The Goldfinch (6 page)

I was more than halfway across the gallery when something strange
happened. A museum guard ran across the open doorway of the exhibition shop beyond. He was carrying something in his arms.

The girl saw it, too. Her golden-brown eyes met mine: a startled, quizzical look.

Suddenly another guard flew out of the museum shop. His arms were up and he was screaming.

Heads went up. Someone behind me said, in an odd flat voice: oh! The next instant, a tremendous, earsplitting blast shook the room.

The old man—with a blank look on his face—stumbled sideways. His outstretched arm—knotty fingers spread—is the last thing I remember seeing. At almost exactly the same moment there was a black flash, with debris sweeping and twisting around me, and a roar of hot wind slammed into me and threw me across the room. And that was the last thing I knew for a while.

v.

I
DON’T KNOW HOW
long I was out. When I came to, it seemed as if I was flat on my stomach in a sandbox, on some dark playground—someplace I didn’t know, a deserted neighborhood. A gang of tough, runty boys was bunched around me, kicking me in the ribs and the back of the head. My neck was twisted to the side and the wind was knocked out of me, but that wasn’t the worst of it; I had sand in my mouth, I was breathing sand.

The boys muttered, audibly.
Get up, asshole
.

Look at him, look at him.

He don’t know dick.

I rolled over and threw my arms over my head and then—with an airy, surreal jolt—saw that nobody was there.

For a moment I lay too stunned to move. Alarm bells clanged in a muffled distance. As strange as it seemed, I was under the impression that I was lying in the walled-in courtyard of some godforsaken housing project.

Somebody had beaten me up pretty good: I ached all over, my ribs were sore and my head felt like someone had hit me with a lead pipe. I was working my jaw back and forth and reaching for my pockets to see if I
had train fare home when it came over me abruptly that I had no clue where I was. Stiffly I lay there, in the growing consciousness that something was badly out of joint. The light was all wrong, and so was the air: acrid and sharp, a chemical fog that burned my throat. The gum in my mouth was gritty, and when—head pounding—I rolled over to spit it out, I found myself blinking through layers of smoke at something so foreign I stared for some moments.

I was in a ragged white cave. Swags and tatters dangled from the ceiling. The ground was tumbled and bucked-up with heaps of a gray substance like moon rock, and blown about with broken glass and gravel and a hurricane of random trash, bricks and slag and papery stuff frosted with a thin ash like first frost. High overhead, a pair of lamps beamed through the dust like off-kilter car lights in fog, cock-eyed, one angled upward and the other rolled to the side and casting skewed shadows.

My ears rang, and so did my body, an intensely disturbing sensation: bones, brain, heart all thrumming like a struck bell. Faintly, from somewhere far away, the mechanical shriek of alarms rang steady and impersonal. I could hardly tell if the noise was coming from inside me or outside me. There was a strong sense of being alone, in wintry deadness. Nothing made sense in any direction.

In a cascade of grit, my hand on some not-quite-vertical surface, I stood, wincing at the pain in my head. The tilt of the space where I was had a deep, innate wrongness. On one side, smoke and dust hung in a still, blanketed layer. On the other, a mass of shredded materials slanted down in a tangle where the roof, or the ceiling, should have been.

My jaw hurt; my face and knees were cut; my mouth was like sandpaper. Blinking around at the chaos I saw a tennis shoe; drifts of crumbly matter, stained dark; a twisted aluminum walking stick. I was swaying there, choked and dizzy, not knowing where to turn or what to do, when all of a sudden I thought I heard a phone going off.

For a moment I wasn’t sure; I listened, hard; and then it spieled off again: faint and draggy, a little weird. Clumsily I grappled around in the wreckage—upending dusty kiddie purses and day packs, snatching my hands back at hot things and shards of broken glass, more and more troubled by the way the rubble gave under my feet in spots, and by the soft, inert lumps at the edge of my vision.

