The Lost Detective (26 page)

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Authors: Nathan Ward

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stigma attached to,
here

and turn to writing,
here
,
here
,
here

wife and,
here

Tulip
(Hammett),
here
,
here
,
here
,
here

Two Evil Isms
(Siringo),
here

An Unfinished Woman
(Hellman),
here

Universal Studios,
here

The Valley of Fear
(Doyle),
here

Vance, Philo (character),
here

Van Dine, S. S.,
here

Vidocq, François Eugene,
here

Vollmer, August,
here
,
here

Warner Brothers Studio,
here
,
here
,
here
,
here
,
here

West, Nathanael “Pep,”
here

Western Advertising
(periodical),
here
,
here

Whicher, J. W.,
here
,
here

Wild Bunch gang,
here

women

as characters in Hammett,
here
,
here
,
here

at Pinkerton Detective Agency,
here

Woollcott, Alexander,
here
,
here

World War I service,
here

as ambulance driver,
here
,
here

disability pension from,
here
,
here
,
here
,
here
,
here
,
here
,
here
,
here
,
here
,
here
,
here

drafting of,
here

and influenza epidemic of 1918–19,
here

medical discharge,
here

and tuberculosis infection,
here
,
here
,
here
n6

Wright, James “Jimmy,”
here
,
here

writing career of Hammett,
here

advertising writing,
here
,
here
,
here

book reviews,
here
,
here

early detective fiction,
here
,
here
,
here

early fiction and poems,
here

early success of,
here

money troubles of early years,
here
,
here
,
here
,
here

money troubles of successful years,
here
,
here
,
here
,
here
,
here

quality of early stories,
here
,
here
,
here
,
here

success of 1930s,
here
,
here

transition to,
here
,
here
,
here
,
here
,
here
,
here

unfinished works of later years,
here
,
here
,
here

writing style of Hammett

balance of satire and plot in,
here

believability and,
here
,
here

in
The Big Knockover,
here

as cinematic,
here
,
here

in Continental Op stories,
here
,
here

and courtship of Jose,
here

development of,
here
,
here
,
here
,
here
,
here

as new American style,
here
,
here
,
here

and “skin of realism,”
here
,
here

wisecracking in,
here
,
here

Younger gang,
here
,
here

Yowaiski, Jane Fish,
here

Zanuck, Daryl,
here
,
here
,
here

Image Section

Young Sam Hammett in his parents’ backyard on North Stricker Street in Baltimore, just before leaving the Pinkertons for the Army in 1918. (Julie M. Rivett)

“Dearest Woman,” Josephine Annis Dolan (called Jose), met Sam Hammett when he was brought to the Cushman Institute in the fall of 1920. (Julie M. Rivett)

Transferred for his health, the smitten young lung patient has a smoke outside San Diego, 1921. (Julie M. Rivett)

Advertisement for Pinkerton’s San Francisco office, 1920, with Hammett’s supervisor, Phil Geauque, the future Secret Service man, on the masthead. (Internet Archive)

San Francisco’s James Flood Building on Market Street near the cable-car turnaround on Powell. Pinkerton’s had room 314. (San Francisco History Center, San Francisco Public Library)

The renowned Pinkerton detective James McParland probably inspired the Continental Agency’s Old Man (“A tall, plump man in his seventies ... with a white-mustached, baby-pink, grandfatherly face, mild blue eyes behind rimless spectacles”), as well as a character in a late Sherlock Holmes novel. (Library of Congress)

Tough guy in transition: the ex-detective and emerging artist lights a match on the rooftop of the Crawford Apartments on Eddy Street in San Francisco, August 10, 1925. (Julie M. Rivett)

The natty young father sitting with daughter Mary in approximately the same year, 1925, with San Francisco stretching wide-open behind them (Julie M. Rivett)

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