The Last Hieroglyph (35 page)

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Authors: Clark Ashton Smith

Tags: #Fantasy, #American, #Short Stories, #Fantasy Fiction, #Fiction

BOOK: The Last Hieroglyph
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Several struck against his feet with a horrible and heavy flopping. He stepped unaware upon one of them, and slipped in the squashy noisomeness it had made, barely saving himself from a headlong fall on the bog’s rim. Black, miry water gloomed close beside him as he staggered there.

Turning to regain his path, he crushed others of the toads to an abhorrent pulp under his feet. The marshy soil was alive with them. They flopped against him from the mist, striking his legs, his bosom, his very face with their clammy bodies. They rose up by scores like a devil-driven legion. It seemed that there was a malignance, an evil purpose in their movements, in the buffeting of their violent impact. He could make no progress on the swarming path, but lurched to and fro, slipping blindly, and shielding his face with lifted hands. He felt an eerie consternation, an eldritch horror. It was as if the nightmare of his awakening in the witch’s hut had somehow returned upon him.

The toads came always from the direction of Les Hiboux, as if to drive him back toward Mère Antoinette’s dwelling. They bounded against him like a monstrous hail, like missiles flung by unseen demons. The ground was covered by them, the air was filled with their hurtling bodies. Once, he nearly went down beneath them.

Their number seemed to increase, they pelted him in a noxious storm. He gave way before them, his courage broke, and he started to run at random, without knowing that he had left the safe path. Losing all thought of direction, in his frantic desire to escape from those impossible myriads, he plunged on amid the dim reeds and sedges, over ground that quivered gelatinously beneath him. Always at his heels he heard the soft, heavy flopping of the toads; and sometimes they rose up like a sudden wall to bar his way and turn him aside. More than once, they drove him back from the verge of hidden quagmires into which he would otherwise have fallen. It was as if they were herding him deliberately and concertedly to a destined goal.

Now, like the lifting of a dense curtain, the mist rolled away, and Pierre saw before him in a golden dazzle of morning sunshine the green, thick-growing osiers that surrounded Mère Antoinette’s hut. The toads had all disappeared, though he could have sworn that hundreds of them were hopping close about him an instant previously. With a feeling of helpless fright and panic, he knew that he was still within the witch’s toils; that the toads were indeed her familiars, as so many people believed them to be. They had prevented his escape, and had brought him back to the foul creature… whether woman, batrachian, or both… who was known as The Mother of Toads.

Pierre’s sensations were those of one who sinks momently deeper into some black and bottomless quicksand. He saw the witch emerge from the hut and come toward him. Her thick fingers, with pale folds of skin between them like the beginnings of a web, were stretched and flattened on the steaming cup that she carried. A sudden gust of wind arose as if from nowhere, lifting the scanty skirts of Mère Antoinette about her fat thighs, and bearing to Pierre’s nostrils the hot, familiar spices of the drugged wine.

“Why did you leave so hastily, my little one?” There was an amorous wheedling in the very tone of the witch’s question. “I should not have let you go without another cup of the good red wine, mulled and spiced for the warming of your stomach.… See, I have prepared it for you… knowing that you would return.”

She came very close to him as she spoke, leering and sidling, and held the cup toward his lips. Pierre grew dizzy with the strange fumes and turned his head away. It seemed that a paralyzing spell had seized his muscles, for the simple movement required an immense effort.

His mind, however, was still clear, and the sick revulsion of that nightmare dawn returned upon him. He saw again the great toad that had lain at his side when he awakened.

“I will not drink your wine,” he said firmly. “You are a foul witch, and I loathe you. Let me go.”

“Why do you loathe me?” croaked Mère Antoinette. “You loved me yesternight. I can give you all that other women give… and more.”

“You are not a woman,” said Pierre. “You are a big toad. I saw you in your true shape this morning. I’d rather drown in the marsh-waters than sleep with you again.”

An indescribable change came upon the sorceress before Pierre had finished speaking. The leer slid from her thick and pallid features, leaving them blankly inhuman for an instant. Then her eyes bulged and goggled horribly, and her whole body appeared to swell as if inflated with venom.

