The Humans (14 page)

Gulliver was sitting on the edge of his bed now, flinching from the light. He too looked at my face but he didn’t say anything at all.

Gulliver wanted to go back to bed. To sleep. So, ten minutes later, Isobel and I were alone, and I was sitting on the side of the bath as she placed an antiseptic solution
called TCP on a circle of cotton wool and dabbed it gently on a cut on my forehead, and then on my lip.

Now, these were wounds I could have healed with a single thought. Just to feel pain, sometimes, was enough to cancel it. And yet, even as the antiseptic stung on contact with each cut, the
injuries stayed. I forced them to. I couldn’t allow her to get suspicious. But was it just that?

‘How’s your nose?’ she asked. I caught sight of it in the mirror. A smear of blood around one nostril.

‘It’s okay,’ I said, feeling it. ‘It isn’t broken.’

Her eyes squinted in pure concentration. ‘This one on your forehead is really bad. And there’s going to be one giant bruise there. He must have really hit you hard. Did you try and
restrain him?’

‘Yes,’ I lied. ‘I did. But he kept on.’

I could smell her. Clean, human smells. The smells of the creams she used to wash and moisturise her face. The smell of her shampoo. A delicate trace of ammonia barely competing with the heavy
scent of antiseptic. She was physically closer to me than she had ever been. I looked at her neck. She had two little dark moles on it, close together, charting unknown binary stars. I thought of
Andrew Martin kissing her. This was what humans did. They kissed. Like so many human things, it made no sense. Or maybe, if you tried it, the logic would unfold.

‘Did he say anything?’

‘No,’ I said. ‘No. He just yelled. It was very primal.’

‘I don’t know, between you and him, it never ends.’

‘What never ends?’

‘The worry.’

She placed the blood-stained cotton wool in the small bin beside the sink.

‘I’m sorry,’ I said. ‘I’m sorry for everything. For the past and the future.’ An apology, said while in dull pain, made me feel as close to human as it was
possible to feel. I could almost have written a poem.

We went back to bed. She held my hand in the dark. I gently pulled it away.

‘We’ve lost him,’ she said. It took me a moment to realise she was talking about Gulliver.

‘Well,’ I said, ‘maybe we just have to accept him as he is, even if he’s different to what we’ve known.’

‘I just don’t understand him. You know, he’s our son. And we’ve known him for sixteen years. And yet, I feel like I don’t know him at all.’

‘Well, maybe we should try not to understand so much, and accept some more.’

‘That’s a very difficult thing. And a very strange thing to come from your mouth, Andrew.’

‘So, I suppose the next question is: what about me? Do you understand me?’

‘I don’t think you understand yourself, Andrew.’

I wasn’t Andrew. I knew I wasn’t Andrew. But equally, I was losing myself. I was a wasn’t, that was the problem. I was lying in bed with a human woman I could now almost
appreciate as beautiful, wilfully still feeling the sting of antiseptic in my wounds, and thinking of her strange but fascinating skin, and the way she had cared for me. No one in the universe
cared for me. (You didn’t did you?) We had technology to care for us now, and we didn’t need emotions. We were alone. We worked together for our preservation but emotionally we needed
no one. We just needed the purity of mathematical truth. And yet, I was scared of falling asleep, because the moment I fell asleep my wounds would heal and right then I didn’t want that to
happen. Right then, I found a strange but real comfort in the pain.

I had so many worries now. So many questions.

‘Do you believe humans are ever knowable?’ I asked.

‘I wrote a book on Charlemagne. I hope so.’

‘But humans, in their natural state, are they good or are they bad, would you say? Can they be trusted? Or is their own real state just violence and greed and cruelty?’

‘Well, that’s the oldest question there is.’

‘What do you think?’

‘I’m tired, Andrew. I’m sorry.’

‘Yes, me too. I’ll see you in the morning.’

‘Night.’

‘Night.’

I stayed awake for a while as Isobel slipped towards sleep. The trouble was, I still wasn’t used to the night. It may not have been as dark as I first thought it to be. There was
moonlight, starlight, airglow, streetlamps, and sunlight backscattered by interplanetary dust, but the humans still spent half their time in deep shadow. This, I was sure, was one of the chief
reasons for personal and sexual relationships here. The need to find comfort in the dark. And it was a comfort, being next to her. So I just stayed there, hearing her breath move in and out,
sounding like the tide of some exotic sea. At some point my little finger touched hers, in the double-night beneath the duvet, and this time I kept it there and imagined I was really what she
thought I was. And that we were connected. Two humans, primitive enough to truly care about each other. It was a comforting thought, and the one which led me down those ever-darkening stairs of the
mind towards sleep.

You do not need time.

I am going to kill who I need to kill, don’t worry about that.

We are not worried.

