The Journeyer (3 page)
Authors: Gary Jennings
Though my seniors loudly lamented and predicted dire ends for me, I really do not think that my willfulness signified that I was an evil child. My chief besetting sin was curiosity, but of course that is a sin by our Western standards. Tradition insists that we behave in conformity with our neighbors and peers. The Holy Church demands that we believe and have faith, that we stifle any questions or opinions derived from our own reasoning. The Venetian mercantile philosophy decrees that the only palpable truths are those numerated on the bottommost ledger line where debits and credits are balanced.
But something in my nature rebelled against the constraints accepted by all others of my age and class and situation. I wished to live a life beyond the rules and the ruled ledger lines and the lines written in the Missal. I was impatient and perhaps distrustful of received wisdom, those morsels of information and exhortation so neatly selected and prepared and served up like courses of a meal, for consumption and assimilation. I much preferred to make my own hunt for knowledge, even if I found it raw and unpalatable to chew and nauseating to swallow, as often I would do. My guardians and preceptors accused me of lazy avoidance of the hard work required to gain an education. They never realized that I had chosen to follow a far harder path, and would follow it—wherever it led—from that childhood time through all the years of my manhood.
On the days when I stayed away from the school and could not go home, I had to idle the days away somewhere, so sometimes I loitered about the establishment of the Compagnia Polo. It was situated then, as now, on the Riva Ca’ de Dio, the waterfront esplanade which looks directly out onto the lagoon. On the water side, that esplanade is fringed with wooden quays, between which are ships and boats moored stem to stern and side by side. There are vessels of small and medium size: the shallow-draft batèli and gòndole of private houses, the bragozi fishing boats, the floating saloons called burchielli. And there are the much grander seagoing galleys and galeazze of Venice, interspersed with English and Flemish cogs, Slavic trabacoli and Levantine caïques. Many of those ocean vessels are so large that their stems and bowsprits overhang the street, and cast a latticed shadow on its cobbles, almost all the way to the variegated building fronts that line the esplanade’s landward side. One of those buildings was (and still is) ours: a cavernous warehouse, with one little interior space of it partitioned off for a counting room.
I liked the warehouse. It was aromatic of all the smells of all the countries of the world, for it was heaped and piled with sacks and boxes and bales and barrels of all the world’s produce—everything from Barbary wax and English wool to Alexandria sugar and Marseilles sardines. The warehouse workers were heavily muscled men, hung about with hammers, fist-hooks, coils of rope and other implements. They were forever busy, one man perhaps wrapping in burlap a consignment of Cornish tinware, another hammering the lid on a barrel of Catalonia olive oil, yet another shouldering a crate of Valencia soap out to the docks, and every man seeming always to be shouting some command like “logo!” or “a corando!” at the others.
But I liked the counting room, too. In that cramped coop sat the director of all that business and busy-ness, the old clerk Isidoro Priuli. With no apparent exertion of muscle, no rushing about or bellowing, no tools but his abaco, his quill and his ledger books, Maistro Doro controlled that crossroads of all the world’s goods. With a little clicking of the abaco’s colored counters and a scribble of ink in a ledger column, he could send to Bruges an ànfora of Corsican red wine and to Corsica, in exchange, a skein of Flanders lace, and, as the two items passed each other in our warehouse, dip off a metadella measure of the wine and snip off a braccio length of the lace to pay the Polos’ profit on the transaction.
Because so many of the warehouse’s contents were flammable, Isidoro did not allow himself the aid of a lamp or even a single candle to light his working space. Instead, he had arranged on the wall above and behind his head a large concave mirror made of real glass, which scooped in what light it could from the day outside and directed it down onto his high table. Seated there at his books, Maistro Doro looked like a very small and shriveled saint with an oversized halo. I would stand peering over the edge of that table, marveling that just the twitch of the maistro’s fingers could exercise so much authority, and he would tell me things about the work in which he took such pride.
“It was the heathen Arabs, my boy, who gave the world these curlicue marks representing numbers, and this abaco for counting them with. But it was Venice that gave the world this system of
keeping
account—the books with facing pages for double entry. On the left, the debits. On the right, the credits.”
keeping
account—the books with facing pages for double entry. On the left, the debits. On the right, the credits.”
I pointed to an entry on the left: “to the account of Messer Domeneddio,” and asked, just for instance, who that Messere might be.
“Mefè!” the maistro exclaimed. “You do not recognize the name under which our Lord God does business?”
He flipped over the pages of that ledger to show me the flyleaf in the front, with its inked inscription: “In the name of God and of Profit.”
