Table of Contents
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THE IRON HEEL
JACK LONDON (1876-1916) led a wild and colorful life. As a youth he left school at fourteen and worked in a cannery, as an oyster pirate, and as a member of the Fish Patrol in San Francisco Bay. He traveled throughout the country, joined the Gold Rush to the Klondike in 1897, sailed to the Caribbean, studied London's East End slums, and reported on the Russo-Japanese War for the Hearst papers. He read voraciously and always dreamt of being a writer. His short stories of the Yukon were published in magazines and in a collection,
The Son of the Wolf,
in 1900, bringing him fame. Thereafter he published an enormous number of stories and many novels, including
The Call of the Wild, White Fang,
and
Martin Eden
.
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JONATHAN AUERBACH is a professor of English at the University of Maryland, College Park, with degrees from the University of California, Santa Cruz and Johns Hopkins University. In addition to publishing articles and books on such American authors as Poe and London, he has also written extensively on film, particularly early cinema. He has been awarded Fulbright Fellowships to Portugal, Cyprus, and Tunisia, and has lectured on American studies in Vietnam, Hong Kong, Egypt, and Japan.
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First published in the United States of America by The Macmillan company 1907
This edition with an introduction by Jonathan Auerbach published in Penguin Books 2006
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Introduction copyright © Jonathan Auerbach, 2006
All rights reserved
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LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA
London, Jack, 1876-1916.
The iron heel / Jack London ; edited with an introduction by Jonathan Auerbach ;
notes by Jordan Schugar.
p. cm.â(Penguin classics)
Includes bibliographical references.
eISBN : 978-0-143-03971-6
I. Auerbach, Jonathan, 1954- II. Title. III. Series.
PS3523.O46I7 2006
813'.52âdc22 2005058624
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Introduction
Googling the phrase “the iron heel” produces some surprising results. Although Jack London, in his novel, dramatizes the moment his hero Ernest Everhard coins the term to refer to the despised Oligarchy (see chapter 9), we discover it circulating in a number of prior late-nineteenth-century literary and political texts to signify various kinds of oppression. The Duke in Twain's
Huckleberry Finn
(1884) histrionically bemoans his fate “to be always ground into the mire under the iron heel,” while a Henry James character in
The Bostonians
(1885) invokes it more specifically to mean patriarchy: “They [women] had been trampled under the iron heel of man.” In an 1888 speech, President Grover Cleveland gives it a still sharper thrust, contrasting “trusts, combinations, and monopolies” with “the citizen [who] is struggling far in the rear or is trampled to death beneath an iron heel.”
If we think London, James, and Cleveland make for strange bedfellows, the case grows even more curious when we search the Internet for more recent references. The phrase keeps popping up most remarkably in discussions linked to William Pierce, the author of the race war fantasy
The Turner Diaries
(1978). Beyond the penchant for bigots and anti-Semites like Pierce to label any big centralized government an “iron heel,” London's own novel actually turns up as recommended reading on some of these white supremacist Web sites, including one entitled “Get Ready for the Rebirth of Western Culture!” that endorses this “classic story of revolutionary struggle” despite “the commies [who] tried to paint London as one of their own since he was opposed to Capitalism.”
One of those “commies” was Leon Trotsky, who, in a letter to London's daughter penned some thirty years after the novel's 1908 publication, praised the narrative's remarkable “historical foresight” in predicting the rise of fascism, “its economy, . . . its governmental technique, its political psychology.” Trotsky's comments were not simply referring to Germany in the 1930s but potentially to America as well, especially its dark “alliance between finance capital and labour aristocracy.” That Aryan nationalists and communists alike have championed this novel must give us pause; while it's fair to say that the white supremacists might be guilty of some serious misreading,
The Iron Heel
's depictions of state tyranny, as well as the underground armed resistance against that state, possess a strong appeal open to an unsettling range of interpretations. What follows is one such interpretation that may be more productively pondered after reading the novel than before.
Any attempt to understand the politics of
The Iron Heel
must start with its formal framework. Clearly a larger-than-life idealization of himself, Jack London's romantic autobiographical hero Ernest Everhard remains at the heart of the novel, stoutly embodying the noble spirit and principles of the revolution. As early as 1896 London was known as “the Boy Socialist of Oakland,” and following his rapid rise to literary fame nearly a decade later (1905-06), he actively promoted the proletariat cause by delivering a series of talks across the country intended to educate Americans about the coming ascendancy of socialism. Many of the arguments and positions adopted by Ernest in the course of the novel closely resemble London's own lectures and essays.