The Lion Seeker

Title Page

Table of Contents

Copyright

Dedication

Epigraph

Gitelle: A Prologue

Doornfontein

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

Lion's Rock

22

23

24

25

26

27

28

29

30

31

32

33

34

35

36

37

38

39

40

41

42

43

Greenside

44

45

46

47

48

49

50

51

52

53

54

55

56

57

58

59

60

Rively: An Epilogue

Acknowledgements

About the Author

First U.S. Edition
Copyright © 2013 by Kenneth Bonert

 

All rights reserved

 

For information about permission to reproduce selections from this book, write to Permissions, Houghton Mifflin Harcourt Publishing Company, 215 Park Avenue South, New York, New York 10003.

 

www.hmhbooks.com

 

First published in Canada by Alfred A. Knopf Canada, a division of Random House of Canada, in 2013.

 

The Library of Congress has cataloged the print edition as follows:
Bonert, Kenneth.

The Lion Seeker : a novel / Kenneth Bonert. —First U.S. edition.
pages cm
ISBN 978-0-547-89804-9
1. Jews—South Africa—Fiction. 2. Johannesburg (South Africa)—Fiction. 3. South Africa—History—1909–1961—Fiction. 4. Historical fiction. I. Title.
PR9199.4.B6743L56 2013
823'.92—dc23
2013019330

 

eISBN 978-0-547-89841-4
v1.1013

 

 

 

 

For my parents

 

 

 

 

The traveller who goes there from our land, tired and weary of the oppressor and of the vicissitudes of life that dog his every step, can forget his poverty, his squalor, his degradation and his humiliation. In Africa he breathes a new life, a life of freedom and liberty, a life of wealth and honour, because there is no discrimination between a Hebrew and a Christian there. Every man can attend to his labours diligently and find a just reward for his toil.

—1884 report from Lithuania in the Hebrew journal
HaMelitz
, by N.D. Hoffman

WHATEVER CROUCHED BEYOND THE LAKES
and forests of her green life was unseeable as night. She had never studied a map till it came time to leave forever and then her fingertips traced ceaselessly over what her mind could not picture. The mysteries beat in her like a second heart. The pinprick of her village lay closer to the borders with Poland and Latvia than she'd ever known; the whole country was but a slither in a howling world. There were salt oceans, desert kingdoms. She had the words and the colours on the map but nothing more.

When they stopped at the cemetery on the way out, the carriage driver Nachman said,—A tayter nemt mir nit tsoorik foon besaylem. Dead ones never come back from the grave. The old saying meant what's done is done but was turned upside down in his wry mouth: here it was the living who would never come back to these graves at the far end of Milner Gass, near the spring and Yoffe's mill, flashes of the lake silver through the dark trees.

A closed sky kept spitting and everyone wore galoshes against the mud. The peeling birches creaked and dripped; candle flames twitched and fluttered. Her daughter, good girl, stood nicely beside her but Isaac on the other side kept squirming against her right hand bunched in his little jacket. This was a boy who hadn't stopped jerking and kicking from the second he came out of her with thick hair gleaming like fresh-skinned carrots and his biting mouth screaming enough for twins. Almost five now, about to travel across the earth to meet the father he'd never seen.

Gitelle made them look at and put pebbles on the gravestones of their grandmother and then all their great-grandparents. That was enough: another five centuries or more of buried Jewish bones spread away from them beneath the hissing branches. She adjusted her veil and turned back to face the living—her tutte Zalman Moskevitch, her sisters, the nieces and the husbands. Isaac wriggled free like a cat and ran off. She didn't bother shouting: the boy needed a leash not more words, hoarse or otherwise. Some of his aunties caught him. Another two of them came up to her. Trudel-Sora hoisted Rively onto her hip and went away while Orli held out her arms. Youngest of the sisters, Orli was plump in the lips and hips and smoothly olive skinned; her black eyes, now liquidly gleaming, matched her thick long hair. She hugged Gitelle close, groaning, and said, I think you're the first one ever who didn't need a hanky on her leaving day.

Are you surprised?

Of course not.

Gitelle nodded. How strange tears would be today, after everything. All the years spent gagging on the taste of her breath against the shame of the veil, her words dribbling from her like spatter from an overbubbling pot—such sorrows, encompassed by this place, should not include her leaving too. Never that.

What are you thinking of?

The future, said Gitelle. The living. My husband. What else is there to think of?

Orli smiled: her teeth unpeeled were white as river stones and brilliant in her olive face. Sister, not everyone's as strong as a tree stump.

Is that what I'm supposed to be now?

It's what you always have.

She had threaded her warm soft arm through Gitelle's and pulled it close as they walked back though the gravestones. A sodden squirrel stood up to stare at them, quivering. Gitelle said: Listen. If I can do this so can you. Don't waste time. Be brave. Don't ever stop trying. I was twenty-seven before I met my Abel. They said with the way I am such a thing could never happen. And after we had Rively, you think he wanted to go? Men are lazy as stones. I had to nag so much I nearly twisted my own head into craziness—borrow the money, get moving, wake
up
. And how many years now it's taken him, drip drip drip, to send back just enough for our tickets . . . But see, here I am, I don't complain. Today it's my turn, my leaving day. You understand what I'm telling you, Orli? Remember this day. Don't ever give in. Don't ever go slack. Your leaving day will come sooner than you think. All of yours will. It's the only way we'll ever see each other again, and we will. We have to.

Orli was drying her cheeks with her free hand. But it was always fated, she said. You and Abel. Like everything.

Gitelle snorted, rippling the line of the veil.

What? There
is
fate. You two prove it.

