The Laughterhouse (12 page)

“There’s a lot of blood,” I say, stopping outside the room and looking in.

“He stabbed her like he stabbed the first two.”

“So whatever pissed our guy off happened at least seven years ago,” I say.

“Has to be. I don’t see her making anybody angry since being here. And he must have been angry,” he says. “She put up no fight and he just kept stabbing her all the same.”

“What did she do? Before the attack?”

“Here’s the thing. She was a criminal lawyer.”

A small chill rushes down my spine as a connection is made. “So that gives us two lawyers and one teacher and one accountant. He leave a message?”

“It’s on her forehead. Same as the others.
You were complicit.
”

“In what?”

“In whatever made victim one not care enough and was or wasn’t worth it for victim two.”

I look up and down the corridor. “And nobody heard or saw anything?”

“No, and it’s not like the victim was making a sound.”

“You talk to the husband?”

“He’s dead. He killed himself a couple of years ago. Hung himself.”

Does every story in this city have a bad ending? Does everybody have a sad tale?

There are forensic experts inside and outside the room. There are plastic markers next to blood drops on the floor and bloody shoe tread prints that are dark near the body but lighten with every step until they disappear near the stairs. The dead woman’s arms are still by her side and there is no expression of horror on her face. Her eyes are closed, her face perfectly relaxed. It’s the first time either Schroder or myself have ever seen a murdered coma victim. Maybe it’s the first time anybody has. We’ve seen them get pregnant and contract diseases, but not this.

“You okay?” Schroder asks.

“I’m not sure,” I tell him.

“You look like you could do with some air.”

The handwriting across the dead woman’s forehead is a match for the others.

“Two lawyers and one teacher and one accountant,” Schroder repeats.

“Doesn’t seem like the setup to a joke anymore,” I tell him.

“No. But it never did.” He pushes his hands into his back and stretches it out, his spine popping softly. I once saw a guy do that and throw out his back. “The staff say you were here earlier,” he says. “You didn’t see anything?”

“I did see somebody walking with a bloody knife but didn’t think it was worth mentioning.”

“Hey, look, I’m just asking.”

“I’d have told you. Who found her?”

“One of the nurses was doing a routine check. She saw the bloody footprints and just figured one of the patients had had an accident. Followed them into here and started screaming. Woke up the other patients and brought the rest of the staff running. It’s pretty obvious these aren’t random victims,” he says. “Random doesn’t bring you into two retirement homes and one nursing home. Our killer is working from a list. Question is, how many people are on it?”

It’s a good question. The room has a similar view over the grounds as my wife’s does, and the two women enjoyed it about the same. The layout is the same too, the bed in the center with walking room all the way around it for the nurses. There’s a vase full of flowers so fake they wouldn’t even have fooled the coma patients. There is not much emotion in this room, not until a madman came in here and filled it with rage.

“Victim three doesn’t fit the list,” I say. “The killer went to a lot of effort to sneak in here and stab this woman lots of times and leave a message, he could have made the same effort for Brad Hayward. He could have waited for him in town by his car, or pulled up to him at a set of lights, or waited till the wife was asleep. He could even have tried to sneak into his workplace.”

Tracey Walter steps into the room behind us. The medical
examiner looks tired. She’s spent a long day examining the dead, and now she has to spend a long night cutting them open.

“Let’s get this done,” she says in the way of a greeting. She puts her case on the floor and pulls out a thermometer with a skewer on it. I look away as she stabs it into the woman somewhere around the liver, then look back to see her checking the temperature. She takes another look around the room as if figuring out how hot it is in here. She takes down some notes, seems to do some sums, then comes over.

“Preliminary guess is death was ninety minutes ago,” she says, looking at her watch, “which puts death around two-thirty.”

“I was here around eleven thirty, maybe quarter to twelve,” I say, thinking that things could easily have been different if I’d come here later, or if the killer had come here earlier. I could have been pulling in as he was leaving, or pulling out as he was arriving. I could have seen him, maybe I’d have gotten a sense of what was going on, maybe what was left of Victoria Brown could still be alive.

