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Authors: David Grann

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“Poor Fawcett—he was so close,” Paolo said.

The settlement was in the very region where Fawcett believed it would be. But it was understandable why he might not have been able to see it, Heckenberger went on. “There isn’t a lot of stone in the jungle, and most of the settlement was built with organic materials—wood and palms and earth mounds—which decompose,” he said. “But once you begin to map out the area and excavate it you are blown away by what you see.”

He began walking once more through the forest, pointing out what were, clearly, the remains of a massive man-made landscape. There was not just one moat but three, arranged in concentric circles. There was a giant
circular plaza where the vegetation had a different character from that of the rest of the forest, because it had once been swept clean. And there had been a sprawling neighborhood of dwellings, as evidenced by even denser black soil, which had been enriched by decomposed garbage and human waste.

As we walked around, I noticed an embankment that extended into the forest in a straight line. Heckenberger said that it was a road curb.

“They had roads, too?” I asked.

“Roads. Causeways. Canals.” Heckenberger said that some roads had been nearly a hundred and fifty feet wide. “We even found a place where the road ends at one side of a river in a kind of ascending ramp and then continues on the other side with a descending ramp. Which can only mean one thing: there had to have been some kind of wooden bridge connecting them, over an area that was a half mile long.”

They were the very same kinds of dreamlike causeways and settlements that the Spanish conquistadores had spoken of when they visited the Amazon, the ones in which Fawcett had so fervently believed and which twentieth-century scientists had dismissed as myths. I asked Heckenberger where the roads led, and he said that they extended to other, equally complex sites. “I just took you to the closest one,” he said.

Altogether, he had uncovered twenty pre-Columbian settlements in the Xingu, which had been occupied roughly between
A.D.
800 and
A.D.
1600. The settlements were about two to three miles apart and were connected by roads. More astounding, the plazas were laid out along cardinal points, from east to west, and the roads were positioned at the same geometric angles. (Fawcett said that Indians had told him legends that described “many streets set at right angles to one another.”)

Borrowing my notebook, Heckenberger began to sketch a huge circle, then another and another. These were the plazas and the villages, he said. He then drew rings around them, which he said were the moats. Finally, he added several parallel lines that jutted out from each of the settlements in precise angles—the roads, bridges, and causeways. Each
form seemed to fit into an elaborate whole, like an abstract painting whose elements cohere only at a distance. “Once my team and I started to map everything out, we discovered that nothing was done by accident,” Heckenberger said. “All these settlements were laid out with a complicated plan, with a sense of engineering and mathematics that rivaled anything that was happening in much of Europe at the time.”

Heckenberger said that before Western diseases devastated the population, each cluster of settlements contained anywhere from two thousand to five thousand people, which means that the larger community was the size of many medieval European cities. “These people had a cultural aesthetic of monumentality,” he said. “They liked to have beautiful roads and plazas and bridges. Their monuments were not pyramids, which is why they were so hard to find; they were horizontal features. But they’re no less extraordinary.”

Heckenberger told me that he had just published his research, in a book called
The Ecology of Power.
Susanna Hecht, a geographer at UCLA’s School of Public Affairs, called Heckenberger’s findings “extraordinary.” Other archaeologists and geographers later described them to me as “monumental,” “transformative,” and “ earth-shattering.” Heckenberger has helped to upend the view of the Amazon as a counterfeit paradise that could never sustain what Fawcett had envisioned: a prosperous, glorious civilization.

