The Magician King (18 page)

She ground and boiled. She sniffed and daubed. It was fun, like a scavenger hunt. She haunted head shops and organic herb sections and familiarized herself with the restaurant supply stores on Bowery—a great source for cheap hardware—and online mail-order laboratory supply houses. It was amazing what they would send you through the mail if you had a fake ID, a PayPal account, and a P.O. box. If this magic thing didn’t pan out she could definitely go into domestic terrorism.

Once she spent a solid week tying like a thousand knots in a piece of string before she read ahead and realized that the string was supposed to have a strand of her hair woven into it, and she had to do it all over. She had always been a workaholic—she just couldn’t get enough of that workahol, was James’s joke—but even she had her limits. Twice she even killed something small, a mouse and a frog, quietly, in the backyard, under the cover of darkness. Hey, it was the circle of life.
Hakuna matata.
Which by the way is a Swahili phrase of modern origin and does absolutely fuck-all no matter how many times you chant it.

In fact, everything did fuck-all. It continued to do fuck-all as she moved out of her parents’ house to a studio apartment above a bagel store, which she had to temp to pay for, but it meant she had more space to lay out pentagrams, and her sister wouldn’t steal her charms and bang on her door and run away while she was chanting. (The fear effect having somewhat abated, unfortunately.) It did fuck-all even after she jacked off a simian twentysomething who couldn’t believe his luck in the bathroom at a party just because he said he could get her into the Prospect Park Zoo after hours, the zoo being like one-stop shopping for some of those African preparations, let me tell you. And besides she needed some semen for a couple of things, though fortunately for the zookeeper neither of them worked.

One time, only once, did she ever get a whiff of something real. It didn’t come out of a musty old codex, it came off the Internet, though it was ancient by online standards—the Internet equivalent of a musty old codex bound in finest fetal calfskin.

She’d been trolling through the archives of an old BBS run out of Kansas City in the mid-1980s. She was trying the usual search keywords, as one does, and getting the usual mountain of junk, as one does. It was like combing through stellar radiation for signs of extraterrestrial life. But one hit looked suspiciously like signal and not noise.

It was an image file. In the bad old days of 2400 baud modems, image files had to be posted in hexadecimal code in tranches of ten or twenty parts, since the amount of data in an image was many times the allowable length for a single post. You saved all the files together in a folder and then used a little utility to zip them together into a single document and decode them. Half the time a character or two got cut off along the way, and the entire frame got thrown off, and you ended up with nothing. Noise, static, snow crash. The other half of the time you wound up with a photograph of a thirtysomething stripper with baby fat and a cesarean scar, wearing only the bottom part of a high school cheerleader’s uniform.

But if she was going to crack the magic racket, it wasn’t going to be by half measures.

What this image was, once she had zipped and decoded it, was a scan of a handwritten document. A couplet—two lines of words in a language she didn’t recognize, transcribed phonetically. Above each syllable was a musical staff indicating rhythm and (in a couple of cases) intonation. Below it was a drawing of a human hand performing a gesture. There was no indication of what the document was, no title or explanation. But it was interesting. It had a purposeful quality, draftsmanlike and precise. It didn’t look like an art project, or a joke. Too much work, and not enough funny.

She practiced them separately first. Thank God for ten years of oboe lessons, on the strength of which she could sight-sing. The words were simple, but the hand positions were murder. Halfway through she went back to thinking it was a joke, but she was too stubborn to quit. She would have even then, but as an experiment she tried the first few syllables, and she discovered that something was different about this one. It made her fingertips feel hot. They buzzed like she’d touched a battery. The air resisted her, as if it had become slightly viscous. Something stirred in her chest that had never stirred there before. It had been sleeping her whole life, and now somehow, by doing this, she had poked it, and it stirred.

The effect went away as soon as she stopped. It was two in the morning, and she had a word processing shift at a law firm in Manhattan at eight. (Word processing was all she got anymore. She could type like a demon, but her appearance and phone manner had degenerated to the point where at her last receptionist assignment they’d shitcanned her on sight.) She hadn’t showered or slept in two days or washed her sheets in two months. Her eyes were full of sand. She stood at her desk and tried it again.

