The Mammoth Book of Alternate Histories (48 page)

Nauseous, Grant hammered on the door behind him. It opened abruptly and he almost fell into the arms of Mr Cloud.

* * * *

He next saw the image the following summer, in the District of Cornwallis. Despite the fact that Grant specialized in provincial art, most of his visits to the colonies had been for business purposes, and had exposed him to no more glorious surroundings than the interiors of banks and mercantile offices, with an occasional jaunt into the Six Nations to meet with the creators of the fine pieces that were his trade. Sales were brisk, his artisans had been convinced to ply their craft with gold as well as silver, supplanting turquoise and onyx with diamonds and other precious stones; the trend towards high-fashion American jewellery had already surpassed his highest expectations. Before the inevitable decline and a panicked search for the next sure thing, he decided to accept the offer of an old colonial acquaintance who had long extended an open invitation to a tour of great American monuments in the capital city.

Arnoldsburg, D.C., was sweltering in a humid haze, worsened by exhaust fumes from the taxis that seemed the city’s main occupants. Eyes burning, lungs fighting against collapse, he and his guide crawled from taxi after taxi and plunged into cool marble corridors reeking of urine and crowded with black youths selling or buying opiates. It was hard not to mock the great figures of American history, thus surrounded and entrapped by the ironic fruits of their victories. The huge seated figure of Burgoyne looked mildly bemused by the addicts sleeping between his feet; the bronze brothers Richard and William Howe stood back to back embattled in a waist-high mob, as though taking their last stand against colonial Lilliputians.

His host, David Mickelson, was a transplanted Irishman. He had first visited America as a physician with the Irish Royal Army, and after his term expired had signed on for a stint in the Royal American Army. He had since opened a successful dermatological practice in Arnoldsburg. He was a collector of native American art, which practice had led him to deal with Grant Innes. Mickelson had excellent taste in metalwork, but Grant chided him for his love of “these marble monstrosities”.

“But these are heroes, Grant. Imagine where England would be without these men. An island with few resources and limited room for expansion? How could we have kept up the sort of healthy growth we’ve had since the Industrial Revolution? It’s impossible. And without these men to secure this realm for us, how could we have held onto it? America is so vast - really, you have no concept of it. These warriors laid the way for peace and proper management, steering a narrow course between Spain and France. Without such fine ambassadors to put down the early rebellion and ease the co-settling of the Six Nations, America might still be at war. Instead its resources belong to the crown. This is our treasure house, Grant, and these are the keepers of that treasure.”

“Treasure,” Grant repeated, with an idle nudge at the body of an old squaw who lay unconscious on the steps of the Howe Monument.

“Come with me, then,” Mickelson said. “One more sight, and then we’ll go wherever you like.”

They boarded another taxi which progressed by stops and starts through the iron river of traffic. A broad, enormous dome appeared above the cars.

“Ah,” said Grant. “I know what that is.”

They disembarked at the edge of a huge circular plaza. The dome that capped the plaza was supported by a hundred white columns. They went into the lidded shadow, into darkness, and for a moment Grant was blinded.

“Watch out, old boy,” Mickelson said. “Here’s the rail. Grab on. Wouldn’t want to stumble in here.”

His hands closed on polished metal. When he felt steady again, he opened his eyes and found himself staring into a deep pit. The walls of the shaft were perfectly smooth, round as a bullet hole drilled deep into the earth. He felt a cold wind coming out of it, and then the grip of vertigo.

“The depths of valour, the inexhaustible well of the human spirit,” Mickelson was saying. “Makes you dizzy with pride, doesn’t it?”

“I’m ... feeling... sick...” Grant turned and hurried towards daylight.

Out in the sunshine again, his sweat gone cold, he leaned against a marble podium and gradually caught his breath. When his mind had cleared somewhat, he looked up and saw that the podium was engraved with the name of the hero whose accomplishments the shaft commemorated. His noble bust surmounted the slab.

benedict arnold

First American President-General, appointed such by King George III as reward for his valiant role in suppressing the provincial revolt of 1776-79.

David Mickelson caught up with him.

“Feeling all right, Grant?”

“Better. I - I think I’d like to get back to my rooms. It’s this heat.”

“Surely. I’ll hail a cab, you just hold on here for a minute.”

As Grant watched Mickelson hurry away, his eyes strayed over the circular plaza where the usual hawkers had laid out the usual souvenirs. Habit, more than curiosity, drove him out among the ragged blankets, his eyes swiftly picking through the merchandise and discarding it all as garbage.

Well, most of it. This might turn out to be another fortunate venture after all. His eyes had been caught by a display of absolutely brilliant designs done in copper and brass. He had never seen anything quite like them. Serpents, eagles, patterns of stars. The metal was all wrong, but the artist had undoubtedly chosen them by virtue of their cheapness and could be easily convinced to work in gold. He looked up at the proprietor of these wares and saw a young Indian woman, bent on her knees, threading coloured beads on a string.

“Who made these?” he said, softening the excitement he felt into a semblance of mild curiosity.

She gazed up at him. “My husband.”

“Really? I like them very much. Does he have a distributor?”

