Read The Lucifer Gospel Online

Authors: Paul Christopher

Tags: #Archaeologists, #General, #Photographers, #Suspense fiction, #Thrillers, #Suspense, #Fiction, #Espionage

The Lucifer Gospel (30 page)

BOOK: The Lucifer Gospel
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“It’s pretty simple really,” Hilts explained. “It was originally designed by the military. They shot up twenty-four satellites into stationary orbits around the earth so two of them were always above the horizon anywhere in the world. They had base-station receiving units on the ground that picked up the signals broadcast by the satellites and triangulated off them to give you an exact location. The system was put into use just in time so that our boys didn’t get lost in the Iraqi desert.” He picked up the unit and switched it on. “The ones they have now are a lot more sophisticated. Like little computers. With the right map chip it’s like having an atlas in the palm of your hand. This one has North America and the Caribbean programmed into it.” He looked down at the display. “That’s us: eighteen degrees, fifty-five minutes, sixteen seconds north, sixty-six degrees, fifty-four minutes, twenty-three seconds west.”

“What did you say?” Finn asked.

Hilts sighed and repeated himself. “Eighteen degrees, fifty-five minutes, sixteen seconds north, sixty-six degrees, fifty-four minutes, twenty-three seconds west.”

“That’s it,” she said, nodding.

“What’s it?”

“The cards. The way they were arranged on the table in Devereaux’s cabin. The table had the Acosta Lines logo on it, a compass, remember?”

“A compass rose, right,” he answered, nodding.

Finn closed her eyes, concentrating.

“A three, an eight, another three, a pair of twos, and a five to the north. Thirty-eight degrees, thirty-two minutes, twenty-five seconds north.” She paused, trying to remember. “Two eights, a jack, which stands for ten, and a pair of twos on the west side of the table.”

“Eighty-eight degrees, ten minutes, twenty-two seconds west,” filled in Hilts, keying the figures into the unit. He stared at Finn. “You’re a genius!”

Over the water, in the distance, Phil Stubbs was singing about a group of tadpoles celebrating their journey to frogdom, backed up by a chorus of squeaky six-year-old girls telling what da froggies say. Squinting into the sun, Finn saw Tucker Noe’s ancient flatboat appear around the reef, heading past the lighthouse toward them. It looked a little battered by the storm but it was still afloat. Phil’s singing became louder, his strong voice carrying easily across the water to them.

“Kalik,” said Hilts, pronouncing it like a native and licking his lips.

“What are the coordinates for?” Finn asked, keeping her eyes on the decrepit old boat just to make sure it was real.

Hilts looked down at the Garmin unit.

“They was hoppin’ and skippin’ an jumpin’ an leapin’, come back to the pond, come see,” sang Phil.

“Rutgers Bluff, Illinois.”

 

 

 

35

 

 

Rutgers Bluff was located a dozen miles downstream on the Winter River from Fairfield, the county seat. That part of Illinois always had more to do with hillbillies and hicks than Oprah and the Miracle Mile, and if you were looking for a movie to describe it, you’d think of
Deliverance,
or maybe
In Cold Blood
. Most of the local population was of German descent and there weren’t many foreigners. You might have been born there and you might have stayed there through no fault of your own, but if you were thinking of opening a convenience store, Wayne County and Rutgers Bluff wouldn’t be your first choice.

The most common crimes in the county were rape, petty larceny, assault, and car theft, in that order. More people were on the county payroll as police than any other category. Names like Bruner, Ostrander, and Koch were common, and the white squirrel was the county animal, appearing on police patches and the stationery of county departments. No one could remember who Rutger had been but the bluff was still there, a stumpy, tree-covered escarpment that overlooked the river at what the locals called the Third Chute.

Long ago lumber had been an important part of the Wayne County economy and logs had been sent downstream to the big mills at Parkman. At the big rapids along the course of the Winter River wooden chutes had been built to convey the logs around the turbulent white water. Rutgers Bluff was the third set of these. The Fourth Chute was located two miles downriver at thirty-eight degrees, thirty-two minutes twenty-five seconds north, eighty-eight degrees, ten minutes, twenty-two seconds west, the numbers set out in plastic playing cards by a dead man aboard a sunken cruise ship several thousand miles away to the south a little more than half a century before.

