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Authors: Elizabeth Goudge

BOOK: The Little White Horse
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Nor could they see anything of the country through which they were passing. The only thing they knew about it was that the road was so full of ruts and pits that they were jolted from side to side and flung up and down as though the carriage were playing battledore and shuttle-cock with them. And soon it would be dark and there would be none of the fashionable new gas-lamps that nowadays illumined the London streets, only the deep black awful darkness of the country. And it was bitterly cold and they had been travelling for what seemed like a century, and still there seemed no sign of their ever getting there.

Miss Heliotrope raised her book of essays and held it within an inch of her nose, determined to get to the end of the one about endurance before darkness fell. She would read it many times in the months to come, she had no doubt, together with the one upon the love that never fails. This last essay, she remembered, she had read for the first time on the evening of the day when she had arrived to take charge of the motherless little Maria, and had found her charge the most unattractive specimen of a female infant that she had ever set eyes upon, with her queer silvery eyes and her air, even in babyhood, of knowing that her Blood was Blue and thinking a lot of herself in consequence. Nevertheless, after reading that essay she had made up her mind that she would love
Maria, and that her love would never fail the child until death parted them.

At first Miss Heliotrope’s love for Maria had been somewhat forced. She had made and mended her clothes with grim determination and with a rather distressing lack of imagination, and however naughty she was had applied the cane only very sparingly, being more concerned with winning the child’s affection than with the welfare of her immortal soul. But gradually all that had changed. Her tenderness, when Maria was in any way afflicted, had become eager; the child’s clothes had been created with a fiery zeal that made of each small garment a work of art; and she herself had been whipped for her peccadilloes within an inch of her life, Miss Heliotrope caring now not two hoots whether Maria liked her or not, if only she could make of the child a fine and noble woman.

This is true love and Maria had known it; and even when her behind had been so sore that she could scarcely sit upon it, her affection for Miss Heliotrope had been no whit abated. And now that she was no longer a child but a young lady in her teens, it was the best thing in her life.

For Maria from babyhood had always known a good thing when she saw it. She always wanted the best, and was quick to recognize it even’ when, as in the case of Miss Heliotrope, the outer casket gave little indication of the gold within. She was, perhaps, the only person who had ever discovered what a dear person Miss Heliotrope really was; and that, no doubt, was why Miss Heliotrope’s feeling for her had become so eager.

Miss Heliotrope’s outer casket was really very odd, and it just shows how penetrating were Maria’s silvery eyes, that they had pierced through it so very soon. Most people when confronted with Miss Heliotrope’s nose and style of dress stopped there and could not get any further. Miss Heliotrope’s nose was hooked like an eagle’s beak, and in colour was a deep unbecoming puce which aroused most people’s instant suspicions. They thought
she ate and drank too much and that that was why her nose was puce; but, as a matter of fact, Miss Heliotrope scarcely ate or drank anything at all, because she had such dreadful indigestion.

It was the indigestion that had ruined her nose, not overindulgence. She never complained of her indigestion, she just endured it, and it was because she never complained that she was so misunderstood by everyone except Maria. Not that she had ever mentioned her indigestion even to Maria, for she had been brought up by her mother to believe that it is the mark of a True Gentlewoman never to say anything to anybody about herself ever. But Miss Heliotrope’s passion for peppermints was in the course of time traced by the discerning Maria to its proper source.

So distressing was Miss Heliotrope’s nose, set in the surrounding pallor of her thin pale face, that the great beauty of her forget-me-not-blue eyes was not noticeable, nor the delicate arch of her fine dark eyebrows. Her scanty grey hair she wore in tight corkscrew ringlets all round her face, a mode of hairdressing which had been suitable when she had adopted it at the age of eighteen, but was not very becoming to her now that she was sixty.

