The Illumination (7 page)

He went to press the Post-it note into Patricia’s most recent journal, but beneath the window, on the table where it should have been, there was an empty slot with a boundary of dust around it. Where could it be? He tried to recall—had he seen the book in her hands the day of the accident? Maybe so. But when
he went to the front hall and opened the box the hospital had labeled with her name, he found only her clothes, her shoes, and her pocketbook, along with a small plastic bag holding her wrist-watch and jewelry.

She had definitely taken the journal into the car with her. He was sure of it now. He remembered her clutching it to her hip as they left to meet their reservation at the restaurant. “What if I get bored and need something to read?” she had joked, whispering to him with her hand alongside her mouth, “I’ll let you in on a little secret—the guy I’m dining with today is a real snooze.” But if it wasn’t in the box, then where was it? Who would lose a dead woman’s handwritten journal? Who would steal it?

Who, as it developed, but the woman who had shared her recovery room. The hospital spent a week or more attempting to track it down before discovering that she had taken it. Apparently, she had adopted it as some sort of charm or talisman, a sad, sick symbol of God-knew-what illness or unhappiness. She had actually been reading it—
reading it!
—as if it were her own cache of personal letters. She had spoken with Patricia, had watched her die, had believed he was dead, too—or at least so she said. But none of that excused her, none of it healed him, none of it made his life one bit easier or brought his wife back from the dead. When she finally placed the journal in his hands, apologizing for what she called “this misunderstanding,” he felt himself shaking with relief and exhaustion. Absurdly, he found that he was afraid of dropping the book. The idea came to him that it was Patricia herself he was holding, that she had fallen and twisted her ankle, maybe, and given him her hand, and he was bearing her up as she limped through the snow. Soon they would both be inside again. He would place a pillow beneath her foot and kiss her toes one by one, starting with the pinky, and they
would drink half a bottle of red wine, then wipe the stains from each other’s lips with their thumbs, and she would make a happy little upsy-daisy noise as he carried her upstairs to bed.

Instead, he brought the journal home, took it into the living room, and set it on his lap. His fingers flipped backward from the endpapers, watching as the pages filled with her handwriting. He had no need to leave the Post-it note inside, since she had already written it down. There it was in her own precise script, facing him one more time, the last sentence on a half-empty page,
I love the spaghetti patterns you leave on the wall
, ending with that oddly turned period of hers, like a toppled
v
or a bird’s beak.

One morning, some six weeks after the accident, his editor woke him from a sound sleep to ask if he knew when he would be returning to work. “I realize you’re going through a rough patch, Jason. Grieving—check. Convalescing—check. I get it, I’m with you, I understand. By all means, you should take as much time as you need. But I’m telling you, you’re missing out on some of the greatest shots of your life right now. Have you seen the stuff Dawes has been producing? Or Laskowski? Even Christman gave us a front-pager yesterday! Christman for Jesus’ sake! I’m telling you, this Illumination thing is really big. Don’t just sit there in that house of yours and turn to stone on us. I can’t believe that’s what she would want, Patricia.”

He felt like the priest of some ancient blood religion, incensed to hear her name spoken out loud. “How do
you
know what she would want? Maybe this is
exactly
what she would want.”

“You don’t mean that.”

From down the block came the mosquito-like drone of someone operating a lawn mower. Mysteriously, his anger evaporated.
“I don’t, you’re right. Tell you what, Paul—I’ll try to have some images for you by the end of the week, okay?”

“Sounds good. Whenever you’re ready. No pressure from me on this end. Take all the time you need.”