Other scientists, I discovered, were contributing to this revolution in archaeology, which challenges virtually everything that was once believed about the Americas before Columbus. These archaeologists are often aided by gadgets that surpass anything Dr. Rice could have imagined. They include ground-penetrating radar, satellite imagery to map sites, and remote sensors that can detect magnetic fields in the soil to pinpoint buried artifacts. Anna Roosevelt, a great-granddaughter of Theodore Roosevelt’s who is an archaeologist at the University of Illinois, has excavated a cave near Santarém, in the Brazilian Amazon, that was filled with rock paintings—renditions of animal and human figures similar to those that Fawcett
had described seeing in various parts of the Amazon and that bolstered his theory of Z. Buried in the cave were remains of a settlement at least ten thousand years old—about twice as old as scientists had estimated the human presence in the Amazon. Indeed, the settlement is so ancient that it has cast doubt on the long-held theory of how the Americas were first populated. For years, archaeologists believed that the earliest American inhabitants were the Clovis—named for the spear points found in Clovis, New Mexico. It was thought that these big-game hunters had crossed the Bering Strait from Asia at the end of the Ice Age and settled in North America around eleven thousand years ago and then gradually migrated down to Central and South America. The Amazon settlement, however, may be as old as the first undisputed Clovis settlement in North America. Moreover, according to Roosevelt, the telltale signs of the Clovis culture—such as spears with distinctly fluted rock points—were not present in the Amazon cave. Some archaeologists now believe that there may have been a people that preceded the Clovis. Others, like Roosevelt, think that the same people from Asia simultaneously radiated throughout the Americas and developed their own distinct cultures.

In the cave and at a nearby riverbank settlement, Roosevelt made another astonishing discovery: seventy-five-hundred-year-old pottery, which predates by more than two thousand years the earliest pottery found in the Andes or Mesoamerica. This means that the Amazon may have been the earliest ceramic-producing region in all the Americas, and that, as Fawcett radically argued, the region was possibly even a wellspring of civilization throughout South America—that an advanced culture had spread outward, rather than vice versa.

Using aerial photography and satellite imaging, scientists have also begun to find enormous man-made earth mounds often connected by causeways across the Amazon—in particular in the Bolivian floodplains where Fawcett first found his shards of pottery and reported that “wherever there are ‘alturas,’ that is high ground above the plains, . . . there are artifacts.” Clark Erickson, an anthropologist from the University of Pennsylvania
who has studied these earthworks in Bolivia, told me that the mounds allowed the Indians to continue farming during seasonal floods and to avoid the leaching process that can deprive the soil of nutrients. To create them, he said, required extraordinary labor and engineering: tons of soil had to be transported, the course of rivers altered, canals excavated, and interconnecting roadways and settlements built. In many ways, he said, the mounds “rival the Egyptian pyramids.”

Perhaps most startling is evidence that Indians transformed the landscape even where it
was
a counterfeit paradise—that is to say, where the soil was too infertile to sustain a large population. Scientists have uncovered throughout the jungle large stretches of
terra preta do Indio,
or “Indian black earth”: soil that has been enriched with organic human waste and charcoal from fires, so that it is made exceptionally fertile. It is not clear if Indian black earth was an accidental by-product of human inhabitation or, as some scientists think, was created by design—by a careful and systematic “charring” of the soil with smoldering fires, like the Kayapós’ practice in the Xingu. In either case, many Amazonian tribes appear to have exploited this rich soil to grow crops where agriculture was once thought inconceivable. Scientists have uncovered so much black earth from ancient settlements in the Amazon that they now believe the rainforest may have sustained millions of people. And for the first time scholars are reevaluating the El Dorado chronicles that Fawcett used to piece together his theory of Z. As Roosevelt put it, what Carvajal described was without question “no mirage.” Scientists have admittedly not found evidence of the fantastical gold that the conquistadores had dreamed of. But the anthropologist Neil Whitehead says, “With some caveats, El Dorado really did exist.”

Heckenberger told me that scientists were just beginning the process of understanding this ancient world—and, like the theory of who first populated the Americas, all the traditional paradigms had to be reevaluated. In 2006, evidence even emerged that, in some parts of the Amazon, Indians built with stone. Archaeologists with the Amapa Institute of Scientific
and Technological Research uncovered, in the northern Brazilian Amazon, an astronomical observatory tower made of huge granite rocks: each one weighed several tons, and some were nearly ten feet tall. The ruins, believed to be anywhere from five hundred to two thousand years old, have been called “the Stonehenge of the Amazon.”

“Anthropologists,” Heckenberger said, “made the mistake of coming into the Amazon in the twentieth century and seeing only small tribes and saying, ‘Well, that’s all there is.’ The problem is that, by then, many Indian populations had already been wiped out by what was essentially a holocaust from European contact. That’s why the first Europeans in the Amazon described such massive settlements that, later, no one could ever find.”