“We mere mortals can take care of our own goods when they are secure here in this warehouse,” he explained. “But when they go out in flimsy ships upon the hazardous seas, they are at the mercy of—who else but God? So we count Him a partner in our every enterprise. In our books He is allotted two full shares of every transaction at venture. And if that venture succeeds, if our cargo safely reaches its destination and pays us the expected profit, why then those two shares are entered to il conto di Messer Domeneddio, and at the end of each year, when our dividends are apportioned, they are paid to Him. Or rather, to His factor and agent, in the person of Mother Church. Every Christian merchant does the same.”
If all my days stolen from school had been passed in such improving conversations, no one could have complained. I probably would have had a better education than I could ever have got from Fra Varisto. But inevitably my loitering about the waterfront brought me into contact with persons less admirable than the clerk Isidoro.
I do not mean to say that the Riva is in any sense a low-class street. While it teems with workmen, seamen and fishermen at all hours of the day, there are just as many well-dressed merchants and brokers and other businessmen, often accompanied by their genteel wives. The Riva is also the promenade, even after dark on fine nights, of fashionable men and women come merely to stroll and enjoy the lagoon breeze. Nevertheless, among those people, day or night, there lurk the louts and cutpurses and prostitutes and other specimens of the rabble we call the popolàzo. There were, for example, the urchins I met one afternoon on that Riva dockside, when one of them introduced himself by throwing a fish at me.
IT was not a very large fish, and he was not a very large boy. He was of about my own size and age, and I was not hurt when the fish hit me between my shoulder blades. But it left a smelly slime on my Lucca silk tunic, which was clearly what the boy had intended, for he was clad in rags already redolent of fish. He danced about, gleefully pointing at me and singing a taunt:
Un ducato, un ducatòn!
Bùtelo … bùtelo … zo per el cavròn!
That is merely a fragment of a children’s chant, meant to be sung during a throwing game, but he had changed the last word of it into a word which, though I could not then have told you its meaning, I knew to be the worst insult one man can fling at another. I was not a man and neither was he, but my honor was obviously in dispute. I interrupted his dance of mockery by stepping up to him and striking him in the face with my fist. His nose gushed bright red blood.
In the next moment, I was flattened under the weight of four other rascals. My assailant had not been alone on that dockside, and he was not alone in resenting the fine clothes Zia Zulià made me don on school-days. For a while, our struggles made the dock planks rattle. Numerous of the passersby stopped to watch us, and some of the rougher sorts shouted things like “Gouge him!” and “Kick the beggar in his baggage!” I fought valiantly, but I could strike back at only one boy at a time, while they all five were pummeling me. Before long, I had the wind knocked out of me and my arms pinned down. I simply lay there being beaten and kneaded like pasta dough.
“Let him up!” said a voice from outside our entangled heap.
It was only a piping falsetto of a voice, but it was loud and commanding. The five boys stopped pounding on me, and one after another, although reluctantly, peeled off me. Even when I was unencumbered, I still had to lie there for a bit and get my breath back before I could stand.
The other boys were shuffling their bare feet and sullenly regarding the owner of the voice. I was surprised to see that they had obeyed a mere girl. She was as ragged and aromatic as they were, but smaller and younger than any of them. She wore the short, tight, tubelike dress worn by all Venetian girl children until about the age of twelve—or I should say she wore the remains of one. Hers was so tattered that she would have been quite indecently exposed, except that what showed of her body was the same dingy gray color as her frock. Perhaps she derived some authority from the fact that she, alone of the urchins, wore shoes—the cloglike wooden tofi of the poor.
The girl came close to me and maternally brushed at my clothes, which were now not very disparate from her own. She also informed me that she was the sister of the boy whose nose I had bloodied.
“Mama told Boldo never to fight,” she said, and added, “Papà told him always to fight his own fights without help.”
I said, panting, “I wish he had listened to one of them.”
“My sister is a liar! We do not have a mama or a papà!”
“Well, if we did, that is what they would tell you. Now pick up that fish, Boldo. It was hard enough to steal.” To me she said, “What is your name? He is Ubaldo Tagiabue and I am Doris.”
Tagiabue means “built like an ox,” and I had learned in school that Doris was the daughter of the pagan god Oceanus. This Doris was too pitifully skinny to merit the surname, and far too dirty to resemble any water goddess. But she stood staunch as the ox, imperious as the goddess, as we watched her brother obediently go to pick up the discarded fish. He could not exactly pick it up; it had several times been stepped on during the brawl; he had more or less to gather it up.
“You must have done something terrible,” Doris said to me, “to have made him throw our supper at you.”
“I did nothing at all,” I said truthfully. “Until I hit him. And that was because he called me a cavròn.”
She looked amused and asked, “Do you know what that means?”
“Yes, it means one must fight.”
She looked even more amused and said, “A cavròn is a man who lets his wife be used by other men.”
