The Jalna Saga – Deluxe Edition: All Sixteen Books of the Enduring Classic Series & The Biography of Mazo de la Roche (324 page)

Nicholas, too, was on her nerves. They could not be long together without his having this effect on her. His untidy hair and slovenly habits irritated her as much as Ernest’s neatness
pleased her. More than once he had caused her dismay by his apparently unconscious imitation of their mother. He had made sops of his cake in his tea. He had rumbled at table—“I want gravy. More dish gravy, please,” in their mother’s very tone. She and Ernest had given each other a look. Another time he had said—“Why doesn’t that young whelp at the lodge come up to see me? I want to see Eden!” At this Ernest and she had been positively frightened. Ernest had counselled her to pay no attention to this vagary of Nick’s. “Just ignore him,” he had advised, “and he’ll grow ashamed of himself.” But they had an uncomfortable feeling that Nick knew their ignoring was a pretence and that he was unashamed.

When whist was being played in the evening it became the custom for Sarah and Finch to meet in the garden. They entered it by the door, and Finch usually left it ajar so that he might see the gardener’s boy and his girl pass, hand in hand. Ralph no longer troubled about the closing of the door. A quiet understanding had arisen between the two youths. No day passed without their talking together for a little. Finch learned that Ralph’s mother was a Cornishwoman and that the men of his family had followed a seafaring life. Sarah had found out that the girl was a kitchenmaid, thickset, round-faced, stolid. She had spoken to her once, but could scarcely make out what she said, for she came from a farm and spoke in broad Devon.

The rustic love affair had a peculiar fascination for the two who sat on the garden seat. They discussed the lovers, their regular walking out together; and Finch repeated fragments of his conversations with Ralph, trying to imitate the singsong of his speech. They would sit silent in the dusk, thinking of the other two in the dusk somewhere unseen,
perhaps kissing, embracing, and they took a sensuous mournful pleasure in reflecting on their attachment.

Sometimes they went to the lodge, where they were very welcome to Eden and Minny, who were often bored by each other’s society. They would gather about the fire, and Eden would throw pine boughs on it that burst into a vivid crackling blaze, illuminating their faces and the black oak beams of the ceiling, then die down, leaving the pine needles like fiery wires. The twigs would writhe in worm-like agony, pale, turn grey, and crumble. Then Eden would throw on fresh boughs.

Before the fire he read his new poems to them, directing his voice towards Sarah, but Minny showed no sign of jealousy. She seemed perfectly sure of Eden. He said once to Finch, as they lay talking on a hillside—“Minny is kind. That’s the beautiful thing about her. Alayne is unselfish, but she isn’t really kind; and love without kindness is like a garden without grass...”

One evening a knock came at the door, and they looked at each other like frightened children, fancying it might be Mrs. Court in search of Sarah, for Finch had told Eden of her tyranny. But it was Nicholas and Ernest come to call. Nicholas and Augusta had had words over the whist-table, and the game had been broken up. The two ladies had gone to Augusta’s room, and the two gentlemen, feeling rather reckless, had marched down to the lodge. They showed no surprise at seeing Finch and Sarah there.

Minny was delighted by so much company. Nicholas and Ernest found the society of the young people so exhilarating that they felt aggrieved at the time they had lost on the evenings at whist. They asked Minny if she still could sing. She denied that she could, laughing a good deal. But, persuaded
at last, she threw back her head and sang one piece after another to them. She had an endless repertory of old favourites. Her face was tilted as she sang, so that it was partly in shadow, but the full light of the fire fell on her white, throbbing throat, the skin of which was like the inner petals of a rose.

On the way back to the house Sarah whispered to Finch that now her aunt would find out everything and their evenings would be spoiled. Luckily for them a change in the weather came that night, and for several days they had driving rains and a gale from the moor. In the evenings the uncles asked for nothing better than a game of whist by the fire.

One morning Ernest announced his intention of going into Dorset to visit some old friends. That same day Finch had a letter from Arthur Leigh, and, remembering how much Augusta had admired Arthur, he conceived the idea of having him down for a visit during his uncle’s absence. He might have Ernest’s room, which was really the best guest room. Augusta, wondering if she would ever have the felicity of feeling somewhat lonely again, agreed. Inside a few days Ernest had gone, his room had been “turned out,” and Arthur had taken his place.