As we walked back into the Kuikuro village, Heckenberger stopped at the edge of the plaza and told me to examine it closely. He said that the civilization that had built the giant settlements had nearly been annihilated. Yet a small number of descendants had survived, and we were no doubt among them. For a thousand years, he said, the Xinguanos had maintained artistic and cultural traditions from this highly advanced, highly structured civilization. He said, for instance, that the present-day Kuikuro village was still organized along east and west cardinal points and its paths were aligned at right angles, though its residents no longer knew why this was the preferred pattern. Heckenberger added that he had taken a piece of pottery from the ruins and shown it to a local maker of ceramics. It was so similar to present-day pottery, with its painted exterior and reddish clay, that the potter insisted it had been made recently.

As Paolo and I headed toward the chief’s house, Heckenberger picked up a contemporary ceramic pot and ran his hand along the edge, where there were grooves. “They’re from boiling the toxins out of manioc,” he said. He had detected the same feature in the ancient pots. “That means that a thousand years ago people in this civilization had the same staple of diet,” he said. He began to go through the house, finding parallels between the ancient civilization and its remnants today: the clay statues, the thatched walls and roofs, the cotton hammocks. “To tell you the
honest-to-God truth, I don’t think there is anywhere in the world where there isn’t written history where the continuity is so clear as right here,” Heckenberger said.

Some of the musicians and dancers were circling through the plaza, and Heckenberger said that everywhere in the Kuikuro village “you can see the past in the present.” I began to picture the flutists and dancers in one of the old plazas. I pictured them living in mound-shaped two-story houses, the houses not scattered but in endless rows, where women wove hammocks and baked with manioc flour and where teenage boys and girls were held in seclusion as they learned the rites of their ancestors. I pictured the dancers and singers crossing moats and passing through tall palisade fences, moving from one village to the next along wide boulevards and bridges and causeways.

The musicians were coming closer to us, and Heckenberger said something about the flutes, but I could no longer hear his voice over the sounds. For a moment, I could see this vanished world as if it were right in front of me. Z.

A
CKNOWLEDGMENTS

I
AM GRATEFUL
to so many people who contributed to this project. Fawcett's granddaughter Rolette de Montet-Guerin and his great-granddaughter Isabelle generously allowed me access to Fawcett's diaries, letters, and photographs. Percy Fawcett's ninety-five-year-old nephew, Dr. Peter Fortescue, gave me a copy of his unpublished memoir; he vividly recalled when he was a boy and saw Percy and Jack Fawcett at a farewell dinner before they journeyed to the Amazon. Two of Henry Costin's children, Michael and Mary, shared reminiscences of their father and let me read his private letters. Ann Macdonald, Raleigh Rimell's cousin once removed, provided me with his last letters home. Robert Temple, who is Edward Douglas Fawcett's literary executor, and Robert's wife, Olivia, shed light on the marvelous life of Percy Fawcett's older brother. Commander George Miller Dyott's son Mark and Dr. Alexander Hamilton Rice's nephew John D. Farrington each furnished crucial details about their relatives. James Lynch told me about his own harrowing journey.

I am also indebted to a number of research institutions and their incredible
staffs. Particularly, I want to thank Sarah Strong, Julie Carrington, Jamie Owen, and everyone else at the Royal Geographical Society; Maurice Paul Evans at the Royal Artillery Museum; Peter Lewis at the American Geographical Society; Vera Faillace at the National Library of Brazil; Sheila Mackenzie at the National Library of Scotland; Norwood Kerr and Mary Jo Scott at the Alabama Department of Archives and History; and Elizabeth Dunn at the Rare Book, Manuscript, and Special Collections Library at Duke University.

I could never have made it out of the jungle without my wonderful and good-humored guide, Paolo Pinage. I am also grateful to the Bakairí, Kalapalo, and Kuikuro Indians for welcoming me into their settlements and talking to me not only about Fawcett but their own rich cultures and history as well.