But I am not just here to destroy information. I am here to gather it. That is what you said, wasn’t it? Stuff on mathematical understanding can be read across the
universe, I know that. I’m not talking about neuro-flashes. I’m talking about stuff that can only be picked up on from here, on Earth itself. To give us more insight into how the humans
live. It has been a long time since anyone was here, at least in human terms.

Explain why you need more time for this. Complexity demands time, but humans are primitives. They are the most shallow of mysteries.

No. You are wrong. They exist simultaneously in two worlds – the world of appearances and the world of truth. The connecting strands between these worlds take many forms.
When I first arrived here I did not understand certain things. For instance, I did not understand why clothes were so important. Or why a dead cow became beef, or why grass cut a certain way
demanded not to be walked upon, or why household pets were so important to them. The humans are scared of nature, and are greatly reassured when they can prove to themselves they have mastery over
it. This is why lawns exist, and why wolves evolved into dogs, and why their architecture is based on unnatural shapes. But, really, nature, pure nature is just a symbol to them. A symbol of human
nature. They are interchangeable. So what I am saying—

What are you saying?

What I am saying is that it takes time to understand humans because they don’t understand themselves. They have been wearing clothes for so long. Metaphorical clothes.
That is what I am talking about. That was the price of human civilisation – to create it they had to close the door on their true selves. And so they are lost, that is how I understand it.
And that is why they invented art: books, music, films, plays, painting, sculpture. They invented them as bridges back to themselves, back to who they are. But however close they get they are for
ever removed. What I am saying, I suppose, is that last night I was about to kill the boy. Gulliver. He was about to fall down the stairs in his sleep but then his true nature came out and he
attacked me.

Attacked you with what?

With himself. With his arms. His hands. He was still asleep but his eyes were open. He attacked me, or the me he thinks I am. His father. And it was pure rage.

The humans are violent. That is not news.

No, I know. I
know
. But he woke, and he wasn’t violent. That is the battle they have. And I believe if we understand human nature a little more, then we will know
better what action to take in the future, when other advances are made. In the future, when another over-population crisis arises there may come a time when Earth becomes a valid option for our
species. So, surely as much knowledge as possible on human psychology and society and behaviour is going to help?

They are defined by greed.

Not all of them. For instance, there is a mathematician called Grigori Perelman. He turned down money and prizes. He looks after his mother. We have a distorted view. I think
it would be useful for all of us if I researched further.

But you don’t need the two humans for that.

Oh, I do.

Why?

Because they think they know who I am. And I have a true chance of seeing them. The real them. Behind the walls they have built for themselves. And speaking of walls, Gulliver
knows nothing now. I cancelled his knowledge of what his father told him on his last night. While I am here, there is no danger.

You must act soon. You don’t have for ever.

I know. Don’t worry. I won’t need for ever.

They must die.

Yes.

‘It was sleep psychosis,’ Isobel told Gulliver at breakfast the next day. ‘It’s very common. Lots of people have had it. Lots of perfectly normal and
sane people. Like that man from R.E.M. He had it, and he was meant to be as nice as rock stars come.’

She hadn’t seen me. I had just entered the kitchen. But now she noticed my presence and was puzzled by the sight of me. ‘Your face,’ she said. ‘Last night there were cuts
and bruises. It’s totally healed.’

‘Must have been better than it looked. The night might exaggerate things.’

‘Yes, but even so—’

She glanced at her son, struggling uneasily with his cereal, and decided not to go on.

‘You might need the day off school, Gulliver,’ said Isobel.

I expected him to agree to this, seeing that he preferred an education that involved staring at rail-tracks. But he looked at me, considered for a moment, and concluded, ‘No. No.
It’s okay. I feel fine.’

Later, it was just me and Newton in the house. I was still ‘recovering’, you see.
Recover.
The most human of words, the implication being that healthy normal
life is covering something – the violence that is there underneath, the violence I had seen in Gulliver the night before. To be healthy meant to be covered. Clothed. Literally and
metaphorically. Yet I needed to find what lay beneath, something that would satisfy the hosts and justify the delay I was taking in my task. I discovered a pile of paper, tied with an elastic band.
It was in Isobel’s wardrobe, hidden among all those essential clothes, yellowing with age. I sniffed the page and guessed at least a decade. The top sheet had the words ‘Wider than the
Sky’ on them, along with these ones: ‘A novel by Isobel Martin’. A
novel?
I read a little bit of it and realised that although the central character’s name was
Charlotte, she could just as easily have been called Isobel.

So, families often stayed together. Wives sometimes managed to stay with husbands and put up with whichever misery they felt by writing novels and hiding them at the bottom of
their wardrobes. Mothers put up with their children, no matter how difficult those children were, no matter how close to insanity they pushed their parents.