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Authors: Adam Levin

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BOOK: The Instructions
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ADAM LEVIN

THE INSTRUCTIONS

worry about the electric bill, Yuval. What I’m going to do is light a fire and set the thermostat to sixty-one. What I’m going to do is spread out some newspaper in the bathroom—clothing ads for high contrast because they’re colorful and my clippings are white—and I’m going to clip and keep track of what flies, and make sure to pick it up, and make sure to set it on the clothing ads. And when I’m finished, then I’m going to
fold
the ads, very carefully—not
ball
them up like some shlub, but fold the ads up tightly, so no clipping can escape—and then I’m going to throw it in the fire, because that’s the only way to prevent a woman as reckless as Tamar from miscarrying my boy. Is what I was thinking. And you can go ahead and make fun of it, Yuval, you can laugh your face off at the extremity of my caution, but I’m not the one who had his housekey turned into a tie-clip so that on Saturdays to be spent outside walled cities he could lock and unlock his front door without fear of breaking the sabbath law of carrying.”

Yuval did laugh his face off, and that was when I noticed his tie-clip, and also decided I liked him. “And but why the stoop?” gasped Yuval through his laughter. “No one said anything about the stoop.

What about some playground somewhere to do the clipping? Some field? The beach? I just said outside. Why not the backy—”

“Sexual awake!” said Yuval’s second-youngest daughter.

“That’s right, Naomi!” Yuval said, making a Harpo Marx face,

“at six you will awake!”

“Six I will awake!” she agreed.

“Can you believe how smart they are?” Yuval said to us. “The rate they’re picking up English—aye! Anyway, back to why your boy’s not Dovid. Or Michael.”

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“Well you can imagine,” my mom said. “I need to use the bathroom, I am banging on the door, Judah comes rushing out, this ball of newspaper in his hands, I hear him fall in the living room, he shouts to me he is okay. Okay. By the time I finish up my business, though, Judah is making all kinds of noise in the kitchen, and I go to see, and he is screaming at me, ‘Get back in the bathroom! Take a bath in the bathroom! Stay out of the living room! I spilled! Where is the broom and the dustpan?’

“I do not know where the broom and the dustpan are—when do I clean the house? Do I not go to work like him? Am I not thirty-seven weeks pregnant? Do we not have a nice woman who comes on odd Wednesdays and hides the cleaning supplies? If the broom is not in the pantry or the closet, how am I to know where? I tell him that he is crazy and I go to the living room, and he chases after me.

And this is silly, is what I am thinking. My husband, I am thinking, this lovely man, this powerful, beautiful man, is losing his mind over fingernail clippings. And so me, a wiseguy sometimes, I do a little show. A little dance atop the fingernails, a bump and grinding. What can he do? Tackle me? I am pregnant. And what does he say, Yuval? He says nothing, becomes white. Totally white.

And yes, I feel awful. Now I feel awful.

“And then we go to sleep. And while I am sleeping, I have a dream. In this dream, I am in the backyard of the house I grew up.

My father is there—he has been dead already eleven months, my father, and I am not much of a dreamer, Yuval, I am not someone who remembers what she dreams, but this was vivid. He had tzitzit on under his fatigues, not a custom he adhered to, the tzitzit, and he was wearing tefilin, facing the Old City, his back to me. I said 203

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‘Aba,’ and then, in a very formal tone, not a tone I can ever say I had heard him take, he answered me, saying, ‘Your indiscretion looms large over the child you carry. Only because he is especially beloved by God will this boy in your womb survive your womb and enter the world. If you wish him to live beyond his bris, you will name him Gurion, for a lion cub will he be, and as a lion will he conquer, red-eyed from wine and white-toothed from milk. And you will raise him as would befit a lion cub born of Tamar and Judah lest he depart from this world a boy, trampled beneath the feet of his brothers. And you will take that ridiculous belt off your face. Stop trifling! Now, Tamar!’