Even after I became convinced I’d never heard a phone, that the ringing
in my ears had played a trick on me, still I kept looking, locked into the mechanical gestures of searching with an unthinking, robot intensity. Among pens, handbags, wallets, broken eyeglasses, hotel key cards, compacts and perfume spray and prescription medications (Roitman, Andrea, alprazolam .25 mg ) I unearthed a keychain flashlight and a non working phone (half charged, no bars), which I threw in a collapsible nylon shopping bag I’d found in some lady’s purse.

I was gasping, half-choked with plaster dust, and my head hurt so badly I could hardly see. I wanted to sit down, except there was no place to sit.

Then I saw a bottle of water. My eyes reverted, fast, and strayed over the havoc until I saw it again, about fifteen feet away, half buried in a pile of trash: just a hint of a label, familiar shade of cold-case blue.

With a benumbed heaviness like moving through snow, I began to slog and weave through the debris, rubbish breaking under my feet in sharp, glacial-sounding cracks. But I had not made it very far when, out of the corner of my eye, I saw movement on the ground, conspicuous in the stillness, a stirring of white-on-white.

I stopped. Then I waded a few steps closer. It was a man, flat on his back and whitened head to toe with dust. He was so well camouflaged in the ash-powdered wreckage that it was a moment before his form came clear: chalk on chalk, struggling to sit up like a statue knocked off his pedestal. As I drew closer, I saw that he was old and very frail, with a misshapen hunchback quality; his hair—what he had—was blown straight up from his head; the side of his face was stippled with an ugly spray of burns, and his head, above one ear, was a sticky black horror.

I had made it over to where he was when—unexpectedly fast—he shot out his dust-whitened arm and grabbed my hand. In panic I started back, but he only clutched at me tighter, coughing and coughing with a sick wetness.

Where—? he seemed to be saying. Where—? He was trying to look up at me, but his head dangled heavily on his neck and his chin lolled on his chest so that he was forced to peer from under his brow at me like a vulture. But his eyes, in the ruined face, were intelligent and despairing.

—Oh, God, I said, bending to help him, wait, wait—and then I stopped, not knowing what to do. His lower half lay twisted on the ground like a pile of dirty clothes.

He braced himself with his arms, gamely it seemed, lips moving and still struggling to raise himself. He reeked of burned hair, burned wool. But the lower half of his body seemed disconnected from the upper half, and he coughed and fell back in a heap.

I looked around, trying to get my bearings, deranged from the crack on the head, with no sense of time or even if it was day or night. The grandeur and desolation of the space baffled me—the high, rare, loft of it, layered with gradations of smoke, and billowing with a tangled, tent-like effect where the ceiling (or the sky) ought to be. But though I had no idea where I was, or why, still there was a half-remembered quality about the wreckage, a cinematic charge in the glare of the emergency lamps. On the Internet I’d seen footage of a hotel blown up in the desert, where the honeycombed rooms at the moment of collapse were frozen in just such a blast of light.

Then I remembered the water. I stepped backwards, looking all around, until with a leap of my heart I spotted the dusty flash of blue.

—Look, I said, edging away. I’m just—

The old man was watching me with a gaze at once hopeful and hopeless, like a starved dog too weak to walk.

—No—wait. I’m coming back.

Like a drunk, I staggered through the rubbish—weaving and plowing, stepping high-kneed over objects, muddling through bricks and concrete and shoes and handbags and a whole lot of charred bits I didn’t want to see too closely.

The bottle was three quarters full and hot to the touch. But at the first swallow my throat took charge and I’d gulped more than half of it—plastic-tasting, dishwater warm—before I realized what I was doing and forced myself to cap it and put it in the bag to take back to him.

Kneeling beside him. Rocks digging into my knees. He was shivering, breaths rasping and uneven; his gaze didn’t meet mine but strayed above it, fixed fretfully on something I didn’t see.

I was fumbling for the water when he reached his hand to my face. Carefully, with his bony old flat-pad fingers, he brushed the hair from my eyes and plucked a thorn of glass from my eyebrow and then patted me on the head.

