The History of Jazz (92 page)

Authors: Ted Gioia

Tags: #Music, #History & Criticism

BOOK: The History of Jazz

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Acknowledgments

This book would not have been possible without the help of many individuals. I would like to extend my thanks first to a talented group of people who read parts of this work and gave me invaluable feedback. For the revised edition, I am indebted to Rob Bamberger, Bob Blumenthal, Peter Gerler, Todd Jenkins, Alan Kurtz, Steven Lasker, Stuart Nicholson, Peter Pullman, Thierry Quénum, Charles A. Sengstock Jr., and Jeff Sultanof for their guidance and advice. For the first edition of this book, I relied on the input of Donald Marquis, Richard Hadlock, Richard Sudhalter, Grover Sales, Bill Kirchner, John Litweiler, Nathan Pearson, Dr. Herb Wong, John O’Neill, Dana Gioia, Larry Kart, and Chris Sheridan. Although I benefited enormously from the assistance of these individuals, I must absolve them from blame for any of the limitations of the final work. I also need to express my gratitude to Dan Morgenstern and the staff at the Rutgers Institute of Jazz Studies, and to Dr. Bruce Boyd Raeburn of the Hogan Jazz Archive at Tulane University, as well as to Barbara Sawka of the Stanford University Archive of Recorded Sound. Additional thanks are due to Joseph Mailander and Greg Gioia, for their input and encouragement, and to Joellyn Ausanka, of Oxford University Press, for her assistance in shepherding the first edition of this work through various stages of production. I owe a tremendous debt to the late Sheldon Meyer of Oxford University Press, who encouraged me to write the first edition of this book and served as the best of editors and a constant source of valued advice. I also must thank Suzanne Ryan of Oxford University Press, who made it possible for me to update and revise this book for a new generation of readers. Finally, I need to offer my deepest thanks to my wife, Tara, to whom this book is lovingly dedicated, for her unflagging support and help during the course of writing it.

T.G.

Index

AACM.
See
Association for the Advancement of Creative Musicians (AACM)

Abrams, Muhal Richard, 358, 363

Academy of Music, 32

acid jazz, 333

Adams, George, 302

Adderley, Julian “Cannonball,” 215, 273, 356

Addy, Yacub, 353

African American culture, 101

African Americans, modern jazz and, 190

Africanization of American music, 3–12

African music

features, 9–10

jazz and, 185

traditional elements, 9–10

Afro-Cubans, 206

“After Awhile,” 130

Afternoon of an Elf
, 234

“After You’ve Gone,” 140

Agharta
, 327

“Ah-Leu-Cha,” 211

“Ain’t Misbehavin,” 64, 95

Air, 360

“Air,” 319

Akiyoshi, Toshiko, 249, 386

Albany, Joe, 221

Albert, Mary, 46

Alexander, Willard, 180

“Alice in Wonderland,” 274

“All About Rosie,” 271

Allen, Henry “Red,” 64, 102, 159, 374

“All God’s Chillun Got Rhythm,” 219

“Alligator Crawl,” 60

Allison, Ben, 380

“All of Me,” 165, 168

“All of You,” 274

All Set
, 311

“All the Things You Are,” 201

“All Too Soon,” 175

Allyson, Karrin, 376

Almeida, Laurindo, 387

Alone
, 275

“Along Came Betty,” 289

“Amapola,” 138

“American Ballad,” 249

American Conservatory of Music, 229

American Federation of Musicians, 21, 145, 176

American Jazz Orchestra, 109, 260

American music, Africanization of, 3–12

American Symphonic Suite
, 93

American Theatre, 31

Ammons, Albert, 96, 222

Ammons, Gene, 204, 242, 243

Anatomy of a Murder
, 181

Anderson, Bernard “Buddy,” 193

Anderson, Ivie, 122, 176

Anderson, Sherwood, 116

Anderson, William “Cat,” 182

And His Mother Called Him Bill
, 182

Andrews Sisters, 96

Angelus cabinet player piano, 21

Antibes Jazz Festival, 301

Apex Club, 62

Apfelbaum, Peter, 380

“Apple Honey,” 241

Arbour Zena
, 341

Arlen, Harold, 99, 346

Armstrong, Louis, 16, 18, 33, 35, 41, 43–51, 70, 71, 79, 82, 92, 102, 105, 106, 114, 118, 128, 140, 142, 143, 158, 165, 167, 190, 198, 201, 210, 229, 237, 239, 255, 299, 338, 345

Age of the Soloist, 53–56

Hot Five and Hot Sevens, 57–66

“Weather Bird,” 62–63

“West End Blues,” 62