About a minute later she said, “What are you doing?”
“It’s okay,” I said.
Then she put her hand on my wrist, stopping it. “Don’t,” she said. “What are you doing?”
“Elizabeth,” I said, kissing at her nape. “This is what we do. Don’t you like it?”
She rose to an elbow and looked at me, her face rock-hard, unfamiliar. “This is what we do?” Our eyes were locked. “Is this what you came for?” She lay back and thumbed off her pants until she was naked from the waist down. “Is it?”
“Yes,” I said. It was the truth and there was pleasure in saying it.
“Then go ahead. Here.” She moved to the edge of the bed, a clear display. The moment had fused and I held her look and I felt seen. I felt known. I stood and undid my belt and went at her, the whole time neither of us changing expression, eyes open, though I studied her as I moved looking for a signal of the old ways, the pleasure, a lowered eyelid, the opening mouth, but none came. Her mouth was open but as a challenge to me, and her fists gripped the mattress but simply so she didn’t give ground. She didn’t move when I pulled away, just lay there looking at me. I remember it as the moment in this life when I was farthest from any of my feelings. I gathered the empty cylinder and the portable gear with the strangest thought:
It’s going to take me twenty years to figure out who I am now.
I could feel Elizabeth Rensdale’s hatred, as I would feel it dozens of times a season for many years. It’s a kind of dread for me that has become a rudder and kept me out of other troubles. That next year at school, I used it to treat Linda Enright correctly, as a gentleman, and keep my distance, though I came to know I was in love with her and had been all along. I had the chance to win her back and I did not take it. We worked together several times with the Democratic Student Alliance, and it is public record that our organization brought Robert Kennedy to the Houck Center on campus that March. Professor Whisner introduced him that night, and at the reception I shook Robert Kennedy’s hand. It felt, for one beat, like Western Civilization.
T
HAT BAD DAY
at the Rensdales’ I descended the stair, carefully, not looking back, and I let myself out of the townhouse for the last time. The mud on the truck had dried in brown fans along the sides and rear. The late afternoon in Scottsdale had been scrubbed and hung out to dry, the air glassy and quick, the color of everything distinct, and the brown folds of the McDowell Mountains magnified and looming. It was fresh, the temperature had dropped twenty degrees, and the elongated shadows of the short new imported palms along the street printed themselves eerily in the wet lawns. Today those trees are as tall as those weird shadows. I just wanted to close this whole show down.
But as I drove through Scottsdale, block by block, west toward Camelback Mountain, I was torn by a nagging thought of Gil Benson. I shouldn’t have left him out there. At a dead end by the Indian School canal I stopped and turned off the truck. The grapefruit grove there was being bladed under. Summer was over; I was supposed to be happy.
Back at Ayr Oxygen, I told Gene, the swing man, to forget it and I unloaded the truck myself. It was the one good hour of that day, one hour of straight work, lifting and rolling my empties into the ranks at the far end of the old structure. Victor and Jesse would find them tomorrow. They would be the last gas cylinders I would ever handle. I locked the truck and walked to the office in my worn-out workshoes. I found two envelopes on Nadine’s desk: my check and the bonus check. It was two hundred and fifty dollars. I put them in my pocket and left my keys, pulling the door locked behind me.
I left for my junior year of college at Missoula three days later. The evening before my flight, my parents took me to dinner at a steakhouse on a mesa, a western place where they cut your tie off if you wear one. The barn-plank walls were covered with the clipped ends of ties. It was a good dinner, hearty, the baked potatoes big as melons and the charred edges of the steaks dropping off the plates. My parents were giddy, ebullient, because their business plans which had so consumed them were looking good. Every loan they’d positioned was ready; the world was right. They were proud of me, they said, working hard like this all summer away from my friends. I was changing, they said, and they could tell it was for the better.
After dinner we went back to the house and had a drink on the back terrace, which was a new thing in our lives. I didn’t drink very much and I had never had a drink with my parents. My father made a toast to my success at school and then my mother made a toast to my success at school and to my success with Linda Enright, and she smiled at me, a little friendly joke, and she clinked her scotch and water against my bottle of Bud and tossed it back. “I’m serious,” she said. Then she stood and threw her glass out back and we heard it shatter against the stucco wall. A moment later she hugged me and she and my father went in to bed.
I cupped my car keys and went outside. I drove the dark streets. The radio played a steady rotation of exactly the same songs heard today on every fifty-thousand-watt station in this country; every fifth song was the Supremes. I knew where I was going. Beyond the bright rough edge of the lights of Mesa I drove until the pavement ended, and then I dropped onto the red clay roads and found Gil Benson’s house. It was as dark as some final place, and there was no disturbance in the dust on the front walk or in the network of spiderwebs inside the broken storm door. I knocked and called for minutes. Out back, I kicked through the debris and weeds until I found one of the back bedroom windows unlocked and I slid it open and climbed inside. In the stale heat, I knew immediately that the house was abandoned. I called Gil’s name and picked my way carefully to the hall. The lights did not work, and in the kitchen when I opened the fridge, the light was out and the humid stench hit me and I closed the door. I wasn’t scared, but I was something else. Standing in that dark room where I had palmed old Oreos all summer long, I now had proof, hard proof, that I had lost Gil Benson. He hadn’t made it back and I couldn’t wish him back.
Outside, the cooked air filled my lungs and the bright dish of Phoenix glittered to the west. I drove toward it carefully. Nothing had cooled down. In every direction the desert was being torn up, and I let the raw night rip through the open car window. At home my suitcases were packed. Some big thing was closing down in me; I’d spent the summer as someone else, someone I knew I didn’t care for and I would be glad when he left town. We would see each other from time to time, but I also knew he was no friend of mine. I eased along the empty roadways trying simply to gather what was left, to think, but it was like trying to fold a big blanket alone. I kept having to start over.
Copyright © 1997 by Ron Carlson
All rights reserved
First Edition
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Library of Congress Cataloging-in-Publication Data
Carlson, Ron.
The Hotel Eden, stories / Ron Carlson.
p. cm.
Contents: The Hotel Eden—Keith—The prisoner of Bluestone—Zanduce at second—The house goes up—What we wanted to do—note on the type—The chromium hook—Nightcap—Dr. Slime—Down the green river—Oxygen.
ISBN 978-0-393-24405-2 (e-book)
1. Title
PS3553.A733H681997
813’.54—dc20 | 96-42425 |
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