To learn about Amazonian archaeology and geography, I drew on the wisdom of several scholars—Ellen Basso, William Denevan, Clark Erick-son, Susanna Hecht, Eduardo Neves, Anna Roosevelt, and Neil White-head, among them—though they should not be held accountable for my words. I would like to pay special tribute to James Petersen, who was murdered in the Amazon not long after we spoke, depriving the world of one of its finest archaeologists and most generous souls. And, needless to say, this book would have had a much different ending had it not been for the archaeologist Michael Heckenberger, a brilliant and fearless scholar who has done so much to illuminate the ancient civilizations of the Amazon.

William Lowther, Misha Williams, and Hermes Leal have all done prodigious research on Fawcett and patiently answered my questions.

In the United States, several terrific young journalists assisted me at various stages as researchers, including Walter Alarkon, David Gura, and Todd Neale. In Brazil, Mariana Ferreira, Lena Ferreira, and Juliana Lottmann helped me to track down a host of documents, while in England Gita Daneshjoo volunteered to retrieve an important paper. Nana Asfour, Luigi Sofio, and Marcos Steuernagel contributed first-rate translations; Ann Goldstein deciphered an ancient Italian script. Andy Young was an
amazing help both with fact-checking and with Portuguese translations. Nandi Rodrigo was an industrious fact-checker and made wonderful editorial suggestions.

I can never thank enough Susan Lee, a remarkable young journalist who has worked on this project as a reporter, researcher, and fact-checker for months on end. She embodies all the best qualities of the profession— passion, intelligence, and tenacity.

Many friends came to my aid, lending their editorial insights while pushing me across the finish line. I especially want to thank Burkhard Bil-ger, Jonathan Chait, Warren Cohen, Jonathan Cohn, Amy Davidson, Jeffrey Frank, Lawrence Friedman, Tad Friend, David Greenberg, Raffi Khatchadourian, Larissa MacFarquhar, Katherine Marsh, Stephen Metcalf, Ian Parker, Nick Paumgarten, Alex Ross, Margaret Talbot, and Jason Zengerle.

It is also my good fortune to be surrounded by such talented editors at
The New Yorker.
Daniel Zalewski is one of the smartest and most gifted editors in the business, and painstakingly edited the piece that appeared in the magazine and then made invaluable contributions to the book. Dorothy Wickenden, who took the manuscript even on her vacation, provided her usual scrupulous edits and flourishes, improving the text immeasurably. Elizabeth Pearson-Griffiths is one of those editors who quietly make each writer they work with better, and every page benefited from her infallible eye and her ear for language. And I can never fully express my gratitude to David Remnick, who agreed to send me into the jungle in pursuit of Z and who, when the project began to grow and envelop my life, did everything he could to ensure that I finished it. This book would not have happened without him.

Kathy Robbins and David Halpern at the Robbins Office and Matthew Snyder at CAA are more than great agents; they are sage advisors, fierce allies, and, most of all, friends. I also want to thank everyone else at the Robbins Office, especially Kate Rizzo.

One of the best things in writing this book has been the opportunity
to work with the extraordinary team at Doubleday. William Thomas has been what every book author dreams of finding: an incisive and meticulous editor as well as indefatigable champion, who has given everything to this project. Stephen Rubin, who ushered this book from its inception to its publication, has done so with his indomitable spirit and wisdom. Indeed, the entire team at Doubleday—including Bette Alexander, Maria Carella, Melissa Danaczko, Todd Doughty, Patricia Flynn, John Fontana, Catherine Pollock, Ingrid Sterner, and Kathy Trager—has been a marvel.

In John and Nina Darnton, I have not only perfect in-laws but also first-rate editors. My sister, Alison, along with her family, and my brother, Edward, have been a constant source of encouragement. So has my mother, Phyllis, who has been an amazing writing tutor over the years. My father, Victor, not only has supported me in every way but continues to show me the wonders of an adventurous life.

I hope that one day my son, Zachary, and my daughter, Ella, who was born after my trip, will read this book and think that perhaps their father wasn't such an old bore after all. Finally, I want to thank my wife, Kyra, who has given to this book more than words can describe, and is, and will always be, everything to me. Together, she, Zachary, and Ella have provided the most rewarding and unexpected journey of all.

BOOK: The Lost City of Z
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