The Haçienda (51 page)

Carroll’s cash and,
ref1

drugs confiscated by,
ref1

Dry run by,
ref1

Dry sale upsets,
ref1

fancy-dress costume of,
ref1

Haçienda licensee,
ref1
,
ref2

resignation tendered by,
ref1
–
ref2

store job of,
ref1

Maxwell’s,
ref1

media:

BBC2,
ref1

Channel Four,
ref1
,
ref2

City Life
,
ref1

Debris
,
ref1

Debris
,
ref1

FAC
ref1
newsletter,
ref2

Freaky Dancing
,
ref1

Granada TV,
ref1
,
ref2

Guardian
,
ref1

iD
,
ref1

Internationale Situationniste
,
ref1

Jewish Chronicle
,
ref1

Kiss FM,
ref1

Local Times
,
ref1

Melody Maker
,
ref1

Newsweek
,
ref1

NME
,
ref1
,
ref2

Observer
,
ref1
,
ref2
,
ref3

Piccadilly Radio,
ref1
,
ref2
,
ref3

Pink Paper
,
ref1

Sounds
,
ref1
,
ref2

Sun
,
ref1
–
ref2

Melle Mel,
ref1

Mellor, Aaron,
ref1
–
ref2

Metz,
ref1

Michelle,
ref1

Middles, Mick,
ref1
,
ref2
,
ref3
,
ref4

Millens, Kevin,
ref1

Ministry of Sound,
ref1
,
ref2

Morales, David,
ref1
,
ref2
–
ref3

Morley, Paul,
ref1

Moroder, Giorgio,
ref1

Morris, Steve,
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7

Curtis’s death and,
ref1
–
ref2

shareholding relinquished by,
ref1

Morrison, Jim,
ref1

Morrissey,
ref1
,
ref2
,
ref3
,
ref4

Moscrop, Martin,
ref1
,
ref2

MP
²
,
ref1

Murphy, Pete,
ref1

Music Force,
ref1

My Bloody Valentine,
ref1

Naked Lunch
(Burroughs),
ref1

National Exhibition Centre (NEC),
ref1

Nell’s,
ref1

Nelson, Bill,
ref1

New Hormones,
ref1

New Order (formerly Joy Division),
ref1
,
ref2
–
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
,
ref9
,
ref10
,
ref11

American tours by,
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8

at ‘big gig’ nights,
ref1

Boulton takes over running of,
ref1

change of name to,
ref1

club’s debts written off by,
ref1

creative peak of,
ref1

fascism accusation concerning,
ref1

first acid-house single of,
ref1

first Haçienda gig of,
ref1
–
ref2

Haçienda formation and,
ref1
–
ref2

Haçienda kept going by,
ref1

huge arenas played by,
ref1

in Ibiza,
ref1
–
ref2
,
ref3

Nazi messages associated with,
ref1

personal guarantees signed by,
ref1

police inspections of,
ref1

Polsky benefit gig by,
ref1

pronounced links between Haçienda and,
ref1

at Reading Festival,
ref1

reconvene,
ref1

sell-out gigs of,
ref1

Shakedown recording by,
ref1

States tour by,
ref1

tax affairs of,
ref1
–
ref2

taxman fines,
ref1

Technique
tour by,
ref1
,
ref2
,
ref3
,
ref4

temporary halt of,
ref1
,
ref2

watershed year for,
ref1
–
ref2

at WOMAD,
ref1
–
ref2

see also
records

Nick Cave and the Cavemen,
ref1
–
ref2

Nico,
ref1
–
ref2
,
ref3
,
ref4

Nightingale, Debbie,
ref1
,
ref2

Nile,
ref1

Noonan, Damien,
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
–
ref7
,
ref8
–
ref9
,
ref10
,
ref11
,
ref12
,
ref13
–
ref14
,
ref15
,
ref16
–
ref17
,
ref18
,
ref19

