The Killings at Badger's Drift (28 page)

‘We used to use his car. The seats let down. He’d tell me where he was working. I’d drive there. Hide my car behind a hedge or some trees and we’d climb into the estate for half an hour.’

One up for Sergeant Troy, thought Barnaby. ‘And you think that one of the Rainbirds must have seen you?’

‘Oh no.’ She shook her head. ‘Impossible. But there was one occasion . . . we were supposed to meet around three and Henry kept him all afternoon at the office. And when five o’clock came and I knew he’d be home I drove round.’ Barnaby remembered the notebook. Mrs L drove into the W garage. And the red star.

‘It was something we agreed I’d never do because of the risk but I couldn’t wait, you see. I had to have him.’ She stared at Barnaby defiantly. ‘I suppose that shocks you?’ Barnaby managed a look of mild reproach. ‘And he was just as bad. He didn’t even let me get out of the car. Then we went upstairs and started all over again.’

There was nothing amative in the description. She did not even use that consoling euphemism ‘making love’. Love, as Barnaby understood the word, probably didn’t enter into the arrangement at all. He asked if they had spent any time together yesterday afternoon.

‘Yes. We met about half-past three. He was shifting the combine so he didn’t have the Citroën. We managed in the front seat of my Honda. We were together for about an hour, I suppose.’

‘Well, thank you for being so cooperative, Mrs Lessiter.’ Barnaby turned to leave. ‘I may need to talk to you again.’

‘Well, you know where to find me.’ She turned also, then stopped, staring over his shoulder. Her husband was standing in the doorway. Barnaby glanced at the man as he left. Rage and triumph struggled for supremacy on the doctor’s features.

When the door had closed behind the chief inspector Trevor Lessiter said, ‘I shouldn’t be too sure about that.’

‘How much did you hear?’

‘More than enough.’ The rage and triumph dissolved into a look of intense satisfaction. He gazed at her, a close and rewarding scrutiny. She had started coming down to breakfast without what she called her warpaint. Something she would never have done when they were first married. And her age really showed. She wouldn’t find another mug like him in a hurry. But maybe she wouldn’t have to. If she came to heel. Did as she was told. She had too much time on her hands, that was her trouble. Too much time and too much money. Her allowance could go for a start. So could the car. And Mrs Holland. Keeping a house this size clean and in order, cooking for three, gardening, the ordinary duties of a doctor’s wife should keep Barbara occupied. And at night there’d be other duties. And he’d make damn sure he wasn’t sold short there, either. Once a night every night and more if he felt like it. Then there were lots of little variations he had picked up at the Casa Nova. She could learn all those just to be going on with. He’d still go to the club of course (couldn’t disappoint little Krystal) but not nearly so often. At the thought of the money he had spent there over the last couple of years while his wife had been . . . He remembered his blood pressure and tried to take it all more calmly. Yes, the bitch had a lot to make up for (every locked door, every headache, every cutting remark) but make up for them she would or out she’d go. He recalled the tasteless tatty hole where she’d been living when they first met. That should have told him something about her for a start. She’d do anything before she’d sink back to that. She’d dance to his tune all right. He visualized a future rosy with sensual delights and started to explain the situation to his wife.

Barbara listened to him droning on. Every now and again he’d rise to the balls of his feet, cradling his pot belly with splayed fingers. She was to do this. She was to do that. She was to be a loving mother to that stumpy boss-eyed little mixer Judy. And to listen and look charitably on his bug-infested patients when they started whingeing. Poxy four-course meals were mentioned.

She thought of the blackmail money in her bag upstairs. Four thousand. And she still hadn’t sold her watch. She could scrape up enough for a deposit on a house. But what sort of house would it be? A terraced hovel like the one her parents, if they were alive, were probably still living in. Back to square bloody one with a vengeance. And how would she pay off a mortgage? What sort of job would she be able to get at her age? Of course once you had a property rooms could be let. With optional extras if need be. But if she was going to spend the rest of her life wrestling between the sheets why not do it here in comfort? She could always lie back and think of Capri. Or Ibiza. Or the Côte d’Azur.

