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Authors: Michael Nava

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As gently as I could, I asked, “And did you, Zack? Did you hurt Chris? You can tell me the truth.”

His face was so raw with feeling it was hard to look at. I would not have been surprised if he’d shrieked or broken down sobbing again, but all he said was, “No. No.”

“Why did you come to me, Zack?”

“I had to tell someone,” he said. “Chris talked about you. He said you were his only gay friend.”

“Chris never mentioned you to me.”

“He was going to tell everyone,” he said. “That’s what he told me when he left his wife. He said he couldn’t live with secrets anymore.”

That was another surprise. After all these years? But then what about his career? Or was this just something he’d told Zack to keep his new lover happy…?

“But it’s strange he would keep you a secret from me,” I said.

“You think I killed him,” he said.

“I don’t know what to think. I’m having trouble taking this in.”

A low humming started up in the kitchen, the power coming back on.

“I’m going to make some proper coffee,” I said, picking up the cups. “When I get back, we’ll decide what to do. All right?”

He sagged with relief.

The kitchen was a mess and it took me a moment to remember why. The quake seemed like something that had happened a long time ago. Then I thought of Josh and automatically picked up the phone, but the line was still dead.

“Who are you calling?” Zack was standing in the doorway.

“I was checking the line,” I said. “It’s still dead.”

“You were calling the police,” he said, accusingly.

“No, I wanted to call my friend, Josh, to see if he’s okay after the quake. He has AIDS,” I continued, wanting to talk away the tension between us. “I’m worried about him.”

“I have to go now,” Zack said.

“I wasn’t calling the police, Zack.”

He spun on his heel and was out of the house before I knew what was happening. I ran after him, but by the time I got to the street, he was speeding off in an old wreck of a car. The license plate was too grimed to make out a number. I watched him round the curve and plunge down the hill.

“Damn,” I said.

This was my dilemma: I knew that Chris lay dead in his chambers where, given the fact that the quake had shut the city down, he might not be discovered for several days. If I told the police, they would go after Zack Bowen. Zack Bowen may have killed Chris, but I was not prepared to deliver him into the hands of the LAPD. This was, in part, the knee-jerk reaction of someone who’d spent his professional life defending people from the police; I didn’t trust cops and, with rare exception, I didn’t like them. I knew it was a tough job being a cop and I wouldn’t want it, but they gave as good as they got and most of the time got away with it. Then there was the matter of professional ethics. Even if I decided I couldn’t defend Zack, my job was to refer him to someone who could, not have him arrested. I would’ve felt that way even if I was certain he had killed Chris, and I wasn’t. Then there was my personal interest. Zack Bowen had come to me with a story that implicated my own past and I wanted to hear the rest of it before I drew any conclusions about his guilt or innocence.

So I thought about it for a while, and by the time the phones came up later that morning, I’d made up my mind. I called a high-ranking and deeply closeted police captain whom I’d known for several years through a mutual cop friend in San Francisco. Captain Closet and I had even had a half-hearted sort of affair after Josh and I had broken up, testing, unsuccessfully, the theory that opposites attract.

I reached him on the first try and gave him a bare-bones and relatively truthful account of Zack’s visit, without using Zack’s name.

When I finished, Captain Closet said, “Let me understand, Henry. Some guy you’ve never seen before shows up at your house and claims that Judge Chandler was murdered last night in his chambers, then disappears.”

“Yes,” I said.

“And he doesn’t give you his name and you have no idea of who he is.”

“That’s right.”

“This is total bullshit,” he said.

“Maybe,” I said, “but don’t you think you should follow it up in the event that it isn’t?”

“Don’t leave your house until I call you back,” he said.

An hour later, he did, and confirmed that there was a body in Chris Chandler’s judicial chambers.

“Is it Chris?”

“His wife’s coming down to identify the body,” Captain Closet said. “What’s going on here, Henry? Why did you call me instead of going through regular channels?”

“Judge Chandler was gay,” I said. “Not too many knew that. I figured you’d understand.”

I heard him breathing softly at the other end of the line. “You think you can feed me this line about a stranger dropping in to tell you someone’s murdered a Superior Court judge, I won’t give you a hard time because you know about me, is that it, Henry? Blackmail?”

“No,” I said, though he was exactly right. I improvised. “What I’m doing is passing along as much information as I can without waiving the attorney-client privilege, because Chris Chandler was a friend of mine and I didn’t want the janitor to find his body a week from now.”

“Some friend,” he said, with heavy cop-irony. “You’re gonna defend the guy who killed him.”

I said, “I can’t tell you anything else without getting into privileged information.”

“You’re in a shitty racket, Henry.”

“Like you’re not,” I replied, and having made the points we always made against each other, we hung up.

Then it hit me: Chris really was dead.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook onscreen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

Copyright © 1992 by Michael Nava

cover design by Angela Goddard

978-1-4532-9772-8

This edition published in 2013 by Open Road Integrated Media

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