family devotion of,
ref1

loan of,
ref1

Noonan, Desmond,
ref1
,
ref2

Noonan, Dominic,
ref1
,
ref2

Noonan family,
ref1
–
ref2
,
ref3

Northern Soul,
ref1
,
ref2

Number One,
ref1

Oakenfold, Paul,
ref1
,
ref2
,
ref3
,
ref4
,
ref5

Oaks,
ref1
,
ref2

Oasis,
ref1
,
ref2

Oasis Club,
ref1

Old Monkey,
ref1

One Central Street,
ref1
,
ref2

Operation Clubwatch,
ref1

Orchestral Manoeuvres in the Dark (OMD),
ref1
–
ref2
,
ref3
–
ref4

Ozzie,
ref1
,
ref2

Paco,
ref1

Page, Steve,
ref1

Panacea,
ref1

Panik,
ref1

Paradise Factory,
ref1
,
ref2
,
ref3
–
ref4
,
ref5

Paradise Garage,
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6

Paras, Fabio,
ref1

Park, Graeme,
ref1
–
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
,
ref9
,
ref10
,
ref11
,
ref12

Parrish, Man,
ref1
,
ref2

Patterson, Alex,
ref1

Pauline,
ref1

Pedro,
ref1
,
ref2
,
ref3

Peech Boys,
ref1

Peel, John,
ref1

Pere Ubu,
ref1

Perry, Andrew,
ref1

Pettibone, Shep,
ref1

Pew, Tracy,
ref1

Phuture,
ref1
,
ref2

Pickering, Mike,
ref1
–
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
–
ref8
,
ref9
,
ref10
,
ref11
–
ref12
,
ref13
,
ref14
,
ref15
,
ref16
,
ref17
,
ref18
,
ref19
,
ref20
,
ref21
,
ref22
,
ref23
,
ref24

Battle of the Bands competitions of,
ref1

Black Box brought to Factory by,
ref1

on djhistory.com,
ref1

foresight of,
ref1
,
ref2

leaves Haçienda,
ref1

at Nude nights,
ref1

Pips,
ref1
,
ref2
,
ref3

Plans and Elevations
(Kelly),
ref1

Pogues,
ref1
–
ref2

Polsky, Ruth,
ref1
,
ref2
,
ref3

death of,
ref1

Pop Group,
ref1

Potts, Dave (‘Pottsy’),
ref1
,
ref2
,
ref3

Prendergast, Martin,
ref1
,
ref2

Pretty in Pink
,
ref1

Primal Scream,
ref1
,
ref2
,
ref3

PSV/Russell club,
ref1
,
ref2
,
ref3
,
ref4
,
ref5

Factory club nights at,
ref1
,
ref2
,
ref3
–
ref4
,
ref5
,
ref6

Public Image Limited,
ref1
,
ref2

punk scene, growth of,
ref1

Pursey, Jimmy,
ref1

Q,
ref1

Quando Quando,
ref1
,
ref2
,
ref3
,
ref4
,
ref5

Qwest,
ref1

Rabid,
ref1

Rafters,
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7

Railway Children,
ref1

Rampling, Danny,
ref1
,
ref2

Rampling, Jenny,
ref1

Ramsbottom, Jim,
ref1

Ranch,
ref1
,
ref2
,
ref3

Rashman, Elliot,
ref1

Real World Studios,
ref1
–
ref2

records:

‘Atmosphere’,
ref1
,
ref2

‘Blue Monday’,
ref1
,
ref2
,
ref3

‘Ceremony’,
ref1

Closer
,
ref1
,
ref2

‘Confusion’,
ref1
,
ref2
,
ref3
,
ref4

‘Everything’s Gone Green’,
ref1

Factory Sampler
,
A
,
ref1

‘Fine Time’,
ref1
,
ref2

Get Ready
,
ref1

Haçienda Classics
,
ref1

‘Love Tempo’,
ref1

‘Love Will Tear Us Apart’,
ref1
,
ref2
,
ref3

Low Life
,
ref1
–
ref2

Movement
,
ref1
,
ref2

One True Passion
,
ref1

‘Regret’,
ref1

Republic
,
ref1

‘Ruined In a Day’,
ref1

‘Run’,
ref1

Spiral Scratch
,
ref1

Substance
,
ref1

Technique
,
ref1
,
ref2
,
ref3