“Go, then!” she spat with a guttural virulence. “But you will soon wish that you had stayed.…”

The queer paralysis had lifted from Pierre’s muscles. It was as if the injunction of the angry witch had served to revoke an insidious, half-woven spell. With no parting glance or word, Pierre turned from her and fled with long, hasty steps, almost running, on the path to Les Hiboux.

He had gone little more than a hundred paces when the fog began to return. It coiled shoreward in vast volumes from the marshes, it poured like smoke from the very ground at his feet. Almost instantly, the sun dimmed to a wan silver disk and disappeared. The blue heavens were lost in the pale and seething voidness overhead. The path before Pierre was blotted out till he seemed to walk on the sheer rim of a white abyss, that moved with him as he went.

Like the clammy arms of specters, with death-chill fingers that clutched and caressed, the weird mists drew closer still about Pierre. They thickened in his nostrils and throat, they dripped in a heavy dew from his garments. They choked him with the fetor of rank waters and putrescent ooze… and a stench as of liquefying corpses that had risen somewhere to the surface amid the fen.

Then, from the blank whiteness, the toads assailed Pierre in a surging, solid wave that towered above his head and swept him from the dim path with the force of falling seas as it descended. He went down, splashing and floundering, into water that swarmed with the numberless batrachians. Thick slime was in his mouth and nose as he struggled to regain his footing. The water, however, was only knee-deep, and the bottom, though slippery and oozy, supported him with little yielding when he stood erect.

He discerned indistinctly through the mist the nearby margin from which he had fallen. But his steps were weirdly and horribly hampered by the toad-seething waters when he strove to reach it. Inch by inch, with a hopeless panic deepening upon him, he fought toward the solid shore. The toads leaped and tumbled about him with a dizzying eddy-like motion. They swirled like a viscid undertow around his feet and shins. They swept and swelled in great loathsome undulations against his retarded knees.

However, he made slow and painful progress, till his outstretched fingers could almost grasp the wiry sedges that trailed from the low bank. Then, from that mist-bound shore, there fell and broke upon him a second deluge of those demoniac toads; and Pierre was borne helplessly backward into the filthy waters.

Held down by the piling and crawling masses, and drowning in nauseous darkness at the thick-oozed bottom, he clawed feebly at his assailants. For a moment, ere oblivion came, his fingers found among them the outlines of a monstrous form that was somehow toadlike… but large and heavy as a fat woman. At the last, it seemed to him that two enormous breasts were crushed closely down upon his face.

T
HE
G
ARDEN OF
A
DOMPHA

Lord of the sultry, red parterres
And orchards sunned by hell’s unsetting flame!
Amid thy garden blooms the Tree which bears
Unnumbered heads of demons for its fruit;
And, like a slithering serpent, runs the root
That is called Baaras;
And there the forky, pale mandragoras,
Self-torn from out the soil, go to and fro,
Calling upon thy name:
Till men new-damned will deem that devils pass,
Crying in wrathful frenzy and strange woe.
—Ludar’s Litany to Thasaidon

I
t was well known that Adompha, king of the wide orient isle of Sotar, possessed amid his far-stretching palace grounds a garden secret from all men except himself and the court magician, Dwerulas. The square-built granite walls of the garden, high and formidable as those of a prison, were plain for all to see, rearing above the stately beefwood and camphor trees, and broad plots of multi-colored blossoms. But nothing had ever been ascertained regarding its interior: for such care as it required was given only by the wizard beneath Adompha’s direction; and the twain spoke thereof in deep riddles that none could interpret. The thick brazen door responded to a mechanism whose mystery they shared with none other; and the king and Dwerulas, whether separately or together, visited the garden only at those hours when others were not abroad. And none could verily boast that he had beheld even so much as the opening of the door.

Men said that the garden had been roofed over against the sun with great sheets of lead and copper, leaving no cranny through which the tiniest star could peer down. Some swore that the privacy of its masters during their visits was ensured by a lethean slumber which Dwerulas, through his magic art, was wont to lay at such times upon the whole vicinity.