“Body is fine to move,” Tracey says, and heads back down the corridor toward the stairs.

“We’ve been running background checks on the victims,” Schroder says.

“And?”

“And speeding tickets are as bad as these people ever got.”

Forensics takes over the scene. It’s time to go and see John Morgan, Brad Hayward’s boss. It’s already four o’clock. Schroder hands me a slip of paper with Morgan’s address. His handwriting was bad when I met him back at the academy, but it’s gotten worse over the years. The letters blend into a mess and he has to point out what he’s told me.

“If it helps,” he says, walking with me past the bloody footprints that peter out the closer they get to the stairs, “I’m feeling the same thing you are.”

“Which is?”

“Helpless,” he says.

“Not hopeless?”

He shrugs. “Take your pick,” he says,

I go to say goodbye to my wife before leaving. I enter her room and Bridget is standing by the window and the curtains are open. I flinch at the sight of her there, so much in fact that I have to take a step back to balance myself. “Bridget?” I say, and I wait for her to turn around and smile at me, only she doesn’t. I quickly cross the room, I take her hand and look into her face but she doesn’t see me, doesn’t react to my touch, she’s just staring out at the police cars in the parking lot, the red and blue lights reflecting off her skin.

“Bridget?”

I turn her toward me, expecting her to focus on me, praying for it, but it doesn’t happen. Other than standing up, she doesn’t look any different for all the excitement that’s been going on. She hasn’t noticed my recent absence of four months in jail, nor my return. Outside the window the media are gathering to report the story of a woman who died, a woman Bridget never knew even though they were only a hallway apart. Maybe Bridget saw the killer leave. Maybe she watched him climb into his car and drive away. Nurse Hamilton has told me sometimes they’ll find Bridget has gotten up during the night to sit in her chair. Sometimes they’ll find her standing in the hallway clutching a photograph of our daughter. I take those moments and turn them into hope.

“Bridget,” I say, and I take her hand and lead her back into her bed. I sit down with her, I need to because seeing her standing filled me with so much shock and excitement that my legs can’t seem to handle the weight of it all. I spend fifteen minutes with her, I close the curtains before going downstairs, and when I leave I tell Nurse Hamilton what I saw. She nods slowly, a sad smile on her face, a real one on mine. “The first time I saw her standing outside her room I almost had a heart attack,”
she says. “I’ve never seen her standing by her window, though.”

“Maybe she wanted to see what was happening,” I say.

The sad smile is still there, and I can feel mine slipping away. “Maybe,” she says. “With brain injuries, you just never know.”

Only she does know, and I know too, and when I walk out of the nursing home I keep running what could have been through my head, the could-have-been of Bridget turning toward me and smiling, the could-have-been of her coming home with me, of the doctors scratching their heads and saying it must have been a miracle, the “you never know” of brain injuries making an appearance.

When I reach my car I look back up at the window, a small part of me expecting to see my wife there, the bigger part knowing I won’t, so when I see her face staring out and the curtains drawn I almost jump. Her pale features and white pajamas are lit up by the red and blues of the patrol cars as she stares down at them. I stop with my hand on the car door and I watch her, hoping to see movement. Nurse Hamilton appears next to her, she puts her arm around Bridget’s shoulders and looks out at the scene below but doesn’t see me. She leads my wife away.

My hands shake on the way to see John Morgan, and I’m not sure what from. The excitement of hope, or that spooky feeling I got when I saw Bridget staring out the window like a ghost, or because I need a coffee fix, or because of the case. It’s five o’clock when I finally get to John Morgan’s house. I can’t stop thinking of Bridget’s face as she stared down at the cars. I could swear it looked like she was focusing on them and not through them.

Or maybe that’s just what I’m hoping I saw.

The doctor has a nice house and if Caleb could stay here he would. He’d love to be able to head out and kill the last few people on his list, then come back and deal with the good doctor and his family in comfort. He could spend the night. Make himself a big breakfast. Relax on the big soft couch downstairs and watch some TV. Only the doctor’s house isn’t the location he has in mind for the end.

