Authors: Edeet Ravel
And “our cause is just”?
Babies’ shoes need no explaining
A civilization gone in one blow
To dream perhaps will heal the wounds
And so with shame seeing nought
We go on building.
What gives us the right to reap the fruit of trees we have not planted? On what moral grounds shall we stand when we take ourselves to court?
Because we have taken upon ourselves the task of Pioneers and because Pioneering is more than the romantic notion of coming to a clean, untouched land and planting one’s own clean, fresh seeds. Because building a homeland requires more than physical sacrifice, dirty hands and a bent back—it requires a spiritual struggle and a spiritual sacrifice. Because we must learn to translate our final ideology into the reality of a nation’s fight for existence, and if that reality should require the accomplishments of tasks which are painful to us, all the more will it strengthen us. And only we can camp on the borders.
Because once a Jewish community stood here and a Jewish community will again arise. (Indeed can it be said that Eldar itself belongs to any one nation throughout the ages of men’s existence?) For those who died in the concentration camps and the battles bequeath to us our life here.
Let the nation remember those who were cut down in Exile and did not live to see the glory of Israel—
Let the nation remember the brave sons who fell among the ghetto walls—
Let the nation remember the sons and daughters who died on the cruel waves and thorny roads on the way to their homeland—
Let the nation remember the best of its children, strong of heart and pure of vision, who bore arms in defence of the life of Israel, its independence and its freedom.
36
. In the 1967 diary I recount a small sequel to these events:
In the middle of my nap, I heard someone walking around. I opened my eyes and sat up in bed.
Elan, I said. Shoshana untied you?
Oh yes, he answered, a long time ago.
Probably a guilty conscience.
37
. From the memoirs of Yehuda Polani, quoted in Yuval Dror,
The History of Kibbutz Education
.
38
. The image originated in an illustration of mythological figures in Ancient Greece.
39
. This would be the Chubby Checkers version, currently available on YouTube.
40
. The Hebrew for “horse” is
sus.
41
. Hebrew for cyclamen.
42
.
Anokhi
is a biblical term for the first person pronoun “I”; it is obsolete in Modern Hebrew, other than in poetry. For the painting Dori associates with Anokhi see
The Wanderer
by George Grosz (1893–1959). The original hangs at the University of Rochester Memorial Art Gallery.
43
.
Novelist55: | I read that girls automatically and universally |
| demand separate showers when they’re 12. |
Nissim73: | Yes, I think that’s right. |
Novelist55: | But in the documentary, one woman remem- |
| bered that she already wore a bra and had her |
| period etc. in grade 5 but she had to shower |
| with the guys until the end of grade 6 and she |
| was very embarrassed. |
Nissim73: | I think that’s what the film wants to show—the |
| group and the collective were more important |
| than the individual. |
Novelist55: | What about in your group, with the 2 girls? |
Nissim73: | 3 girls |
Novelist55: | oh right 3 |
Nissim73: | In our case the girls were younger than most |
| of the boys so that it was actually the boys |
| who didn’t want to shower with the girls. You |
| know he mostly interviewed people who left |
| the kibbutz long ago—people who are still on |
| kibbutz really really don’t like this film. They |
| feel it’s distorted. |
Novelist55: | Well he does leave out one part. We were |
| encouraged to think independently. I don’t |
| know about the other kibbutz movements but |
| I think that’s true of all the Shomer kibbutzim |
| no? |
Nissim73: | Yes but at the same time you were being guided |
| in a certain direction. It was partly insidious. |
Novelist55: | Did you see city people as inferior? |
Nissim73: | I guess if I thought about it, but it wasn’t on my |
| mind. |
Novelist55: | Where did Ran Tal get all that incredible |
| footage? |
Nissim73: | He did amazing archival work. I’m dog-sitting |
| by the way and there’s no Internet here, I’m |
| using the neighbour’s. It’s a weak connection, |
| so I might get cut off any minute. |
44
. October 5, 1973: Shoshana, whom I’ve asked to see, sits on a deck chair outside her Room, dressed entirely in black. She appears to be at ease; she’s taking time off, enjoying the afternoon sun. I say hello and introduce myself. Shoshana shades her eyes and says, “I remember you. You had a good trick for getting rid of hiccups. Block your ears with both hands and drink a glass of water in one go. It worked.”
45
. In order to boost the thinning population of Eldar, the Young Guard Federation encouraged a group of young Israel-born adults to join Eldar in 1954. Most were recruited from the Young Guard Youth Movement. A second group followed four years later. In both cases, most of the new arrivals did not last, and by 1960, only 14 percent of the Israel-born members remained. In 1961 the population hovered at 102 adults, 59 kibbutz-born children, and 42 city-born children; a year later it was down to 60 adults. (See Snarey, 1984)
“Every time we sat down for a meal in the Dining Hall, if he was sitting at that table he’d get up and move to another table. He was a heartless man.”
—
Interview with Naftali Satie
46
. Mess or chaotic situation.
47
.
The Songs We Sing
, illustrated by Hendrik Willem van Loon (1882–1944). The book was a gift for Varda from Dafna, later Lulu’s mother, and the handwritten inscription reads:
12/2/47
Dear Chavera
[comrade]
—
It has been a real joy to me—your finding the Tongue to the magnificent language of music—keep using it—add to your vocabulary daily—turn and twist your new-found idioms until they become your own—
Wait for me—and together we will speak—in the voice of the world—
Dafna
48
. Inn or pub.
49
. From Yuval Dror,
The History of Kibbutz Education.
50
. From the 1922–1944 diary of a young man known only as Takh
.
i, member of a Young Guard commune engaged in paving a road in lower Haifa and then in swamp drainage and stone clearing; the commune later founded Kibbutz Mishmar Ha’emek.
51
. DDT.
52
. The Hebrew for “storm” is
sa’ara
.
53
. “The Brave One”; the film won a 1957 Academy Award for best story, though the writer, Dalton Trumbo (of
Johnny Got His Gun
fame), was blacklisted at the time on suspicion of communist affiliation and could not claim it.
54
. Pansies
55
.
Novelist55: | Were you afraid of the dark? |
Nissim73: | What do you mean “were”? |
Novelist55: | Yes, I remember you like to sleep with the light |
on. | |
Nissim73: | When are you coming again? You haven’t seen |
my new place in Jaffa. | |
Novelist55: | I don’t know. |
Nissim73: | What time is it there? |
Novelist55: | Seven. We haven’t turned the clock back yet. |
Nissim73: | I went swimming last night in the sea. It was |
past midnight, there was hardly anyone there, | |
it was so beautiful, the waves rolling in. I | |
missed you. | |
Novelist55: | I wouldn’t have been able to go in with you |
anyhow. | |
Nissim73: | Oh yes, I remember, you get a rash. |
Novelist55: | Were you at the demo yesterday? |
Nissim73: | You mean against the oath? No, I didn’t feel |
like it. Too tired after work. | |
Novelist55: | How was work? |
Nissim73: | Next you’ll ask me about the weather. How’s |
the book going? | |
Novelist55: | I’m almost finished. I have this sense, but it |
could be wrong … | |
Nissim73: | ? |
Novelist55: | Remember Sweet Mud? |
Nissim73: | The film? |
Novelist55: | Yes. Remember the Minder from hell? |
Nissim73: | yes |
Novelist55: | She washes their mouths with soap. And she |
gives this lecture on sex … | |
Nissim73: | yes |
Novelist55: | I could tell it wasn’t a Shomer [Young Guard] |
kibbutz. | |
Nissim73: | Because of the sex? |