The Killing Room (10 page)

“Okay, hold up,” Douglas said. “What woman? Are you talking about Beatrice? Is she the one who makes the horrible things happen in the room? Because I figured her to be a victim. I figured the bad guy in all this was the creep that people have seen holding the pitchfork. Did he kill Beatrice? Was he the one that did it? Who was he? And why do you say it’s Beatrice who has the hold—”

Kip held up his hands as if to calm him. “Perhaps it’s best that I continue on with my narrative,” he said softly. “Carolyn has read my account. She knows the conclusions that I have drawn. Whether she accepts them or not, time will tell. But for your sake, Douglas, I will continue to share what I experienced and what I believe I discovered.”

Carolyn took another sip of the coffee. It felt good going down, warming her. But its effects were temporary. Within moments she was cold again. She began to think it wasn’t just the raw air coming in off the marsh that chilled her. It was fear.

“I conducted a series of communications in that room,” Kip said. “I did so by rather traditional means, at least in terms of psychic research. I held several séances and brought in two different channelers. I also communicated through untraditional means.” He stood and walked back into the cottage for a moment. They watched as he removed a small device that sat on the shelf of the bookcase. The device looked like an old-fashioned walkie-talkie.

“This was invented by a colleague,” Kip explained as he came back outside. “It transmits frequencies that are beyond the range of the human ear. It also allows our voices to penetrate that frequency. And as a handy-dandy tool, it also records the communication.”

He set the device on a wicker table. Douglas stared at it as Kip pushed a small button. The tape inside the device whirred. Then a piercing sound suddenly filled their ears. It was some kind of a whistle, extremely high-pitched. They all winced.

“What is it?” Douglas asked, covering his ears.

“Listen,” Kip told him.

The whistle continued on for nearly a minute, making Douglas want to bolt from his seat. Then it stopped abruptly and was replaced by a voice.

A woman’s voice.

“Love,” she said.

Even Carolyn looked perplexed.

“Love,” the voice said again. “It is love. Love. It is love.” The voice sounded sad, terribly sad, as if it might break at any time.

“Are you saying love?”

This was Kip’s voice, crackly and higher than the way he spoke normally, but clearly him. The device had recorded him trying to speak to whatever force was in the room.

“Love,” the woman’s voice repeated. “It is love.”

“Love,” Kip echoed. “Love. L-O-V-E.”

“Love,” the voice said once more, and then the whistle returned.

Kip switched off the device.

“That didn’t sound like a force intent on the kind of evil that has taken place in that room every ten years,” Carolyn said.

Kip shook his head. “Not at all. The voice was sad. Heartbreaking.”

“So she’s not the one who’s killing people then?” Douglas asked. “It’s the man with the pitchfork. The one who killed her in real life.”

“There’s no conclusive evidence that the voice we just heard was Beatrice,” Carolyn said. “Kip, I know you made that conclusion, but in the kind of investigations I’ve been trained to do, we can’t make any assumptions. We need direct evidence.”

“True,” Kip said. “The voice may have been another spirit, or force, or whatever we want to call it. But we held a séance after this communication. I’ll let Georgeanne take over from here.”

Georgeanne was quiet a moment before continuing the story. “I called upon Beatrice to appear to us. And she did. And she was crying. We asked her if she wished the killings to stop, if she wanted to release the room from her power. And she nodded that she did. So I used the words to invoke the ritual for ending a curse and asked Beatrice to follow along with me. She remained there, visible to both Kip and myself, and seemed to accept the words. Then I asked her to come with me out of the room. She did so. Kip and I walked up the stairs, and Beatrice followed us. I will never forget the experience. She was crying softly. Her long black hair fell over her shoulders. We walked through the foyer and out onto the yard. We walked all the way to the cliffs and turned to Beatrice and told her she was free now, that she was no longer trapped in the place where she had been killed. She smiled and continued walking—directly off the cliff. She vanished then.”

“So you can see why we had hope that the curse was ended,” Kip said softly.

“She was playing you,” Carolyn said. “She played along, let you think that she was really gone….”

Douglas put his hand to his forehead. They all knew he was thinking of his father again.

