged from the ruins of civilization. The desert is Byronic in its extremes.

I don’t see the two men. There’s no one out there in furs, their faces painted blue, driving a dune buggy built out of motorcycle parts and hung with the skulls of their enemies. There’s just a couple of guys from Nicaragua or Guatemala, wearing t-shirts and jeans.

And me, sitting watching the desert go dark, the moon rising, an empty handgun in my hand.

 
BLACK SWAN
Bruce Sterling

One of the most powerful and innovative talents to enter SF in the past few de cades, Bruce Sterling sold his first story in 1976. By the end of the 1980s, he had established himself, with a series of stories set in his exotic “Shaper/Mechanist” future and with novels such as the complex and
Stapeldonian Schismatrix
and
Islands in the Net
(as well as with his editing of the influential anthology
Mirrorshades: The Cyberpunk Anthology
and the infamous critical magazine
Cheap Truth)
, as perhaps the prime driving force behind the revolutionary “Cyberpunk” movement in science fiction. His other books include a critically acclaimed nonfiction study of First Amendment issues in the world of computer networking,
The Hacker Crackdown: Law and Disorder on the Electronic Frontier
, the novels
The Artificial Kid, Involution Ocean, Heavy Weather, Holy Fire, Distraction, Zeitgeist, The Zenith Angle
, a novel in collaboration with William Gibson,
The Difference Engine
, a nonfiction study of the future,
Tomorrow Now: Envisioning the Next Fifty Years
, and the landmark collections
Crystal Express, Globalhead, Schismatrix Plus, A Good Old-Fashioned Future
, and
Visionary in Residence.
His most recent books are a massive retrospective collection,
Ascendancies: The Best of Bruce Sterling
, and a new novel,
Caryatids.
His story “Bicycle Repairman” earned him a long-overdue Hugo in 1997, and he won another Hugo in 1999 for his story “Taklamakan.”

In the politically savvy and bitingly cynical story that follows, one infused with his trademark deadpan wit, Sterling expertly spins us through a gyre of well-thought-out Alternate World Europes. And where the ball stops, nobody knows.

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