The Long Glasgow Kiss (14 page)

‘So did you challenge him?’ I asked. ‘Did you ask him what was really going on?’

‘No. There was no point. I could tell that it would have done fuck all good. Someone had done a real job on MacFarlane. I could have brought Singer in from the car and he would still have kept shtoom.’

I nodded. It was a good point. If someone had been able to out-menace Sneddon and out-lurk Singer, then there was something serious going on. Sneddon had a cigarette box on his desk: it looked solid silver and was so big it should have had fifteen pirates sitting on it. He flipped it open, took out a cigarette and nudged it across the walnut aircraft carrier in my direction. I helped myself and used the matching silver desk lighter to light us both.

‘And he ended up dead the same night,’ I said.

‘Yep.’ Sneddon screwed his eyes up against the smoke. ‘That’s why I want that appointment book.’

‘Not just to keep the cops from knowing you saw Small Change the day he died. You want to know who he saw before you.’

‘Aye. It’s maybes not even in the diary. And you say his wife says he doesn’t keep one anyhow.’

‘That’s what she said. Now I get why you wanted me to sniff around.’ I paused for a moment. I was like the clown in the circus standing dumbly till the plank the other clown is swinging around hits him on the back of the head. It hit me. ‘Oh yeah …’ I said. ‘Now I get it. That’s why you’ve got me involved with the Bobby Kirkcaldy crap. It’s the same deal, isn’t it? You want me to find out if Kirkcaldy is tied up with whatever deal Small Change was brokering.’

‘Aye. And my guess is that it’s fuck all to do with boxing academies or shite like that. Especially with what you’ve said about this dodgy fucking uncle he has in tow.’

‘And the nooses and stuff?’

‘Maybes it’s connected – with the deal I mean, and nothing to do with the fight what’s coming up.’

‘I see …’ I drew on the cigarette and contemplated the silver-grey writhes of smoke. ‘Now this takes me into dodgy territory. You too, for that matter. The police are all over Small Change’s murder and I was left in no doubt by Superintendent Willie McNab that his wife will be wearing my balls as earrings if I start sniffing around.’

There was the sound of aged wood on wood as Sneddon pulled open a desk drawer. He reached in, took something out and tossed it onto the desk in front of me. It was a large white envelope. It was tucked shut, not sealed, and it was stuffed thick. Rewardingly thick.

‘Buy yourself some new balls.’ Sneddon nodded to the envelope.

I picked it up and slipped it into my inside jacket pocket without opening it. It tugged satisfyingly at the material of my jacket, balancing the weight of the blackjack in my other inside pocket. I was going to have to start taking a satchel to work.

‘You’re right, the police are all over MacFarlane like flies on a turd.’ Sneddon exposed his talent for colourful metaphor. ‘And I ask myself why the fuck that is. He was an important bookie, but the cops on the case are too many and too high-up.’

I nodded. It fitted. I had wondered about McNab’s involvement myself. ‘So you think the police are onto whatever deal it was that Small Change was setting up?’

‘If that’s the reason, then it’s something really fucking big. And if it’s really fucking big, I really fucking want to know about it. You’ve got contacts in the police, haven’t you?’

‘Yeah …’ I said reluctantly, wondering how much Sneddon knew about my arrangement with Taylor. Then the tug of the heavy envelope in my jacket pocket reminded me not to be too reluctant. ‘So do you. Probably better than mine.’

‘Listen …’ Sneddon leaned forward and narrowed his eyes. Again he was all brow. ‘I’ve already fucking told you: I don’t want to be connected to this. That’s why I’m going through you. You want the money or not?’

Taking a last, long draw on the cigarette, I stubbed it out in a boulder of crystal ashtray, picked my hat off his desk and stood up.

‘I’ll get onto it.’ I turned towards the door then checked myself. ‘You know everybody who’s got a racket going in the city.’

‘Just about.’ Sneddon leaned back in his green leather and walnut captain’s chair. A pirate captain’s chair, probably.

‘Have you ever heard of anyone called Largo?’ I asked.

He thought for a moment then shook his head.

‘Okay … thanks. I just thought I’d ask.’

Industrial pollution can be a beautiful thing. When I came out of Sneddon’s I stood by my car for a moment, looking out over to the west. Sneddon’s house was elevated in more than a social sense and I could see out across the treetops and past the edge of the city. Glasgow’s air was of the granulated variety and it turned sunsets into vast, diffused splashes of colour, like gold and red paint strained through textured silk. I stood and gazed westward, filled with a sense of contentment.