“The belt is a story for itself, I will leave it alone. As for this

‘Stop trifling’ that he said, it was a thing he shouted to me only one other time, years before, when I was twenty, in Beirut. My father was not at all a shouter—he was a loud, loud man, but he did not often shout, and it happened that in Beirut, we were waiting inside a building for something to happen, it is not important what, but we were waiting in this building, on an upper floor, the fifth if memory is serving me, and there was a young woman on the ground, crossing the street, holding the hand of her daughter, who was so fumbly and small she must have just learned to walk, and because of this thing we were waiting for, and how beautiful they were, amidst all the hideousness, the wreckage that Beirut had become, like a bruise on a scar was Beirut, and how gorgeous the mother and daughter, and this thing we were waiting for to happen… I fired a few rounds out the window, in the air, so that they would take cover. And my father, he shouted at me, ‘Stop trifling!’ and by the time the last of the three syllables was out, I’d been struck in the shoulder by sniper fire.

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What we’d been waiting for to happen, it happened then, and there was no more sniper fire, there were no more enemies left breathing in the vicinity, and I was evacuated, and I went back home, where I had to spend two months recovering before returning to Beirut. It is the only time I was ever shot, right after my father yelled at me

‘Stop trifling!’ And in the dream, as he says it for the second time, I tense suddenly, and awaken, and the sheets are soaked. My water has broken.

“Now, Judah has not yet even fallen asleep. He is up and he has me up, and we get to the hospital, and I go into labor for, what, Judah, for eight hours?”

“Ten hours,” my father said.

“Ten hours of labor, and the whole time I am thinking: ‘This is not because of the fingernails. This is because of some guilt I feel about the fingernails. I feel some guilt about scaring my husband white, and I have a dream about my father, and he tells me something horrifying about my son, it is nothing. Maybe my water broke because of the shock of the dream, maybe I had the dream because my water was about to break… These things can be explained, okay?

Right?’ That is what I think.

“And then
this
guy is born. And it is not just that he is born with a full head of hair—and I do not mean to imply the fine, silky baby kind, but the very same coarse, uncombable mess that you see before you, though much more of it than he has now: this hair he is born with, all wet, it hangs to his shoulders—all I think of the hair is: ‘Strange, nu? What isn’t strange? Life is strange.’

And the obstetrician, he is cradling this newborn son of mine, and telling me to look at the full head of hair, it is amazing, the hair, 205

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‘Amazing, amazing,’ he carries on, and then he strokes the hair, the obstetrician, and the moment he strokes the hair, this newborn son of mine
bites him on the neck
, right where it meets the shoulder, and the obstetrician lets out a little scream, but I think it is just surprise, and I think, ‘Well, my baby does not like strange men to touch his head—okay, neither do I.’ But then, you see, Yuval, blood starts coming through the white of this obigynie’s doctor-jacket.

My son has drawn blood. My son, he has a mouth full of teeth. And these teeth—these are the last nails in the coffin of naming my boy Michael, of naming him anything other than Gurion. I tell this to Judah, and what is he going to say? The whole way to the hospital, he is convinced I am miscarrying. He could care less what we call the boy. So that is why Gurion, and not Michael nor Dovid.”

“This is true?” Yuval said to my father. “About the teeth and the hair?”

“He had four teeth,” my father said, “not a mouthful, but they were the right four teeth—that doctor was
bleeding
. The hair, as I remember, was even longer than she said, but what do I know?”

“Amazing,” Yuval said, not really believing what he’d been told.

“Tell us more stories about Judah,” my mother said to him. “It is good for Gurion to hear.”

My mother left a part out of the story of my birth. That Seder was a long night of leaving parts out of stories. I knew the part she left out because she’d told me the story hundreds of times. She used to put me to sleep with it when I was younger. The part she cut picks up right after I bit the man for touching me on the head, right after he started bleeding:

