The Goldfinch (36 page)

T
HE PILL WASN’T STRONG
enough to knock me out, but it kept me high and happy and somersaulting in and out of air-conditioned dreams. Passengers whispered in the seats around me as a disembodied air hostess announced the results of the in-flight promotional raffle: dinner and drinks for two at Treasure Island. Her hushed promise sent me down into a dream where I swam deep in greenish-black water, some torchlit competition with Japanese children diving for a pillowcase of pink pearls. Throughout it all the plane roared bright and white and constant like the sea, though at some strange point—wrapped deep in my royal-blue blanket, dreaming somewhere high over the desert—the engines seemed to shut off and go silent and I found myself floating chest upward in zero gravity while still buckled into my chair, which had somehow drifted loose from the other seats to float freely around the cabin.

I fell back into my body with a jolt as the plane hit the runway and bounced, screaming to a stop.

“
And
… welcome to Lost Wages, Nevada,” the pilot was saying over the intercom. “Our local time in Sin City is 11:47 a.m.”

Half-blind in the glare, plate glass and reflecting surfaces, I trailed after Dad and Xandra through the terminal, stunned by the chatter and flash of slot machines and by the music blaring loud and incongruous so early in the day. The airport was like a mall-sized version of Times Square: towering palms, movie screens with fireworks and gondolas and showgirls and singers and acrobats.

It took a long time for my second bag to come off the carousel. Chewing my fingernails, I stared fixedly at a billboard of a grinning Komodo dragon, an ad for some casino attraction: “Over 2,000 reptiles await you.” The baggage-claim crowd was like a group of colorful stragglers in front of some third-rate nightclub: sunburns, disco shirts, tiny bejeweled Asian ladies with giant logo sunglasses. The belt was circling around mostly empty and my dad (itching for a cigarette, I could tell) was starting to stretch and pace and rub his knuckles against his cheek like he did when he wanted a drink when there it came, the last one, khaki canvas with the red label and the multicolored ribbon my mother had tied around the handle.

My dad, in one long step, lunged forward and grabbed it before I could get to it. “About time,” he said jauntily, tossing it onto the baggage cart. “Come on, let’s get the hell out of here.”

Out we rolled through the automatic doors and into a wall of breathtaking heat. Miles of parked cars stretched around us in all directions, hooded and still. Rigidly I stared straight ahead—chrome knives glinting, horizon shimmering like wavy glass—as if looking back, or hesitating, might invite some uniformed party to step in front of us. Yet no one collared me or shouted at us to stop. No one even looked at us.

I was so disoriented in the glare that when my dad stopped in front of a new silver Lexus and said: “Okay, this is us,” I tripped and nearly fell on the curb.

“This is yours?” I said, looking between them.

“What?” said Xandra coquettishly, clumping around to the passenger side in her high shoes as my dad beeped the lock open. “You don’t like it?”

A Lexus? Every day, I was struck by all sorts of matters large and small that I urgently needed to tell my mother and as I stood dumbly watching my dad hoist the bags in the trunk my first thought was:
wow, wait until she hears about this.
No wonder he hadn’t sent money home.

My dad threw aside his half-smoked Viceroy with a flourish. “Okay,” he said, “hop in.” The desert air had magnetized him. Back in New York, he had looked a bit worn-out and seedy but out in the rippling heat his white sportcoat and his cult-leader sunglasses made sense.

The car—which started with the push of a button—was so quiet that at first I didn’t realize we were moving. Away we glided, into depthlessness and space. Accustomed as I was to jolting around in the backs of taxis, the smoothness and chill of the ride was sealed off, eerie: brown sand, vicious glare, trance and silence, blown trash whipping at the chain-link fence. I still felt numbed and weightless from the pill, and the crazy façades and superstructures of the Strip, the violent shimmer where the dunes met sky, made me feel as if we had touched down on another planet.

Xandra and my dad had been talking quietly in the front seat. Now she turned to me—snapping gum, robust and sunny, her jewelry blazing in the strong light. “So, whaddaya think?” she said, exhaling a strong breath of Juicy Fruit.

“It’s wild,” I said—watching a pyramid sail past my window, the Eiffel Tower, too overwhelmed to take it in.

“You think it’s wild now?” said my dad, tapping his fingernail on the steering wheel in a manner I associated with frayed nerves and late-night quarrels after he got home from the office. “Just wait until you see it lit up at night.”

