The Goldfinch (28 page)

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Authors: Donna Tartt

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More than the workshop (or the “hospital,” as Hobie called it) I enjoyed Hobie: his tired smile, his elegant big-man’s slouch, his rolled sleeves and his easy, joking manner, his workman’s habit of rubbing his forehead with the inside of his wrist, his patient good humor and his steady good sense. But though our talk was casual and sporadic there was never anything simple about it. Even a light “How are you” was a nuanced question, without
it seeming to be; and my invariable answer (“Fine”) he could read easily enough without my having to spell anything out. And though he seldom pried, or questioned, I felt he had a better sense of me than the various adults whose job it was to “get inside my head” as Enrique liked to put it.

But—more than anything—I liked him because he treated me as a companion and conversationalist in my own right. It didn’t matter that sometimes he wanted to talk about his neighbor who had a knee replacement or a concert of early music he’d seen uptown. If I told him something funny that happened at school, he was an attentive and appreciative audience; unlike Mrs. Swanson (who froze and looked startled when I made a joke) or Dave (who chuckled, but awkwardly, and always a beat too late), he liked to laugh, and I loved it when he told me stories of his own life: raucous late-marrying uncles and busybody nuns of his childhood, the third-rate boarding school on the Canadian border where his teachers had all been drunks, the big house upstate that his father kept so cold there was ice on the inside of the windows, gray December afternoons reading Tacitus or Motley’s
Rise of the Dutch Republic.
(“I loved history,
always.
The road not taken! My grandest boyhood ambition was to be a professor of history at Notre Dame. Although what I do now is just a different way of working with history, I suppose.”) He told me about his blind-in-one-eye canary rescued from a Woolworth’s who woke him singing every morning of his boyhood; the bout of rheumatic fever that kept him in bed for six months; and the queer little antique neighborhood library with frescoed ceilings (“torn down now, alas”) where he’d gone to get away from his house. About Mrs. De Peyster, the lonely old heiress he’d visited after school, a former Belle of Albany and local historian who clucked over Hobie and fed him Dundee cake ordered from England in tins, who was happy to stand for hours explaining to Hobie every single item in her china cabinet and who had owned, among other things, the mahogany sofa—rumored to have belonged to General Herkimer—that got him interested in furniture in the first place. (“Although I can’t quite picture General Herkimer lounging on that decadent old Grecian-looking article.”) About his mother, who had died shortly after his three-days-old sister, leaving Hobie an only child; and about the young Jesuit father, a football coach, who—telephoned by a panicky Irish housemaid when Hobie’s father was beating Hobie “to flinders practically” with a
belt—had dashed to the house, rolled up his sleeves, and punched Hobie’s father to the ground. (“Father Keegan! He was the one who came to the house that time when I had rheumatic fever, to give me communion. I was his altar boy—he knew what the story was, he’d seen the stripes on my back. There’ve been so many priests lately naughty with the boys, but he was so good to me—I always wonder what happened to him, I’ve tried to find him and I can’t. My father telephoned the archbishop and next thing you knew, done and dusted, they’d shipped him off to Uruguay.”) It was all very different from the Barbours’, where—despite the general atmosphere of kindness—I was either lost in the throng or else the uncomfortable subject of formal inquiry. I felt better knowing he was only a bus ride away, a straight shot down Fifth Avenue; and in the night when I woke up jarred and panicked, the explosion plunging through me all over again, sometimes I could lull myself back to sleep by thinking of his house, where without even realizing it you slipped away sometimes into 1850, a world of ticking clocks and creaking floorboards, copper pots and baskets of turnips and onions in the kitchen, candle flames leaning all to the left in the draft of an opened door and tall parlor windows billowing and swagged like ball gowns, cool quiet rooms where old things slept.

It was becoming increasingly difficult to explain my absences, however (dinnertime absences, often), and Andy’s powers of invention were being taxed. “Shall I go up there with you and talk to her?” said Hobie one afternoon when we were in the kitchen eating a cherry tart he’d bought at the farmers’ market. “I’m happy to go up and meet her. Or maybe you’d like to ask her here.”

“Maybe,” I said, after thinking about it.

“She might be interested to see that Chippendale chest-on-chest—you know, the Philadelphia, the scroll-top. Not to buy—just to look at. Or, if you’d like, we could invite her out to lunch at La Grenouille—” he laughed “—or even some little joint down here that might amuse her.”

“Let me think about it,” I said; and went home early on the bus, brooding. Quite apart from my chronic duplicity with Mrs. Barbour—constant late nights at the library, a nonexistent history project—it would be embarrassing to admit to Hobie that I’d claimed Mr. Blackwell’s ring was a family heirloom. Yet, if Mrs. Barbour and Hobie were to meet, my lie was sure to emerge, one way or another. There seemed no way around it.

“Where have you been?” said Mrs. Barbour sharply, dressed for dinner
but without her shoes on, emerging from the back of the apartment with her gin and lime in her hand.

Something in her manner made me sense a trap. “Actually,” I said, “I was downtown visiting a friend of my mother’s.”

Andy turned to stare at me blankly.

“Oh yes?” said Mrs. Barbour suspiciously, with a sideways glance at Andy. “Andy was just telling me that you were working at the library again.”

“Not tonight,” I said, so easily that it surprised me.

“Well, I must say I’m relieved to hear that,” said Mrs. Barbour coolly. “Since the main branch is closed on Mondays.”

“I didn’t say he was at the main branch, Mother.”

“I think you might actually know him,” I said, anxious to draw fire from Andy. “Know of him, anyway.”

“Who?” said Mrs. Barbour, her gaze coming back to me.