She didn’t seem to know what he meant.

“That is . . . does anyone else sell these pieces?”

She shook her head. “This is all he makes, right here. When he makes more, I sell those.”

In the distance, he heard Mickelson shouting his name. The dermatologist came running over the marble plaza. “Grant, I’ve got a cab!”

Grant gestured as if to brush him away. “I’ll meet you later, David, all right? Something’s come up.”

“What have you found?” Mickelson tried to look past him at the blanket, but Grant spun him around in the direction of the taxis - perhaps a bit too roughly. Mickelson stopped for a moment, readjusted his clothes, then stalked away peevishly towards the cars. So be it.

Smiling, Grant turned back to the woman. His words died on his tongue when he saw what she was doing with beads she’d been stringing.

She had formed them into a noose, a bright rainbow noose, and slipped this over the head of a tiny brown doll.

He knew that doll, knew its tough leathered flesh and pierced limbs, the apple cheeks and teeth of rice. The cross from which she’d taken it lay discarded on the blanket, next to the jewellery that suddenly seemed of secondary importance.

While he stood there unspeaking, unmoving, she lifted the dangling doll to her lips and daintily, baring crooked teeth, tore off a piece of the leg.

“What. . . what...”

He found himself unable to ask what he wished to ask. Instead, fixed by her gaze, he stammered, “What do you want for all of these?”

She finished chewing before answering. “All?”

“Yes, I ... I’d like to buy all of them. In fact, I’d like to buy more than this. I’d like to commission a piece, if I might.”

The squaw swallowed.

“My husband creates what is within the soul. He makes dreams into metal. He would have to see your dreams.”

“My dreams? Well, yes, I’ll tell him exactly what I want. Could I meet him to discuss this?”

The squaw shrugged. She patiently unlooped the noose from the shrivelled image, spread it back onto its cross and pinned the three remaining limbs into place, then tucked it away in a bag at her belt. Finally, rising, she rolled up the blanket with all the bangles and bracelets inside it, and tucked the parcel under her arm.

“Come with me,” she said.

He followed her without another word, feeling as though he were moving down an incline, losing his balance with every step, barely managing to throw himself in her direction. She was his guide through the steaming city, through the crowds of ragged cloth, skins ruddy and dark. He pulled off his customary jacket, loosened his tie, and struggled after her. She seemed to dwindle in the distance; he was losing her, losing himself, stretching into a thin strand of beads, beads of sweat, sweat that dripped through the gutters of Arnoldsburg and offered only brine to the thirsty . . .

But when she once looked back and saw him faltering, she put out her hand and he was standing right beside her, near a metal door. She put her hand upon it and opened the way.

It was cool inside, and dark except for the tremulous light of candles that lined a descending stairway. He followed, thinking of catacombs, the massed and desiccated ranks of the dead he had seen beneath old missions in Spanish Florida. There was a dusty smell, and far off the sound of hammering. She opened another door and the sound was suddenly close at hand.

They had entered a workshop. A man sat at a metal table cluttered with coils of wire, metal snips, hand torches. The woman stepped out and closed the door on them.

“Good afternoon,” Grant said. “I . . . I’m a great admirer of your work.”

The man turned slowly, the metal stool creaking under his weight, although he was not a big man. His skin was very dark, like his close-cropped hair. His face was soft, as though made of chamois pouches; but his eyes were hard. He beckoned.

“Come here,” he said. “You like my stuff? What is it that you like?”

Grant approached the workbench with a feeling of awe. Samples of the man’s work lay scattered about, but these were not done in copper or brass. They were silver, most of them, and gleamed like moonlight.

“The style,” he said. “The . . . substance.”

“How about this?” The Indian fingered a large eagle with spreading wings.

“It’s beautiful - almost alive.”

“It’s a sign of freedom.” He laid it down. “What about this one?”

He handed Grant a small rectangular plaque inscribed with an unusual but somehow familiar design. A number of horizontal stripes, with a square inset in the lower right corner, and in that square a wreath of thirteen stars.

“Beautiful,” Grant said. “You do superior work.”

“That’s not what I mean. Do you know the symbol?”

“I ... I think I’ve seen it somewhere before. An old Indian design, isn’t it?”

The Indian grinned. Gold teeth again, bridging the distance between London and Arnoldsburg, reminding him of the jerked beef martyr, the savage Christ.

“Not an Indian sign,” he said. “A sign for all people.”

“Really? Well, I’d like to
bring
it to all people. I’m a dealer in fine jewellery. I could get a very large audience for these pieces. I could make you a very rich man.”

“Rich?” The Indian set the plaque aside. “Plenty of Indians are rich. The tribes have all the land and factories they want - as much as you have. But we lack what you also lack: freedom. What is wealth when we have no freedom?”

“Freedom?”

“It’s a dim concept to you, isn’t it? But not to me.” He put his hand over his heart. “I hold it here, safe with the memory of how we lost it. A precious thing, a cup of holy water that must never be spilled until it can be swallowed in a single draft. I carry the cup carefully, but there’s enough for all. If you wish to drink, it can be arranged.”