The Hog's Back Mystery (26 page)

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Authors: Freeman Wills Crofts

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“But I saw that the alibi for the intermediate periods was not so overwhelming. From 8.0 till 8.30 and from 8.35 till 9.20 Campion was not actually in anyone's presence. He was alone, ostensibly in his workshop, making a dolls' house. The only proof he had of this presence there was that it would have taken him all the time to carry out the work.

“It therefore occurred to me to wonder, Had he done the work at that time?

“I concentrated on this dolls' house affair, and presently two things occurred to me which made me suspect I was on the right track. The first was that the thing was entirely Campion's own suggestion. Nothing had occurred to lead up to his offer. And there was no real reason why he should have done the work then. The house could have been sent after Miss Stone. Admittedly Campion himself had given me a reason: that he was tired of the ladies' society and wanted an excuse to get away from them, and this of course might be true (pp.
135
-
136
). At the same time the mere fact that he had thought it necessary to give me this explanation was in itself suspicious.

“The other consideration was more convincing. Campion had first shown the separate parts to Miss Stone, as they had arrived from the Handicrafts people. He had then brought the partially assembled house into the drawing-room at half-past eight, when he went in ostensibly to consult Miss Stone on the outside finish. And finally of course he had taken the completed house to St. Kilda when they went to run Miss Stone back. Did this, I asked myself, not show evidences of design? Was it not done to establish the fact that that work at the house had really been in progress at that period? I thought it looked fishy. And I noted incidentally that the conversation about Miss Stone's returning in the bus looked very like an attempt to fix the hour at which he had been in the drawing-room.”

French made his little pause, but none of the others commented. They were indeed paying him the compliment of a very close and undivided attention. French began to experience the firstfruits of his reward.

“By this time I had no doubt at all that I was on the right track, though I still couldn't see how to break down the alibi. Then I thought, Suppose for argument sake that dolls' house affair was faked and that Campion had been free during those two periods 8.0 to 8.30 and 8.35 to 9.20, what could he have done?

“Obviously he could not have murdered Earle. Earle was murdered at 8.40 (p.
39
), and Campion couldn't possibly have got to St. Kilda in time. Assume therefore that Gates, in spite of his alibi, had carried out the actual murder, how could Campion have helped?

“This bothered me for long enough, then I thought I saw it. Transport again! Gates was at his house at eight o'clock (p.
281
), and if he was to get to St. Kilda in time, he must have been taken there in a car.”

“Wait a minute,” Sheaf interrupted. “What about the bicycle?”

“I thought of that, super,” French answered. “In the first place the bicycle was locked up at that hour (p.
284
), but there was more in it than that. The body had to be taken back to the by-pass, and that could not have been done on the bicycle: it meant a car. But if a car was going with the body in any case, wouldn't Gates also go in the car? For this hurry job, to get the body buried before about half-past nine
(p.
281
), the bicycle would be too slow. Therefore Gates couldn't have taken the bicycle to St. Kilda, as he would have had no way of getting it back. Therefore he would have needed a car.

“Could Campion, I thought at last, in his first workshop period have run Gates to St. Kilda, and in his second have run both Gates and Earle's body to the by-pass?

“Here at once I was on to a snag. It was impossible to take the car out of the garage at the Red Cottage without its being heard from the house. I cursed over this for a while, and then I remembered that the drive was level (p.
128
), and that it would be possible with the Campions' light car (p.
38
) to push it in and out of the garage by hand.”

Sheaf made a movement. “I think this tale deserves another toast,” he rumbled. “Say when, chief inspector.”

“When,” said Mitchell, again in satisfied tones. Then to French: “'Pon my soul, French, it's going like a Sexton Blake. What do you say, super?”

“He should give up his job and take to writing for the films,” Sheaf said heavily. “More money in it than working for the Yard anyhow, chief inspector?”

“There could scarcely be less,” Mitchell agreed smoothly. “Well, French, what about the next chapter?”

Fortified by another tot, French went on with his tale.

“Thinking over the thing in detail, I saw that Campion would just have had time to take out the car, pick up Gates near Polperro, run him to near St. Kilda, return to the Red Cottage, park the car somewhere close by, and take the dolls' house to the drawing-room. I estimated that he could do it in 28 minutes, and he actually had occupied half an hour. After Campion then had made his alibi he would have taken the car again, gone back to near St. Kilda, picked up Gates and the body, run them to the by-pass, and returned home. Was there time for this?

“I went into it as carefully as I could, and I found myself bothered by something quite unexpected. Campion had occupied too much time. Not a great deal of course, about five minutes. But I thought that where every minute would count, a discrepancy of this kind meant something. I puzzled over it for some time and then suddenly I saw it.”

“I think I see it too,” Mitchell put in, “but I admit only because of all you've said. I didn't see it till you led up to it. You see it, super?”

“I see it now,” Sheaf returned. “You mean Gates' alibi?”

“Of course. That's what you're coming to, isn't it, French?”

“Yes, sir.”

“Well, go on in your own way. Tell us as if we didn't know. We may have overlooked some point.”

“I saw after a long time what you and the super have seen in a moment,” French resumed tactfully, “that that five minutes would have enabled Gates' alibi to have been established. Gates of course could not have called at Galbraith's house, but Campion could. The house was actually on his way from the Red Cottage to St. Kilda. All that was necessary was to stick on a false moustache, pad up his clothes, and speak in a low rumble (p.
148
). His height was about right; it was dark; Galbraith would be out so that only the housekeeper would see him; and most important of all, she was expecting Gates to call. I was satisfied Campion could have carried out the deception, and I was just as satisfied he had done so.”