I wondered why, if that was all it meant, the word should be such a deadly insult. I knew of several men whose wives were washerwomen or seamstresses, and those women’s services were used by many other men, and that excited no public commotion or private vendèta. I made some remark to that effect, and Doris burst out laughing.
“Marcolfo!” she jeered at me. “It means the men put their candles into the woman’s scabbard and together they do the dance of San Vito!”
No doubt you can divine the street meaning of her words, so I will not tell you the bizarre picture they brought to my ignorant mind. But some respectably merchant-looking gentlemen were strolling nearby at that moment, and they recoiled from Doris, their various mustaches and beards bristling like quills, when they heard those obscenities shouted by so small a female child.
Bringing the mangled corpse of his fish cradled in his grimy hands, Ubaldo said to me, “Will you share our supper?” I did not, but in the course of that afternoon he and I forgot our quarrel and became friends.
He and I were perhaps eleven or twelve years old then, and Doris about two years younger, and during the next few years I spent most of my days with them and their somewhat fluid following of other dockside brats. I could easily have been consorting in those years with the well-fed and well-dressed, prim and priggish offspring of the lustrìsimi families, such as the Balbi and the Cornari—and Zia Zulià used every effort and persuasion to make me do so—but I preferred my vile and more vivacious friends. I admired their pungent language, and I adopted it. I admired their independence and their fichèvelo attitude to life, and I did my best to imitate it. As could be expected, since I did not slough off those attitudes when I went home or elsewhere, they did not make me any better beloved by the other people in my life.
During my infrequent attendances at school, I began calling Fra Varisto by a couple of nicknames I had learned from Boldo—“il bel de Roma” and “il Culiseo”—and soon had all the other schoolboys doing the same. The friar-maistro put up with that informality, even seemed flattered by it, until gradually it dawned on him that we were not likening him to the grand old Beauty of Rome, the Colosseum, but were making a play on the word culo, and in effect were calling him the “landmark of buttocks.” At home, I scandalized the servants almost daily. On one occasion, after I had done a thing reprehensible, I overheard a conversation between Zia Zulià and Maistro Attilio, the maggiordomo of the household.
“Crispo!” I heard the old man exclaim. That was his fastidious way of uttering a profanity without actually saying the words “per Cristo!” but he managed, anyway, to sound outraged and disgusted. “Do you know what the whelp has done now? He called the boatman a black turd of merda, and now poor Michièl is dissolving in tears. It is an unforgivable cruelty to speak so to a slave, and remind him that he is a slave.”
“But Attilio, what can I do?” whimpered Zulià. “I cannot beat the boy and risk injuring his precious self.”
The chief servant said sternly, “Better he be beaten young, and here in the privacy of his home, than that he grow up to earn a public scourging at the pillars.”
“If I could keep him always under my eye …” sniffled my nena. “But I cannot chase him throughout the city. And since he took to running with those popolàzo boat children …”
“He will be running with the bravi next,” growled Attilio, “if he lives long enough. I warn you, woman: you are letting that boy become a real bimbo viziato.”
A bimbo viziato is a child spoiled to rottenness, which is what I was, and I would have been delighted with a promotion from bimbo to bravo. In my childishness, I thought the bravi were what their name implies, but of course they are anything but brave.
The skulking bravi are the modern Vandals of Venice. They are young men, sometimes of good family, who have no morals and no useful employment, and no ability except low cunning and perhaps some swordsmanship, and no ambition except to earn an occasional ducat for committing a sneak murder. They are sometimes hired for that purpose by politicians seeking a short road to preferment, or merchants seeking to eliminate competition by the easiest means. But, ironically, the bravi are more often utilized by
lovers
—to dispose of an impediment to their love, like an inconvenient husband or a jealous wife. If, in daytime, you should see a young man swaggering about with the air of a cavaliere errante, he is either a bravo or wishes to be mistaken for one. But if you should meet a bravo by night, he will be masked and cloaked, and wearing modern chain mail under his cloak, and lurking furtively far from any lamplight, and when he stabs you with sword or stilèto, it will be in the back.
lovers
—to dispose of an impediment to their love, like an inconvenient husband or a jealous wife. If, in daytime, you should see a young man swaggering about with the air of a cavaliere errante, he is either a bravo or wishes to be mistaken for one. But if you should meet a bravo by night, he will be masked and cloaked, and wearing modern chain mail under his cloak, and lurking furtively far from any lamplight, and when he stabs you with sword or stilèto, it will be in the back.
This is no digression from my history, for I did live to become a bravo. Of sorts.