She gazed out of the window. At the green sweet grass sparkling under the hypnotic sprinklers. At the flowering trees and the terrace with its tables and umbrellas and urns brimming with flowers. Then her eyes roamed around the room. Thick Chinese rugs and puffy sofas and onyx tables, nesting slabs of green and gold. And all she had to do was pretend. She should be able to manage that. After all she’d been doing it all her life.

She looked at him. He was really getting into his stride. Shredded rhubarb eyeballs staring, a frothy tic of malice tweaking at his lips. She would have to manage without a car. Three in one household was ridiculous. Mrs Holland would be given notice. The gardener’s hours drastically revised. It wouldn’t hurt Barbara to find out what a hard day’s work was like. Or a hard night’s work come to that. The days of freeloading were over. Ah - that had reached her. At last it had sunk in which side the bread was buttered. She was coming over now, a tender smile on her face. She reached out a hand and laid it gently on his arm.

‘Fuck off, Pookie,’ she said.

Barnaby sat in the Orion at the end of Church Lane. The windows were open and the sun was warming his face. He was thinking.

Lacey’s alibi was, as he had expected it to be, confirmed. The man was innocent of the murder of Iris Rainbird. Yet he had made a run for it. Why? Had he really just panicked? Sensed a frame-up? The first folds of a net falling around him cast by an unknown hand? It was feasible enough, Barnaby knew. He had seen people bolt more than once on a lot less provocation. Lacey had set off running like the wind yet Troy, who had to pick himself up from the floor before setting off in pursuit, had caught the man and brought him down before he had covered more than a few yards.

Barnaby recalled the scene, superimposing Lacey’s face on his mind’s eye. Amazement first. Then panic. And something else. They had looked at each other for a moment just before Lacey had been bundled into the back of the car and Barnaby had been aware of a third emotion behind the eyes. Unexpected and out of place. What was it? Barnaby found himself sweating as he struggled to recall precisely those few seconds, so fleeting and imprecise.

And then he had it. The third emotion was relief. Now, holding on to this new realization, he replayed the scene for a second time. Lacey running; Lacey getting caught almost certainly before he needed to have done; Lacey relieved. And when exactly had he started running? Not, as would have been expected, when the knife was produced. But minutes later, when Barnaby was about to turn back into the studio. That must be it. They had found something in Holly Cottage.
But they had not found what Lacey was afraid they would find
.

Barnaby got out of the car and crossed the road. His mouth was dry and he could feel his heart thumping in his breast. As he walked he recalled the studio. Neat. Professional. Trestle tables. Brushes and paints. Nothing out of the ordinary, but as he hurried down the dirt track he became more and more convinced that his sudden perception was correct.

Holly Cottage, no longer basking in the sun, looked cold and grey once more. Barnaby opened the front door, calling ‘Miss Lacey’ up the stairs. He thought it unlikely that she had slept there last night but, just in case, did not want to alarm her. There was no reply. He stepped through the doorless opening into the studio.

Everything looked exactly the same. He picked up all the jars, tubes and tins; opened and sniffed. They seemed to contain nothing unorthodox. The brushes were just brushes. There were lots of paperbacks and art catalogues in a corner cupboard. He opened them and shook the pages. No incriminating letter fell to the floor. There was a jar of clean spirit, one paint-muddied, and a few rags, some clean and neatly folded, some stained and crumpled. The windowsill was bare. Barnaby turned his attention to the paintings.

He wasn’t sure what he expected. Iris Rainbird had called them ugly, violent things. Barnaby was aware that this remark had started an ignoble hope in his own breast, once he had met the man, that Lacey had no talent. A hope now rudely shattered.

The first canvas he picked up was the portrait of Dennis Rainbird, and it was stunning. The paint glistened as if still fresh. A combination of grey and yellow ochre reminded Barnaby of a newly turned lump of sticky clay. Close to, the painting looked unfinished, almost crude, but put upon the windowsill a few feet away it leapt into instant complicated life. Dennis was wearing an open-necked shirt the outline of which, like his hands, was blurred, fading into a shadowy background. The bones at the base of his throat showed through the fine skin clear and fragile like those of a small bird. The planes of his face were thick yellow slabs of paint which miraculously managed to suggest the subtle living tissue of real flesh with all its tides and secrets. The mouth was very tightly controlled and the gaze turned inwards reflecting the sitter’s personal thoughts. His eyes showed loneliness and sorrow. The painter had understood and realized on canvas much more than Dennis Rainbird’s physical appearance. He had exposed the man’s secret heart. No wonder his mother had hated it.

