The Kill Room (4 page)

C
APTAIN BILL MYERS HAD TAKEN
his grating verbiage and left, now that he’d handed off the baton of the case to Rhyme and crew.

While the Moreno conspiracy investigation was in some ways monumental, it was ultimately just another of the thousands of felony cases active in New York, and other matters surely beckoned the captain and his mysterious Special Services Division.

Rhyme supposed too that he’d want to distance himself. Myers had backed up the DA—a captain had to do that, of course; police and prosecutors were Siamese twins—but now was the moment for Myers to head to an undisclosed location. Rhyme was thinking of the political ambition he’d smelled earlier, and if that was true the brass would step back and see how the case unfolded. He’d then return to the podium in glory, in time for the perp walk. Or vanish completely if the case exploded into a public relations nightmare.

A very likely possibility.

Rhyme didn’t mind. In fact, he was pleased Myers was gone. He didn’t do well with
any
other cooks in the kitchen.

Lon Sellitto, of course, remained. Technically the lead investigator, he was now sitting in a creaky rattan chair, debating a muffin on the breakfast tray, even though he’d pecked half the Danish away. But he then squeezed his gut twice, as if hoping the message would be that he’d lost enough weight on his latest fad diet to deserve the pastry. Apparently not.

“What do you know about this guy running NIOS?” Sellitto asked Laurel. “Metzger?”

She again recited without the benefit of notes: “Forty-three. Divorced. Ex-wife’s a lawyer in private practice, Wall Street. He’s Harvard, ROTC. After, went into the army, Iraq. In as a lieutenant, out as a captain. There was talk of him going further but that got derailed. Had some issues I’ll tell you about later. Discharged, then Yale, master’s in public policy along with a law degree. Went to the State Department, then joined NIOS five years ago as operations director. When the existing NIOS head retired last year, Metzger got his job, even though he was one of the youngest on the management panel. The word is nothing was going to stop him from taking the helm.”

“Children?” Sachs asked.

“What?” Laurel replied.

“Does Metzger have children?”

“Oh, you’re thinking someone was pressuring him, using the children to force him to take on improper missions?”

“No,” Sachs said. “I just wondered if he had children.”

A blink from Laurel. Now she consulted notes. “Son and daughter. Middle school. He was disallowed any custody for a year. Now he’s got some visitation rights but mostly they’re with the mother.

“Now, Metzger’s beyond hawkish. He’s on record as saying he would’ve nuked Afghanistan on September twelve, two thousand one. He’s very outspoken about our right to preemptively eliminate enemies. His nemesis is American citizens who’ve gone overseas and are engaged in what he considers un-American activities, like joining insurgencies or vocally supporting terrorist groups. But those’re his politics and’re irrelevant to me.” A pause. “His more significant quality is that he’s mentally unstable.”

“How so?” Sellitto asked.

Rhyme was beginning to lose patience. He wanted to consider the forensics of the case.

But since both Sachs and Sellitto approached cases “globally,” as Captain Myers might have said, he let Laurel continue and he tried to appear attentive.

She said, “He’s had emotional issues. Anger primarily. That’s largely what’s driving him, I think. He left the army with an honorable discharge but he had a half dozen episodes that hurt his career there. Fits of rage, tantrums, whatever you want to call them. Totally lost control. He was actually hospitalized at one point. I’ve managed to datamine some records and he still sees a psychiatrist and buys meds. He’s been detained by the police a few times for violent episodes. Never charged. Frankly, I think he’s borderline with a paranoid personality. Not psychotic but has definite issues of delusion and addiction—addicted to anger itself. Well, to be precise, the
response
to anger. From what I’ve studied up on the subject, the relief you feel in acting out during an episode of anger is addicting. Like a drug. I think ordering a sniper to kill somebody he’s come to detest gives him a high.”

Studied up indeed. She sounded like a psychiatrist lecturing students.

“How’d he get the job, then?” Sachs asked.

A question that had presented itself to Rhyme.

“Because he’s very, very good at killing people. At least, that’s what his service record indicates.” Laurel continued, “It’ll be hard to get his personality workup to a jury but I’m going to do it somehow. And I can only pray he takes the stand. I’d have a field day. I’d love for a jury to see a tantrum.” She glanced from Rhyme to Sachs. “As you pursue the investigation I want you to look for anything that suggests Metzger’s instability, anger and violent tendencies.”

Now a pause preceded Sachs’s response. “That’s a little fishy, don’t you think?”

The battle of the silences. “I’m not sure what you mean.”

“I don’t know what kind of forensic evidence we could find showing that this guy has temper tantrums.”

“I wasn’t thinking forensics. I was thinking general investigation.” The ADA was looking up at Sachs—the detective was eight or nine inches taller. “You have good write-ups in your file for psych profiling and witness interrogation. I’m sure you’ll be able to find something if you look for it.”

Sachs cocked her head slightly, eyes narrowed. Rhyme too was surprised that the ADA had profiled her—and presumably the criminalist himself too.

Studied up…

“So.” The word was delivered by Laurel abruptly. The matter was settled; they’d look for instability. Got it.

Rhyme’s caregiver rounded the corner. He was carrying a pot of fresh coffee. The criminalist introduced the man. He noted that Nance Laurel’s made-up façade stirred briefly as she looked at Thom. An unmistakable focus was in her eyes, though as good looking and charming as he was, Thom Reston was not a romantic option for the woman—who wore no heart-finger rings. But a moment later Rhyme concluded her reaction arose not from attraction to the aide himself but because he resembled somebody she knew or had known closely.