Jason snapped the phone shut and went to the mirror, where he stripped off his pajamas and embarked on his customary preshower ritual, stretching his limbs and tensing his muscles to see how much light they gave off. His eye and his cheek had healed completely, as had his shoulder and his hip, his gums and incisors. One of his ribs still shone with a filmy incandescence, and a new abrasion on his elbow, tacky from scraping against the supermarket meat freezer, glittered like the mica in the sidewalk. Since his discharge from the hospital, he had been dining mainly on microwave dinners and cheap delivered pizza—salty, greasy foods that upset his digestion—and when he turned too forcefully to the side, he could see a pair of bright rectal fissures opening up behind him. Then there was the scar on his abdomen, a small red fold tattooed with a pucker of blue ink. The wound still wept with light occasionally, but only if he distended his belly. It was his knee that continued to worry him, maintaining a constant twilight glow that was run through by cruel white flares whenever he took it out of its brace, sank his weight onto it, or attempted to rotate it laterally. In short, he was still recuperating from the accident. The pain was not as bad as before, though, and he thought he could risk a walk through the neighborhood.

After he had showered and eaten breakfast, he got his camera and set off on his crutches. He wanted to see what images the world would present to him, whether his eye had been altered by sorrow, whether he had any skill left, any talent, and that was how he came to meet the cutters.

He had spent the morning framing the pictures he saw in his
lens, capturing them one by one—although he hated that word,
capture;
hated its suggestion that with a camera you could seize any sight that presented itself to you, stuff it in a cage, and point to it as it jammed its nose through the bars. Better to say that he preserved them, then. He preserved the sight of an old man sitting on a motionless merry-go-round, a long strand of angina shining through his shirt. The sight of a mother smacking the seat of her son’s pants, the burning corona of a bite mark on her arm. A street cop with a gleaming herpes infection on his lip. A rail-thin window-dresser, her sides lit up by shingles. The sight of a girl afflicted with acne, staring down at herself in a fountain, her face fluorescing up at her from the steel mirror of the water. He was pleased to discover that he had not lost his facility for composition, that the lines and curves of things still sought out their counterparts in the air, their colors laying their shapes out in polychromatic blocks. His camerawork had always been a product of habit and instinct, tilting toward craftsmanship rather than artistry, and maybe that had made him a second-rate photographer—he didn’t know—but there was one thing to be said for habit and instinct, for plain old humble craftsmanship, and that was that it wasn’t so easy to snuff out.

He had shouldered his camera and was preparing to head back home when one last image presented itself to him: a pack of adolescents, seventeen or eighteen years old, smoking cigarettes beneath the bus shelter. Their arms and legs were patterned with dozens of freshly inflicted injuries. The glowing lines and tiny luminescent planets on their skin resembled the pits and notches carved into the bus bench. His gaze was drawn to their deliberate, almost sculptural quality. He found it hard to look away.

Surreptitiously, he returned his camera to his eye, moving his head a few inches to the left to compose a shot. Before he could
release the shutter, though, a boy with a chain of burn blisters reaching up his arm shouted, “Hey! Dude with the camera! C’mere!”

Jason looped the strap around his neck and crossed the street, steadying himself on his crutches when he reached the shelter.

“What’s your name, man?” the boy asked him.

“Jason Williford. I’m a photojournalist for the
Gazette
. You guys don’t mind if I snap a few pictures, do you?”

“Ten dollars.”

“What?”

“Ten dollars, and you can take our picture. Apiece.”

“I can’t offer you any money. I’m a journalist.”

“Ten dollars in cigarettes then. There’s a gas station over there on the corner. Call them a gift.”

He thought it over. There was a specific shot he kept envisioning, one that would allow the wounds engraved on their skin to flow across the borders of their bodies into the pocks and slashes on the bus bench, like hanging lights echoed in a polished tabletop.

“Two packs. Two packs for the lot of you. That’s the best I can do.”

“Deal,” the boy agreed. Jason was halfway to the corner when a girl perched on the backrest of the bench, her shoes beating out a two-four rhythm, called after him. “Salem Black Labels!”

As soon as he returned with the cigarettes, a boy in a red T-shirt tore the cellophane from one of the packs, knocked a cigarette loose, and replaced it upside-down. Then he tweezed a second one out with his small, knuckly fingers and lit it. “I heard these things are bad for you,” he said. “Did you know that quitting smoking now greatly reduces serious risks to your health?”

One of the other kids said, “Huh-I-did-not-know-that. Did
you know that smoking by pregnant women may result in fetal injury, premature birth, and low birth weight?”