The friends were joyful to be with each other again and with an opportunity for intimacy they had hitherto not known. Finch had forgotten how subtly attuned to his surroundings and how full of charm Arthur was, and Arthur felt anew the curiosity and sympathy Finch roused in him. He thought the household rather a strange one, including its offshoot in the lodge. Most of all, he was interested in Sarah Court.

At his coming she had withdrawn into her former aloofness, and it was difficult to make Arthur believe that she had
gone on secret visits to the lodge, continually deceiving the aunt to whom she now seemed so devoted. But one afternoon, when the three young people were left alone, Finch persuaded her to play her violin for Arthur. And from that time there seemed to be engendered in him, almost against his will, a passionate interest in her. From being highspirited and gay he became meditative and morose. She appeared to be unconscious of the emotion she had roused in him. This change in his friend, taking place so soon after his advent into the house, was bewildering to Finch.

Augusta had had the tennis court put in order, and the daughter of the Vicar was invited to make a fourth at tennis. She was an athletic girl, with a blistered skin, who moved in long strides. Beside her the rigid yet gliding movements of Sarah seemed singularly out of place on the tennis lawn. Mrs. Court viewed with delight her incapacity for playing even a fairly good game.

“I never saw such a girl!” she would cry. “There’s nothing spry about her. I call her my puppet.” And sometimes she would exclaim—“Well played, Puppet!”

Sarah seemed as impervious to her aunt’s ridicule as she seemed unconscious of Leigh’s feeling for her. He and she always played on opposite sides, and the games usually turned out to be only a contest between Finch and the Vicar’s daughter.

After the game he and she would discuss the various plays while the other two sat silent, Arthur hitting at the turf with his racquet, while his large grey eyes were fixed on Sarah’s profile, as she sat gazing straight before her into untroubled space. She had been taught never to sit on the grass without something beneath her. She carried to the court a red woollen shawl, which Arthur spread out for her,
and on it she sat isolated while the rest sprawled on the grass.

Finch was so conscious of Arthur’s unease that he scarcely knew what he said, still he managed to talk in a desultory fashion while his mind was occupied with the problem of his friend’s sudden infatuation. Was it really love that Arthur felt for Sarah, or had she merely exercised on him the peculiar fascination that seemed to be the very core of her personality? Finch himself had felt it. He had seen its effect on Eden. But in their case the spell was volatile, intermittent. Once Sarah had entered a room, neither the room nor its occupants remained the same. By the power of her chiselled remoteness she subdued their atmosphere. By the suggestion of hidden malice she produced a sense of foreboding. The more Finch observed aunt and niece, the more sure he was that Mrs. Court felt both the fascination and the foreboding. He began to think that her jeering attitude toward Sarah was assumed in an effort to reassure herself, as young Mooey reiterated—“I’m not f’ightened!”

He was angry with Arthur for allowing himself to be so speedily enslaved. He was angry with Sarah for being the enslaver. He felt in himself a stirring of jealousy that clouded the clear waters of his friendship for Arthur. Sarah and himself, who had been drifting in a shadowy and devious intimacy that might have led to strange and lovely revelations, were separated by Arthur’s intrusion, for as such Finch began to regard his visit.

In the mornings, when Sarah was in attendance on Mrs. Court, Arthur Leigh sought out Eden, and they spent hours wandering in the flowery lanes, over the hillsides rich with ripening corn, and into the gorse-grown borders of the moor. Arthur could not say enough in praise of Eden. He confessed
that with no one else had he ever experienced such a sensation of magnetic accord. As for Eden’s poetry, if Eden belonged to any other country he would have met an appreciation not yet given him. He was worried over Eden’s future, and was too appreciative to please Finch when Finch said that he would never let Eden suffer for lack of funds. Eden was his own brother, and he did not see why Arthur should take such a possessive note toward him. He began to pity himself. Eden did not want him, Arthur did not.want him, Sarah no longer sat with him in the garden. He took to sitting there alone, and had long conversations with young Ralph, who confided to him that one day he hoped to marry the kitchenmaid with whom he walked out. “But,” he had confided, “her’s the oldest of a long family and must help her mother for a bit, and I’m the youngest of a long family and must help my mother till one of my brothers can afford to have her live with he.”