But that had more to do with the wad of cash weighing down my suit jacket than the sunset. I climbed into the Atlantic and headed back down into the city.

I should have been more on my toes. This time there was a little more subtlety and a lot more brains employed.

I was driving back from Sneddon’s and was passing along the curve in the road where Bearsden notches down the social ladder to become Milngavie, when I saw a blue ’forty-eight Ford Zephyr Six up ahead, pulled into the kerb. The driver had the hood up and he was standing next to it on the road. He was about thirty-five, with dark hair, and from what I could see smartly dressed. I say from what I could see because he was doing what every true man does when his car breaks down: he was standing on the roadway, one hand on his hip, the other scratching his head. And like every true man, he had had to take his jacket off and roll up his sleeves to do the head-scratching. It was a pose of helplessness mitigated by stubbornness: you’ve tried everything and you’re asking for help only as a last resort.

I muttered a curse when I saw he had noticed my approach and was vaguely wafting a hand about to wave me down. It’s a rule: you don’t look too desperate for another man’s help; you’re signalling in another member of the same auto club to provide the assistance that you would provide him, in the same circumstances.

Despite my efforts to the contrary, I am a Canadian. That means, no matter how hard I had tried to cure myself of it, I suffer from the congenital, chronic and truly Canadian ailment of politeness. I may have gotten lippy with gangsters and cops, slapped the odd uppity hooligan, and I may have fornicated, cursed and sworn on occasion, sometimes the same occasion; but I had helped so many little old ladies across the street that the Boy Scouts had taken out a contract on me.

This guy clearly needed help. I had to stop to help him. I was being so Canadian that it didn’t occur to me for a second that this could have been a more discreet and subtle attempt by Jimmy Costello at abduction. There again, discreet and subtle were not traits you associated with Costello.

‘Having trouble?’ I asked as I pulled up next to him and rolled down the window.

He smiled. ‘Thanks for stopping.’ He opened the door of the Atlantic and dropped into the passenger seat before I could say anything. It was then I noticed the small crescent-shaped scar on his head. I was doing a split-second inventory in my head, trying to remember where I’d filed who had mentioned a fiveeight man with dark hair and a crescent-shaped scar on his forehead, when he produced a gun from his trouser pocket. I recognized it as a Webley point-three-two Pocket Hammerless. The youngest it could have been was 1916. It could have dated back to the turn-of-the century.

‘This is some kind of joke, right?’ I said, with a derisive eyebrow raised at the revolver. But at the same time I was assessing my chances of coshing him with the flat, spring-handled blackjack I had in my inside jacket pocket. When people point guns at me, I get tetchy. I decided it was best to go along with my new chum for the moment. There would be time to discuss my attitude towards being held at gunpoint. Later.

‘There’s nothing wrong with this gun, pal.’

‘There’s nothing wrong with my eighty-two-year-old great-uncle Frank, but I wouldn’t bring him along on an abduction.’

‘Trust me, Lennox. This Webley fires just fine.’

‘I’m sure it did when Mata Hari used it to scare off the Kaiser when he was chasing her around a banquet table. Where are you taking me? An antiques fair?’

The dark-haired goon sighed. ‘Listen, Lennox, let’s not put it to the test. Mr Costello wants to talk to you and the last time you got an invite you cut up rough.’ He was better spoken than the average Glaswegian. He was also a cool enough customer. My efforts to rile him and stall until another car came along weren’t working. I could see over his shoulder that a second goon had come out of hiding and was dropping the hood on the Zephyr Six.

‘What’s your pal got? A flintlock blunderbuss?’ I said, cracking the joke with a smile to hide the fact that I was weighing up my chances of breaking his neck before he could pull the trigger.

‘He’s going to follow us. You can drive out to the pub to meet Mr Costello. Mr Costello told me to tell you to take it easy. There’s no need to kick up a fuss. You got all heated up and messed up Tony and Joe and it was all unnecessary. This isn’t what you think.’ He gave an angled nod to indicate the road ahead. ‘Let’s go.’

I looked at the gun. It could still do the job, right enough. A bullet is a bullet, even if firing it would probably take off a couple of his fingers. ‘So you’re telling me this isn’t all about Paul Costello?’