“Quite good, French,” Mitchell approved. “You deserve a leather medal. Now let's see if I've got it all right. Campion and Gates start from their respective homes at the same time, Campion in a car and Gates walking. They meet somewhere near Gates' home. Campion picks up Gates, drives to near St. Kilda, and sets him down there. Campion drives home, establishes his own alibi in his drawing-room, starts off again, establishes Gates' alibi at Galbraith's, and drives back to near St. Kilda and picks up Gates. Gates in the meantime has enticed Earle out of St. Kilda, murdered him, and got the body placed ready to put in the car. The two men drive with the body to the by-pass, and while Campion goes home, Gates buries the body. That right?”

“Dead right, sir. I've got out a little statement which I think makes it pretty clear.”

French handed over a sheet, reproduced here, and the other pored over it. “The sketch is not to scale,” French explained, “but the positions are roughly as shown.”

“Ah yes,” said Mitchell, “this is it exactly.” He pondered over the document.

Time
.

Campion
.

Gates
.

8.00.

Reaches workshop.

Leaves home to walk to Compton Corner.

8.02.

Leaves workshop. Pushes out car.

8.07.

Starts car.

8.10.

Picks up Gates at Compton Corner.

Is picked up by Campion at Compton Corner.

8.15.

Sets down Gates at Tarn Corner.

Is set down by Campion at Tarn Corner.

8.24.

Reaches the Red Cottage and parks car.

8.27.

Reaches St. Kilda and
awaits opportunity.

8.28.

Regains workshop.

8.30.

Enters drawing-room, completing own alibi.

8.35.

Leaves drawing-room. Makes up as Gates.

8.38.

Leaves workshop.

8.40.

Commits murder.

8.41.

Starts car.

8.44.

Calls at Galbraith's.

8.48.

Completes faking of Gates' alibi.

Has body on road, ready to load up.

8.56.

Picks up Gates and body near St. Kilda.

Is picked up with body by Campion.

9.08.

Leaves body in grave.

Assists to leave body in grave.

9.14.

Reaches the Red Cottage and puts car in garage.

9.20.

Reaches drawing-room.

9.30.

Reaches Polperro after burying body.

8.40.

Time of Earle's disappearance (murder).

Campion's Alibi:

8.30 to 8.35. Is in drawing-room with ladies.

Gates' Alibi:

8.44 to 8.48. Is at Galbraith's door.

“That's quite good, French,” Mitchell commented, handing back the paper. “Now I wonder if I've got your theory of the entire crime? Just let's see. Campion and Gates, a pretty pair of scoundrels, get into financial difficulties by backing their ill-luck on the race-course. They thereupon get together and devise a scheme to repair their fortunes. Gates has reliable expectations of £30,000 when old Frazer pegs out. Frazer is nearly seventy, in frail health, and only a slight push will be necessary to help him into the next world. No one will be the worse of it. His wife hates him and so does everyone who comes in contact with him. Between them they give him the push. Probably Campion gives Gates the poison to put in the medicine, or Gates gets it from the weed-killer, which he could easily do. Campion's job is to sign the certificate. Somehow, we may take it, the responsibility is divided.

“This all works very well, and Frazer is got rid of. Unfortunately for our friends, however, the nurse is too wide awake. She suspects, abstracts some of the doubtful medicine, has it analysed, thus having her suspicions confirmed. She tells Earle—very naturally: who else can she tell? But then what happens? Earle, as you suggest, tells Campion the whole story. Campion is naturally upset. He induces Earle not to make an immediate move. Then he meets Gates and fixes up his plan, which he has probably worked out beforehand as a precautionary measure. Campion sends the telegram to the nurse, meets her on the Hog's Back, murders her and hides her body. The murder of Earle is carried out as you have described. Everything then is complete and satisfactory except for the destruction of the dangerous evidence. Now, French, here's a point. Why didn't Campion, as Earle's partner, simply go to the study in St. Kilda, on the plea of looking for papers concerning the practice?”

“I thought of that, sir,” French answered. “From what I have seen of Mrs. Earle, I doubt if she would have allowed any investigation at which she was not present, and I suggest Campion realised this. Campion might have proposed conducting a secret search, but if the lady demurred, he could not press his request without suspicion.”

“Very well. Campion had to wait for Gates' assistance, and Gates was ill. Then came the distressing advent of Ursula Stone to the study at the critical moment, and the necessity for silencing her. I'm sure your reconstruction of what happened is the truth. Now, for the third and last time of asking, your proof.”

French moved uneasily. “I hope you gentlemen will consider it sufficient when you hear it. It's two-fold and the first point is about the dolls' house. As I pointed out, the construction of the dolls' house was Campion's proof that he had been in his workshop all the time he was away from the ladies. Well, I guessed he might have tried an old trick and I went up to Town and called on the manager of Handicrafts Limited (pp.
35
and
296
). Enquiries proved that on Saturday, the 8th of October, the day before Earle's death, a man called at the shop and bought three sets of parts for this particular house. The assistant remembered the affair because there were only two sets in stock of the house the customer had asked for, and rather than wait while a third set was being obtained, the man had taken three sets of a quite different pattern. This was all right, but I was better pleased still when the assistant picked out the customer's photograph from a bundle I gave him. It was Campion.”

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