The Lost Years (2 page)
Authors: Mary Higgins Clark
AcknowledgmentsRead About the Inspiration Behind Other Classic Novels by Mary Higgins Clark
T
o say writing a book is a long journey is entirely true. To say that it would be a two-thousand-year trip is quite different. When Michael Korda, my editor, suggested that it would be interesting to have a biblical background to this story and that it should be about a letter written by Christ, I shook my head.
But the possibility kept nagging, and the words “suppose” and “what if?” kept jumping into my mind. I started writing and four months later realized I didn’t like the way I was telling the tale.
No matter how experienced you are as a writer, it doesn’t mean that the story always unfolds the way you had envisioned. I tossed those pages and began again.
My joyous thanks to Michael, my editor, mentor, and dear friend for all these years. We’ve already booked our celebration lunch. During it, I know what will happen. Over a glass of wine, his eyes will become speculative and he will say, “I was thinking…” Meaning here we go again.
My in-house editor, Kathy Sagan, is great. I knew she was busy with her own long list of authors, but having worked with her on our mystery magazine, I knew just how valuable she is and requested her. This is our second novel together. Thank you, Kathy.
Thanks to the team inside Simon & Schuster who turn a manuscript into a book: Production Manager John Wahler, Associate
Director of Copyediting Gypsy da Silva, Designer Jill Putorti, and Art Director Jackie Seow for her wonderful cover design.
My home team of rooters, Nadine Petry, Agnes Newton, and Irene Clark are always there. Cheers and thanks.
Love abiding to John Conheeney, spouse extraordinaire. Can’t believe we just celebrated our fifteenth wedding anniversary. It does truly seem like yesterday. Here’s to all our tomorrows sharing love and laughter with our children and grandchildren and friends.
To all of you my readers, I do hope you enjoy this new tale. As I’ve quoted before from that wonderful ancient parchment, “The book is finished. Let the writer rejoice!”
Cheers and Blessings,
Mary Higgins Clark
In memory of my dear brother-in-law and friend,
Kenneth John Clark
Beloved husband, father, grandfather, and great-grandfather
And
“The Unc”
To his devoted nieces and nephews
We loved you deeply
Rest in Peace
A.D
.
I
n the hushed quiet as late shadows fell over the walls of the eternal city of Rome, an elderly monk, his shoulders bent, made his silent and unobtrusive way into the Biblioteca Secreta, one of the four rooms that comprised the Vatican Library. The Library contained a total of 2,527 manuscripts written in Latin, Greek, and Hebrew. Some were available under strict supervision to be read by outsiders. Others were not.
The most controversial of the manuscripts was the one known as both the Joseph of Arimathea parchment and the Vatican letter. Carried by Peter the Apostle to Rome, it was believed by many to be the only letter ever written by the Christ.
It was a simple letter thanking Joseph for the kindness he had extended from the time Joseph had first heard Him preaching at the Temple in Jerusalem when He was only twelve years old. Joseph had believed He was the long-awaited Messiah.
When King Herod’s son had discovered that this profoundly wise and learned child had been born in Bethlehem, he’d ordered the young Christ’s assassination. Hearing this, Joseph had rushed to Nazareth and received permission from the boy’s parents to take
Him to Egypt so that He could be safe and could study at the temple of Leontopolis near the Nile Valley.
The next eighteen years of the life of Jesus Christ are lost to history. Nearing the end of His ministry, foreseeing that the last kindness Joseph would offer Him would be his own tomb for Him to rest in, Christ had written a letter expressing gratitude to His faithful friend.
Over the centuries some of the Popes had believed that it was genuine. Others had not. The Vatican librarian had learned that the current Pope, Sixtus IV, was contemplating having it destroyed.
The assistant librarian had been awaiting the arrival of the monk in the Biblioteca Secreta. His eyes deeply troubled, he handed him the parchment. “I do this under the direction of His Eminence Cardinal del Portego,” he said. “The sacred parchment must not be destroyed. Hide it well in the monastery and do not let anyone know of its contents.”
The monk took the parchment, reverently kissed it, and then enfolded it in the protection of the sleeves of his flowing robe.
The letter to Joseph of Arimathea did not appear again until over five hundred years later when this story begins.
T
oday is the day of my father’s funeral. He was murdered.
