The Lost Souls' Reunion

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Authors: Suzanne Power

BOOK: The Lost Souls' Reunion
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Contents

Title Page

Copyright Notice

Dedication

Acknowledgements

Prologue. The Leave-Taking

1. Hoar Rock

2. The Road of Swords

3. Roaming Done

4. Shod

5. Meeting with the End

6. Professional Love

7. The Daughter of Life

8. Back to the Streets

9. Welsh Lucy's Request

10. All Small beside Him

11. Noreen, by Way of Dreams

12. The Quiet Leaving of Noreen Moriarty

13. The Way Home

14. The Card of Beginnings, of Dreams

15. A Lost Place at the Edge of the World

16. Them Together Again

17. Laid Bare

18. This One Never Talks

19. Thomas Lives Again

20. The Same Love

21. The Coming of Summer

22. As It Was in the Beginning

23. The Beginning of One

24. The One Who Watches

25. No Joy

26. To the Dead and Back

27. The Voyages of Other Men

28. Myrna on Her Way

29. Not Ready to Go on – The Card of Passage

30. Paid Twice to Look Once

31. Like Old Times

32. Blood and Hair and Fire Flowing

33. Bound to Go to Heaven Now

34. Bound to Go to Hell Now

35. The Last Words of Myrna

36. Death the Visitor

37. The Meeting

38. Unspared

39. All Redemption Gone

40. Thomas Comes

41. The Wanderer Reborn

42. Mothering Years

43. All That Have Died Are Contained in Me

44. The Years Go By

Copyright

 

For Chubb

ACKNOWLEDGEMENTS

There is something to be said in thanking everyone and mentioning no names. If I do leave one out you know who you are and that I am grateful to you.

Chubb, Michael, Johnston did everything in his power to help me and so the book is dedicated to him. My sister Amanda read it and helped me to produce a manuscript in presentable form.

My friend and ally Tony Baines was the first to set eyes on the book and did his utmost to encourage me. Marian Keyes, who happens to be married to him, is one lucky woman and also a constant source of support.

Ailish Connelly also read it as it was being written and gave me her valuable thoughts. Gai Griffin kept me going with her words and criticisms and insight. Morag Prunty – fabulous woman, fabulous friend – took it upon herself to believe in the book. Biba Hartigan had her own words for me and they made me get over the hump of sending it out into the world of publishing.

Julie Duane, Moira Reilly, Pauline O'Hare, San Orme, Susan Byrne, Sorcha Schlindwein, Birna Helgadottir, Frankie Smith, Clem and Jula Cairns – all of them have offered encouragement.

Marianne Gunn O'Connor is phenomenal – she stayed with
Lost Souls
and myself and proved that there was a point in trying to get published and not just hiding things under sofas.

At Picador – Peter Straus saw something and for that I will always be grateful. Becky Senior and Maria Rejt both worked with me to get to what I was trying to say. Becky in particular – thank you for all the work you put in.

Sue Townsend hid things under sofas for years and was kind enough not to let me do the same.

Julie Lombard hides things in teapots unashamedly and pours excellent kindness and inspiration.

Claudia Nielsen – a Brazilian with a wardrobe the size of Rio and a heart to match helped me more than she will ever know.

My mother and father – Jimmy and Marina – housed me in hard times while my brother Alan and his wife Siobhan gave me their daughter Emma to play with and take my mind off things like trying to find endings – since Emma is such a wonderful beginning.

Alberic reintroduced me to my life force.

Catherine reintroduced me to myself.

Then there was Albie. Now there are Rory and Finn.

 

Prologue ∼ The Leave-Taking

T
HE CARDS ARE OLD
, frail friends. Spidery outlines and shadows. They come alive in the right hands.

Most of the Scarna townland has come looking for the fortune-teller. They do not come again because I tell truth as I see it, not fortune. They choose to make me the mad woman of the town and I am content with their choice. It means the three miles between them and me is rarely crossed. I am left to my madness, they to theirs.

The cards. All of me contained and lost in them. We have shared much past, and the future is an honest place in their company.

They called to me from a dark corner of the house where they rest in the quiet of their wooden box. They had advised me on Simon's leave-taking before now, told me we would have one more year.

So before I spread the truth in front of me I knew what it was. The card of the Leave Takers fell between the Fruits of the Earth and the Wanderer. The Leave Takers shows a man and woman on opposite sides of a valley, their arms outstretched to each other.