“This can’t be right,” said Hilts, looking first at the handheld Garmin unit and then at the bruised, desolate scene around them. It was pouring rain and both he and Finn were soaking wet, even though they’d picked up a pair of cheap rubber ponchos and two rain hats at a sporting goods store in Fairfield. They were standing in front of their rental Ford on an old steel bridge across Winter River just above the rapids. From end to end the bridge was no more than fifty feet long and was just barely wide enough for two cars to pass. On one side of the bridge was rough brush country, second-cut old spruce and pine and miles of gray swamp and slash. Directly in front of them was an open meadow beside the river. A tumble-down barn stood on one side of the road and a farmhouse and several outbuildings on the other. A rustic summer-camp-style sign had been erected over a narrow track that led past the farmhouse to the outbuildings. In roughly trimmed pine branches the arching sign read: CAVERNS OF WONDER.

To the left of the entrance, propped up on the old split-rail fence, was a plywood cut-out of Jesus painted with a yellow halo that looked more like a straw hat and brown sandals that looked vaguely like army boots. A blue-and-white Mary leaned against the other side of the gateway. Apparently the Mother of Christ had been a blonde. The paint looked very old and faded. Below the “of” in Caverns of Wonder another square of plywood had been added that read: “$10.” White on black.

“This just can’t be right,” Hilts repeated. “ Caverns of Wonder? This is a tourist trap. Or was. It looks deserted.”

“Do the numbers match?” Finn asked.

“Exactly.”

“Then this is it.” She nodded toward the plywood Savior. “Jesus of Illinois. Bit too much for coincidence, don’t you think?”

“It’s a joke.”

“Too many dead bodies to be very funny. And if it is a joke, our friend Adamson is going to be seriously ticked off.”

“You think he’s figured it out?”

“He had your digital camera. If he hasn’t got it figured by now it won’t be long.”

They climbed back into the car and drove beneath the arching sign. They parked in an old gravel lot beside what might have once been a snack booth or a gift shop. Behind it was a makeshift row of outhouses. Grass had grown up everywhere. The hinges on the big front flap of the snack booth had rusted through and the flap sagged like old skin. A little to the left on a small rise of land was the farmhouse. The roof sagged and the chimney had collapsed. It was a blind and dead place. The front yard was a sea of brambles, with the wreck of an old truck by the front door, an International Harvester Scout, blue and white and rust. The tires were rotted away and the cracked windshield was covered in bird droppings. Everything was gray in the rain.

“Twilight Zone,”
murmured Hilts, looking out across the parking lot. At the far end was the burnt-out hulk of what might have been a school bus.

“I was thinking more along the lines of
Nightmare on Elm Street
.”

“Part twenty-six:
Jason Takes Rutgers Bluff
.”

“So what do we do now?” said Finn.

“Check it out. See if this was what Devereaux really found.”

“Is there anything about this place in the guidebook you bought?”

They’d picked up a local guide in the same place they’d bought the ponchos and the rest of their things. Hilts picked the small booklet up off the dashboard and leafed through it.

“Fourth Chute, Winter River. First discovered by English cabinet-maker and infamous drunkard Tom Woodward in 1829. Woodward fell down a sinkhole and had a vision of the Redemption after being trapped in the lightless caverns for six days. For the rest of his life Woodward decorated the caves in a glowing tribute to his religious conversion and sobriety. His Shrine of the Holy Mother in the Ninth Grotto has been the site of several miraculous and unexplained natural and unnatural events. Ten-dollar admission. Includes prayer pamphlet and glow-in-the-dark Caverns of Wonder key tag. Bus Tours welcome. Parking. Refreshments.” Hilts closed the book. “Natural and unnatural events.”

“Glowing key tag.”

“This is not what Devereaux discovered.”

“Yes, it is,” said Finn. “At least part of it. He died leaving a clue to this place. There must have been a reason.”

Hilts sighed. He reached across her and took a flashlight out of the glove compartment. “Come on.”

She followed him out of the car and into the grinding rain. It was the kind of rain Noah must have faced; not much in itself, but relentless, as in Northern Ireland, where it hasn’t stopped raining for a thousand years, merely paused from time to time. They crunched across the parking lot to the screen of trees and the burnt-out bus. On closer inspection, she thought the bus had probably been the source of the Refreshments mentioned in the guide. The remains of a scorched metal sign offered hot dogs, Stalactite Burgers, Stalagmite Chili, and fresh-cut Bat Fries. A path to one side led between the trees and down a rocky path that led toward the river.

