The House of the Whispering Pines (12 page)

Her surprised eyes met his with a stare that would have embarrassed the
most venturesome book agent, but this man was of another ilk.

"If you do," he went on imperturbably, but with a good-humoured smile
which deepened her favourable impression of him, "how much I would give
if you had been standing there last Tuesday night when a certain cutter
and horse went by on its way up the hill."

She was a self-contained woman, this wife of a master mechanic in one of
the great shops hard by; but her jaw fell at this, and she forgot to
chide or resist her child when he began to pull her towards the open
kitchen door.

Sweetwater, sensitive to the least change in the human face, prayed that
the husband might be detained, if only for five minutes longer, while he,
Sweetwater, worked this promising mine.

"You
were
looking out," he ventured. "And you
did
see that horse and
cutter. What luck! It may save a man's life."

"Save!" she repeated, staggering back a few steps and dragging the child
with her. "Save a man's life! What do you mean by that?"

"Not much if it was any cutter and any horse, and at any hour. But if it
was the horse and cutter which left The Whispering Pines at ten or half
past ten that night, then it may mean life and death to the man now in
jail under the dreadful charge of murder."

Catching up her child, she slid into the kitchen and sat down with it, in
the first chair she came to. Sweetwater following her, took up his stand
in the doorway, unobtrusive, but patiently waiting for her to speak. The
steaming kettles and the table set for dinner gave warning of the
expected presence for which she had been watching, but she seemed to have
forgotten her husband; forgotten everything but her own emotions.

"Who are you?" she asked at length. "You have not told me your real
business."

"No, madam, and I ask your pardon. I feared that my real business, if
suddenly made known to you, might startle, perhaps frighten you. I am a
detective on the look-out for evidence in the case I have just mentioned.
I have a theory that a most important witness in the same, drove by here
at the hour and on the night I have named. I want to substantiate that
theory. Can you help me?"

A sensitiveness to, and quick appreciation of, the character of those he
addressed was one of Sweetwater's most valuable attributes. No glossing
of the truth, however skillfully applied, would have served him with this
woman so well as this simple statement, followed by its equally simple
and direct inquiry. Scrutinising him over the child's head, she gave but
a casual glance at the badge he took pains to show her, then in as quiet
and simple tones as he had himself used, she made this reply:

"I can help you some. You make it my duty, and I have never shrunk from
duty. A horse and cutter did go by here on its way uphill, last Tuesday
night at about eleven o'clock. I remember the hour because I was
expecting my husband every minute, just as I am now. He had some extra
work on hand that night which he expected to detain him till eleven or a
quarter after. Supper was to be ready at a quarter after. To surprise
him I had beaten up some biscuits, and I had just put them in the pan
when I heard the clock strike the hour. Afraid that he would come before
they were baked, I thrust the pan into the oven and ran to the front door
to look out. It was snowing very hard, and the road looked white and
empty, but as I stood there a horse and cutter came in sight, which, as
it reached the gate, drew up in a great hurry, as if something was the
matter. Frightened, because I'm always thinking of harm to my husband
whose work is very dangerous, I ran out bare-headed to the gate, when I
saw why the man in the sleigh was making me such wild gestures. His hat
had blown off, and was lying close up against the fence in front of me.
Anxious always to oblige, I made haste to snatch at it and carry it out
to its owner. I received a sort of thank you, and would never have
remembered the occurrence if it had not been for that murder and if—"
She paused doubtfully, ran her fingers nervously over her child's head,
looked again at Sweetwater waiting expectantly for her next word, and
faltered painfully—"if I had not recognised the horse."

Sweetwater drew a deep breath; it was such a happy climax. Then, as she
showed no signs of saying more, asked as quietly as his rapidly beating
heart permitted:

"Didn't you recognise the man?"

Her answer was short but as candid as her expression.

"No. The snow was blinding; besides he wore a high collar, in which his
head was sunk down almost out of sight."