“The friend I was visiting. His name is James Hobart. He runs a furniture shop downtown—well, doesn’t run it. He does the restorations.”

She brought her eyebrows down. “Hobart?”

“He works for lots of people in the city. Sotheby’s, sometimes.”

“You wouldn’t mind if I gave him a call, then?”

“No,” I said defensively. “He said we should all go out to lunch. Or maybe you’d like to come down to his shop sometime.”

“Oh,” said Mrs. Barbour, after a beat or two of surprise. Now she was the one thrown off-balance. If Mrs. Barbour ever went south of Fourteenth Street, for any reason whatsoever, I didn’t know about it. “Well. We’ll see.”

“Not to buy anything. Just to look. He has some nice things.”

She blinked. “Of course,” she said. She seemed strangely disoriented—something fixed and distracted about the eyes. “Well, lovely. I’m sure I would enjoy meeting him.
Have
I met him?”

“No, I don’t think so.”

“In any case. Andy, I’m sorry. I owe you an apology. You too, Theo.”

Me? I didn’t know what to say. Andy—sucking furtively at the side of his thumb—gave a one-shouldered shrug as she spun out of the room.

“What’s the matter?” I asked him quietly.

“She’s upset. It’s nothing to do with you. Platt’s home,” he added.

Now that he mentioned it, I was aware of muffled music emanating
from the rear of the apartment, a deep, subliminal thump. “Why?” I said. “What’s wrong?”

“Something happened at school.”

“Something bad?”

“God knows,” he said tonelessly.

“He’s in trouble?”

“I assume so. No one will talk about it.”

“But what happened?”

Andy made a face:
who knows.
“He was here when we got home from school—we heard his music. Kitsey was excited and ran back to tell him hello but he screamed and slammed the door in her face.”

I winced. Kitsey idolized Platt.

“Then Mother came home. She’s been back in his room. Then she was on the telephone for a while. I
slightly
think Daddy’s on his way home now. They were supposed to have dinner with the Ticknors tonight but I think that’s been cancelled.”

“What about supper?” I said, after a brief pause. Normally on school nights we ate in front of the television while doing our homework—but with Platt home, Mr. Barbour on his way, and the evening’s plans abandoned, it was starting to look more like a family dinner in the dining room.

Andy straightened his glasses, in the fussy, old-womanish way he had. Although my hair was dark and his was light, I was only too aware how the identical eyeglasses Mrs. Barbour had chosen for us made me look like Andy’s egghead twin—especially since I’d overheard some girl at school calling us “the Goofus Brothers” (or maybe “the Doofus brothers”—whatever, it wasn’t a compliment).

“Let’s walk over to Serendipity and get a hamburger,” he said. “I’d really rather not be here when Daddy gets home.”

“Take me, too,” said Kitsey unexpectedly, galloping in and stopping just short of us, flushed and breathless.

Andy and I looked at each other. Kitsey didn’t even like to be seen standing in line next to us at the bus stop.

“Please,” she wailed, looking back and forth between us. “Toddy’s doing soccer practice, I have my own money, I don’t want to be by myself with them,
please.

“Oh, come on,” I said to Andy, and she flashed me a grateful look.

Andy put his hands in his pockets. “All right, then,” he said to her expressionlessly. They were a pair of white mice, I thought—only Kitsey was a spun-sugar, fairy-princess mouse whereas Andy was more the kind of luckless, anemic, pet-shop mouse you might feed to your boa constrictor.

“Get your stuff
. Go,
” he said, when she still stood there staring. “I’m not waiting for you. And don’t forget your money because I’m not paying for you either.”

xiii.

I
DIDN’T GO DOWN
to Hobie’s for the next few days, out of loyalty to Andy, although I was greatly tempted in the atmosphere of tension that hung over the household. Andy was right: it was impossible to figure out what Platt had done, since Mr. and Mrs. Barbour behaved as if absolutely nothing were wrong (only you could tell that something was) and Platt himself wouldn’t say a word, only sat sullenly at meals with his hair hanging in his face.

“Believe me,” said Andy, “it’s better when you’re around. They talk, and make more of an effort to be normal.”

“What do you think he did?”

“Honestly, I don’t know. I don’t
want
to know.”

“Sure you do.”

“Well, yes,” said Andy, relenting. “But I really don’t have the foggiest.”

“Do you think he cheated? Stole? Chewed gum in chapel?”

Andy shrugged. “The last time he was in trouble, it was for hitting somebody in the face with a lacrosse stick. But
that
wasn’t like
this.
” And then, out of the blue: “Mother loves Platt the best.”

“You think?” I said evasively, though I knew very well this was true.

“Daddy loves Kitsey best. And Mother loves Platt.”

“She loves Toddy a lot too,” I said, before realizing quite how this sounded.

Andy grimaced. “I would think I’d been switched at birth,” he said. “If I didn’t look so much like Mother.”

xiv.

F
OR SOME REASON, DURING
this strained interlude (possibly because Platt’s mysterious trouble reminded me of my own) it occurred to me that maybe I ought to tell Hobie about the painting, or—at the very least—broach the subject in some oblique manner, to see what his reaction would be. The difficulty was how to bring it up. It was still in the apartment, exactly where I’d left it, in the bag I’d brought out of the museum. When I’d seen it leaning against the sofa in the front room, on the dreadful afternoon I’d gone back in to get some school things I needed, I’d walked right past it, skirting it as assiduously as I would have a grasping bum on the sidewalk, and all the time feeling Mrs. Barbour’s cool pale eye on my back, on our apartment, on my mother’s things, as she stood in the door with her arms folded.

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