Prove what exactly?

How The Name makes His perfect matches for us, in every generation of souls. A heart for a heart, even a wound for a wound. Every shoe must have its foot.

Gitelle was silent, felt her sister's eyes on her face.

Forgive me, said Orli. Foot and shoe. I didn't mean—

Ah Orli, said Gitelle, lisping into the cloth. You think
that's
what bothers me? My dear sister, you need to forget all that romantic trash if you're ever going to grow up. Now's the time to start.

Outside the cemetery the horse cropped at wet weeds with a stretched neck; Nachman had his collar up and his chin on his chest. There was a wait to find Isaac who'd gotten loose again and was giggling somewhere off in the lindens on the opposite side. First would come the station at Obeliai, then a train to Libau on the coast. She had packed goose feather pillows for the freighter's hard benches and plenty of lemons because lemons are the cure for seasickness: advice from the ones who'd gone before. Africa. She wondered what an ocean will be.

 

In Southampton on England's coast they boarded a Union Castle liner with a lavender hull and two fat smokestacks. It took twenty days to reach the bottom tip of the pistol-shaped African continent and on every one of them Isaac found ways to raid the upper decks of first class, returning to steerage with pockets stuffed with glazed tarts and fresh cheeses and Swiss chocolate, with strange and impossibly sweet fruits Gitelle had never seen before. When he wasn't raiding he fought other boys or kicked the shins of the duty officers. His masterpiece was starting a fire in a life raft with a flare gun. The crew called him Devil Boy and the captain almost had him confined. They didn't understand it was only that he was born with a little more kaych in him than others, a little extra life energy bubbling and frothing inside like hot milk to get out. When she wiped his face in bed every night with a damp cloth she got him to keep still by promising him the freckles were coming off, and every morning he'd run excited to the mirror to verify her claims.

Cape Town was on a bay raked by salt winds, its streets laced over the roots of a flathead mountain. Colours burned the air: blood flowers, thorny eruptions of vermilion, limeyellow smears on the rocks like veins of fresh paint. The red sun had sandpaper beams. She saw human beings burned the colour of coal or dark-brewed tea or cured leather; she smelled their alien sweat and their tangy cooking, heard the mad bibbering of their manifold tongues. A strange music that made her heart sag in the fear of this shattering place. But later she saw pretty whitewashed houses in a row near the waterfront, with palm trees in tranquil garden squares, and she dared hope that Abel had secured them similar lodgings.

Johannesburg was two hot dry days to the north by train, through country that stunned her like a blow: the cactus hills, the khaki desolation of the plains, the distant hazy sky pierced by that red sun, a madman's glowering eyeball.

Her husband was the same but he was swaddled by grime, like a gem wrapped in dirty rags. He lived in a squalid cottage in the self-made Jewish ghetto along Beit Street in the inner-city neighbourhood of Doornfontein. Here it was as if a poor Lithuanian village had torn itself up from the cool forestlands of the north to root again in the baking dust of the deepest south. There were three small rooms behind his workshop, with a surly Black woman living in a tin hut out back. Gitelle gave herself over to tenderness with her beloved for only a day, no more. His long fingers and his gentle eyes. Then:

What do you need
her
for?

Everybody has one, a shiksa girl. It's the way here. People even poorer than us have them.

What does she do?

Do? She cleans, she cooks.

Is that what she calls it.

She fired her that afternoon and set to work cleaning out the pigsty of what Abel Helger's life had become without her, the poor beautiful man overwhelmed by the accretion of filth that is always the creeping growth of negligence. The children helped her boil water and scrub the floors and walls, even the cracked concrete of the tiny backyard. They emptied the useless Bantu woman's room (she had taken only what she could carry for her long journey home) and made a kerosene bonfire out of the reeking blanket and stained overalls, tossing onto it strange bottles and totems, things that looked like shrivelled insects which Gitelle warned the children away from and handled with just the extended fingertips of one gloved hand, her nose crimped above her dark veil.

Wherever they scrubbed, thick soot came off; when they beat a rug with an old tennis racquet there was a dense cloud of the albino dust that settled on everything from the mines close by. Gitelle opened windows to let in light and air. She shopped well and cooked good kosher food, hearty soups with marrow bones and barley, gefilte fish and cholent, beef with prunes, greasy potato latkes with sour cream and cinnamon and sugar. She baked sitnise bread, razeve bread—black and rye loaves—and fragrant braided challahs on a Shabbos eve with an egg wash to make them golden. She swept constantly, swiped the dust off the windowsills constantly, made sure the children went to bed with their bodies bathed and their hair washed, the teeth clean in their bright grins.

But there was one area that she could not reach and that was the workshop. Here was an unsanitary jumble of Abel's things and here he drew his masculine line. She did wrest control of the very front, where customers came in for her to greet, but the shop itself remained an unhealthy chaos, and worse—far worse—it was also where Abel's so-called friends congregated each day (except for Shabbos, when he was at shul). These were a group of men who'd settled onto him like parasite birds on the back of a rhino, fellow Litvaks all, most from the same Zarasai region, who didn't seem to work at all—how could they, sitting around on their tochuses in the workshop and eating and drinking, making useless chatter all day long. They seemed to have only one subject: their minds always mired in der haym, in backhome, that other country, that fallen time. It scared her more than any freeloading, this dank unhealthiness of living in the past. Life is the here and the future. These men were like a kind of death. Abel's past loneliness excused their initial presence; now she waited for their dismissal. But months passed and even her deliberate rudeness had no effect, the way she grunted back at their greetings, how she banged their plates down, their glasses.