"But the horse—"

"Was one which is often driven by here. I had rather not tell you whose
it is. I have not told any one, not even my husband, about seeing it on
the road that night. I couldn't somehow. But if it will save a man's life
and make clear who killed that good woman, ask any one on the Hill, in
what stable you can find a grey horse with a large black spot on his left
shoulder, and you will know as much about it as I do. Isn't that enough,
sir? Now, I must dish up my dinner."

"Yes, yes; it's almost enough. Just one question, madam. Was the hat what
folks call a derby? Like this one, madam," he explained, drawing his own
from behind his back.

"Yes, I think so. As well as I can remember, it was like that. I'm afraid
I didn't do it any good by my handling. I had to clutch it quick and I'm
sure I bent the brim, to say nothing of smearing it with flour-marks."

"How?" Sweetwater had started for the door, but stopped, all eagerness at
this last remark.

"I had been cutting out biscuits, and my hands were white with flour,"
she explained, simply. "But that brushes off easily; I don't suppose it
mattered."

"No, no," he hastily assented. Then while he smiled and waved his hand to
the little urchin who had been his means of introduction to this possibly
invaluable witness, he made one final plea and that was for her name.

"Eliza Simmons," was the straightforward reply; and this ended the
interview.

The husband, whose anticipated approach had occasioned all this
abruptness, was coming down the hill when Sweetwater left the gate. As
this detective of ours was as careful in his finish as in all the rest
of his work, he called out as he went by:

"I've just been trying to sell a wonderful contrivance of mine to the
missus. But it was no go."

The man looked, smiled, and went in at his own gate with the air of one
happy in wife, child, and home.

Sweetwater went on up the hill. Towards the top, he came upon a
livery-stable. Stopping in his good-humoured way, he entered into talk
with a man loitering inside the great door. Before he left him, he had
asked him these questions:

"Any grey horse in town?"

"Yes,
one
."

"I think I've seen it—has a patch of black on its left shoulder."

"Yes."

"Whose is it? I've a mighty curiosity about the horse. Looks like a
trick horse."

"I don't know what you mean by that. It belongs to a respectable family.
A family you must have heard about if you ever heard anything. There's a
funeral there to-day—"

"Not Miss Cumberland's?" exclaimed Sweetwater, all agog in a moment.

"Yes, Miss Cumberland's. I thought you might have heard the name."

"Yes, I've heard it."

The tone was dry, the words abrupt, but the detective's heart was dancing
like a feather. The next turn he took was toward the handsome residence
district crowning the hill.

All things that we ordained festival
Turn from their office to black funeral;
Our instruments to melancholy bells;
Our wedding cheer to a sad burial feast;
And all things change them to the contrary.

Romeo and Juliet
.

Fifteen minutes later, he stood in a finely wooded street before an open
gateway guarded by a policeman. Showing his badge, he passed in, and
entered a long and slightly curved driveway. As he did so, he took a
glance at the house. It was not as pretentious as he expected, but
infinitely more inviting. Low and rambling, covered with vines, and
nestling amid shrubbery which even in winter gave it a habitable air, it
looked as much the abode of comfort as of luxury, and gave—in outward
appearance at least—no hint of the dark shadow which had so lately
fallen across it.

The ceremonies had been set for three o'clock, and it was now half past
two. As Sweetwater reached the head of the driveway, he saw the first of
a long file of carriages approaching up the street.

"Lucky that my business takes me to the stable," thought he. "What is the
coachman's name? I ought to remember it. Ah—Zadok! Zadok Brown. There's
a combination for you!"

He had reached this point in his soliloquy (a bad habit of his, for it
sometimes took audible expression) when he ran against another policeman
set to guard the side door. A moment's parley, and he left this man
behind; but not before he had noted this door and the wide and hospitable
verandah which separated it from the driveway.

"I am willing to go all odds that I shall find that verandah the most
interesting part of the house," he remarked, in quiet conviction, to
himself, as he noted its nearness to the stable and the ease with which
one could step from it into a vehicle passing down the driveway.