“See there—check it out,” said Xandra, reaching over to point out the window on my dad’s side. “There’s the volcano. It really works.”

“Actually, I think they’re renovating it. But in theory, yeah. Hot lava. On the hour, every hour.”

“Exit to the left in point two miles,” said a woman’s computerized voice.

Carnival colors, giant clown heads and XXX signs: the strangeness exhilarated me, and also frightened me a little. In New York, everything reminded me of my mother—every taxi, every street corner, every cloud that passed over the sun—but out in this hot mineral emptiness, it was as if she had never existed; I could not even imagine her spirit looking down on me. All trace of her seemed burned away in the thin desert air.

As we drove, the improbable skyline dwindled into a wilderness of parking lots and outlet malls, loop after faceless loop of shopping plazas, Circuit City, Toys “R” Us, supermarkets and drugstores, Open Twenty-Four Hours, no saying where it ended or began. The sky was wide and trackless, like the sky over the sea. As I fought to stay awake—blinking against the glare—I was ruminating in a dazed way over the expensive-smelling leather interior of the car and thinking of a story I’d often heard my mother tell: of how, when she and my dad were dating, he’d turned up in a Porsche he’d borrowed from a friend to impress her. Only after they were married had she learned that the car wasn’t really his. She’d seemed to think this was funny—although given other, less amusing facts that came to light after their marriage (such as his arrest record, as a juvenile, on charges unknown), I wondered that she was able to find anything very entertaining about the story.

“Um, you’ve had this car how long?” I said, speaking up over their conversation in front.

“Oh—gosh—little over a year now, isn’t that right, Xan?”

A year? I was still chewing this over—this figure meant my dad had acquired the car (and Xandra) before he’d disappeared—when I looked up and saw that the strip malls had given way to an endless-seeming grid of small stucco homes. Despite the air of boxed, bleached sameness—row
on row, like stones in a cemetery—some of the houses were painted in festive pastels (mint green, rancho pink, milky desert blue) and there was something excitingly foreign about the sharp shadows, the spiked desert plants. Having grown up in the city, where there was never enough space, I was if anything pleasantly surprised. It would be something new to live in a house with a yard, even if the yard was only brown rocks and cactus.

“Is this still Las Vegas?” As a game, I was trying to pick out what made the houses different from each other: an arched doorway here, a swimming pool or a palm tree there.

“You’re seeing a whole different part now,” my dad said—exhaling sharply, stubbing out his third Viceroy. “This is what tourists never see.”

Though we’d been driving a while, there were no landmarks, and it was impossible to say where we were going or in which direction. The skyline was monotonous and unchanging and I was fearful that we might drive through the pastel houses altogether and out into the alkali waste beyond, into some sun-beaten trailer park from the movies. But instead—to my surprise—the houses began to grow larger: with second stories, with cactus gardens, with fences and pools and multi-car garages.

“Okay, this is us,” said my dad, turning into a road that had an imposing granite sign with copper letters:
The Ranches at Canyon Shadows.

“You live
here?
” I said, impressed. “Is there a canyon?”

“No, that’s just the name of it,” said Xandra.

“See, they have a bunch of different developments out here,” said my dad, pinching the bridge of his nose. I could tell by his tone—his scratchy old needing-a-drink voice—that he was tired and not in a very good mood.

“Ranch communities is what they call them,” said Xandra.

“Right. Whatever. Oh, shut the fuck up,” snapped my dad, reaching over to turn the volume down as the lady on the navigation system piped up with instructions again.

“They all have different themes, sort of,” said Xandra, who was dabbing on lip gloss with the pad of her little finger. “There’s Pueblo Breeze, Ghost Ridge, Dancing Deer Villas. Spirit Flag is the golf community? And Encantada is the fanciest, lots of investment properties—Hey, turn here, sweet pea,” she said, clutching his arm.

My dad kept driving straight and did not answer.

“Shit!” Xandra turned in her seat to look at the road receding behind us. “Why do you always have to go the long way?”

“Don’t start with the shortcuts. You’re as bad as the Lexus lady.”

“Yeah, but it’s faster. By fifteen minutes. Now we’re going to have to drive all the way around Dancing Deer.”

My dad blew out an exasperated breath. “Look—”

“What’s so hard about cutting over to Gitana Trails and making two lefts and a right? Because that’s all it is. If you get off on Desatoya—”

“Look. You want to drive the car? Or you want to let me drive the fucking car?”