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“…But then you see, Gurion,” she’d tell me, “blood starts coming through the white of the guy’s doctor-jacket, and this worries me a little, because now I am going to feed you, and what will your teeth do to me? It turns out they do nothing—you know you have teeth, you know I am your ema, you love me, you do not want to hurt me. And you are laying there against my chest, and you stretch your arms up like babies sometimes will, you stretch them so your hands are just under my chin, and my first impulse, I have a strong impulse to put your little fists inside my mouth, to see if I can fit them both, and I see that you have pressed them together, your tiny little fists, as if that is what
you
want, too, you have pressed them together for
me
I think, and as I take hold of your wrists to guide your hands inside my mouth, I see you have these birthmarks, these yud-shaped birthmarks, and this stops my heart. These birthmarks are the last nails in the coffin of naming you Michael, of naming you anything other than Gurion. And I tell this to your father, and what can he say? The whole way to the hospital, he is convinced I am miscarrying you. I knew I was not, but he was convinced. So he could not care less what I wanted to call you, just that you were alive. And that is why you are Gurion.”

And this is why my mom left that part out at the Seder: because, of course, I still had the birthmarks. If she told about the birthmarks, then Yuval might have asked to see them. Then I might have had to scrub the makeup from my knuckles and shown him.

And then he would maybe suspect that everything my mother had just said was not only a story to tell about your son in front of your son to make him feel like there was no one else like him in the world; Yuval might suspect it was not merely a pretty way 207

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to dress up the fact that I was born rough and ugly, like how they call retarded and handicapped people “differently abled” (and it was those things as well, surely, for she’s my mom, and she’s a psychologist)…My mom has always been scared that if Yuval, or anyone else, were to learn about the birthmarks, it would somehow lead, as her dreamed father warned, to my being trampled beneath the feet of my brothers.

I do not believe that is true. I never have. My brothers will never trample me, and if ever they do, I don’t see how my birthmarks could cause it. But my mom—she is my mom, and the thought of me getting trampled spooks her. When I used to complain about the makeup, she’d get very worried- and scared-looking, and she’s a killer, my mom. She has killed a lot of people, and she won’t say that, but she will tell me that her dad did, and but what was she doing in Beirut? What was she doing getting shot in a building with her dad’s special forces team? She wasn’t cooking chicken for them. She was killing enemies with them, lots of enemies, and at the same time, all of those enemies were trying to kill her, but she didn’t die and the enemies did, because my mom was a much better killer. If you know your mom is a great killer, and you think of your mom as a great killer, and you know she would kill for you, not just metaphorically, but really end lives for you, without hesitation, you don’t want to make her sad and worried because how can you repay her for all the things she’s willing to do? You can’t.

So the least you can do is make it so she worries less and doesn’t get all sad-looking about some birthmarks. That’s what I think.

So I put the makeup on every day and I don’t complain or make faces, and if I believed that anyone were, anytime soon, going to 208

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THE INSTRUCTIONS

read this
Story of Stories
as the scripture that it is, then I wouldn’t even mention the birthmarks. So it is good that you read it as fiction for now—my mom can relax. By the time you know it’s scripture, I will have proven, even to her, that I am untramplable.

“So where was I before?” Yuval said.

“Litberg’s!” shouted Sara.

“Yes, Litberg’s,” said Yuval. “Delicious bagels. We’d get our delicious bagels gratis and walk around, and talk about all of you, our futures, how we’d one day bring you to Litberg’s, maybe at midnight twelve-thirty even, like how the Spanish do in Barcelona.

When we were bar-mitzvahed together at the Western Wall, we fathers of yours, we had a day’s layover in Barcelona on the way back, all because of these two here,” Yuval nodded to his silent, smiling parents, “and
your
grandparents, too, Gurion, may they rest in peace. The four of them wanted to make us worldly, and we loved them for it and we love them for it. And on the Ramblas at midnight twelve-thirty, what you see is men pushing strollers and holding hands with their dramatic wives. The Catholic Spaniards!

We’d do it like them, but without a Rambla or Gaudi facades.

It would be Devon Avenue, true, but what we had was Litberg’s bagel factory, and those poor Spanish ham-eaters—they didn’t.

Just a lot of pickpockets and a giant Lichtenstein at the end, some fantastic coffee, true, and some tomato-stained bread that seemed like maybe it was the perfect snack, a snack to end all snacks, and yet we never knew for sure since we couldn’t try for its proximity to all that ham.”

“Traif!” shouted a younger daughter.

BOOK: The Instructions
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