“Possibly,” Kip said. “Possibly she played us for fools.”

Georgeanne was shaking her head. “But I felt the energy in the room. When she appeared to us, there was no malevolence in her spirit. I, too, have been trained in my own kind of investigations. And I would recognize malevolence. The energy in that room that day was sadness. Grief. I believed her when she said she wanted the killings to end. But perhaps she is prevented somehow from doing so.”

“Yes,” Douglas interjected. “She’s prevented from doing so by that man with the pitchfork. He’s the evil force here! Why do you focus on Beatrice? He killed her. So he’s keeping her spirit trapped there and won’t let her go.”

“It might seem that way, yes,” Kip admitted. “But we focused on Beatrice because she was the only one who appeared when we summoned the forces in that room. The energy we felt there was feminine. The overwhelming presence in that room is Beatrice. And although we spoke with family members who reported seeing the man with the pitchfork, we never encountered him ourselves. We never saw him. We never felt his spirit. Only Beatrice responded when we called.”

“Though there
is
another force there,” Georgeanne said.

Carolyn was nodding. “The baby.”

“The baby?” Douglas asked. “What baby?”

Carolyn looked over at them. “In Kip’s notes, there was mention of a baby. That some in the family reported seeing the apparition of a baby.”

“Uncle Howie didn’t tell me anything about a baby,” Douglas said.

Kip sighed and stood from his chair, walking over to the edge of the deck. “It appears that Mr. Young picks and chooses the details he shares. For example, we never knew about the man with the pitchfork until other family members reported him to us. Then Mr. Young admitted he knew about him as well. We also did not know the manner of Beatrice’s death. Mr. Young only said that it was a tragic accident.”

“That was the same for me,” Carolyn said.

“So how did you find out?” Douglas asked.

Kip smiled. “Luckily, ten years ago, there were still a few old-timers in Youngsport who remembered the events of seventy years earlier. I’d doubt if you’d find any of them still alive today.”

“Why didn’t you include any of this in your report?” Carolyn asked. “I had no idea of the manner of Beatrice’s death either. There was nothing of it in your notes.”

“I discovered it at the very end of my research,” Kip told her. “By then, events were proceeding quickly. We had already cast Beatrice out of the room—or thought we had. I never had time to go back and write a conclusive report.”

Carolyn thought that was odd. Kip was one of the most thorough psychic investigators she knew. But for the moment, she let it go. “What did these old-timers tell you about what happened?” she asked.

“I could tell you,” Kip said, “but I think it would be better in their own words.”

Once again he stepped back inside the cottage. This time he returned with a much more conventional tape recorder. Placing it beside the other device, he switched it on.

“I had it ready in anticipation of your visit,” Kip said. “Listen.”

Kip’s voice floated from the machine.

“Will you state your name and age, please?”

“Harry Noons, and I’m eighty-eight,” came another voice from the tape recorder. It was a fragile voice, as dry as old leaves.

“And will you tell me everything you remember about the night in question and the events that took place at the Young mansion in September 1930?”

“Ayuh. I’ll tell ya what I know and what I can remembuh.” Harry Noons cleared his throat, a loud rattling sound that went on for nearly thirty seconds. “I was working up on the estate as a groundsman. I was a young man, barely eighteen, and times were tough. We had the Depression back then, you know. And old Mr. Young, the current Mr. Young’s father, he hired me and gave me some work trimming hedges and the like, and I was very grateful. And I noticed the girl they had working there. She was very beautiful. I admit I kind of fancied her myself. All the men who saw her did. She was just that kind of girl. To see her was to make your heart stop for a moment.”

“And her name was?” Kip asked on the tape recorder.

“Beatrice. I never knew her last name. She lived at the house. She did the housework and all that. She was very young. And here’s why she caused such a stir in town in them days. She wasn’t married. But she was in the family way.”

“She was pregnant?” Kip asked.

“Ayuh, sir, she was. And all the busybodies gossiped in town, wondering why Mr. and Mrs. Young, such pillars in the community, would keep her on. They thought she should have been cast out for disgracing their house in that way. But Beatrice stayed, and I’d see her walking around fluffing clothes and hanging them on the line, and she had her big belly right there, plain as day, for anyone to see it.”