It was two more hours before she got all the way through it for the first time. The words were right, and the pitch, and the rhythm. The hand positions were still a joke, but she was onto something. This was not fuck-all. When she stopped, her fingers left trails in the air. It was like a hallucination, the kind of optical effect you’d get from botched laser surgery, or maybe from staying up all night two nights in a row. She waved her hand and it left streaks of color across her vision: red from her thumb, yellow, green, blue, and then purple from her pinky.

She smelled that electric smell. It was Quentin’s smell.

Julia went up to the roof. She didn’t want to touch anything with the spell going—it was like having fresh fingernail polish on—but she had to go somewhere, so she climbed the steel ladder and cracked the trap door and emerged out into the jungle of tar paper and air conditioners. She stood on the roof and made rainbow patterns with her hands against the rapidly bluing predawn sky until it stopped working.

It was magic. Real magic! And she was doing it!
Hakuna
fucking
matata
. Either she wasn’t crazy, or she’d finally gone well and truly around the bend, and she wasn’t coming back. Either way she could have died for joy.

Then she went downstairs and slept for an hour. When she woke up she saw that her fingers had left multicolored stains on the sheets. Her chest felt painfully hollowed out, as if somebody had gone in and scraped out all the organs with a table knife, like scraping the pith out of a jack-o’-lantern. It wasn’t until then that she thought to try to trace the poster from the BBS, but when she checked the archive the post was already gone.

But the spell still worked. She set it going again, and it worked again. Then, careful not to touch her face with her candy-colored fingers, she put her head down on her desk and sobbed like a child who’d been beaten.

Q
uentin had Professor Geiger send them back to Chesterton. They materialized smoothly in the center of town. Geiger—a middle-aged woman, cheerfully overstuffed—had offered to send them directly to Quentin’s house, but he’d forgotten his parents’ address.

It was the middle of the afternoon. Quentin didn’t even know what day it was. They sat on a bench on a historic green where a minor battle had been fought in the Revolutionary War. Sun-dazed tourists drifted past them. It was not a time for able-bodied twentysomethings like him to be out and about with nothing to do. He should have been at the office, or acquiring a graduate degree, or at the very least playing touch football stoned. Quentin felt the daylight bleaching the energy out of him. God, he thought, looking down at his leggings. I really have to get out of these clothes.

Though Chesterton was one of the East Coast’s premier venues for colonial reenactments. That ought to make them a little less conspicuous.

“So that went well,” he said. “Starbucks?”

Julia didn’t laugh.

They were becalmed. They sat in silence under the old oaks: the king and queen of Fillory, with nothing to do. The air was full of weird modern hums and drones he never used to notice before he lived in Fillory: cars, power lines, sirens, distant construction, planes in the jet stream laying double-ruled lines across the clear blue sky. It never stopped.

He’d met Julia here once, he reminded himself, or not that far from here, in the graveyard behind the church. That was when she told him that she still remembered Brakebills.

“You do not have a plan, do you?” Julia stared straight ahead.

“No.”

“I do not know why I thought you would.” That haughty anger was back. She was waking up again. “You have never really been here. Out here in the real world.”

“Well, I’ve visited.”

“You think magic is what you learned at Brakebills. You have no idea what magic is.”

“Okay,” he said. “Let’s say I don’t. What is it?”

“I am going to show you.”

Julia stood up. She looked around, as if she were sniffing the wind, then set off abruptly across the street at a scary angle. A silver Passat honked and scritched to a stop to avoid hitting her. She kept walking. Quentin followed more cautiously.

She led them away from Chesterton’s main drag, such as it was. The neighborhood turned residential fast. The din of traffic and commerce died away, and big trees and houses bloomed on either side of the street. The sidewalk became bumpy and irregular. Julia was paying a lot of attention to the telephone poles for some reason. Every time they passed one she stopped and studied it.

“Been a while since I did this,” she said, mostly to herself. “Has to be one around here somewhere.”