‘You’ll have to talk to Mr Costello about that, but no. Or not in the way you think.’

‘Okay,’ I said and sighed. ‘Where to? The Riviera Club?’

‘No …’ My passenger grinned at me; his teeth were nicotine yellow and pitted. ‘We’re to take you out to the Empire. Just for a talk, like. Nothing heavy. So don’t make trouble.’

‘Me?’ I said in an offended tone. ‘I’m like Rab Butler … I’m all for consensus.’

My passenger directed me across the Clyde and we drove into Govan. Black tenements loomed on either side and he told me to park outside a public house emblazoned with a sign that declared this was the Empire Bar. The sun was now hiding behind the tenements and dressed in a winding-sheet of thin grey cloud. But gloom was something you associated with Govan.

‘Oh look,’ I said cheerily as we got out. ‘The sun
is
setting on the Empire.’ My companion replied by jerking his head towards the bar. The gun was pocketed now but he rested his hand in the same pocket. The Ford Zephyr Six pulled up behind us and the second guy got out. He was about an inch shorter than his colleague, with hair the colour of dirty sand. Both of them were just the way Sheila Gainsborough had described them.

We walked into the bar. It was noisy and it stank. The air was thick with cigarette smoke, stale sweat and whisky fumes. A woman with unnaturally black hair was making shrilly unpleasant sounds in the corner, accompanied by an out-of-tune piano. The Empire Bar was the kind of place you would have described as spit-and-sawdust; if they had bothered with the sawdust. I allowed myself to be guided to a corner table, guessing that Prince Rainier and Grace Kelly wouldn’t be waiting for me there. They weren’t: a short, fattish man in an expensive but ill-fitting suit was at the table, looking at me glumly as I approached with my escort. He had thick Irish-black hair that needed a cut and a pencil-moustache over a slack, ugly mouth.

‘I believe you wanted to speak with me,’ I said without a smile and sat down without being asked. Unlike Sneddon, Cohen or Murphy, Jimmy Costello didn’t warrant a respectful tone. But, there again, it was exactly that kind of attitude that had gotten me into some of my stickier moments over the last couple of years.

‘You want a drink?’ Costello asked, his tone neutral.

‘Whisky.’

Costello nodded to my dark-haired abductor, who headed off through the fug and throng to the bar, leaving us alone. Maybe this wasn’t going to be the adventure I thought it would be. The singer over by the piano seemed to enter a paroxysm of passion. She was a thick-bodied woman in her fifties, about as curvaceous as a beer barrel, with a round, white face, small eyes, hair that was too dark and too long and lips that were too red. She was clearly a singer of the traditional sort, insofar as she was following the age-old Glasgow tradition of adding an extra syllable to every lyric and then singing them through her nose. A Glasgow pub is the place to be if you have an aversion to consonants. The singer informed me and anyone else within a five-mile radius that – apparently – the pipes, the pipes were calling
Dhmnnaa-anny Bhee-hoy.

My escort arrived with two whiskies and a pint of stout, then left us alone again.

‘You gave my boy Paul a hiding,’ said Costello. No anger. He sipped his stout and looked at me with little interest.

‘He asked for it, Jimmy. He went for a blade. Is this what this is all about?’

‘No. And that’s not why I sent Tony and Joe to pick you up the other day either. All of that shite … it was
unnecessary.
’

‘Like I told your monkeys, if you want to talk to me, pick up a ’phone.’

‘Listen, Lennox, don’t fuck about with me. I’m letting the thing with Paul go. I’m letting the thing with Tony and Joe go… and believe me, Tony and Joe don’t want it let go … So stop talking to me like I’m a piece of shite. You’ve made it clear what you think of me, but you’re on my ground now. I could hand you over to the boys and send you home with your nose out of joint.’

I was about to answer when the singer in the corner reached new heights of volume and tunelessness. ‘
Dhmnnaaany Beh-ho-oy… dnhe beh-ipes, dnhe beh-ipes harr caw-haw-hing …
’

‘You could try,’ I said. ‘I’m working for Willie Sneddon. And that’s one nose you don’t want to put out of joint. So let’s cut the crap. What do you want?’

‘Why did you beat up Paul?’

‘I thought this wasn’t about that.’

‘It isn’t. Not directly. I just need to know why you and him had words. Was it about this Gainsborough boy?’

‘Sammy Pollock is his real name. Yes it was, as a matter of fact.’

‘He’s missing?’