His eyes are getting heavy as he slams down the trunk on Dr. Stanton and moves around to the driver’s seat. His body is sore. It’s the beatings. Jail broke him. Over the years his left leg has been broken four times, his right leg only once, as if the men who hurt him learned early on they had an aversion to symmetry. His left arm has been broken twice, and his right arm never broken at all. Most of his fingers have been crushed and snapped and he can’t make a fist in his right hand without agony. In his former life, he used to be a math teacher. He knew a lot about statistics. One statistic was that there are two hundred and eight bones in the human body and eighteen of his had been broken.

The beatings in jail came about because the inmates were told he’d raped and killed his daughter. The cops told them that. It was because Caleb had killed a cop. He took what they gave, and the more they gave the more he died inside, and he let that happen. They stripped away his humanity, and when you take that away from a man you’re unleashing a world of possibilities.

He has loaded up on blankets and has filled a bag of food from the fridge and pantry. He spent a few minutes reading news articles on the Internet with his phone, seeing what was already being written about him, only they’re not about him, not specifically. The media is calling him the Gran Reaper on account of the first two victims being old. They mention victim number three, but not by name. No mention of victim number four.

Victim number three. Caleb had strayed from the list and that was a mistake. What if the guy hadn’t been alone? What if there had been kids there? What if one of them had come into the garage? Would he have walked away?

He goes upstairs. Katy and Melanie are in the same bedroom, where he made them wait with the assistance of duct tape and plastic ties. Before tying them up he made them change into warmer clothes, both girls selecting jeans and shirts and jackets. Melanie, a little over two years older than Katy, hasn’t stopped complaining. She has the same hair and the same eyes as her sister, but her face is rounder and meaner.

“This is stupid,” Melanie says. “My hands hurt and the police are going to come and arrest you. And I’m tired.”

“You can sleep later,” he tells her. “But the police aren’t coming.”

“I want to sleep now, and yes they are. And who are you again? You didn’t say.”

“His name is Caleb,” Katy says.

“Don’t be dumb,” Melanie says, looking at her sister. “That’s not what I meant. I meant, who is he exactly.”

“Oh,” Katy says.

“I’m not going to hurt you,” he tells them.

“You already have,” Melanie says. “My dad would say you’re deluded. He uses words like that to describe people like you all the time.”

“Shut up.”

“Deluded,” she repeats. “You see that, Katy? I struck a nerve.”

He pulls out the duct tape.

“Don’t make him mad,” Katy says, and starts to cry. “Please don’t hurt us.”

He rips off some tape and puts it across Melanie’s mouth as she twists her head and tries to avoid it. He does the same for Katy too, not prepared to risk her screaming on the way out to the car. He carries them downstairs one at a time and puts them into the backseat.

Then he gets Octavia.

The bedroom has been painted pink, there is a mobile hanging from the ceiling with pictures of unicorns and princesses on it. The baby is asleep. He picks her up and she murmurs. He rests her on his chest so her head is over his shoulder, and bounces her up and down a few times, shushing her and she stops making noises. He carries her gently downstairs. He has taken the car seat out of Stanton’s car and put it into the passenger seat of his own, turning it around so she is facing the seat and not the windshield. He tucks a blanket around her.

The car won’t start.

He keeps turning the key, the engine whining but failing to turn over, making less of an effort with every try. He pushes his foot on the accelerator, he throws his weight backward and forward as if rocking the car will help, but none of it does, and after thirty seconds the only sound the engine makes when he turns the key is a small click.

It’s closing in on five in the morning. Soon the birds will be awake.

Octavia starts to cry.

“Shush,” he says, slowly rocking the seat, but she won’t shush, instead she just cries louder. “Goddamn it,” he says, “I said shush.”

The two girls in the back start fidgeting around. He climbs out of the car, undoes the car seat, carries it inside with the baby still attached, and rests her in the hall. He brings the other two girls inside.

“What’s wrong with her?” he asks. “She hungry?”

The girls don’t answer. They can’t, because of the duct tape.