Miss Heliotrope was tall and very thin, and stooped, but her thinness was not noticeable because she wore her old-fashioned dress of purple bombasine over a hoop, and winter and summer alike she wore a black shawl over her shoulders and crossed over her chest, so that she was well padded. Out of doors she always carried a large black umbrella and wore a voluminous shabby black cloak and a huge black poke bonnet with a purple feather in it, and indoors a snow-white mob-cap trimmed with black velvet ribbon. She always wore black silk mittens, and carried a black reticule containing a spotless white handkerchief scented with lavender, her spectacles and box of peppermints, and round her neck she wore a gold locket the size of a duck’s egg, that held Maria did not know what, because whenever she asked Miss Heliotrope what was
inside her locket Miss Heliotrope made no answer. There was not much that Miss Heliotrope denied her beloved Maria, if what Maria wanted was not likely to injure her immortal soul, but she did consistently deny her a sight of what was inside her locket . . . It was, she said, a matter that concerned herself alone . . . Maria had no chance to have a look on the sly, because Miss Heliotrope was never parted from her locket; when she went to bed at night she put it under her pillow. But, in any case, Maria would not have looked on the sly, because she was not that kind of girl.

Maria, though decidedly vain and much too inquisitive, was possessed of the fine qualities of honour and courage and fastidiousness, and Miss Heliotrope was entirely made of love and patience. But it is difficult to draw up a list of Wiggins’s virtues . . . In fact impossible, because he hadn’t any . . . Wiggins was greedy, conceited, bad-tempered, selfish, and lazy. It was the belief of Maria and Miss Heliotrope that he loved them devotedly because he always kept close at their heels, wagged his tail politely when spoken to, and even kissed them upon occasion. But all this Wiggins did not from affection but because he thought it good policy. He was aware that from Miss Heliotrope and Maria there emanated all those things which made his existence pleasant to him — his food, always of good quality and served to him with punctuality in a green dish to which he was much attached; his green leather collar; his brush and comb and scented powder and soap. Other mistresses, Wiggins was aware from the conversation of inferior dogs met in the park, could not always be relied on to make the comforts of their pets their first consideration . . . 
His
could . . . Therefore Wiggins had made up his mind at an early age to ingratiate himself with Maria and Miss Heliotrope, and to remain with them for as long as they gave satisfaction.

But though Wiggins’s moral character left much to be desired, it must not be thought that he was a useless
member of society, for a thing of beauty is a joy for ever, and Wiggins’s beauty was of that high order that can only be described by that tremendous trumpet-sounding word ‘incomparable’. He was a pedigree King Charles Spaniel. His coat was deep cream in colour, smooth and glossy everywhere upon his body except upon his chest, where it broke into an exquisite cascade of soft curls like a gentleman’s frilled shirt-front. It was not then the fashion for spaniels to have their tails cut, and Wiggins’s tail was like an ostrich feather. He was very proud of it and carried it always like a pennon in the wind, and sometimes when the sun shone through the fine hairs it scintillated with light to such an extent that it was almost dazzling to behold.

The only parts of Wiggins that were not cream-coloured were his long silky ears and the patches over his eyes, that were the loveliest possible shade of chestnut brown. His eyes were brown, too, and of a liquid melting tenderness that won all hearts; the owners of the said hearts being quite unaware that Wiggins’s tenderness was all for himself, not for them. His paws and the backs of his legs were most delicately feathered, like those of a heraldic beast. Wiggins’s nose was long and aristocratic, and supported fine golden whiskers that were always well under control. His nose was jet black, shining, and cold, and his beautiful rose-pink tongue was never unpleasantly moist. For Wiggins was not one of those emotional dogs who let themselves go with quivering whiskers, hot nose, and dribbling tongue.

Wiggins was aware that excessive emotion is damaging to personal beauty, and he never indulged in it . . . Except, perhaps, a very little, in regard to food. Good food did make him feel emotional, so intense was his delight in it, so deep his thankfulness that the good fairies who at his birth had bestowed upon him an excellent digestion had also seen to it that over-eating never seemed to impair the exquisite slenderness of his figure . . . That dinner that he had had at the inn at Exeter had really been excellent,
the chop, greens, and baked potatoes that had really been meant for Miss Heliotrope, but which she had not felt equal to . . . Thoughtfully his beautiful pink tongue caressed his golden whiskers. If the food of the West Country was always going to be as good as that meal at Exeter he would, he thought, be able to put up with cold mists and draughty carriages with calm and patience.