Another portrait. An old woman holding a bunch of violets. Her eyes were sunken in a withered brown face. Her expression held all the gravity of the old yet her lips smiled with youthful lightness and grace. The violets retained a faint rime of silver where dew still clung to them. There were some abstracts and several landscapes and Barnaby, quite against his will, felt a rush of admiration as he turned these face outwards. No wonder Lacey didn’t give a damn for his surroundings with all this going on in his head.

Cornfields with poppies, a bank carpeted with wild flowers, two which could have been Miss Simpson’s garden. All a million miles removed from the careful discreet naturalism aimed for by Barnaby’s own art club. Here were brazen skies arched over endless almost colourless beaches; buildings shimmering in heat; gardens engorged with vivid plants and flowers, everything bathed in golden light. He propped them against the wainscot and the sunshine seemed to spill out of the canvases, forming lustrous puddles on the wooden floor.

The abstracts were very large and plain. Thick white paint and, in one corner, an imploding star. Galactic rings of ever-deepening colour shrank to a kernel of tar-black flame. Next to these was a portfolio. Barnaby opened it and pulled out a sheaf of drawings. Sketches of Judy Lessiter, quickly done but full of animation. Seeing these brought Barnaby back to the moment and to why he was there.

He looked closely at all the paintings again. There seemed to be nothing revelatory about them. Nothing to indicate why they should be sealed away behind locked doors. Stepping back, he collided with the easel. It tipped to one side and the old shirt covering it fell off. Barnaby righted the easel and replaced the cloth. It made a squarish shape supported by the two cross bars. But it was a different shape from the one he had seen yesterday. Less solid. He was quite sure that yesterday there had been a largish canvas on that easel. Which meant that, between that time and now, someone had entered the cottage and taken it away.

 

‘Get Lacey up here.’

‘
Yes, sir
,’ cried Sergeant Troy italically, leaving the incident room at a brisk trot and clattering down to the basement. ‘Come on you.’ He unlocked the cell door and jerked a thumb in Lacey’s direction. ‘Get off your backside. The chief inspector wants a word.’ He watched the prisoner pick up his jacket. ‘And you needn’t bother with that,’ he continued, ‘you’re not going anywhere.’

Michael Lacey ignored the sergeant, pushing past and hurrying up the stone steps. Troy caught up with him and resentfully tried to regain the dominant position. He had been brought up to date by Policewoman Brierley as to the main dramatic disaster of the night but as yet knew nothing of Lacey’s alibi, and his confidence was absolute. ‘Just bloody well watch it, that’s all.’

The prisoner sat down in front of Barnaby’s desk without being asked and looked around with interest at the equipment and activity. At the bank of telephones, wheels of cards and television screens.

‘So this is where it all goes on. Most impressive.’ He gave Barnaby a smile, perky and sardonic. ‘I shall sleep more easily in my bed tonight. I assume that’s where I shall be sleeping?’

‘Well, Mr Lacey, your alibi has certainly been confirmed.’

The man got up. ‘So I’m free to go?’

‘Just a moment.’ He sat down again. ‘I returned to the cottage this morning to continue my search.’ No reaction. No fear. No alarm. Not even nervousness. Sod his hide, thought Barnaby. ‘I believe at the time when you were detained there was quite a large canvas, covered with a cloth, on the easel in your studio.’

‘I doubt it. I was just starting on a portrait of Judy Lessiter, as you know. I never work on two things at the same time.’

‘Nevertheless that was my impression.’

‘Then your impression was incorrect, Chief Inspector. Did you enjoy looking round? What did you think of it all?’ Then, before Barnaby could reply he continued, ‘I’ll tell you, shall I? You don’t know anything about art but you know what you like.’

Stung by this patronizing assumption that he was nothing more than a flat-footed clodhopping philistine, Barnaby retorted, ‘On the contrary. I know quite a lot about art and I think you have a most remarkable talent.’