However, I was speaking of the time when I was still a bimbo viziato, when Zia Zulià complained of my being so often in the company of those boat children. Of course, considering the foul mouth and abominable manners I acquired from them, she had good reason to disapprove. But only a Slav, not Venice-born, would have thought it unnatural that I should loiter about the docks. I was a Venetian, so the salt of the sea was in my blood, and it urged me seaward. I was a boy, so I did not resist the urge, and to consort with the boat children was as close as I could then get to the sea.
I have, since then, known many seaside cities, but I have known none that is so nearly a part of the sea as is this Venice. The sea is not just our means of livelihood—as it is also for Genoa and Constantinople and the Cherbourg of the fictional Bauduin—here it is indissoluble from our lives. It washes about the verge of every island and islet composing Venice, and through the city’s canals, and sometimes—when the wind and the tide come in from the same quarter—it laps at the very steps of the Basilica of San Marco, and a gondolier can row his boat among the portal arches of Samarco’s great piazza.
Only Venice, of all the world’s port cities, claims the sea for its bride, and annually affirms that espousal with priests and panoply. I watched the ceremony again just last Thursday. That was Ascension Day, and I was one of the honored guests aboard the gold-encrusted bark of our Doge Zuàne Soranzo. His splendid buzino d’oro, rowed by forty oarsmen, was but one of a great fleet of vessels, crowded with seamen and fishermen and priests and minstrels and lustrìsimi citizens, going in stately procession out upon the lagoon. At the Lido, the most seaward of our islands, Doge Soranzo made the ages-old proclamation, “Ti sposiamo, O mare nostro, in cigno di vero e perpetu o dominio,” and threw into the water a gold wedding ring, while the priests led our waterborne congregation in a prayer that the sea might, in the coming twelvemonth, prove as generous and submissive as a human bride. If the tradition is true—that the same ceremony has been performed on every Ascension Day since the year 1000—then there is a considerable fortune of more than three hundred gold rings lying on the sea bottom off the beaches of the Lido.
The sea does not merely surround and pervade Venice: it is within every Venetian; it salts the sweat of his laboring arms, and the weeping or laughing tears of his eyes, and even the speech of his tongue. Nowhere else in the world have I heard men meet and greet each other with the glad cry of
“Che bon vento?”
That phrase means “What good wind?” and to a Venetian it means “What good wind has wafted you across the sea to this happy destination of Venice?”
“Che bon vento?”
That phrase means “What good wind?” and to a Venetian it means “What good wind has wafted you across the sea to this happy destination of Venice?”
Ubaldo Tagiabue and his sister Doris and the other denizens of the docks had an even more terse greeting, but the salt was in that one, too. They said simply, “Sana capàna,” which is short for a salute “to the health of our company,” and assumes the understanding that what is meant is the company of boat people. When, after we had been acquainted for some time, they began to salute me with that phrase, I felt included, and proud to be so.
Those children lived, like a swarm of dock rats, in a rotting hulk of a tow barge mired in a mud flat off the side of the city that faces the Dead Lagoon and, beyond that, the little cemetery isle of San Michièl, or Isle of the Dead. They really spent only their sleeping hours inside that dark and clammy hull, for their waking hours had to be mainly devoted to scavenging bits of food and clothing. They lived almost entirely on fish because, when they could steal no other nutriment, they could always descend on the Fish Market at the close of each day, when, by Venetian law—to prevent any stale fish from ever being vended—the fishmongers have to scatter on the ground whatever stock is left unsold. There was always a crowd of poor people to scramble and fight for those leavings, which seldom consisted of anything tastier than molefish.
I did bring to my new friends what scraps I could save from the table at home, or pilfer from the kitchen. At least that put some vegetables in the children’s diet when I fetched something like kale ravioli or turnip jam, and some eggs and cheese when I brought them a maccherone, and even good meat when I could sneak a bit of mortadella or pork jelly. Once in a while I provided some viand they found most marvelous. I had always thought that, on Christmas Eve, Father Baba brought to all Venetian children the traditional torta di lasagna of the season. But when, one Christmas Day, I carried a portion of that confection to Ubaldo and Doris, their eyes widened in wonder, and they exclaimed with delight at every raisin and pine-nut and preserved onion and candied orange peel they found among the pasta.
Other books
Still a Work in Progress by Jo Knowles
The Relic by Maggie Nash
Harry Putter and the Chamber of Cheesecakes by O'Donnell, Timothy R.
Seducing Her Laird by Hildie McQueen
What Happens to Goodbye by Sarah Dessen
Kill Fee by Barbara Paul
Alpha Pack 7 - Chase the Darkness by J.D. Tyler
Let Me Whisper in Your Ear by Mary Jane Clark
Elyon by Ted Dekker
Longarm on the Santee Killing Grounds by Tabor Evans