Nicholas planned an excursion, in which he invited the three young people to join him. It was supposed to be merely the revisiting of a hamlet in the moor that had once pleased him. It was a rough drive that neither Augusta nor Mrs. Court cared to undertake. In reality he did not want them to know what he was about. This was to revisit the old home of the wife from whom he was divorced. He had heard of the death of her brother, who had lived there, and that the contents of the house were to be privately sold. He had spent some of the happiest days of his life in this house, when he was courting Millicent, and he had a sentimental desire to walk through its rooms once more. He confided his intention to his companions, with a half-cynical air, and yet with enough seriousness to make them feel both compassion and a romantic interest in the visit.

It was a day of alternate brilliant sunshine and flying cloud shadows. Their road lay, for the greater part of the way, along the ridges of rolling hills from where they could see a wide stretch of country where the green and gold pattern of the fields was blotted here and there by rounded clumps of woodland. High Willhayes and Yes Tor rose, alternately purple against the clouds or dim blue beneath the sunshine. The house where the Humes had lived was in a remote spot on the edge of the moor. Bracken and gorse grew to the very edge of its lawn, and behind it a small but noisy cascade rushed down a miniature gorge.

The house and all its outbuildings were of grey stone, very old, but quite bare of ivy and unsoftened by protecting trees, so that it gave the impression of bleakness. The many windows were small and the front door was sunk inhospitably between stone projections.

As they left the car and went toward the house the sun passed under a cloud. A wind from the moor began to whistle above the tumble of the cascade. Arthur and Finch showed their disappointment in their faces. They did not see how there could have been much jollity in that house. Even Nicholas, whose eyes had been alight with eagerness, looked rebuffed. He knocked on the heavy brass knocker. The door was opened by a tall stout man with a ruddy face, who had the place in charge. He was expecting them. He led them into the dismantled drawing-room. Surviving relatives had taken what they wanted from the house, and on tables were displayed in forlorn groups the ornaments and silver for sale. Light patches stood out on the wallpaper where pictures had been taken down. Furniture that had been long ago consigned to the attic had been carried downstairs by the agent in charge as being valuable, and the pieces thus reunited
stood about the rooms, with the sad, hopelessly estranged air of old friends who have not met for half a lifetime.

The last Hume had been dead for only a month, yet there was an accumulation of dust in the house that might have been collecting during the seven generations of their occupancy. As they moved from room to room it seemed that some gloomy revelation of the past might be presented to them at any moment. Nicholas became more and more depressed. In a small room that had apparently been used as a study he found a framed photograph of a cricket team at Oxford wearing striped blazers, flat straw hats, and little side whiskers. He drew Finch to it and pointed out himself and his brother-in-law, the Hume who had lately died. Finch thought he should like to have this for himself, and bought it from the agent for three shillings. With it under his arm he followed Nicholas through the dining room into the kitchen. They left Leigh and Sarah examining an old brass-bound writing-case. A new intimacy seemed to enfold them.

The kitchen was the largest room in the house. The low ceiling was heavily beamed, the floor was of uneven stone, and the deep windows gave on a cobbled yard beyond which were the gabled stone stable, the shippen, and linhays. A long table, with benches on either side, filled one end of the room. At the other end was the fireplace and, at right angles to it, a high-backed settle. On the hearth lay a pair of heavy boots stained with mud, and on the settle a worn leather coat and a hat. These garments, belonging to the dead man, added the final touch of desolation to the scene. For the first time in his life Nicholas felt that he heard the portentous creak of the gates of death.

The agent and two people, a man and a woman, were talking in subdued tones before a cupboard filled with china. They were half hidden by the settle.

Suddenly the woman raised her voice on a note of energy and exclaimed: “1 really must have those adorable glass bottles, and, of course, the Toby jugs! What do you say; do you think I ought to buy the cupboard itself?”