I knew better than to challenge my dad when he took that tone, and apparently Xandra did too. She flounced around in her seat and—in a deliberate manner that seemed calculated to annoy him—turned up the radio very loud and started punching through static and commercials.

The stereo was so powerful I could feel it thumping through the back of my white leather seat.
Vacation, all I ever wanted
… Light climbed and burst through the wild desert clouds—never-ending sky, acid blue, like a computer game or a test pilot’s hallucination.

“Vegas 99, serving up the Eighties and Nineties,” said the fast, excited voice on the radio. “And here’s Pat Benatar coming up for you, in our Ladies of the Eighties Lapdance lunch.”

In Desatoya Ranch Estates, on 6219 Desert End Road, where lumber was stacked in some of the yards and sand blew in the streets, we turned into the driveway of a large Spanish-looking house, or maybe it was Moorish, shuttered beige stucco with arched gables and a clay-tiled roof pitched at various startling angles. I was impressed by the aimlessness and sprawl of it, its cornices and columns, the elaborate ironwork door with its sense of a stage set, like a house from one of the Telemundo soap operas the doormen always had going in the package room.

We got out of the car and were circling around to the garage entrance with our suitcases when I heard an eerie, distressing noise: screaming, or crying, from inside the house.

“Gosh, what’s that?” I said, dropping my bags, unnerved.

Xandra was leaning sideways, stumbling a bit in her high shoes and grappling for her key. “Oh, shut up, shut up, shutthefuckup,” she was muttering under her breath. Before she’d opened the door all the way, a
hysterical stringy mop shot out, shrieking, and began to hop and dance and caper all around us.

“Get down!” Xandra was yelling. Through the half-opened door, safari music (trumpeting elephants, chattering monkeys) was playing so loud that I could hear it all the way out in the garage.

“Wow,” I said, peering inside. The air inside smelled hot and stale: old cigarette smoke, new carpet, and—no question about it—dog shit.

“For the zookeeper, big cats pose a unique series of challenges,” the voice on the television boomed. “Why don’t we follow Andrea and her staff on their morning rounds.”

“Hey,” I said, stopping in the door with my bag, “you left the television on.”

“Yes,” said Xandra—brushing past me—“that’s Animal Planet, I left it on for him. For Popper. I said get down!” she snapped at the dog, who was scrabbling at her knees with his claws as she hobbled in on her platforms and switched the television off.

“He stayed by himself?” I said, over the dog’s shrieks. He was one of those long-haired girly dogs who would have been white and fluffy if he was clean.

“Oh, he’s got a drinking fountain from Petco,” said Xandra, wiping her forehead with the back of her hand as she stepped over the dog. “And one of those big feeder things?”

“What kind is he?”

“Maltese. Pure bred. I won him in a raffle. I mean, I know he needs a bath, it’s a pain to keep them groomed. That’s right, just look what you did to my pants,” she said to the dog. “White jeans.”

We were standing in a large, open room with high ceilings and a staircase that ran up to a sort of railed mezzanine on one side—a room almost as big as the entire apartment I’d grown up in. But when my eyes adjusted from the bright sun, I was taken aback by how bare it was. Bone-white walls. Stone fireplace, with sort of a fake hunting-lodge feel. Sofa like something from a hospital waiting room. Across from the glass patio doors stretched a wall of built-in shelves, mostly empty.

My dad creaked in, and dropped the suitcases on the carpet. “Jesus, Xan, it smells like shit in here.”

Xandra—leaning over to set down her purse—winced as the dog began to jump and climb and claw all over her. “Well, Janet was supposed
to come and let him out,” she said over his high-pitched screams. “She had the key and everything. God, Popper,” she said, wrinkling her nose, turning her head away, “you stink.”

The emptiness of the place stunned me. Until that moment, I had never questioned the necessity of selling my mother’s books and rugs and antiques, or the need of sending almost everything else to Goodwill or the garbage. I had grown up in a four-room apartment where closets were packed to overflowing, where every bed had boxes beneath it and pots and pans were hung from the ceiling because there wasn’t room in the cupboards. But—how easy it would have been to bring some of her things, like the silver box that had been her mother’s, or the painting of a chestnut mare that looked like a Stubbs, or even her childhood copy of
Black Beauty
! It wasn’t as if he couldn’t have used a few good pictures or some of the furniture she’d inherited from her parents. He had gotten rid of her things because he hated her.