“This was how many months before September?”

“Well, I think she had the baby sometime in the late spring. By September, of course, the baby was born and living there in the house with her.”

“Mr. Noons,” Kip asked, “there is no record at town hall of a birth of a child born to a woman named Beatrice in that year. Moreover, there’s no mention of a child in the newspaper notice of Beatrice’s death. Why is that?”

“Dunno. Guess they never filed no birth record. And if Mr. Young didn’t want something mentioned in the newspaper, it wasn’t.”

“Okay. Please proceed with your story.”

Harry Noons cleared his throat again, leading to a major coughing fit. The sound of phlegm being hacked up in his throat was plainly audible on the tape. Finally he found his voice again.

“It was getting near to fall, you know, kind of like now. Still hot enough most days to call it summer, but a chill would come in now and then. And I remembuh it was chilly that day. Windy. The skies were gray. And Miss Beatrice, she was crying. All day long, every time I seen her, she was crying. And so I asked Clem—”

“Who’s Clem?”

“Well, he was the one who done it.”

“Done what, Mr. Noons?”

“Killed her.”

“Who was he, and why did he kill Beatrice?”

“Well, that’s what I’m telling ya! Clem was kind of a slow-witted man, you know. Big and thick. Body and head, you know. Thick-headed. Clem worked on the grounds, like me, though he did the heavy work and was in charge of the barn. He was always chopping wood or hauling hay for the horses. Those were his jobs. Clem hoped to marry Beatrice, even though that baby was not his. He said he didn’t care, that he loved Beatrice and would be a good father to her baby. So one day I asked him what was wrong with Beatrice. He said he didn’t know. I believe he was telling me the truth then. But later I saw them arguing.”

“Where were they arguing?”

“Outside her room down in the basement,” Harry Noons said. “Back in those days the basement was the servants’ quarters, and there was an entrance from the back of the house. Nowadays that’s been closed off, and you can only get to the basement from the inside of the house. That’s because Mr. Young doesn’t have any servants who live there anymore. After what happened to Beatrice, all the servants were turned into day staff. No servant ever lived in that house again. The servants’ entrance was sealed off.”

“But you were inside the servants’ quarters to witness this argument?”

“Ayuh, I most certainly was. I had gone inside to wash my hands. I was done for the day and I was going home. And I saw Beatrice and Clem arguing. She was saying she’d never marry him, that she was going to marry a much better man than he was, and it was making Clem angry. He didn’t like to be told that anyone was better than him. He was a dumb animal, but like any animal that gets cornered, that gets provoked, he got angry. And I remembuh Beatrice was holding her baby in one arm as she shouted at Clem, and Clem called the baby a bastard. She slapped him then, right across the face.”

“What did you do?”

“I was just trying to mind my business, you know, so I didn’t say nuthin’. I finished washing my hands and got the hell out of there. I went up the stairs back outside and then walked across the terrace to the kitchen entrance. I stepped inside for just a moment to tell Mrs. Young that I was done for the day. The sun was starting to set, I remembuh. The sky was a bright blood red. Mrs. Young told me that Mr. Young would be down in a moment to give me my pay. He was good like that. Always paid me at the end of each day. But then we heard the screams from downstairs. They were horrible. Really bloodcurdling. Mrs. Young turned all white, and I immediately ran back outside and headed down the stairs into the servants’ entrance. There I found Beatrice….”

The old man’s voice faltered.

“How did you find her, Mr. Noons?”

“I found her impaled on the wall with a pitchfork.”

He began coughing again, the horror of the memory overtaking him.

“And where was the baby?”

“Don’t know that. Nowhere that I could see. But Beatrice…she was hanging there on the wall, dripping blood everywhere….”

The old man made a sound of horror and began hacking violently.

Kip switched off the recorder.

“It took him a while to compose himself and be able to speak again,” Kip told them, “so I’ll just paraphrase the rest of what he told me. The household came running, Mr. Young and all the Young sons, including our current Mr. Young, Howard. Harry Noons told them what he’d seen, and they immediately dispersed across the estate looking for Clem. They searched for hours, but couldn’t find him.”