Hardly a beat had passed before someone added, “Did you know that quitting your health now greatly reduces serious risks to your smoking?” And then they were all working at it together, jockeying to extend the thread of the joke. They passed the cigarettes around with a plastic lighter. Jason took advantage of their inattention and began snapping pictures. There was a panel ad on the back of the bus shelter that kept disrupting the balance of the shots, announcing in bold black letters
PERSONAL INJURY, MEDICAL NEGLIGENCE, BIG TRUCKS
, and time after time he had to find a perspective that would obscure the words. Ordinarily he would have crouched or stood on his toes, maybe climbed over the bench for a better angle, but the brace on his leg had turned such maneuvers into elaborate feats of acrobatics.

In the end, though he wasn’t quite able to achieve the image he had envisioned, he found one that came close: the dazzling white stroke of the recent incision on a girl’s exposed waist beside a scythelike mark on the fiberglass bench, the one extending into the other in a perfect curve. Quickly, before the girl could move, he released the shutter.

The other girl, the lovely pale fashion-model-type sitting atop the bench, the one who had shouted for Salem Black Labels, gestured to him. “Hey, Jason Williford, photojournalist. I’ve got a picture for you. Are you ready?” She took three quick drags on her cigarette to make the emberhead glow, then, on the inside of her wrist where the blue vein beat, extinguished it. A powerful smell overtook the air, like the whiff of salt and char at a burger joint. The cigarette sizzled, and the smoke changed color, and a magnificent wave of light came bloating out of the burn. Through Jason’s camera, it resembled the great fanning loop of a solar
flare. The aurora borealis was dancing over Greenland. Radios everywhere were filling with static. He couldn’t help himself: he took the shot.

Within seconds the light had subsided, throwing off a few last sparks as it fell to the surface of the girl’s wrist, where it continued to twitch and flutter. A smile was locked on her face. The bays of skin beneath her eyes were moist with tears. He took a shot of that, as well.

Enough, he decided. Laskowski and Christman be damned.

He capped the camera and returned it to his shoulder. “So all those cuts on your bodies—you guys did those to yourself?”

The kids exchanged a glance and broke up laughing.

That evening he was sorting through the pictures he had taken, selecting the ones to submit to his editor, when he realized something: during his long afternoon in the processing room, not once had he thought about Patricia. He had become lost in the familiar beaverish activity of enlarging, fixing, and scanning his photos, and his memories of her had vanished, along with his awareness of the pain in his leg. The little system of injuries that was his body and the one immense injury that was his life—he had forgotten about them both, and when he thought back on the contentment he had felt, a terrific surge of guilt passed through him. He had accepted that he would forget Patricia in his suffering sometimes, but to forget her in his pleasure? It seemed monstrous, inexcusable. He forced himself to picture her: the freckles on her back and shoulders, the soft, swelling veins that ran along her ankle, the dimple that appeared on her cheek whenever she tried not to smile, all of it swimming in the blood of the car accident.

He bore down on his knee until the joint spasmed with light. His breathing quickened, and his teeth ground together. He would not allow his pain to forsake him.

——

Two days later he had an appointment with his physical therapist. The routine was familiar by now. She gripped his shoulder as he executed a slow windmill with his arm—a simple matter of form, since his collarbone had already healed—then had him straighten his back and twist his torso around, inspecting his hip for signs of stiffness or discomfort. She examined his stomach as he performed a sit-up. The scar on his abdomen shone in the glare from the overhead lamp, and she had to switch it off to make sure the source was not internal. Finally she came to his leg, guiding him through a battery of stretches, lifts, and pivots that made his face break out in a hard sweat.

“I have to admit,” she said when they were finished, “I’m still concerned about your knee. We ought to have switched you over to the forearm crutches by now. You’re behind schedule. Have you been doing your leg extensions?”

He had discovered that when he removed his brace, bending his knee until the ligaments tightened, then jerking his leg rigid, the joint would pop with a violent paroxysm of light. The lacerating sensation would last for several minutes. He could not stop testing it.

“Not regularly, no.”