Presently it was quite dark, and the queer old coachman got down, grinned at them and lit the two antique lanterns that swung one on each side of the box. But they did not give much light, and all that could be seen from the coach windows were the drifting mist and steep precipitous banks covered with wet ferns. The road grew narrower and narrower, so that the ferns brushed against the carriage upon either side, and bumpier, and bumpier and more and more precipitous, so that they were always either crawling painfully uphill or sliding perilously down what felt like the side of some horrible cliff.

In the darkness Miss Heliotrope could no longer read, nor Maria contemplate her boots. But they did not grumble at all, because True Gentlewomen never grumble. Maria clasped her hands tightly inside her muff, and Miss Heliotrope clasped hers under her cloak, and they set their teeth and endured.

2

Perhaps in spite of the cold, they all three dozed a little from sheer weariness, because it was with a shock of complete surprise that they discovered that the carriage had stopped. And it must have been that between their loss of consciousness and its return they had come a long way, because everything was completely different. For one thing, the mist had gone and the moon was shining, so that they could see each other’s faces quite plainly.

Their depression had completely vanished and their hearts were beating fast with a sense of adventure. With the eagerness of small children Miss Heliotrope and
Maria let down the carriage windows upon either side and leaned out, Wiggins pushing himself in beside Maria that he might lean out too.

The fern-covered banks that had been on each side of them had disappeared, and in their place, close up against the windows of the carriage, were walls of solid rock of a beautiful silvery grey, and in front of them, too, completely blocking their passage, was solid rock.

‘Can we have come the right way?’ asked Miss Heliotrope.

‘There’s a door in the rock!’ said Maria, who was leaning so far out of the window that she was in danger of falling headlong into the narrow lane. ‘Look!’

Miss Heliotrope also leaned out at a perilous angle, and saw that Maria was quite right. There was a door of weathered oak set in the rock, so old that it was of the same colour as the stone and hardly distinguishable from it. It was very large, big enough to admit a carriage. Close beside it there hung a rusty chain that issued from a hole in the wall.

‘The coachman is getting down!’ ejaculated Maria and with eyes shining with excitement she watched the gnome-like little man as he scurried to the rusty chain, seized hold of it, lifted both legs off the ground, and swung there like a monkey on a stick. The result was a deep hollow clanging somewhere within the recesses of the rock. When there had been three clangs the coachman dropped to the ground again, grinned at Maria, and climbed back upon the box.

Slowly the great door swung open. The coachman clucked to the old piebald horses, Miss Heliotrope and Maria sat down again, and they moved forward, the door closing behind them as noiselessly as it had opened, shutting out the moonlight and leaving them once more with no illumination but that of the flickering lantern light gleaming upon the wet moss-grown walls of an underground tunnel. It gleamed also, Maria fancied, over some sort of shadowy figure, but of this she could
not be sure, because the carriage moved forward before she could get a proper look.

‘Ugh!’ said Miss Heliotrope, not quite so happy as she had been, for it struck very clammy and cold, the tunnel seemed to go on for a very long time, and the echoing of the coach wheels made a roar like thunder. But before they had time to get really frightened they were out in the moonlight again, and in a place so beautiful that it seemed hardly to be of this world.

It was all silver. Upon each side of them the trunks of tall trees rose from grass so silvered by the moonlight that it glimmered like water. The trees were not thickly planted, and beautiful glades opened between them, showing glimpses of an ebony sky set with silver stars. Nothing moved. It was all quite still, as though enchanted under the moon. The silvery tracery of twigs and branches above the silver tree trunks was so delicate that the moonlight sifted through it like a fine film of silver dust.

But there was life among the trees, though it was life that did not move. Maria saw a silver owl sitting on a silver branch, and a silver rabbit sitting up on its haunches beside the road blinking at the lantern light, and a beautiful group of silver deer . . . And for a fleeting instant, at the far end of a glade, she thought she saw a little white horse with flowing mane and tail, head raised, poised, halted in mid-flight, as though it had seen her and was glad.

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