Finally looking away from the young man, Laurel declined coffee, as if it were some ethics breach to indulge on the job. She was digging in her litigation bag, whose contents were perfectly organized. Folder tabs were color-coded and he noted two computers, whose eyes pulsed orange in their state of hibernation. She extracted a document.

“Now,” she said, looking up, “do you want to see the kill order?”

Who could say no to that?

O
F COURSE THEY DON’T CALL IT THAT,
a kill order,” Nance Laurel assured. “That’s shorthand. The term is ‘STO,’ a Special Task Order.”

“Almost sounds worse,” Lon Sellitto said. “Kind of sanitized, you know. Creepy.”

Rhyme agreed.

Laurel handed Sachs three sheets of paper. “If you could tape them up, so we could all see them?”

Sachs hesitated and then did as the prosecutor requested.

Laurel tapped the first. “Here’s the email that came to our office last Thursday, the eleventh.”

“We’ll see about tracing the email,” Rhyme said. “Rodney.” A glance toward Sachs, who nodded.

She explained to Laurel that they worked with the cybercrimes unit in the NYPD frequently. “I’ll send them a request. Do you have the email in digital form?”

Laurel dug a Baggie containing a flash drive from her briefcase. Rhyme was impressed to see that a chain-of-custody evidence card was attached. She handed it to Sachs, saying, “If you could—”

Just as the detective jotted her name on the card.

Sachs plugged the drive into the side of her computer and began to type.

“You’re going to let them know that security’s a priority.”

Without looking up, Sachs said, “It’s in my first paragraph.” A moment later she sent the request to the CCU.

“Code name sounds familiar,” Sellitto pointed out. “Bruns, Bruns…”

“Maybe the sniper likes country-western music,” Sachs pointed out. “There’s a Don Bruns who’s a songwriter and performer, folk, country-western. Pretty good.”

Laurel cocked her head as if she had never listened to any music, much less something as lively as CW.

“Check with Information Services,” Rhyme said. “Datamine ‘Bruns.’ If it’s a NOC, he’ll still have a presence in the real world.”

Agents operating under non-official covers nonetheless have credit cards and passports that can—possibly—allow their movements to be traced and yield clues to their true identity. Information Services was a new division at the NYPD, a massive datamining operation, one of the best in the country.

As Sachs put the request in, Laurel turned back to the board and tapped a second sheet she’d taped up there. “And here’s the order itself.”

The other document on the board was headed “A.” This gave the information that Nance Laurel had mentioned earlier, supporting data about the shipments of fertilizer and diesel fuel and chemicals to the Bahamas. The shipments were from Corinto, Nicaragua and Caracas.

Laurel nodded toward the flash drive, still inserted into the computer nearby. “The whistleblower also sent a .wav file, a sound file of a phone call or radio transmission to the sniper, apparently from his commander. This was just before the shooting.” She looked expectantly at Sachs, who paused then sat down at the computer again. She typed. A moment later, a brief exchange came from the tinny speakers:

“There seem to be two, no three people in the room.”

“Can you positively identify Moreno?”

“It’s…there’s some glare. Okay, that’s better. Yes. I can identify the task. I can see him.”

Then the transmission ended. Rhyme was about to ask Sachs to run a voiceprint but she’d already done so. He said, “It doesn’t prove he actually pulled the trigger but it gets him on the scene. Now all we need is a body to go with the voice.”

“‘Specialists,’” Laurel pointed out. “That’s the official job title of assassins, apparently.”

“What’s with the NIOS ID code?” Sellitto asked.

“Presumably to make sure they get the right R. A. Moreno. Embarrassing to make
that
mistake.” Rhyme read. “Interesting that the whistleblower didn’t give us the name of the shooter.”

“Maybe he doesn’t know,” Sellitto said.

Sachs: “Looks like he knows everything else. His conscience extends up to a certain point. He’ll dime out the head of the organization but he’s sympathetic toward the guy who got the assignment to shoot.”

Laurel said, “I agree. The whistleblower has to know. I want him too. Not to prosecute, just for information. He’s our best lead to the sniper—and without the sniper there’s no conspiracy and no case.”

Sachs said, “Even if we find him he’s not going to tell us willingly. Otherwise he already would have.”

Laurel said absently, “You get me the whistleblower…and he’ll talk. He’ll talk.”

Sachs asked, “Any consideration about going after Metzger for the other deaths, the guard and that reporter, de la Rua?”

“No, since only Moreno was named in the kill order and they were collateral damage we didn’t want to muddy the waters.”

Sachs’s sour expression seemed to say: even though they were just as dead as the target. Can’t confuse the precious jury, can we?

Rhyme said, “Give me the details of the killing itself.”

“We have very little. The Bahamian police gave us a preliminary report, then everything shut down from them. They’re not returning calls. What we know is that Moreno was in his suite when he was shot.” She indicated the STO. “Suite twelve hundred. The Kill Room, they’re calling it. The sniper was shooting from an outcrop of land about two thousand yards from the hotel.”

“Well, that’s one hell of a shot,” Sachs said, eyebrows rising. She was quite a marksman, competed in shooting matches often and held records in the NYPD and in private competitions, though she favored handguns over rifles. “We call that a million-dollar bullet. The record for a sniper’s about twenty-five hundred yards. Whoever it was, that shooter’s got some skill.”

“Well, that’s good news for us,” Laurel continued. “Narrows down the field of suspects.”

True, Rhyme reflected. “What else do we have?”

“Nothing.”

That’s
all
? Some emails, a leaked government document, the name of one conspirator.

And notably absent was the one thing Rhyme needed the most: evidence.

Which was sitting somewhere hundreds of miles away, in a different jurisdiction—hell, in a different
country
.

Here he was, a crime scene expert without a crime scene.