“Listen,” said Finn, putting a hand out and grabbing Hilts’s arm.

They paused.

“I don’t hear anything,” he said. “The rapids. The rain.”

“Keep listening.” Deep behind everything else was a steady chattering sound, muffled and distant. Every few seconds there was a stuttering thump.

“What is it?” said Hilts, finally hearing it. “A generator?”

“A pump,” said Finn, after a long moment. “A sump pump, like the ones they use on flooded basements.”

“Down in the Wonder Caves?”

“Caverns of Wonder,” corrected Finn.

“Whatever.” The photographer sighed.

“Maybe something automatic that starts up when it rains.”

“I’d like to see that warranty,” scoffed Hilts. “Nobody’s had this place as a going concern for years. Decades maybe.”

They were headed downward, the trail actually becoming a set of steps cut into the stone. Hilts saw a crushed and flattened soda tin on the ground and picked it up. Recognizably Coca-Cola. Even in its condition it was obvious that it had been opened with an old-fashioned spear can opener. “How long ago were zip tops invented anyway?” He threw the can into the bushes.

“In 1962,” said Finn. “A guy named Ermal Fraze from Dayton. My mother went to grade school with him. I wrote a paper about it for an archaeology class: ‘Interpretation of the Zip Top opener as ornament or tool; aids for the historian of the future.’ I got an A.”

“You should have been committed. Ermal Fraze?”

“Ermal Fraze,” she said and nodded. “Strickley Elementary School. Mom says they have a plaque. Girl Guides Honor.” The steps flattened into a broad plateau overlooking the rapids and the quieter water beyond. Half shrouded by young sugar maple saplings, wet green in the rain, was the entrance to the Caverns of Wonder. The bare limestone above it showed undulating cakey layers filled with dirt and moss, slick and muddy. The entrance itself had been squared off with timbers so old they seemed part of the stone around them. There were the remains of a heavy plank door, but it had long ago been torn off its hinges. There was a sign over the entrance like the one on the gate, only smaller, branches nailed to plywood, the upright for the
D
in Wonder missing so it read CAVERNS OF WONCER. Rainwater was running down the squared log steps leading down to the hole. There was a handrail made of a gray, dead and rotted spruce bough.

“Looks wet,” said Hilts

“That’s because it’s raining,” replied Finn. “It’ll be drier inside.”

“Famous last words.”

“Are you coming or not?”

“Lead on.”

Finn went down the steps carefully, holding on to the rail. Hilts was close behind. As she passed beneath the entrance he snapped on the flashlight. There were more steps beyond and a maze of supports and roof beams. The steps went down into darkness. It looked more like an abandoned mine shaft than a holy grotto. So far she hadn’t seen anything even faintly religious. Her mind flailed around desperately trying to find some connection between an old limestone solution cave on the banks of a raging river in southern Illinois and a gold medallion in the possession of a mummified corpse in the Libyan Desert.

Based on the actions of Adamson and his colleagues the connection was more than tenuous—in fact, it was as solid as a steel bar. Solid enough for them to kill for, and more than once.

The steps ended and became a meandering boardwalk through a series of roomlike openings that were barely worthy of the word “cave,” let alone “cavern.” It looked as though at some point the Winter River or some tributary of it had cut through the rocks and over time had worn a narrow pathway, rarely wider than an arm span. Here and there along the walkway were stalactites and stalagmites and lavalike tables of accreted stone, but for Finn, who had been raised in a world of Mayan tombs and subterranean archaeological sites, the Rutgers Bluff Caverns of Wonder were pretty small potatoes. A minor show cave or roadside attraction, like the giant concrete egg she’d once seen in Men-tone, Indiana, or seven-story concrete statues of Jesus in Arkansas. What was here that could have affected the outcome of World War Two or interested anyone in the Vatican? It was absurd.

“There,” said Hilts.

“What?” she answered, stopping as his voice brought her away from her thoughts. He switched off the flashlight. Suddenly the narrow, arched cave they were standing in was alive with green, glowing images.

“Glow-in-the-dark key tags,” said Hilts. A goggle-eyed Jesus looked down from a stalactite. Mary prayed by a pool of stone. Fish swam across the ceiling with teeth like sharks’ and tails like guppies’. The Sermon on the Mount was rendered in knobs and blobs of stone painted with staring faces, and banners were crudely lettered with quotations from Scripture.

BOOK: The Lucifer Gospel
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ads

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