“There, there.” His voice was very faint, very scratchy, very cordial, with a ghastly pulmonary whistle. We looked at each other, for a long
strange moment that I’ve never forgotten, actually, like two animals meeting at twilight, during which some clear, personable spark seemed to fly up through his eyes and I saw the creature he really was—and he, I believe, saw me. For an instant we were wired together and humming, like two engines on the same circuit.

Then he lolled back again, so limply I thought he was dead.—“Here,” I said, awkwardly, slipping my hand under his shoulder. “That’s good.” I held up his head as best I could, and helped him drink from the bottle. He could only take a little and most of it ran down his chin.

Again falling back. Effort too much.

“Pippa,” he said thickly.

I looked down at his burnt, reddened face, stirred by something familiar in his eyes, which were rusty and clear. I had seen him before. And I had seen the girl too, the briefest snapshot, an autumn-leaf lucidity: rusty eyebrows, honey-brown eyes. Her face was reflected in his. Where was she?

He was trying to say something. Cracked lips working. He wanted to know where Pippa was.

Wheezing and gasping for breath. “Here,” I said, agitated, “try to lie still.”

“She should take the train, it’s so much faster. Unless they bring her in a car.”

“Don’t worry,” I said, leaning closer. I wasn’t worried. Someone would be in to get us shortly, I was sure of it. “I’ll wait till they come.”

“You’re so kind.” His hand (cold, dry as powder) tightening on mine. “I haven’t seen you since you were a little boy again. You were all grown up the last time we spoke.”

“But I’m Theo,” I said, after a slightly confused pause.

“Of course you are.” His gaze, like his handclasp, was steady and kind. “And you’ve made the very best choice, I’m sure of it. The Mozart is so much nicer than the Gluck, don’t you think?”

I didn’t know what to say.

“It’ll be easier the two of you. They’re so hard on you children in the auditions—” Coughing. Lips slick with blood, thick and red. “No second chances.”

“Listen—” It felt wrong, letting him think I was someone else.

“Oh, but you play it so beautifully, my dear, the pair of you. The
G major. It keeps running through my mind. Lightly, lightly, touch and go—”

Humming a few shapeless notes. A song. It was a song.

“… and I must have told you, how I went for piano lessons, at the old Armenian lady’s? There was a green lizard that lived in the palm tree, green like a candy drop, I loved to watch for him… flashing on the windowsill… fairy lights in the garden…
du pays saint
… twenty minutes to walk it but it seemed like miles…”

He faded for a minute; I could feel his intelligence drifting away from me, spinning out of sight like a leaf on a brook. Then it washed back and there he was again.

“And you! How old are you now?”

“Thirteen.”

“At the Lycée Français?”

“No, my school’s on the West Side.”

“And just as well, I should think. All these French classes! Too many vocabulary words for a child.
Nom et pronom,
species and phylum. It’s only a form of insect collecting.”

“Sorry?”

“They always spoke French at Groppi’s. Remember Groppi’s? With the striped umbrella and the pistachio ices?”

Striped umbrella.
It was hard to think through my headache. My glance wandered to the long gash in his scalp, clotted and dark, like an axe wound. More and more, I was becoming aware of dreadful bodylike shapes slumped in the debris, dark hulks not clearly seen, pressing in silently all around us, dark everywhere and the ragdoll bodies and yet it was a darkness you could drift away upon, something sleepy about it, frothy wake churned and vanished on a cold black ocean

Suddenly something was very wrong. He was awake, shaking me. Hands flapping. He wanted something. He tried to press himself up on a whistling in-breath.

“What is it?” I said, shaking myself alert. He was gasping, agitated, tugging at my arm. Fearfully I sat up and looked around, expecting to see some fresh danger rolling in: loose wires, a fire, the ceiling about to collapse.

Grabbing my hand. Squeezing it tight. “Not there,” he managed to say.

“What?”