A mystery so salient could hardly fail to provoke curiosity, and sundry different beliefs arose concerning the garden’s nature. Some averred that it was filled with evil plants of nocturnal habit, that yielded their swift and mordant poisons for Adompha’s use, along with more insidious and baleful essences employed by the warlock in the working of his enchantments. Such tales, it seemed, were perhaps not without authority: since, following the construction of the closed garden, there had been at the royal court numerous deaths attributable to poisoning, and disasters that were plainly the sendings of a wizard, together with the bodily vanishment of people whose mundane presence no longer pleased Adompha or Dwerulas.

Other tales, of a more extravagant kind, were whispered among the credulous. That legend of unnatural infamy, which had surrounded the king from childhood, assumed a more hideous tinge; and Dwerulas, who had reputedly been sold to the Archdemon before birth by his haggish mother, acquired a new blackness of renown as one exceeding all other sorcerers in the depth and starkness of his abandonment.

Waking from such slumber and such dreams as the juice of the black poppy had given him, King Adompha rose in the dead, stagnant hours between moonset and dawn. About him the palace lay hushed like a charnel-house, its occupants having yielded to their nightly sopor of wine, drugs and arrack. Around the palace, the gardens and the capital city of Loithé slept beneath the slow stars of windless southern heavens. At this time Adompha and Dwerulas were wont to visit the high-walled close with little fear of being followed or observed.

Adompha went forth, pausing but briefly to turn the covert eye of his black bronze lanthorn into the lampless chamber adjoining his own. The room had been occupied by Thuloneah, his favorite odalisque for the seldom-equalled period of eight nights; but he saw without surprise or disconcertion that the bed of disordered silks was now empty. By this, he felt sure that Dwerulas had preceded him to the garden. And he knew, moreover, that Dwerulas had not gone idly or unburdened.

The grounds of the palace, steeped everywhere in unbroken shadow, appeared to maintain that secrecy which the king preferred. He came to the shut brazen door in the blankly towering granite wall; emitting, as he approached it, a sharp sibilation like the hissing of a cobra. In response to the rising and falling of this sound, the door swung inwardly silently and closed silently behind him.

The garden, planted and tilled so privily, and sealed by its metal roof from the orbs of heaven, was illumined solely by a strange, fiery globe that hung in mid-air at the center. Adompha regarded this globe with awe, for its nature and purveyance were mysterious to him. Dwerulas claimed that it had risen from hell on a moonless midnight at his bidding, and was levitated by infernal power, and fed with the never-dying flames of that clime in which the fruits of Thasaidon swelled to unearthly size and enchanted savor. It gave forth a sanguine light, in which the garden swam and weltered as if seen through a luminous mist of blood. Even in the bleak nights of winter, the globe yielded a genial warmth; and it fell never from its weird suspension, though without palpable support; and beneath it the garden flourished balefully, lush and exuberant as some parterre of the nether circles.

Indeed, the growths of that garden were such as no terrestrial sun could have fostered, and Dwerulas said that their seed was of like origin with the globe. There were pale, bifurcated trunks that strained upward as if to disroot themselves from the ground, unfolding immense leaves like the dark and ribbed wings of dragons. There were amaranthine blossoms, broad as salvers, supported by arm-thick stems that trembled continually…. And there were many other weird plants, diverse as the seven hells, and having no common characteristics other than the scions which Dwerulas had grafted upon them here and there through his unnatural and necromantic art.

These scions were the various parts and members of human beings. Consummately, and with never-failing success, the magician had joined them to the half-vegetable, half-animate stocks, on which they lived and grew thereafter, drawing an ichor-like sap. Thus were preserved the carefully chosen souvenirs of a multitude of persons who had inspired Dwerulas and the king with distaste or ennui. On palmy boles, beneath feathery-tufted foliage, the heads of eunuchs hung in bunches, like enormous black drupes. A bare, leafless creeper was flowered with the ears of delinquent guardsmen. Misshapen cacti were fruited with the breasts of women, or foliated with their hair. Entire limbs or torsos had been united with monstrous trees. Some of the huge salver-like blossoms bore palpitating hearts, and certain smaller blooms were centered with eyes that still opened and closed amid their lashes. And there were other graftings, too obscene or repellent for narration.

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