It had another point of interest, or, rather the wing had to which it was
attached. As his eye travelled back across this wing, in his lively walk
towards the stable, he caught a passing glimpse of a nurse's face and
figure in one of its upper windows. This located the sick chamber, and
unconsciously he hushed his step and moved with the greatest caution,
though he knew that this sickness was not one of the nerves, and that the
loudest sound would fail to reach ears lapsed in a blessed, if alarming,
unconsciousness.

Once around the corner, he resumed a more natural pace, and perceiving
that the stable-door was closed but that a window well up the garden side
was open, he cast a look towards the kitchen windows at his back, and,
encountering no watchful eye, stepped up to the former one and peered in.

A man sat with his back to him, polishing a bit of harness. This was
probably Zadok, the coachman. As his interest was less with him than with
the stalls beyond, he let his eye travel on in their direction, when he
suddenly experienced a momentary confusion by observing the head and
shoulders of Hexford leaning towards him from an opposite window—in much
the same fashion, and certainly with exactly the same intent, as himself.
As their glances crossed, both flushed and drew back, only to return
again, each to his several peep-hole. Neither meant to lose the advantage
of the moment. Both had heard of the grey horse and wished to identify
it; Hexford for his own satisfaction, Sweetwater as the first link of the
chain leading him into the mysterious course mapped out for him by fate.
That each was more or less under the surveillance of the other did not
trouble either.

There were three stalls, and in each stall a horse stamped and fidgeted.
Only one held their attention. This was a mare on the extreme left, a
large grey animal with a curious black patch on its near shoulder. The
faces of both men changed as they recognised this distinguishing mark,
and instinctively their eyes met across the width of the open space
separating them. Hexford's finger rose to his mouth, but Sweetwater
needed no such hint. He stood, silent as his own shadow, while the
coachman rubbed away with less and less purpose, until his hands stood
quite still and his whole figure drooped in irresistible despondency. As
he raised his face, moved perhaps by that sense of a watchful presence to
which all of us are more or less susceptible, they were both surprised to
see tears on it. The next instant he had started to his feet and the bit
of harness had rattled from his hands to the floor.

"Who are you?" he asked, with a touch of anger, quite natural under the
circumstances. "Can't you come in by the door, and not creep sneaking up
to take a man at disadvantage?"

As he spoke, he dashed away the tears with which his cheeks were
still wet.

"I thought a heap of my young mistress," he added, in evident apology for
this display of what such men call weakness. "I didn't know that it was
in me to cry for anything, but I find that I can cry for her."

Hexford left his window, and Sweetwater slid from his; next minute they
met at the stable door.

"Had luck?" whispered the local officer.

"Enough to bring me here," acknowledged the other.

"Do you mean to this house or to this stable?"

"To this stable."

"Have you heard that the horse was out that night?"

"Yes, she was out."

"Who driving?"

"Ah, that's the question!"

"This man can't tell you."

A jerk of Hexford's thumb in Zadok's direction emphasised this statement.

"But I'm going to talk to him, for all that."

"He wasn't here that night; he was at a dance. He only knows that the
mare was out."

"But I'm going to talk to him."

"May I come in, too? I'll not interrupt. I've just fifteen minutes
to spare."

"You can do as you please. I've nothing to hide—from you, at any rate."

Which wasn't quite true; but Sweetwater wasn't a stickler for truth,
except in the statements he gave his superiors.

Hexford threw open the stable-door, and they both walked in. The coachman
was not visible, but they could hear him moving about above, grumbling to
himself in none too encouraging a way.

Evidently he was in no mood for visitors.

"I'll be down in a minute," he called out, as their steps sounded on the
hardwood floor.

Hexford sauntered over to the stalls. Sweetwater stopped near the doorway
and glanced very carefully about him. Nothing seemed to escape his eye.
He even took the trouble to peer into a waste-bin, and was just on the
point of lifting down a bit of broken bottle from an open cupboard when
Brown appeared on the staircase, dressed in his Sunday coat and carrying
a bunch of fresh, hot-house roses.