“One what? What are we looking for?”

“I could tell you. But you would not believe me.”

She was full of surprises, was Julia. Well, he happened to have some free time just now. Five more minutes went by before she stopped at one particular telephone pole. It had a couple of blobs of fluorescent pink spray paint on it, which might have been left there by a sloppy lineman.

She stared at it, her lips moving silently. She was reading the world in a way that he, Quentin, could not.

“Not ideal,” she said finally. “But it will do. Come on.”

They kept walking.

“We are going to a safe house,” she added.

They walked for literally two miles through the suburban afternoon light, in the process crossing the town line from Chesterton into the less posh but still desirable town of Winston. Children trailing home from school eyed them curiously. Sometimes Julia would stop and study a chalk mark on a curb, or a stray spray of roadside wildflowers, then she would press on. Quentin didn’t know whether to feel hopeful or not, but he would wait for Julia’s plan to unfurl itself, especially since he didn’t have any suggestions of his own. Though his feet hurt, and he was on the point of suggesting they steal another car. Except that that would have been wrong.

Like Chesterton, Winston was an old Massachusetts suburb, and some of the houses they passed were not just colonial-style but genuinely colonial. You could recognize them because they were more compact than the other kind, denser and set back from the road in damp, rotting pine hollows, where raggedy grass lawnlets were locked in an endless running battle with encroaching rings of pines armed with their acid needles. The newer houses, by contrast, the colonial-inspired McMansions, were bright and enormous, and their lawns had gone completely shock-and-awe on the pine trees, of which one or at most two examples still stood, shivering and traumatized, to provide compositional balance.

The house they stopped at was the first kind, authentically colonial. It was starting to get dark out. Julia had logged another couple of telephone-pole paint blobs, one of which she’d stopped and studied quite closely using some kind of visual cantrip that he hadn’t caught because she hadn’t wanted him to catch it—she actually hid it with one hand as she cast it with the other.

The driveway dived down sharply into the hollow. Generations of kids must have murdered themselves on skateboards and scooters trying to go down it and stop before they slammed into the garage. Student drivers must have martyred themselves on it practicing hill starts in standard-transmission cars.

They clomped down it on foot. Quentin felt like a Seventh-Day Adventist, or an overaged trick-or-treater. At first he thought the lights were off, but when he got close enough he saw that they were in fact all on. The windows were papered over with butcher paper to keep them dark.

“I give up,” Quentin said. “Who lives here?”

“I don’t know,” Julia said brightly. “Let’s find out!”

She rang the doorbell. The man who opened the door was in his midtwenties, tall and fat, with a hair helmet and a red caveman face. He wore a T-shirt tucked into sweatpants.

He played it cool.

“What up?” he said.

By way of answering Julia did an odd thing: she turned around and pushed up her long, wavy black hair with one hand, giving the man a quick look at something on the nape of her neck. A tattoo? Quentin didn’t catch it.

“All right?” she said.

It must have been because the bouncer grunted and stepped aside. When Quentin followed the man narrowed his already piggy eyes further and put a hand on Quentin’s chest.

“Hang on.”

He took up a pair of ridiculously tiny opera glasses, toylike, that hung on a thong around his neck, and studied Quentin through them.

“Jesus.” He turned to Julia, genuinely aggrieved. “Who the hell is this?”

“Quentin,” Quentin said. “Coldwater.”

Quentin stuck out his hand. The man—whose T-shirt said POTIONS MASTER on it—left him hanging.

“He is your brand-new boyfriend,” Julia said. She took Quentin’s hand and dragged him inside.

Bass was bumping somewhere in the house, which had been a nice house before somebody did a profoundly shitty renovation job on its interior and then somebody else beat the crap out of the shitty renovation. Said renovation must have happened in the 1980s, as that was the era of chic on offer: white walls, black-and-chrome furniture, track lighting. The air was heavy with stale cigarette smoke. There were chips and divots in the plaster everywhere. This didn’t look like a place where he wanted to spend a lot of time. He was doing his best to remain hopeful, but it was hard to see how this was getting them any closer to Fillory.