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Authors: Daniel J. Boorstin

BOOK: The Image
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INTRODUCTION

Extravagant Expectations

I
N THIS BOOK
I describe the world of our making, how we have used our wealth, our literacy, our technology, and our progress, to create the thicket of unreality which stands between us and the facts of life. I recount historical forces which have given us this unprecedented opportunity to deceive ourselves and to befog our experience.

Of course, America has provided the landscape and has given us the resources and the opportunity for this feat of national self-hypnosis. But each of us individually provides the market and the demand for the illusions which flood our experience.

We want and we believe these illusions because we suffer from extravagant expectations. We expect too much of the world. Our expectations are extravagant in the precise dictionary sense of the word—“going beyond the limits of reason or moderation.” They are excessive.

When we pick up our newspaper at breakfast, we expect—we even demand—that it bring us momentous events since the night before. We turn on the car radio as we drive to work and expect “news” to have occurred since the morning newspaper went to press. Returning in the evening, we expect our house not only to shelter us, to keep us warm in winter and cool in summer, but to relax us, to dignify us, to encompass us with soft music and interesting hobbies, to be a playground, a theater, and a bar. We expect our
two-week vacation to be romantic, exotic, cheap, and effortless. We expect a faraway atmosphere if we go to a nearby place; and we expect everything to be relaxing, sanitary, and Americanized if we go to a faraway place. We expect new heroes every season, a literary masterpiece every month, a dramatic spectacular every week, a rare sensation every night. We expect everybody to feel free to disagree, yet we expect everybody to be loyal, not to rock the boat or take the Fifth Amendment. We expect everybody to believe deeply in his religion, yet not to think less of others for not believing. We expect our nation to be strong and great and vast and varied and prepared for every challenge; yet we expect our “national purpose” to be clear and simple, something that gives direction to the lives of nearly two hundred million people and yet can be bought in a paperback at the corner drugstore for a dollar.

We expect anything and everything. We expect the contradictory and the impossible. We expect compact cars which are spacious; luxurious cars which are economical. We expect to be rich and charitable, powerful and merciful, active and reflective, kind and competitive. We expect to be inspired by mediocre appeals for “excellence,” to be made literate by illiterate appeals for literacy. We expect to eat and stay thin, to be constantly on the move and ever more neighborly, to go to a “church of our choice” and yet feel its guiding power over us, to revere God and to be God.

Never have people been more the masters of their environment. Yet never has a people felt more deceived and disappointed. For never has a people expected so much more than the world could offer.

We are ruled by extravagant expectations:

(1)
Of what the world holds
. Of how much news there is, how many heroes there are, how often masterpieces are made, how exotic the nearby can be, how familiar the exotic can become. Of the closeness of places and the farness of places.

(2)
Of our power to shape the world
. Of our ability to create events when there are none, to make heroes when they don’t exist, to be somewhere else when we haven’t left home. Of our ability to make art forms suit our convenience, to transform a novel into a movie and vice versa, to turn a symphony into mood-conditioning. To fabricate national purposes when we lack them, to pursue these purposes after we have fabricated them. To invent our standards and then to respect them as if they had been revealed or discovered.

By harboring, nourishing, and ever enlarging our extravagant expectations we create the demand for the illusions with which we deceive ourselves. And which we pay others to make to deceive us.

The making of the illusions which flood our experience has become the business of America, some of its most honest and most necessary and most respectable business. I am thinking not only of advertising and public relations and political rhetoric, but of all the activities which purport to inform and comfort and improve and educate and elevate us: the work of our best journalists, our most enterprising book publishers, our most energetic manufacturers and merchandisers, our most successful entertainers, our best guides to world travel, and our most influential leaders in foreign relations. Our every effort to satisfy our extravagant expectations simply makes them more extravagant and makes our illusions more attractive. The story of the making of our illusions—“the news behind the news”—has become the most appealing news of the world.