It is more often than not related to death or the loss of a loved one. The last time I saw it Simon's chosen father was dying. But the presence of the fruits, encased in the womb of earth, told of a parting between mother and child.

It has happened.

I closed the door on Simon's departure this morning and found a hole in my life. The shape of his leave-taking all around, too good a man and son not to be missed.

My mothering days are at an end. These are the days now of goodbye and alone.

He was conceived in the worst moment of my life and he protected me from that moment. He sustained me by inviting me into his resting place in the womb, giving me the peace of the unborn for a while. When I put him to my breast for the first time I knew no lover's lips would bring that kind of joy.

My bold, strong boy grew into the gentlest of men. We are not alike; you would not look at us and see a mother and son. Simon has always been my opposite. I am dark to his fair. I have always been old, to his all-young soul. He was my teacher and I was his. We fought only because my love was all around him and above everything he prizes free breath.

When he was five, he went to school wearing one of my skirts with a gold belt. I could not persuade him to take it off with words and I have never laid a harmful hand on him. I waited for him outside the school gate and soon he appeared, his face red, laughter following him, ringing through the gaps in the old, worn windows.

Today leaves me with the same feeling that I had then. Put him now where he has always been – put the long bulk of him in the too-small bed and the feet too big for most shoes on either side of the bed rails. Put him in the barn and have him lift bales as if they were feathers. Put him on the shoreline with the white horses racing in to meet him with his wild blond hair, laughing back at the playful and delighted waves. Put him with the animals that are sick and lost and watch the bucket-sized hands move fine and deft and restoring. Put him with the people of the town and his big head reaches down from the air of giants to the smaller ones who want words with him.

We all want Simon. Anyone near him is alive. I gave him life and he brought it back to me. What is there for me now? My fate is the only one the cards will not shed light on. There is no self-prophecy. Everyone needs mystery, or we would lie down and die. The cards tell me only of Simon's journey.

The Wanderer's appearance, wind and purpose snapping at his heels, impatient for the long stretch of road and discovery ahead, showed me the route for my son will be into the heart of things.

Simon is passionately involved with the world. He has a place at its centre. I find fear for myself in that. I am here, where the edges meet the past and remain forgotten. All my life I have taken care of people, now I have only people to remember.

*   *   *

The animals have fallen strangely quiet since Simon left this morning. His old tired mongrels trail closely, pine with me, sniffing the sense of loss and lack of purpose in the air. We cannot find comfort.

My eyes are drawn to the open fire. The smoky heat stings them, the orange glare forces them to close and the first tears begin to fall. I cry until I sleep.

When I wake the fire has gone out, my body is frozen and curled. The cards call, with my red eyes I ask: ‘What am I supposed to do?'

The card of the Storyteller makes itself known – a mouth at the centre of a circle. The card of tales told and tales to come, on lips that have spoken and lips that do not speak.

I run a bath and step into the hot swirl. The water opens my skin and runs through to the empty places, brought about by loss and separation from all those dear to me.

In the long glass I see a woman of forty-two years – all present. My skin shows the blood of many races runs through my veins. I press my hot body against the steamed-up glass, gasp at the coolness and leave my imprint: the curves of my breasts, hips and abdomen, the points of my nose, chin and forehead.

I rub oil into my skin. In the glass I watch my eyes. I leave the look behind and put on my dress, green velvet, worn smooth as eels in cool waters. It has no shape but my own for I made it with these hands, empty now of purpose. The shape of my life these past twenty years it has. I could wear no other dress on this night. Like my mother I do not wear shoes.

I leave the bathroom with a steam cloud that follows me down the long corridor. I open doors to rooms that have been shut off for many years. Behind each one friends wait. Together we walk down the staircase to join others who have assembled by the fire.

I am aware of Simon's absence, he is the only other living being who belongs with these people. But then I see the crib beside my chair and he is here, as he was in the first year of his life, smiling in his sleep. I sit by the fire. The cards have been left out on the side table.

The new moon is watching us through the open window – her eye narrowed to a cautious slit. Summer is almost gone, the world is changing. I have to think about where to start and, from the company assembled, I find it to be at a beginning before mine. A long way back. We will be here until morning.

The room is small so most of my friends have to stand, but in the chair on the other side of the hearth, Simon's chosen father, my Beloved, sits. He is as I remember him and love him. Myrna and my mother Carmel together on the old, threadbare couch. Myrna's black eyes watch. Carmel sits with her knees curled up under her chin. She is wearing her blue dress. She has found something I never knew her to have.

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