We tyrannize and frustrate ourselves by expecting more than the world can give us or than we can make of the world. We demand that everyone who talks to us, or writes for us, or takes pictures for us, or makes merchandise for us, should live in our world of extravagant expectations. We expect this even of the peoples of foreign countries. We have become so
accustomed to our illusions that we mistake them for reality. We demand them. And we demand that there be always more of them, bigger and better and more vivid. They are the world of our making: the world of the image.

Nowadays everybody tells us that what we need is more belief, a stronger and deeper and more encompassing faith. A faith in America and in what we are doing. That may be true in the long run. What we need first and now is to disillusion ourselves. What ails us most is not what we have done with America, but what we have substituted for America. We suffer primarily not from our vices or our weaknesses, but from our illusions. We are haunted, not by reality, but by those images we have put in place of reality.

To discover our illusions will not solve the problems of our world. But if we do not discover them, we will never discover our real problems. To dispel the ghosts which populate the world of our making will not give us the power to conquer the real enemies of the real world or to remake the real world. But it may help us discover that we cannot make the world in our image. It will liberate us and sharpen our vision. It will clear away the fog so we can face the world we share with all mankind.

     1     
From News Gathering
to News Making:
A Flood of Pseudo-Events

ADMIRING FRIEND:

“My, that’s a beautiful baby you have there!”

MOTHER:

“Oh, that’s nothing—you should see his photograph!”

T
HE SIMPLEST
of our extravagant expectations concerns the amount of novelty in the world. There was a time when the reader of an unexciting newspaper would remark, “How dull is the world today!” Nowadays he says, “What a dull newspaper!” When the first American newspaper, Benjamin Harris’
Publick Occurrences Both Forreign and Domestick
, appeared in Boston on September 25, 1690, it promised to furnish news regularly once a month. But, the editor explained, it might appear oftener “if any Glut of Occurrences happen.” The responsibility for making news was entirely God’s—or the Devil’s. The newsman’s task was only to give “an Account of such considerable things as have arrived unto our Notice.”

Although the theology behind this way of looking at events soon dissolved, this view of the news lasted longer. “The skilled and faithful journalist,” James Parton observed in 1866, “recording with exactness and power the thing that
has come to pass, is Providence addressing men.” The story is told of a Southern Baptist clergyman before the Civil War who used to say, when a newspaper was brought in the room, “Be kind enough to let me have it a few minutes, till I see how the Supreme Being is governing the world.” Charles A. Dana, one of the great American editors of the nineteenth century, once defended his extensive reporting of crime in the New York
Sun
by saying, “I have always felt that whatever the Divine Providence permitted to occur I was not too proud to report.”

Of course, this is now a very old-fashioned way of thinking. Our current point of view is better expressed in the definition by Arthur MacEwen, whom William Randolph Hearst made his first editor of the San Francisco
Examiner:
“News is anything that makes a reader say, ‘Gee whiz!’ ” Or, put more soberly, “News is whatever a good editor chooses to print.”

We need not be theologians to see that we have shifted responsibility for making the world interesting from God to the newspaperman. We used to believe there were only so many “events” in the world. If there were not many intriguing or startling occurrences, it was no fault of the reporter. He could not be expected to report what did not exist.

Within the last hundred years, however, and especially in the twentieth century, all this has changed. We expect the papers to be full of news. If there is no news visible to the naked eye, or to the average citizen, we still expect it to be there for the enterprising newsman. The successful reporter is one who can find a story, even if there is no earthquake or assassination or civil war. If he cannot find a story, then he must make one—by the questions he asks of public figures, by the surprising human interest he unfolds from some commonplace event, or by “the news behind the news.” If all this fails, then he must give us a “think piece”—an embroidering of well-known facts, or a speculation about startling things to come.

This change in our attitude toward “news” is not merely a basic fact about the history of American newspapers. It is a symptom of a revolutionary change in our attitude toward what happens in the world, how much of it is new, and surprising, and important. Toward how life can be enlivened, toward our power and the power of those who inform and educate and guide us, to provide synthetic happenings to make up for the lack of spontaneous events. Demanding more than the world can give us, we require that something be fabricated to make up for the world’s deficiency. This is only one example of our demand for illusions.

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